Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

16 September 2017

A Trivial Pursuit



by John M. Floyd



Yes, I know: there are a lot of productive things I could and should be doing right now, instead of writing a trivial post about trivia. But, as I've confessed in the past, I love little-known facts about fiction and those who create or portray it.

So, for the next few minutes, I challenge you to forget about the stock market and North Korea and politics and global warming and take a look at these worthless little tidbits about movies and novels and actors and writers. Since they surprised me when I learned about them, I hope they (or at least some of them) might surprise you as well.


- Ian Fleming wrote the children's book Chitty Chitty Bang Bang.

- The Curious Case of Benjamin Button was adapted from a short story by F. Scott Fitzgerald.

- Jack Kerouac typed the novel On the Road on one continuous roll of paper 120 feet long.

- Dooley Wilson (Sam, in Casablanca) didn't know how to play the piano.

- Dr. Seuss wasn't a doctor, of any kind.

- Harriet Beecher Stowe lived next door to Mark Twain in Hartford, Connecticut.

- The names of the policeman and the cab driver in It's a Wonderful Life were Bert and Ernie.

- Both Matt Damon and Ben Affleck were extras in Field of Dreams.

- Between 1982 and 1984, Nora Roberts wrote 23 novels.

- The announcer who replaced Armed Forces Radio DJ Adrian Cronauer (played by Robin Williams in Good Morning, Vietnam) was Pat Sajak.

- Mel Brooks wrote the lyrics to the theme from Blazing Saddles.

- Steve Buscemi is a former NYC firefighter.

- The final Lord of the Rings movie, The Return of the King, was nominated for eleven Oscars and won all of them.

- Before writing The Da Vinci Code, Dan Brown was a pop singer. One of his solo albums was called Angels and Demons.

- In Raiders of the Lost Ark, a drawing of R2D2 and C3PO appears on a column in the Well of Souls.

- The novel Catch-22 was originally titled Catch-18.

- Robert Louis Stevenson burned stories based on readers' informal responses, Leo Tolstoy's son rescued the manuscript of War and Peace from the ditch where Tolstoy had thrown it, and Tabitha King pulled the discarded manuscript of Carrie from Stephen King's wastebasket.

- James Arness (Matt Dillon of Gunsmoke) and Peter Graves (Jim Phelps of Mission: Impossible) were brothers.

- William Atherton, who played the obnoxious TV reporter in Die Hard and Die Hard 2, sang the "What'll I Do?" theme song during the opening credits of the 1974 (Robert Redford/Mia Farrow) version of The Great Gatsby.

- "Goldeneye" was Ian Fleming's name for the Jamaican beach house where he wrote all the James Bond novels. Sting later used the same desk to write the song "Every Breath You Take."

- One of the voices of E.T. was that of Debra Winger.

- Clint Eastwood composed the main theme ("Claudia's Theme") for Unforgiven.


- Tom Wolfe, who was six-foot-six, preferred to write standing up, using the top of his refrigerator for a desk.

- In The Abyss, many of the underwater scenes were actually filmed in smoky air, using fake bubbles.

- Olivia Newton-John's grandfather, Max Born, won the Nobel Prize in Physics in 1954.

- Both Erle Stanley Gardner and Agatha Christie dictated their novels. (Though ESG typed his earliest work.)

- To make some of the spacecraft seem larger in the movie Alien, director Ridley Scott filmed his own two children outfitted in miniature space suits.

- Rowan Atkinson has a master's degree in Electrical Engineering.

- Singer Tex Ritter ("Do Not Forsake Me, O My Darlin'," from High Noon) was actor John Ritter's father.

- Actor/director Anthony Hopkins composed the music for the movie Slipstream (2007).

- Clyde Barrow once wrote a letter to Henry Ford (it's on display at the Ford museum in Dearborn, Michigan) praising the V-8 Ford as a getaway car.

- The Adventures of Tom Sawyer was the first book written using the typewriter.

- Clint Eastwood did all his own mountain climbing--no stuntmen--in The Eiger Sanction.

- Most of the cast and crew of The African Queen got sick from the water. Only Humphrey Bogart and director John Huston were unaffected because they drank only whiskey.

- Evelyn Waugh's first wife's name was Evelyn.

- Tom Hanks is a descendant of Abe Lincoln's mother, Nancy Hanks Lincoln.

- The first U.S. paperback edition of Ian Fleming's Casino Royale was published with the title You Asked for It.

- Michael Myers's mask in Halloween was a two-dollar Captain Kirk mask, slightly altered and painted white.

- Carolyn Keene, author of the Nancy Drew novels, was really a pseudonym for a team of several different writers.

- Hoyt Axton (the father in The Black Stallion) wrote "Heartbreak Hotel."

- Melissa McCarthy and Jenny McCarthy are first cousins.

- The original title of Butch Cassidy and the Sundance Kid was The Sundance Kid and Butch Cassidy. It was reversed when Newman decided to take the role of Butch rather than Sundance.

- The same author (Larry McMurtry) wrote Lonesome Dove and Terms of Endearment.

- Frank Oz was the voice of Yoda, the Cookie Monster, and Miss Piggy.

- Mickey Spillane ordered 50,000 copies of his 1952 novel Kiss Me, Deadly to be destroyed when the comma was left out of the title.

- Mia Sara (Ferris Bueller's girlfriend) has had two fathers-in-law: Sean Connery and Jim Henson.

- Director John Carpenter composed the music for most of his movies.

- Noah Webster was T. S. Eliot's great-uncle.

- Ian Fleming got the name for his fictional spy from a book he owned called Birds of the West Indies, by James Bond.

- The charcoal sketch of Kate Winslet in Titanic was actually drawn by director James Cameron.

- Tommy Lee Jones and Al Gore were roommates at Harvard.

- J. K. Rowling came up with the names for the houses at Hogwarts while on a plane. She jotted the names down on a barf bag.

- The keypad on the laboratory's door lock in Moonraker plays the five-note theme from Close Encounters of the Third Kind.

- Author Sidney Sheldon created the TV series I Dream of Jeannie and The Patty Duke Show, and won an Oscar for Best Original Screenplay for The Bachelor and the Bobby-Soxer.

