Showing posts with label Double Indemnity. Show all posts
Showing posts with label Double Indemnity. Show all posts

27 March 2018

High Contrast, Low Key: Film Noir

Images of Film Noir

by Paul D. Marks

I didn't know I was doing film noir, I thought
they were detective stories with low lighting!

                                                                      --Marie Windsor, noir icon

Murder, My Sweet


I thought I’d do something a little different for my post this week. Instead of writing about this or that I thought I’d make it visual. Images from film noir. Images that inspire much, though not all of my work. And I don’t think I’m alone. I think a lot of us have been inspired one way or another by film noir and much of noir is its visual look.

The film noir aesthetic is full of iconic images – some might call them tropes. Either way, they’re striking, they affect us, and they hit us on a subconscious level. Iconic images of shadows, rain, fog, neon, darkness and night, dark streets and alleys, Venetian blinds, oblique angles and reflections, low key lighting, guys with gats, femme fatales and plenty of cigarettes, smoke and smoking. They’re mostly urban, though one of the best, Out of the Past, is largely rural. And, of course, pretty much all are in striking black and white.

I’ve broken the images up into various categories. Of course, one pic might fit into several categories and pretty much all have low key lighting, so there’s no category for that.

It’s hard to narrow down all the great images to a reasonable number for a blog, and I’m sure I’ve left out some good ones. But here goes. And feel free to add your own choices in the comments. I don’t think you can put pictures in but you can tell us about them and the movies they’re from.


Oblique Angles and Striking Images


D.O.A.
Fear in the Night
Born to Kill
The Big Heat
Sunset Boulevard
Strangers on a Train
Sunset Boulevard
D.O.A.
Fear in the Night
Phantom Lady
Fear in the Night
The Lady from Shanghai
He Walked by Night
The Lady from Shanghai
The Maltese Falcon
Nightmare Alley
Black Angel
Dark Passage
The Postman Always Rings Twice
The Third Man
The Third Man

Touch of Evil

Shadows, Reflections and Venetian Blinds


The Killers
Crack-Up
Double Indemnity
Fear in the Night
He Walked by Night
The Maltese Falcon
The Narrow Margin
The Narrow Margin
Pitfall
Somewhere in the Night
The Crooked Way
The Woman in the Window

Fog and Rain


The Big Combo
Follow Me Quietly
The Narrow Margin
Scarlet Street
The Blue Dahlia

Smoking


The Postman Always Rings Twice
The Maltese Falcon
Out of the Past
Out of the Past
Pitfall

Streets, Alleys and Neon


Act of Violence
Act of Violence
Act of Violence
The Blue Dahlia
Born to Kill
Criss Cross
The Crooked Way
Cry Danger
Cry Danger
Dark Passage
Dark Passage
D.O.A.
Kiss Me, Deadly
The Lady from Shanghai

People, Femme Fatales and Guys with Gats


Gun Crazy
Crack-Up
Scarlet Street
The Big Sleep
Born to Kill
D.O.A.
Dead Reckoning
Detour
D.O.A.
Double Indemnity
Double Indemnity
The Postman Always Rings Twice
I Walk Alone
The Blue Dahlia
Laura
The Big Sleep
Out of the Past
Out of the Past
Out of the Past
The Strange Love of Martha Ivers
The Crooked Way
Too Late for Tears
In a Lonely Place and Detour

Lobby Cards, Title Cards, Posters


***

The author as a boy with gat, lucky rabbit's foot and the
shadow of noir over him.

###

And now for the usual BSP:

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