In 1922, a short story titled "In a Grove" by Ryunosuke Akutagawa was published in the January edition of the Japanese monthly, Shincho. This short story tells a tale about the rape of a samurai's wife and the subsequent murder of that samurai from the point of view of several different characters, and with contradictory information from one character to the next.
In later years, television and movies used The Rashomon Effect to reveal "the truth" in the final version of some of their stories, which put a neat and tidy ending on those Hollywood's stories. However, in real life, a Rashomon effect is more like what cops deal with on the street whenever an incident happens, especially one that involves the emotions or prejudices of the witnesses. By the time interviews start with an incident involving law enforcement, the recollection of the events and timeline, descriptions of perpetrators and vehicles, types of guns or if there actually were any guns and/or the type and color of clothing worn by alleged suspects can vary quite a bit.
For our purposes as writers, The Rashomon Effect may be defined as a story told by several witnesses or alleged witnesses to the same incident. Each story as told by a separate witness and from their Point of View, will have some of the facts straight, but their story may also be colored or influenced by their personal biases, opinions, or even flavored to benefit themselves or others. Each witness story will contradict some of the alleged facts in the stories of other witnesses. The final version may be "the truth." Or not.
Curiosity led me to research The Roshomon Effect. And now that I have, I'm intrigued enough with the process to attempt a short story using that method. I already have the main characters and a skeleton plot mapped out. Now, I merely need to write my six-part story and see if all the contradictory parts fit.
But then, it's always something, isn't it?
And now for a little Blatant Self-Promotion:
NOTE: Fellow SleuthSayers Michael Bracken and Rob Lopresti also have short stories in this issue.
Catch ya later.