- When the kid in Home Alone 2 walks into the Plaza Hotel, the person he asks for directions is Donald Trump.

- Tom Clancy was part owner of the Baltimore Orioles.

- Cormac McCarthy wrote with the same typewriter for more than fifty years. When it broke, he auctioned it off for more than $250,000 (to donate to charity).

- In World War II, Roald Dahl was a fighter pilot, Donald Pleasance was a POW, Christopher Lee was an undercover agent for British Inteligence, and Charles Durning was awarded the Silver Star, Bronze Star, and Purple Heart.

- When a hurricane hit the set during filming of Jurassic Park, the pilot who choppered the crew to safety was the man who had played Indiana Jones's pilot, Jock, in Raiders of the Lost Ark.

- The top three most-read books in the world are The Holy Bible, Quotations from Chairman Mao Tse-Tung, and the Harry Potter series.

- In The Secret Life of Ian Fleming, Fleming was played by Sean Connery's son Jason.

- Actor Sam Shepard wrote 44 plays; one of them won him the Pulitzer Prize for Drama in 1979.

- The roles of both John McClane in Die Hard and Harry Callahan in Dirty Harry were first offered to Frank Sinatra.

- When J. K. Rowling wrote Harry Potter and the Sorcerer's Stone, she typed three separate copies of the manuscript because she couldn't afford copying fees.

- Samuel L. Jackson's Pulp Fiction quote from Ezekiel was originally written for Harvey Keitel's character in From Dusk to Dawn.

- Chocolate syrup was used as blood in Psycho's shower scene; it was also used as the Tin Man's oil in The Wizard of Oz.

- Mary Shelley began writing Frankenstein when she was eighteen, and it was published when she was twenty.

- Mystery writer John Sandford, a.k.a. John Camp, won a Pulitzer for Non-Deadline Feature Writing in 1986 for articles about the life of a Minnesota farming family.

- Of his 70-plus film roles, Gregory Peck played a villain only twice (I think), in Duel in the Sun and The Boys From Brazil.

- Dolph Lundgren has a master's degree in Chemical Engineering.

- In the UK, Fifty Shades of Grey is the best-selling book of all time.

- George Lucas had a dog named Indiana.

- Robert Duvall had a bit part as Steve McQueen's cab driver in the movie Bullitt.

- The Salvation (2014) was a Western filmed in South Africa, with a Danish director and actors from Germany, France, Spain, Italy, Sweden, Denmark, the U.S., and England.

- Haley Joe Osment, the boy who "saw dead people" in The Sixth Sense, played Forrest Gump's son five years earlier.

- Tippi Hedren (The Birds) is the mother of Melanie Griffith and the grandmother of Dakota Johnson.

- Kurt Vonnegut managed America's first Saab dealership.

- Denzel Washington and Jeff Goldblum both played thugs in 1974's Death Wish.

- As a child, Roald Dahl--the author of Charlie and the Chocolate Factory--was a taste-tester for Cadbury's chocolate.

- Nathaneal West's 1939 novel The Day of the Locust features a character named Homer Simpson.

- In High Plains Drifter, one of the headstones in the cemetery was inscribed with the name Sergio Leone.

- Married (at one time or another): Geena Davis/Jeff Goldblum, Rachel Weisz/Daniel Craig, Calista Flockhart/Harrison Ford, Marlo Thomas/Phil Donahue, Rita Hayworth/Orson Welles, Uma Thurman/Gary Oldman, Dyan Cannon/Cary Grant, Lorraine Bracco/Edward James Olmos, Catherine Keener/Delmot Mulroney, Mia Farrow/Frank Sinatra, Christie Brinkley/Billy Joel, Barbara Streisand/Elliott Gould, Brooke Shields/Andre Agassi, Lisa Marie Presley/Nicolas Cage, Mary Steenbergen/Malcolm McDowell, Isabella Rosselini/Martin Scorcese, Madonna/Sean Penn, Penelope Ann Miller/Will Arnett, Michelle Phillips/Dennis Hopper, Mimi Rogers/Tom Cruise, Helen Hunt/Hank Azaria, Drew Barrymore/Tom Green, Katherine Ross/Sam Elliott, Scarlett Johanssen/Ryan Reynolds.

-Dated (at one time or another): Helen Mirren/Liam Neeson, Anjelica Huston/Jack Nicholson. Sarah Jessica Parker/Robert Downey Jr., Courtney Cox/Michael Keaton, Whoopi Goldberg/Frank Langella, Carrie Fisher/Paul Simon, Jeanne Tripplehorn/Ben Stiller, Meryl Streep/John Cazale.

- Barbie in Toy Story 3 is voiced by Jodi Benson, who also voiced Ariel in The Little Mermaid.

- Paranormal Activity cost $15,000 to make and has grossed $210 million; Deep Throat cost around $25,000 and grossed $600 million; John Carter cost $350 million and lost $200 million.

- Mickey Spillane was at one time the author of seven of the ten best-selling novels in history.

- Sean Connery wore a toupee in all of his James Bond movies.


And maybe the most valuable and surprising piece of trivia of all:

- Katy Perry's cat's name is Kitty Purry.

(Don't ever say I didn't give you the inside info.)


Can you think of any crazy and lesser-known movie/novel/actor/author facts? Inquiring minds want to know . . .




19 August 2017

Jewels From the Bargain Bin


Like many of you, I was shocked and saddened by the recent passing of our friend B.K. Stevens. I can't remember when she and I first met face-to-face--one of the Bouchercons--but we've exchanged (literally) hundreds of emails over the years. I miss her deeply. It was I who, with the blessing of our board, invited her to join SleuthSayers a couple of years ago, and I believe she enjoyed the group. I know I always looked forward to her insights--Bonnie was one of those writers who seemed always to to be able to find the humor in this crazy pastime of ours. I'm pleased that her fictional characters will live on, and I look forward to discovering or re-reading her many stories in back issues of AHMM and other publications. Once again, deepest condolences to Dennis and the rest of her family. 


