by Janice Law
We all love profundity, heartbreak, piercing stories of love and loss and heroism, and some of us aspire to write them. But fortunately there is also the category of guilty pleasures, encompassing what used to be called “tired businessmen’s entertainment.” As far as television mysteries go, I refer to the pleasant shallows of predictable scripts, familiar characters, and faintly absurd premises.
NCIS, the most popular show on television as my husband reminds me, is strong on all three. Every week, the Marines and or the Navy takes a substantial hit to its personnel. If the show continues with its LA franchise, and opens, as planned, an NCIS New Orleans, I doubt we will have enough manpower to staff our ships.
Of course, the NCIS corps of detectives is charming. The cases ingenious. The action sporadic but exciting. But what I think really draws the public is the fantasy element: the smooth working of every conceivable technology from CCTV to the multitude of data bases at the fingertips of the clever NCIS techies.
At the other end of the spectrum is a guilty pleasure of my own, the British ITV import Midsomer Murders. Once again, the plots are complex, and if the cast is maybe less interesting than NCIS, the scenery – stately homes, thatched cottages, trout streams and woodlands– is considerably better. Besides, Midsomer Murders goes to the heart of the matter: the victims will generally, as the Lord High Executioner was wont to say, “not be missed,” while the killers are even less fetching. No pity needed!
And this is why, despite the fact that nearly every episode begins with either someone walking in the night forest – never to emerge alive again; or with an early morning walker out with a keen-nosed dog – soon to discover the latest corpse, the villagers continue to tramp the woods and venture out alone on lonely paths in the dark of night.
Worse yet, the locals continue to hold those most dangerous of human gatherings, the village fete. We didn’t expect anything better than a string of killing from the Film Festival which attracted outsiders and theatrical outsiders at that. The Literary Fest was almost as bad; the star attraction coming from London and literary feuds being notorious for their viciousness, but still the body count was more than even the most pessimistic organizer could have imagined.
Not a chance. Gardeners were bumped off almost before the flower judging began, while both the Music Fest and the Midsummer frolic laid waste to multiple victims, some in the latter with ancient Celtic implements.