07 April 2014

Take This Job and Shove It, I ain't writing anymore


 A month or so ago, I quit writing--no more books to be published under my real name nor under my pen name.  I just became bored with the whole deal.  My agent is seeking a home for my last two books (a horror and a thriller).  Don't you think six Callies and several books by a pen name are enough for someone who only got serious with fiction after retirement?

Besides, I do have an anthology I've been involved with coming out in September, 2015.  This came about when David Lee Jones, a writer friend, and I were having lunch. He said, "Let's write something, publish it, and contribute the royalties to charity."

"Sounds like a plan," I answered, assuming he meant he and I would write it. As we talked, we decided on a ghost story book with all stories about SC and written by SC authors. We invited two more writers, James Kirk and Richard Laudenslager, to join us and became  SC Screams, an association whose purpose is to raise funds for children's charities. The manuscript is complete, and we've found a publisher who is as enthusiastic about it as we are.  I'll tell you more about that when the release date is closer.

That was exciting, but it still left me bored.



I was having a hard time sitting, and I certainly wasn't staying.  I redecorated some rooms, and I became a "lady who lunches."
Since most of the people I met for lunch are either writers or friends who read my books, I was constantly faced with this across the table:




When I explained that I'd quit writing, so there was no book to report on, they asked in disbelief, "No more Callies?

"Not unless Russ produces something I can 'Callicize,'" I answered, referring to the author who wants to write a Callie.

"It won't last," they told me. "You'll get some big idea and be back on the computer all night."  I did get a big idea, but not for a writing project.  I decided to sponsor a benefit for children.

Music captivates children.  What better way to earn
money to help them than a concert?
In the past two weeks, I wrote an article for Bluegrass Unlimited and that led to contact with Willie Wells who owns Bill's Pickin' Parlor with its listening room that seats over 300. The idea of a benefit concert hit me while talking to Willie, and he agreed to contribute the venue for my cause. 

I am producing GENE HOLDWAY Flying Solo with a special guest appearance by NANCY GATES OWEN on July 20th to benefit Children's Chance.

Gene agreed instantly to performing  his "Flying
Solo" act which includes bluegrass, but also
folk, country, Americana. and a few
comedy bits..
I met Gene Holdway in 1998 when I did
a photo shoot of the band Split Rail.
 He and I became "partners in rhyme,"
co-writing and producing music and
have remained friends.


Th













Nancy Gates Owen is an Americana  singer/songwriter
and recording artist in Tennessee.  She'll be
performing in Columbia, SC, as a special guest
on July 20, 2014. 

Note that I don't say, "All profits will go to Children's Chance, a SC nonprofit organization for children with cancer."  My problem with that statement is the word "profits."  Too often, the profits are contributed after a lot of debts are paid.  In this case, admission is a donation at the door, all of which will go directly to the charity because both performers, the owner of the venue, the staff, and the promo team are contributing their parts of this project free-of-charge.


Everyone's enthusiasm about this has revved up my energy and enthusiasm. It also has me writing again--press releases, public service announcements, and at least four feature articles that have to say the same things in different ways for local magazines, each with its own hook.  


It all feels good, but I must confess--I just got one helluva an idea for a short story.

Until we meet again… take care of you!

06 April 2014

April Foolish Fix


by Leigh Lundin

I once wrote about Cinderella, the sep stisty uglers, and her prandsome hince. In the spirit of last Tuesday's April Fools’ Day, once again, a friend sent me another Cinderella story which I share now.

Cinderella

A Grim Fairy Tale

Cinderella at age 95…

After a fulfilling life with her beloved but now dead prince, Cinderella sat in her rocking chair accompanied by her cat named Bob, watching the world go by from her nursing home porch. One sunny afternoon out of nowhere appeared the fairy godmother in a flash of light.

Cinderella said, “Fairy Godmother, what are you doing here after all these years?”

The fairy godmother said, “Cinderella, you have lived an exemplary life since I last saw you. Is there anything for which your heart still yearns?”

Cinderella was taken aback and overjoyed. After thoughtful consideration, she uttered her first wish: “The prince was wonderful, but not much of an investor. I’m living hand to mouth on my disability cheques, and I wish I were wealthy to ease my old age.”

Instantly, her rocking chair turned into solid gold.

“Oh, thank you, Fairy Godmother!”

The fairy godmother said, “It is the least that I can do. What do you want for your second wish?”

Cinderella looked down at her frail body, and said, “While the politicians argue about health care, the rest of us suffer. I wish I were young and full of the beauty and youth I once had.”

At once, her wish became reality, and her loveliness returned. Cinderella felt stirrings deep inside of her that had lain dormant for years.

And then the fairy godmother spoke once more. “You have one more wish; what shall it be?”

Cinderella looked over to the frightened cat in the corner and said, “I wish for you to transform Bob, my old cat, into a kind and handsome young prince.”

Magically, Bob suddenly underwent so fundamental a change in his biological make-up that, when he stood before her, he was a man so beautiful, the likes of him neither she nor the world had ever seen.

The fairy godmother said, “Congratulations, Cinderella, enjoy your new life.” With a bright blue flash, the fairy godmother was gone as suddenly as she appeared.