Not that it matters, but my post today involves one of the many subjects that Bonnie and I often discussed…

I've always loved movies. I grew up in a town too small to have a traffic light, much less a theatre (actually it did have a rickety wooden building that screened what my granddad called "serials," with John Wayne and Tom Mix, but it burned down when I was four or five), so the first cinematic experiences I really remember are the movies my parents or my older cousins took me to in our two nearest "cities," one seven miles west and the other twelve miles east. I can still recall the names of some of those thrilling adventures: The Missouri Traveler, Operation Mad Ball, Old Yeller, Fire Down Below, Calamity Jane, The Seven Year Itch, The Lion and the Horse, Bend of the River, and so on. Later, I devoured movies at every opportunity, in high school, college, and the Air Force, and since by that time I could also see them regularly on TV, I furthered my addiction at home, late at night. Even now, I spend way too much time in front of either the big or small screen (mostly small, via Netflix, Apple TV, and Amazon Prime Video). I'm hooked--what can I say?

A couple of weeks ago I watched two films I'd somehow never gotten around to seeing: Waterloo Bridge (recommended by Paul Marks) and In a Lonely Place. I liked them both. I've also recently re-watched familiar favorites like L. A. Confidential, Apocalypse Now, The Big Country, Raising Arizona, and Aliens. And, in so doing, it occurred to me that most people's favorite films are probably those that are well-known: the Citizen Kanes, Godfathers, Chinatowns, Casablancas, Fargos, Vertigos, etc. They're great movies, yes, but they're supposed to be. They're classics.

What I especially enjoy, though, is to "discover," either by accident or through the recommendations of friends (thanks again, Paul!), good movies that I've not heard about, or that I didn't think I would like. The following is a list of a round 100 of those "pleasant surprises." Most are those that you might find in the six-foot-diameter, three-to-five-dollar DVD bin at Walmart, but I liked 'em all. And yes, I know I wrote a similar column about guilty-pleasure movies earlier this year, and this list recycles some of those--but more than half of these are new entries. (I've dug through a great many of those discount bins since then.)

Anyhow, if you're ever stuck for something new to watch, give one of these lesser-known gems a try:


From Noon to Three (1976)
The Rocketeer (1991)
Sands of the Kalahari (1965)
Park (2006)
Born Losers (1967)
Magic (1978)
A Family Thing (1996)
The Hanging Tree (1959)
Melancholia (2011)
Used Cars (1980)
Someone to Watch Over Me (1987)
The Gypsy Moths (1969)
I Don't Feel at Home in This World Anymore (2017)
Duck, You Sucker (1971)
The Last Sunset (1961)
The Dish (2000)
Miss Pettigrew Lives for a Day (2007)
Waterhole #3 (1967)
Proof (2005)
The Ballad of Cable Hogue (1970)
The Spanish Prisoner (1997)
Ghost World (2001)
Remo Willians--the Adventure Begins (1985)
Dead Men Don't Wear Plaid (1982)
The Professionals (1966)
Dillinger (1973)
A History of Violence (2005)
Cloverfield Lane (2015)
In Bruge (2008)
Vanishing Point (1971)
What's Up, Doc? (1972)
The Long Kiss Goodnight (1996)
Island in the Sky (1953)
Good Neighbor Sam (1964)
Pawn Shop Chronicles (2013)
Jeremiah Johnson (1972)
Jack the Giant Slayer (2013)
Cashback (2006)
Copland (1997)
The Ghost and the Darkness (1996)
Lockout (2012)
Bubba Ho-Tep (2002)
The Mothman Prophecies (2002)
Red Rock West (1993)
An Unfinished Life (2005)
Edge of Darkness (2010)
Third Man on the Mountain (1959)
Assault on Precinct 13 (2005)
Game Change (2012)
A Life Less Ordinary (1997)
Killer Joe (2011)
Idiocracy (2006)
Nebraska (2013)
What About Bob? (1991)
Mystery Road (2013)
Frequency (2000)
Big (1988)
The Sea of Trees (2015)
Leap of Faith (1992)
The Dead Zone (1983)
The Mexican (2001)
The Great Train Robbery (1979)
Peggy Sue Got Married (1986)
Across the Universe (2007)
The History of the World, Part I (1981)
Brassed Off (1996)
Lady in the Water (2006)
Top Secret! (1984)
Ransom (1996)
While You Were Sleeping (1995)
16 Blocks (2006)
Before the Devil Knows You're Dead (2007)
The Cooler (2003)
Seven Men From Now (1956)
Hidalgo (2004)
The Book of Eli (2010)
True Romance (1993)
Joe Versus the Volcano (1990)
Always (1989)
Heaven's Prisoners (1996)
Zathura: A Space Adventure (2005)
Manhunter (1986)
Silver Bullet (1985)
Planes, Trains, and Automobiles (1987)
Secondhand Lions (2003)
Nobody's Fool (1994)
Dead Again (1991)
Will Penny (1967)
Stranger Than Fiction (2006)
Nevada Smith (1966)
Necessary Roughness (1991)
Bone Tomahawk (2015)
The Edge (1997)
A Big Hand for the Little Lady (1966)
Rustler's Rhapsody (1985)
The Great Race (1965)
Undercover Brother (2002)
The Salvation (2014)
The Flim-Flam Man (1967)
Stripes (1981)


If you've heard of some of these, I'm pleased--not many are instantly recognizable. But I think they're worth your while. Some have won awards, many are technically excellent, and a few will make you laugh or cry. If you do watch any of them on my recommendation and they make you laugh or cry for the wrong reasons (believe me, I've seen a lot of those, too), I apologize. My taste is sometimes a little weird.

Here's the question of the day: Do you have any obscure favorites you can point me to? I received a lot of great suggestions from your comments, last time.

My Netflix queue awaits your replies…

24 July 2017

Withnail & I


Picture this: A large, empty, cavernous movie theater auditorium in the depths of winter. I'm in a jacket and scarf, and my breath is visible. It's a matinee screening and no one else came. The lights go down and the ruby red curtains part. A soulful saxophone echoes: a four a.m. version of Procol Harum's A Whiter Shade of Pale. Up on the screen, a man sits in profile in a darkened sitting room and smokes a cigarette. He's contemplating the universe, or he's about to face a firing squad.
This is a memory burnt into my mind. And I am lately reminded that it happened thirty years ago.

