But how many of our kids have that warm feeling? How many of our kids enjoy reading just for the pleasure of it? How many people read paper books anymore? And are young people reading these days? They do seem to read YA books, maybe on Kindle and iPad but not often in paperback. But they are reading less than previous generations and spending more time playing games on their phones, texting and watching movies instead of reading. More distractions and shorter attention spans. They’ve grown up with everything being faster and getting instant gratification. Do they ever read classics or history or something that’s a stretch for them? And how many never read anything longer than a Facebook post or Tweet?
My wife, Amy, who takes the train to work, says, “I notice on the train a lot of people staring at their phones. Some are reading, but the really serious readers have paperbacks or Kindles and don’t read on their phones. Most are texting or playing games. And it’s time that could be spent reading but they don’t. And that’s scary. I understand wanting to do something mindless and entertaining for a little while, but we also need to exercise and stretch our brains and imaginations sometimes, too.”
Many people, of all ages, would find Don Quixote slow to come to a boil. Nothing happens for too long. That’s the way it is with a lot of books from earlier times and not even all that earlier. Hemingway was known for his “streamlining” of the language, but many people these days find his books slow going.
The same applies to movies. Even movies made 20 or 30 years ago are too slow for many people today. And when they watch movies they often watch them on a phone with a screen that’s five inches wide. How exciting is that? And many movies today are of the comic book variety. I’m not saying no one should read comic books or enjoy comic book movies, but it seems sometimes like that’s all there is in the theatres.
And novels have become Hollywoodized. I like fast paced things as much as the next person, but I also like the depth a novel can provide that movies or TV series often don’t. And one of the things that I liked about the idea of writing novels was being able to take things slower, to explore characters’ thoughts and emotions.
In talking to many people, I often find there’s a lack of shared cultural touchstones that I think were carried over from generation to generation previously. That also affects our writing. Should we use literary allusions, historical allusions? If so, how much do we explain them? And how much do we trust our audience to maybe look them up? The same goes for big words.
Way back when, I was writing copy for a national radio show. Another writer and I got called on the carpet one time and dressed down by the host. Why? Because we were using words that were “too big,” too many syllables. Words that people would have to look up. So, we dumbed down our writing to keep getting our paychecks. But it grated on us.
But in writing my own books and short stories I pretty much write them the way I want to. I’m not saying I don’t stop and consider using this word instead of that. But I hate writing down to people. When I was younger I’d sit with a dictionary and scratch pad next to me as I read a book. If I came on a word I didn’t know I’d look it up and write the definition down. And I learned a lot of new words that way. Today, if one is reading on a Kindle or similar device, it’s even easier. You click on the word and the definition pops up. That’s one of the things I like about e-readers, even though I still prefer paper books. But I wonder how many younger people look up words or other things they’re not familiar with.
So all of this brings up a lot of questions in my mind: What is the future of writing? Are we only going to write things that can be read in ten minute bursts? And then will that be too long? What does all this mean for writers writing traditional novels? Will everything become a short story and then flash fiction?
In 100 years will people still be reading and writing novels? Or will they live in a VR world where everything is a game and they can hardly tell reality from fantasy?
So, what do you think of all of this?
And now for the usual BSP:
My story Past is Prologue is out in the new July/August issue of Alfred Hitchcock Mystery Magazine. Available now at bookstores and newstands as well as online at: https://www.alfredhitchcockmysterymagazine.com/. Hope you'll check it out.
Also, check out Broken Windows, the sequel to my Shamus Award-winning novel, White Heat.