Continuing my report on Sasquan, the World Science Fiction Convention, held in Spokane in the middle of a wildfire disaster last month.
the best of my knowledge the biggest squabble that ever occurred in the mystery world
happened in the 1980s when some people complained that women were
underrepresented in reviews, sales, and awards. This was one
fact that led to the creation of Sister in Crime, and caused MWA to
change the way they formed award committees.
Well, trust me, that struggle was a pebble compared to the Mount Rushmore that hit Worldcon this year.
you want details search the internet for "Sad Puppies." As I understand it,
one group of SF readers/writers was unhappy about what they saw as the field becoming more political and favoring certain stories and authors. Frankly, to my ignorant outsider eyes it looked like they were complaining that an insufficient number of straight white men were being nominated. But what do I know about science fiction?
In any case, they created a slate of candidates for the Hugo
nominations and, in a quite legal way, gamed the election. The
Hugo Award nominees and winners are chosen by people who register for
the con (like our Anthony Awards), but for $40 you can buy a supporting
membership. That doesn't entitle you to attend, but it does let
you vote. I am told that approximately 400 people bought
memberships so they could support the Sad Puppy slate.
One hundred and sixty grand can build an awfully high spite fence.
some categories all the chosen nominees were part of the Sad Puppies
slate. (And some of these writers chose to remove their
names from the ballot, rather than be associated with the Puppies.
Imagine waiting for years for a nomination and then feeling you
have to turn it down!)
It got even weirder. One writer on
the Sad Puppy slate wrote to the Spokane Police Department, warning
them that one of the guests of honor was "insane" and might incite
violence. (This wasn't a secret, by the way: he announced on a
podcast that he did this.) He later apologized.
actual Hugo Awards voting is complicated and allows for No Award (i.e. none of
the above). In five categories the voters rejected all the
candidates, and in no cases did anyone supported by the Sad Puppies win. Now the
fans have to figure out a way to clean up the mess and I hope that none
of this will repeat net year.
Oh! Remember the con?
Panels and stuff like that? Let's talk about that, shall
we? I will stick to stuff that can reasonably be tied to mystery
between sweethearts. If they can read each other's minds... She
set her self a challenge didn't she?) But Willis also announced
that for a future project she is rereading all of Agatha Christie.
She is convinced that Dame Agatha left clues behind concerning
her famous disappearance in 1926. I look forward to Willis's
There was a panel on fantasy and horror noir which I enjoyed a lot although there was the usual confusion between hardboiled and noir. Panelist John Pitts made the proper distinction, although he later
blotted his copybook by calling Han Solo an anti-hero. A
rogue is not an anti-hero.
I attended three panels on short stories. It was at one of those that I picked up the best piece of writing advice I heard that weekend, from Daryl Gregory: "Stop just short of the ending. If you act like Tom Sawyer and let your readers do the rest of the work, they'll be more connected to the story, and thank you for it."
And speaking of quotations, here are a few gems I picked up. As usual, if you want context, you're on your own.
"Style is what the writer does. Genre is what the marketing department does." - Richard Vadry
"Why is some short fiction better than novels? Because it's riskier." -Stefan Rudnick
"Other people have 'Do Not Resuscitate' orders. I have 'No One Edits My Manuscript.'" - -Connie Willis.
"There's no platonic ideal of story." -C.C. Finlay
"Every other writer's process is sort of vaguely scary and appalling." - Daryl Gregory.
"I can't say hello in less than five thousand words." -Mark J. Ferrari
relationships need is less communication, not more." -Connie Willis.
vote for more pretty boys reading the weather." -Janet Freeman-Daily
"'Theme' is what the critics use to describe what you did." - Eileen Gunn
a short story is a tightrope walk. The craft is getting from one
end to the other. The art is doing a backflip in the middle."
- C.C. Finlay
"We need eco-zombies." - Gregg Castro
"The literary market does not believe in money. At least, not for you." - Mir Plemmons.
"The happy ending is sadly underrated. But it has to be earned." -Connie Willis.