Thirty years ago, Kevin called me up on the telephone. "You should go see it," he said. He'd called to tell me about a movie that had opened a couple of days earlier. I don't remember his exact words, but I remember his enthusiasm, and the movie was Withnail and I.

"What's it about?"

A couple of days later, I sat alone in that aforementioned empty movie theater: The Embassy; a cold, uninspiring Art Deco building of creams and off whites. It used to stand on the corner of Lorne and Wellesley Streets in Auckland City, and it was a proper movie palace: wide, a couple of levels, big fat chocolate leather seats (and not a darkened shoe box like most cinemas today).

"What the hell was that about?" Francine asked, two weeks later, when I suggested we go see it (me for the second time), and we did, and we sat in a café afterwards.

The movie is set in England in 1969 and it's about a lot of different things, and to describe any one of them would do disservice to the others. To my mind, it's about as close to a book as any movie has ever gotten. When I close a good book, I'm left first with a mood, a feeling; it's taken me somewhere emotionally. Remembering scenes and moments (and the plot) comes later.

Essentially, Withnail is the story of two actors. They've graduated from drama school and are looking for work. They're unemployed and the world owes them no favors. In fact, the world seems to offer no hope whatsoever. The world is crumbling.
This can be read as a metaphor, and it's the key to the movie's popularity (it flopped when it was first released, but it's since become a perennial favorite; a cult classic). We've all been there. The waiting. The what next? The what do I do now?

It doesn't matter the career or chosen path, be it actor, writer, musician, or ________ (fill in the blank). Most of us have found ourselves, at some point, standing at the crossroads wondering what the hell do we do next?

Do I wait for the phone to ring? Do I go out and hustle? How does this thing work?

And there is no right answer. And Withnail doesn't provide one.

That's the trouble with most movies today. There's always a right answer: it's provided for you, usually in triplicate, and underlined. You can watch and "understand" most movies today without almost any assistance from your brain.

I'm not arguing that Withnail & I is the greatest movie ever made, but it takes you somewhere, if you want it to. And I will argue that it's one of the more sharply written and better acted.

Withnail ends in Regent's Park, London. It's raining. It's a miserable day. One of the actors has left to catch a train; he has secured a job. The other is left drunk at the bars of the wolf enclosure, his future uncertain. He recites the what a piece of work is man? monologue from Hamlet. The wolves are uninterested.


Again, a metaphor.

Withnail & I is about whatever you want to find in it.

Withnail & I (at the IMDB)

www.StephenRoss.net

02 July 2017

Take This Movie, Please.


by Leigh Lundin

John Floyd and Paul Marks cast giant shadows when it comes to films. John is known for the depth and breadth of his movie experience. I’ve managed to name a flick or two John hasn’t seen, but it’s difficult. Paul is recognized for his encyclopedic knowledge of vintage Hollywood. What he doesn’t know about Tinseltown could be loosely packed in a brown derby with room left over for a head.

Occasionally one or another of the rest of us bravely steps up to chat about films. Recently a little article caught my attention, ‘Ignore The Critics! 10 ‘Rotten’ Movies You Should Totally Watch Anyway’. I’m not sure what the word ‘totally’ quantifies in this context, but I liked the point of the article. They led with this list, about half which I’ve seen and a couple I wouldn’t have minded seeing.
The Great Gatsby
The Great Gatsby
  • (2013)   The Secret Life of Walter Mitty
  • (2013)   The Great Gatsby
  • (2012)   To Rome with Love
  • (2009)   Defiance
  • (2005)   Mr. & Mrs. Smith
  • (2004)   50 First Dates
  • (2004)   Troy
  • (2003)   Eurotrip
  • (2001)   A Knight’s Tale
  • (2001)   Wet Hot American Summer
Take, For Example…

Take the Ben Stiller version of The Secret Life of Walter Mitty. It’s less fanciful and more in tune with today’s world of corporate closings and layoffs, in this case the shuttering of Life magazine. It’s flawed, as are most of the movies on this list and yet it’s a satisfying romantic comedy.

Like Ben Stiller, Adam Sandler made early gross-out movies, but also like Stiller, he can be genuinely funny and play sensitive rôles. To me, 50 First Dates is better than this list. It presents an original problem, one Sandler is determined to resolve, the fact his new love’s short-term memory means she forgets him the next day. Out of these ten, it’s my clear favorite.

50 First Dates

With half an eye on the small screen whilst doing paperwork, I watched Troy in one of those 2AM television time slots. It’s the one movie I would recommend only if your Netflix expired, your local Red Box dispenser broke, you don’t have enough light to read a tattered Danielle Steel novel, and you couldn’t even find your kids’ Bugs Bunny tape under the sofa. It survived in rental stores for, well, weeks by our teary, cat-loving gentle sex who watched and rewatched 2¾ hours of a naked Brad Pitt, Orlando Bloom, and Australian muscle Nathan Jones. It’s a pretty bad two hours and forty-three minutes you’ll never get back, but I give it points for a clever explanation of the Achilles’ heel legend.

Troy: Rose Byrne et Brad Pitt

Take Two

While I usually consult critics (Rotten Tomatoes, IMdb), I occasionally defy the experts. I might see a movie because it’s a plot taken from a favorite mystery or speculative fiction writer. When it comes to science fiction, most critics find themselves strangers in a strange land; they don’t grok the genre. (There’s a sci-fi reference.) That’s why SF reviews are often meaningless.

Ever wonder why the movie sound system is called THX? In my student poverty days (as opposed to my writer poverty days), I sometimes visited a pocket-sized dollar movie house off New York City’s Union Square. One afternoon they showed what’s now called a cult film, George Lucas’ THX-1138. It was considered beneath review by major newspapers. It ran on a bit, but I liked it.

THX-1138

My film-fanatic friend Geri should meet John Floyd. When I feel like a movie, I give her a call and she’s always up for a celluloid fix. She’s open-minded, so we’ve seen quite a range from 50 Shades of Grey (lush photography, great music, sad-ass plot) to The Accountant (violently clever). Despite the critics, we recently opted to see The Book of Henry.

The Book of Henry

Rotten Tomatoes’ critics weighed in at a low, low 23%, but audiences tripled that rating. Critic Susan Wloszczyna came up with the cleverest line in her review: “Every book needs an editor.” Zing. It’s true.

