|Some guy and some girl (who has something to do with dragons) and a coffee cup.|
And then there are movies, and a couple by Orson Welles I've never seen.
I like Welles' movies and have watched many more than once—Citizen Kane maybe thirty times (I was a nerdy, film crazy kid). I think Touch of Evil (1958) is his best, and I recently rewatched it when I discovered Netflix had the HD version. I've seen that movie maybe ten times over the years, and I still come to the same conclusion the next day about why it's not one of the greatest movies ever made: Charlton Heston, the second least convincing actor in history (in my opinion). He was the 1950s' Tom Cruise (the first). Wood. Grade-A certification. Heston's impersonation of a Mexican man in Touch of Evil is about as good as my impersonation of a New York bagel.
|Orson Welles in Touch of Evil|
One of Welles' movies I've never seen is Chimes at Midnight (1965). I've seen several clips, I know it draws upon two Shakespeare plays (Welles plays Sir John Falstaff—Shakespeare's version of Col. Blimp), I've heard it has one of best medieval battle scenes ever put to film, and Welles thought of it as his best film. And that's all I know. Why haven't I seen it? Well, chance would be a fine thing. It's simply never come my way. Citizen Kane was always rerunning on TV when I was a kid. Same too with TOE, and The Magnificent Ambersons, The Stranger, Journey into Fear, Lady from Shanghai, and so on. I suppose, I could simply buy it.
Another of Welles' movies I have never seen is The Other Side of the Wind. I've known about this one for years. And I've never seen it, because (up until recently) almost no one had, because Welles never finished it; he died in 1985. I can now watch this one, and I plan to soon, as it's on Netflix. Somebody finished it; and I believe one of those people was Peter Bogdanovich, who knows a thing or two about movies, was a friend of Welles, and, also, was in the movie. So, there is some authenticity to the completion. I firmly expect the movie will be a strange experiment in film making / mess. But it'll be great to see John Huston, one of my other favorite directors, playing a role in it. John Huston was no slouch as an actor; hell, even he would have made for a convincing Mexican drug enforcement agent.
I've seen almost all of John Huston's films (and a couple I wish I hadn't: The List of Adrian Messenger). And one, The Man Who Would be King, I really wished he'd made earlier, as he had planned, because then it would have starred Humphrey Bogart, and not Sean Connery (the third piece of lumber in the acting yard). Yes, I know it was Kipling and the characters were British Empire, but even Bogart would have made for a convincing Mexican drug enforcement agent. And sergeant in her majesty's army.
I'll shut up now. Forgive my loose ramble. It's the weather here in NZ. Winter is coming and I have a head cold.
Orson Welles and Marlene Dietrich in a short scene from Touch of Evil that probably sums up noir in every possible way. Film making, acting, writing. It don't get much better than this.