|Bluto cosplayer Thomas Pluck|
November is National Novel Writing Month and you're three days behind already!
NaNoWriMo for short, you're about to get flooded with word counts on social media as people try to write 50,000 words in one month. Steve Liskow wrote about this last month, and he gives courses on it, so check out his post for an introduction. I wrote my first novel, a draft called Beat the Jinx, for NaNo 2011. After three more drafts it would become Bad Boy Boogie, my second published novel, and the first in my Jay Desmarteaux crime thriller series. The drafting and rewriting is the important part, here. There's a National Novel Editing Month in March, to give you time to rest and sit on the manuscript so you have perspective, and I highly recommend taking time off and editing whatever you blast through this month, especially if you are a newer novelist.
What's new to me this year is that it's the first time I've had a novel under deadline. The second Jay Desmarteaux novel is due in mid-January, and as of now it's called Born on the Bayou. It's set entirely in Louisiana, drawing on my many visits there, and I've had many of the scenes in my head for a long time. I put together a rough outline: I like mileposts, which I can move or swerve to avoid, rather than a strict structure. Another writer called this "writing to the end of the headlights" and I like that, having just enough road to see where you're going, but not knowing where you might end up. That way the reader will hopefully be as surprised as you are.
So I cheated a bit for this year's NaNoWriMo. I began just before Bouchercon. I wanted to wait until after the convention, when I was full of energy from talking with readers and fellow writers, but I couldn't wait. I sat down and wrote the opening chapter--a prologue, even--and I've read it at two Noirs at the Bar already. The audiences have liked it. I took a big chance there, because if it went over like a fart in church, I might have been discouraged to write further. Or agonized about the direction the novel was going. So I got lucky, there. As of last night when I hammered out 2,000 words, the manuscript is around 16,500 words as November begins. So I'm cheating, kind of. It's easier to write when a novel is in motion. Inertia and all that. So my plan is to hit at least 66,500 by midnight November 30th, and have 75,000 by mid-December, giving me a month to edit (without a rest) before it goes to the publisher. This is the tightest deadline I've ever been on.
Bad Boy Boogie went through four drafts before I queried. My beta readers liked it, but a very generous agent--Elizabeth Kracht--gave me good notes on the beginning, and I amped things up for a final draft. I essentially pulled the infamous "chapter 3 is now chapter 1" switcheroo, putting strong action in the first chapter where there had been a slow burn. And it worked. My editor at the publisher had no developmental edits. Oh, there were plenty of edits to be done, but the bones were good. The novel needed a chemical peel. This is a bit of a tangent, but you should make a list of "problem words" you use and search for them before you write "final" on your draft. Some of problem words are "just," "only," "But," and "So," and you can add "ly " if you overuse adverbs. My characters nod and grin and wince and grimace and squint more than Clint Eastwood in need of Ex-Lax, as well.
This draft feels cleaner than my previous ones, as I am getting better at editing on the fly. I also go back and edit as I go, and sometimes read the last chapter I wrote before I begin the night's writing. I'm a nightowl with the writing, I wish I could do it first thing in the morning. Charles Willeford suggested writing before you use the bathroom in the morning, much less a cup of coffee. I couldn't hack that, I prefer to start between 8 and 9pm and write until 11;30, and read for a half hour before bed. It's good to have a reward set. The few TV shows I still watch? I don't use them as rewards because I like to watch them with my wife. And some of them are news shows, and it's good for me to get riled up before writing.
So are you joining NaNoWriMo this year? It's about 1350 words a day. You don't have to write every day to be a writer, but I like Larry Block's admonition, "you can't write four lousy pages?" It can seem insurmountable, but having a pro diminish it so casually makes it feel less so. To do this you need to trust your voice and silence the inner critic. As Joyce Carol Oates says, write fearlessly.
This doesn't mean you should be able to bang out a book a month or even in a year. Everyone is different, and I feel that the "book a year train" has hurt a lot of writers whose best work had more time to simmer, but this is a challenge you don't have to accept. If you've been hemming and hawing about writing a book, there are worse ways to tackle it than NaNoWriMo. You'll have a bunch of us cheering you on.