Henry's treehouse
We liked the film, the characterization and the childhood atmosphere, but it’s definitely not a children’s story. No child plans a murder and no mother carries it out… not in the real world and not in fantasy, but that’s the premise of the second half of the plot. Clearly the script writer failed to grasp that precept. British critic Kate Taylor said, “I began to wonder if [the screen writer and director] had ever met any children.”

By now, you’re probably wondering how we managed to like anything about it at all, but the setting, character concepts, and acting helped offset a script that lost its way. I simply wish the writer had thought longer and harder about a smarter way to handle his premise. It’s one of those stories where you’re pretty certain you could have written a better outcome.

Take Three

Sometimes I find myself on the opposite side of critics when they over-rate a film. An example is the 2015 The Witch (title stylized as VVitch). Rotten Tomatoes’ critics tipped the scale at 91%. It might have been atmospheric, but it contained absolutely no plot, none, zip. It consisted of nothing more than a series of scenes that were supposed to lead up to… something… but didn’t. Leave it to Puritans to sour a modern day movie about Puritans.

Rotten Tomatoes gave 2013’s Gravity a 96% rating. Think of it as 2001: A Space Odyssey where HAL ate the script. The space scenes were meticulously, even beautifully filmed, but NASA forgot to launch the plot, not much of one at least, mainly a dream sequence. Movie critics aren’t the only ones who don’t understand science fiction… sometimes movie makers don’t understand it either.

Pia Zadora in Butterfly
Pia Zadora in Butterfly
I’ve already written about a poorly (and unfairly) received film, 1982’s Butterfly with Stacy Keach, Pia Zadora, and Orson Welles. Sometimes trashing a movie has nothing to do with the film itself.

Let’s spare a moment to talk about Django Unchained, the 2012 Tarantino movie. My acquaintances found it incomprehensible, but I give it marginally passing marks. My gripes weren’t the same as my friends. Tarantino bragged how much historical research had gone into the film, but its anachronisms overwhelmed the story. I quit counting historical inaccuracies when I ran out of 9.5 fingers. (Friends will recognize another in-joke) Yes, I gave it a passing grade– barely– but I’ve thought for some time Quentin Tarantino is way over-rated. His sense of color, style, and violence stands out among less colorful directors, but I suspect future film classes will look back and wonder what the hell we were raving about.

Take Four

What’s your take? What poorly rated films make up your guilty-pleasures list? And what films received high ratings that mystified you?

05 April 2017

Brit Crimes


Recently I was watching a movie called Redirected and I realized I have become a big fan of a certain kind of flick, which I call Brit Crime.  Redirected is a reasonable example of the  genre, although it is not a great movie.

Quite simply I am talking about British movies about contemporary organized crime.  They tend to have a lot of humor, a lot of violence, and they often involve amateur criminals coming up against more experienced villains.

Redirected (2014) is a joint British-Lithuanian  production (and how many of those have you seen?)  The hero, Michael, is a member of the Queen's Guard, which means his biggest challenge is wearing that tall stupid black hat and keeping a straight face while tourists gawk at him.

But on his birthday three friends play a hoax on him. Except it isn't a hoax.  They are pulling off a robbery on a gang of major crooks and they need a fourth.  The next thing he knows Michael is waking up in... Lithuania?  He is more than baffled and he knows there are very nasty gangsters on his trail.  Crazy things happen.  My favorite is the scene in which a naked man beats a priest with a radiator.  Well, he has his reasons.  And here is a memorable line from a Lithuanian bride-to-be:

Simona: I'm no slut.  I have dreams.  I want to be a film critic!

So, that's Redirected.   But when I think of this type of movie the model in my head is Lock, Stock, and Two Smoking Barrels (1998). Guy Ritchie wrote and directed this one, and won the Edgar Award for it.  Like my first movie, this one involves four lightweights who try to rob some big timers in order to deal with a cash flow problem.  It also involves two antique shotguns that get swiped. And it's pretty hilarious.

  Gary: Shotguns? What, like guns that fire shot?
  Barry the Baptist: Oh, you must be the brains of the operation. 

Two years later came snatch, Ritchie's follow-up with many of the same actors (in fact, Vinnie Jones is in all three of these movies... a reliable mobster man), but a different plot.  Everyone involved seems to be having a great time, especially Brad Pitt who says not one comprehensible word.  Another well-known actor spends most of the flick with a bag over his head.

Bullet Tooth Tony: You should never underestimate the predictability of stupidity.

While those two Guy Ritchie movies are my imprint of what a Brit Crime movie is, I think the best of the genre is In Bruges (2008)Two British hitmen are banished to Belgium after a job goes horrifically wrong.  Their boss (Ralph Fiennes) is not a man to annoy.  (When he gets bad news he beats his telephone practically to molecules.)  As I have said before, I am a sucker for stories about redemption and each of the main characters in this flick turn out to be slightly better than we (or even they) suspect.

Ray: Ken, I grew up in Dublin. I love Dublin. If I grew up on a farm, and was retarded, Bruges might impress me but I didn't, so it doesn't. 

Here are some more.

The Long Good Friday (1980) Bob Hoskin is a crime boss suddenly under attack by unknown enemies.

Harold: You don't crucify people! Not on Good Friday!

Mona Lisa (1986) Bob Hoskins (I love me Mr. Hoskins) is fresh out of prison.  The crook he went to jail for gets him a job as chauffeur to a call girl.  Things get complicated.

Simone: I'm the girl they rush home from..

Sexy Beast (2000) Odd title, quirky movie.  Ray Winstone is  a retired mobster.  Ben Kingsley, a million miles from his usual roles, is the insanely nasty recruiter sent to drag him back for One Last Job.

Don: I won't let you be happy.  Why should I?



Layer Cake (2004) Just before turning into James Bond, Daniel Craig plays a cocaine merchant with One Last Job to do before retiring.  He should have watched Sexy Beast.

Eddie: England.  Typical.  Even drug dealers don't work weekends.

So, tell me your favorite Brit Crime movies that I missed.  Or I'll send Ben Kingsley to persuade you.

01 April 2017

Guilty Pleasures



by John M. Floyd




Anyone who posts regularly at blogs like this knows that ideas for topics can come from unexpected places. Today's column is the result of recent discussions I've had with my friend and fellow SleuthSayer Paul D. Marks, who--God help us both--is as obsessed with movies as I am. We've been emailing each other about some recent movies we've seen and why we liked them and why we sometimes prefer the old ones to the new, and so forth. We even decided to exchange lists of favorites, and mine include, predictably, some of the greats--Casablanca, To Kill a Mockingbird, Double Indemnity, Goldfinger, Psycho, The Godfather, The Shawshank Redemption, etc.

But . . . they also contain a lot that were not so great, and certainly not critically acclaimed. Why, then, did I like them? Why would I spend two hours watching something that probably provides little or no educational value, food for thought, lessons about life, or the broadening of any kind of horizon? My answer: because they're fun. Let's face it, when you sit down to watch something called Snakes on a Plane, you know you're not getting Citizen Kane or The Grapes of Wrath. But sometimes those crazy movies just hit the spot. They're sort of like Hostess Twinkies--I know they're not good for me but I scarf 'em down anyhow.


Diamonds in the rough

The following, in no particular order, are some of my cinematic "guilty pleasures." The funny thing is, they're all movies that, before I saw them, I thought I wouldn't like.

NOTE 1: Some of these actually are high-quality, big-budget movies--but most are not. Very few were mentioned in awards ceremonies. Ask me if I care.

NOTE 2: The films I've marked with asterisks are some of those that I could watch over and over and over again. And I do.

Idiocracy
Get the Gringo
*Rustler's Rhapsody
Seven Psychopaths
Dumb and Dumber
*Bubba Ho-Tep
*A Life Less Ordinary
The Pawn Shop Chronicles
Cashback
Trollhunter
Zathura
Spaceballs
*Used Cars
Undercover Brother
The Postman
Captain Ron
*Silver Bullet
True Lies
Dirty Rotten Scoundrels
Me, Myself, and Irene
*Cowboys and Aliens
Liar Liar
My Name Is Nobody
Billy Jack
*Under Siege
*Hot Shots, Part Deux
Payback
Open Water
*Escape From New York
Last Man Standing
What About Bob?
The Mist
Kings of the Sun
Australia
The History of the World, Part I
Overboard
*Texas Across the River
The Great Race
Welcome to the Jungle
*Office Space
Lockout
*Lady in the Water
The Night Flier
The Hudsucker Proxy
The Betsy
*Waterhole #3
The Long Kiss Goodnight
Sahara
*Galaxy Quest
The Quick and the Dead (1995)
A Million Ways to Die in the West
*Blazing Saddles
*Cat People (1982)
Vanishing Point
Forgiving the Franklins
*The Book of Eli
Kentucky Fried Movie
The Mothman Prophecies
Necessary Roughness


Non-so-guilty pleasures

One of the thrills of watching movies, to me, is occasionally stumbling across one that you've heard nothing about beforehand, and discovering that it's better than many of those that have been hyped to high heaven. These under-the-radar jewels are those that, once you see them, you remember forever.

Add-on category: excellent movies that no one seems to have heard about:

An Unfinished Life
Killer Joe
Before the Devil Knows You're Dead
Medicine Man
The Gypsy Moths
The Flim Flam Man
Holes
The Last Sunset
Magic
The Spanish Prisoner
The Ballad of Cable Hogue
Apocalypto
Edge of Darkness
The Cooler
True Romance
From Noon to Three
Red Rock West
The Man From Elysian Fields
The Gods Must Be Crazy
Bone Tomahawk
Sands of the Kalahari
In Bruges
Blood Simple
The Lookout
The Taking of Pelham One Two Three (1974)
Miss Pettigrew Lives for a Day
A History of Violence
This Property Is Condemned
Eye of the Needle
The Sea of Trees
Someone to Watch Over Me
The Molly Maguires
Out of Sight
Amelie
Jack the Giant Slayer
The Water Diviner
Mountains of the Moon
The Salvation
Mud
The Chase
The Blue Max
Stranger Than Fiction
Leap of Faith
Heaven's Prisoners
They Shoot Horses, Don't They?
Brassed Off
Sorcerer
Runaway Train
Always
Hearts in Atlantis
The Homesman
Muriel's Wedding


Q and A

What movies have you seen, that might fit into either of these lists? Can you relate to my delight in uncovering good ones that I'd never heard about before? Do you sometimes find yourself disappointed when you see unsatisfying movies that the critics have all said were great? Do you
ever start watching one that you're sure you'll hate and find yourself enjoying it? Do you sometimes hate to admit you enjoyed it? Do you agree that I probably need to find better things to do with my time?

In closing, I should mention that I like a wide range of movies, from Notting Hill to Goodfellas, from Star Wars to Driving Miss Daisy, from Raising Arizona to Django Unchained. And the same goes for my taste in stories and novels and TV shows. I still write mostly mystery fiction, but I'll read and watch almost anything.

Bleary-eyed and poor, yes. Guilty, no.

Pass the popcorn . . .




News flash: Two weeks from today, in my April 15 column, I'll be interviewing my old friend Gerald So, former president of the Short Mystery Fiction Society. We'll talk about crime-related poetry (which, if you haven't tried it, is great fun to read AND write). I hope you'll tune in and help me welcome Gerald to SleuthSayers!

And congratulations to all the Derringer Award nominees!








18 February 2017

As the Credits Go By




In a column I posted at SleuthSayers several months ago, called "Crime (and Other) Scenes," I listed a hundred or so of my favorite movie moments, and the first category was my pick for the ten "best opening sequences." What I didn't mention, there, was that the music accompanying the opening credits can be as important as the images. Examples: The Magnificent SevenStar WarsThe Big CountryTop GunThe Pink PantherA Fistful of DollarsSuperman, and many others. And while that opening music piece often has the same title as the movie, like "Jaws Theme," "Goldfinger," "The Great Escape March," "Theme From A Summer Place," etc., sometimes the director uses a song with its own name, and occasionally one that wasn't originally written for the film.

Which brings us to today's post, and my challenge to you. Can you name the movies whose opening credits used the following fifty pieces of music? The first half are fairly easy; the rest of them, not so much.
(Warning: No Googling allowed. The Shadow knows.)


Here are the songs. Their movies are included below. Good luck!

1. "The Sound of Silence" -- Simon and Garfunkel
2. "Stayin' Alive" -- The Bee Gees
3. "Up Where We Belong" -- Joe Cocker and Jennifer Warnes
4. "Gonna Fly Now," -- Bill Conti
5. "Suicide Is Painless," -- Johnny Mandel
6. "When You Wish Upon a Star" -- Cliff Edwards
7. "The James Bond Theme" -- John Barry
8. "Born to Be Wild," -- Steppenwolf
9. "Everybody's Talkin'" -- Harry Nilsson
10. "Do Not Forsake Me, O My Darlin'" -- Frankie Laine
11. "The Circle of Life" -- Elton John
12. "The Windmills of Your Mind" -- Michel Legrand
13. "Nobody Does It Better" -- Carly Simon
14. "The Deadwood Stage" -- Ray Heindorf
15. "One Tin Soldier" -- Coven
16. "Holiday Road" -- Lindsey Buckingham
17. "Real Gone" -- Sheryl Crow
18. "Moon River" -- Henry Mancini
19. "Little Green Bag" -- The George Baker Selection
20. "Also Sprach Zarathustra" -- Richard Strauss
21. "The Rainbow Connection" -- Kermit the Frog
22. "All-Time High" -- Rita Coolidge
23. "You've Got a Friend in Me" -- Randy Newman
24. "Seventy-Six Trombones" -- Ray Heindorf
25. "I Heard It Through the Grapevine" -- Marvin Gaye
26. "The End" -- The Doors
27. "As Time Goes By" -- Jimmy Durante
28. "I Can See Clearly Now" -- Johnny Nash
29. "Way Out There" -- Carter Burwell
30. "Misirlou" -- Dick Dale and the Del-Tones
31. "Come Softly to Me" -- The Fleetwoods
32. "Best of My Love" -- The Emotions
33. "The Times They Are A-Changing" -- Bob Dylan
34. "Rock Around the Clock" -- Buddy Holly
35. "Hound Dog" -- Elvis Presley
36. "What'll I Do?" -- William Atherton
37. "Tomorrow Is the Song I Sing" -- Richard Gillis
38. "Wish Me a Rainbow" -- Gunter Kallman Chorus
39. "I'm All Right" -- Kenny Loggins
40. "Sixteen Tons" -- Eric Burdon
41. "The Man Comes Around" -- Johnny Cash
42. "Across 110th Street" -- Bobby Womack
43. "For What It's Worth" -- Buffalo Springfield
44. "The Heat Is On" -- Glenn Frey
45. "The Immigrant Song" -- Led Zeppelin
46. "The Puppy Song" -- Harry Nilsson
47. "Summer in the City" -- Joe Cocker
48. "Dies Irae" -- Renny Harlin
49. "Gimme Shelter" -- The Rolling Stones
50. "It Had to Be You" -- Harry Connick, Jr.


Okay, that's it. Please put your pencils down and step away from your desks.


Answers:

1. The Graduate
2. Saturday Night Fever
3. An Officer and a Gentleman
4. Rocky
5. M*A*S*H
6. Pinocchio
7. Dr. No
8. Easy Rider
9. Midnight Cowboy
10. High Noon
11. The Lion King
12. The Thomas Crown Affair (1968 version)
13. The Spy Who Loved Me
14. Calamity Jane
15. Billy Jack
16. National Lampoon's Vacation
17. Cars
18. Breakfast at Tiffany's
19. Reservoir Dogs
20. 2001
21. The Muppet Movie
22. Octopussy
23. Toy Story
24. The Music Man
25. The Big Chill
26. Apocalypse Now
27. Sleepless in Seattle
28. Grosse Point Blank
29. Raising Arizona
30. Pulp Fiction
31. Crossing Delancey
32. Boogie Nights
33. Watchmen
34. Blackboard Jungle (and, later, American Graffiti)
35. Indiana Jones and the Kingdom of the Crystal Skull
36. The Great Gatsby (1974 version)
37. The Ballad of Cable Hogue
38. This Property Is Condemned
39. Caddyshack
40. Joe Versus the Volcano
41. Dawn of the Dead
42. Jackie Brown
43. Full Metal Jacket (and, later, Lord of War)
44. Beverly Hills Cop
45. The Girl With the Dragon Tattoo
46. You've Got Mail
47. Die Hard With a Vengeance
48. The Shining
49. The Departed
50. When Harry Met Sally


Please grade your papers. And remember what happened to #6 when he didn't tell the truth.

Here's the deal. If you failed to answer any of the questions correctly, you need to get out more. My mother's almost 91, she probably hasn't watched an entire movie since The Sound of Music, and I think even she could've answered one or two. If you got 10 correct, that's pretty good, but you're still not up where you belong. If you got 20 right, I'm impressed. (All I had to do was pose the questions--I'd hate to see how few I could've answered without the cheat-sheet.) A score of 30 correct is excellent in anybody's book, and if you got 40 right, please send me your email address so I can get some movie recommendations. And if you correctly answered all 50, you are a certified, card-carrying cinema fanatic, and I'm seriously worried about you. To paraphrase the Soup Nazi on Seinfeld, no more Netflix for you, one year! Get thee instead to a psychiatric ward.

A final question: Can you think of other opening songs for the list? And how about songs that play over the ending credits--I didn't even get into those. Or the openings for TV shows. ("Those Were the Days," "Where Everybody Knows Your Name," "Movin' On Up," "Runaway," "Harlem Nocturne," etc.) Quizzes for another day, maybe.


This kind of discussion makes me want to pop something like Escape From New York into the DVD player, put on my wireless headphones, crank up the volume, prop up my feet, and escape from more than just New York. Love that movie music.

No sounds of silence for me.






As the Credits Go By




In a column I posted at SleuthSayers several months ago, called "Crime (and Other) Scenes," I listed a hundred or so of my favorite movie moments, and the first category was my pick for the ten "best opening sequences." What I didn't mention, there, was that the music accompanying the opening credits can be as important as the images. Examples: The Magnificent Seven, Star Wars, The Big Country, Top Gun, The Pink Panther, A Fistful of Dollars, Superman, and many others. And while that opening music piece often has the same title as the movie, like "Jaws Theme," "Goldfinger," "The Great Escape March," "Theme From A Summer Place," etc., sometimes the director uses a song with its own name, and occasionally one that wasn't originally written for the film.

Which brings us to today's post, and my challenge to you. Can you name the movies whose opening credits used the following fifty pieces of music? The first half are fairly easy; the rest of them, not so much.
(Warning: No Googling allowed. The Shadow knows.)


Here are the songs. Their movies are included below. Good luck!

1. "The Sound of Silence" -- Simon and Garfunkel
2. "Stayin' Alive" -- The Bee Gees
3. "Up Where We Belong" -- Joe Cocker and Jennifer Warnes
4. "Gonna Fly Now" -- Bill Conti
5. "Suicide Is Painless" -- Johnny Mandel
6. "When You Wish Upon a Star" -- Cliff Edwards
7. "The James Bond Theme" -- John Barry
8. "Born to Be Wild" -- Steppenwolf
9. "Everybody's Talkin'" -- Harry Nilsson
10. "Do Not Forsake Me, O My Darlin'" -- Tex Ritter
11. "The Circle of Life" -- Elton John
12. "The Windmills of Your Mind" -- Michel Legrand
13. "Nobody Does It Better" -- Carly Simon
14. "The Deadwood Stage" -- Ray Heindorf
15. "One Tin Soldier" -- Coven
16. "Holiday Road" -- Lindsey Buckingham
17. "All By Myself" -- Celine Dion
18. "Moon River" -- Henry Mancini
19. "Little Green Bag" -- The George Baker Selection
20. "Also Sprach Zarathustra" -- Richard Strauss
21. "The Rainbow Connection" -- Kermit the Frog
22. "All-Time High" -- Rita Coolidge
23. "You've Got a Friend in Me" -- Randy Newman
24. "Seventy-Six Trombones" -- Ray Heindorf
25. "I Heard It Through the Grapevine" -- Marvin Gaye
26. "The End" -- The Doors
27. "As Time Goes By" -- Jimmy Durante
28. "I Can See Clearly Now" -- Johnny Nash
29. "Way Out There" -- Carter Burwell
30. "Misirlou" -- Dick Dale and the Del-Tones
31. "Come Softly to Me" -- The Fleetwoods
32. "Best of My Love" -- The Emotions
33. "The Times They Are A-Changing" -- Bob Dylan
34. "Rock Around the Clock" -- Buddy Holly
35. "Hound Dog" -- Elvis Presley
36. "What'll I Do?" -- William Atherton
37. "Tomorrow Is the Song I Sing" -- Richard Gillis
38. "Wish Me a Rainbow" -- Gunter Kallman Chorus
39. "I'm All Right" -- Kenny Loggins
40. "Sixteen Tons" -- Eric Burdon
41. "The Man Comes Around" -- Johnny Cash
42. "Across 110th Street" -- Bobby Womack
43. "For What It's Worth" -- Buffalo Springfield
44. "The Heat Is On" -- Glenn Frey
45. "The Immigrant Song" -- Led Zeppelin
46. "The Puppy Song" -- Harry Nilsson
47. "Summer in the City" -- Joe Cocker
48. "Dies Irae" -- Renny Harlin
49. "Gimme Shelter" -- The Rolling Stones
50. "It Had to Be You" -- Harry Connick, Jr.


Okay, that's it. Please put your pencils down and step away from your desks.


Answers:

1. The Graduate
2. Saturday Night Fever
3. An Officer and a Gentleman
4. Rocky
5. M*A*S*H
6. Pinocchio
7. Dr. No
8. Easy Rider
9. Midnight Cowboy
10. High Noon
11. The Lion King
12. The Thomas Crown Affair (1968 version)
13. The Spy Who Loved Me
14. Calamity Jane
15. Billy Jack
16. National Lampoon's Vacation
17. Bridget Jones' Diary
18. Breakfast at Tiffany's
19. Reservoir Dogs
20. 2001
21. The Muppet Movie
22. Octopussy
23. Toy Story
24. The Music Man
25. The Big Chill
26. Apocalypse Now
27. Sleepless in Seattle
28. Grosse Point Blank
29. Raising Arizona
30. Pulp Fiction
31. Crossing Delancey
32. Boogie Nights
33. Watchmen
34. Blackboard Jungle (and, later, American Graffiti)
35. Indiana Jones and the Kingdom of the Crystal Skull
36. The Great Gatsby (1974 version)
37. The Ballad of Cable Hogue
38. This Property Is Condemned
39. Caddyshack
40. Joe Versus the Volcano
41. Dawn of the Dead
42. Jackie Brown
43. Full Metal Jacket (and, later, Lord of War)
44. Beverly Hills Cop
45. The Girl With the Dragon Tattoo
46. You've Got Mail
47. Die Hard With a Vengeance
48. The Shining
49. The Departed
50. When Harry Met Sally


Please grade your papers. And remember what happened to #6 when he didn't tell the truth.

Here's the deal. If you failed to answer any of the questions correctly, you need to get out more. My mother's almost 91, she probably hasn't watched an entire movie since The Sound of Music, and I think even she could've answered one or two. If you got 10 correct, that's pretty good, but you're still not up where you belong. If you got 20 right, I'm impressed. (All I had to do was pose the questions--I'd hate to see how few I could've answered without the cheat-sheet.) A score of 30 correct is excellent in anybody's book, and if you got 40 right, please send me your email address so I can get some movie recommendations. And if you correctly answered all 50, you are a certified, card-carrying cinema fanatic, and I'm seriously worried about you. To paraphrase the Soup Nazi on Seinfeld, no more Netflix for you, one year! Get thee instead to a psychiatric ward.

A final question: Can you think of other opening songs for the list? And how about songs that play over the ending credits--I didn't even get into those. Or the openings for TV shows. ("Those Were the Days," "Where Everybody Knows Your Name," "Movin' On Up," "Runaway," "Harlem Nocturne," etc.) Quizzes for another day, maybe.


This kind of discussion makes me want to pop something like Escape From New York into the DVD player, put on my wireless headphones, crank up the volume, prop up my feet, and escape from more than just New York. Love that movie music.

No sounds of silence for me.