For a few eerie moments, Bob and Cinderella looked into each other’s eyes. Cinderella sat breathless, gazing at the most beautiful, stunningly perfect man she had ever seen.

As Cinderella sat transfixed, Prince Bob held her close in his muscular arms. He leaned close to her ear blowing her golden hair with his warm breath as he whispered…

“Bet you’re sorry you neutered me.”
And that concludes this year’s story of Cinderella.

05 April 2014

My get-up and go is alive and well


by Elizabeth Zelvin

Back in the Fifties, the Weavers used to sing a song:
How do I know my youth is all spent
My get-up and go has got up and went
But in spite of it all, I’m able to grin
When I think of the places my get-up has been.

I’ve been unable to find the songwriter. Most references I googled said “Anonymous,” and the book Chicken Soup for the Golden Soul claims it’s copyrighted material without saying who holds the copyright. I sang that song myself many times long before anybody took chicken soup out of the bowl and put it between book covers. And I had the impression it was written by Lee Hayes, the legendary bass vocalist with the Weavers.

As I get older…and older and older…the song, which I always thought was fun, gets more and more relevant. My father, who lived to 91, used to be the living embodiment of the final stanza:
I wake up each morning and dust off my wits
Open the paper and read the obits
And if I’m not there, I know I’m not dead
So I eat a good breakfast and roll back in bed.

I reached the mid-sixties, an age at which my contemporaries were just starting to die of what’s sometimes called natural causes, at around the same time as my first novel was finally published. I’ve had interesting friends all my life. Even if I hadn’t seen or been in contact with some of these people for decades, they remained vivid in my mind. I always assumed that one day they’d pick up the phone or I’d shoot them an email, and we’d pick up exactly where we left off. It’s been a shock to realize that with some of them, that isn’t going to happen.

I admit one of my many feelings on learning of the passing of these friends from junior high and high school was disappointment that they’d never know I’d finally achieved this lifelong ambition or get to enjoy the book.

But of course, that wasn't all. I felt cheated of the catching up and schmoozing we could have done. I wanted to know how they were affected by the civil rights and antiwar movements of the Sixties and by the women’s movement later on. I wanted to know if they got to write their books and paint their pictures and play their music and travel all over the world. I wanted to know if they had fun. I wanted to know if they were happy.

Several of the friends I lost at that age were academics. To some extent, they lived the lives that most of our parents back in Queens expected us to. I’m in the other group, those that jumped the rails—and believe me, for this old English major, running off with genre fiction was an act of rebellion—and reinvented ourselves every few years.

On the other hand, academics of our generation could be and often were political firebrands. Having survived all that, they should have gotten to retire—a state that no longer means golf and bridge and Florida as it did in my parents’ day, but a turning of their energies to a new set of dreams and ambitions. One high school buddy, whose career was even more checkered than mine—poet, therapist, and stand-up comic (“I’m not a shrink, I’m an expand!”)—got cancer shortly after finally inheriting enough to relieve his endless scrabbling for a living.

Now I'm staring 70 in the face. I'll have passed that milestone by the time you read my next blog post. I've lost many more friends, and others are dealing with life-threatening and debilitating illnesses as well as losses of their own. I've also published more books and short stories, released an album of original songs, helped a lot more people in my other role as a therapist, and gotten to enjoy my grandchildren as they grow.

Grandkids are the payoff for all that showing up for adult life we have to do and what our kids put their parents through. If I live as long as my mother did (and let the planet please not fall apart by then), I have a good chance of dancing at my granddaughters' weddings, cradling their children, and maybe even holding their first published books in my hands. In the meantime, I've decided that 70 is the new 39. I'm old enough to remember Jack Benny, and his shtick was that no matter how many years went by, his age was always 39. So if I feel like it, I can stay 70 forever.

04 April 2014

Photo Quiz Redux (or: "Honey, where are we now?")


A few times, we've discussed the visual aspects of blogging, and how this differs from the confines of using only words to tell a story.
Some time ago, while helping my daughter get signed-up for classes, I used my cell phone to take photos of Scottsdale Community College, which I posted here, challenging you to determine where I took the photos and why I was there.

So just what are the photos below all about?

Take a look and tell me:  What am I showing you? -- and -- WHY am I here?

This time, you'll find the answer below.



PHOTO 1
Why does this shot look so grainy???

PHOTO 2


PHOTO 3
Aha!  Do you see an answer to the question in Photo 1?
Where was this shot taken, and what was I doing here?

PHOTO 4

PHOTO 5
PHOTO 6


PHOTO 7
PHOTO 8

PHOTO 9



PHOTO 10

PHOTO 11

PHOTO 12



PHOTO 13


PHOTO GROUP 14

14


14
14

14

14






PHOTO 15
My Favorite!  Why?

What are these photos of?  Below is the explanation:

Photos 1 and 3:  The view from the living room window at our new apartment -- taken through the screen.

For a number of reasons, my wife and I have found renting to be the best answer for our housing needs over the past several years.   However, since leaving the army, we've always lived in a house.

Our last house was a 3 bed, 3 bath main house, with large living room, dining room and kitchen area.  We also had a pool, a large yard, a pool house that was really a studio apartment, and a two room apartment (plus bathroom and kitchenette) add-on where the carport once was.  As many of you know, I used the back half of the two room apartment as my office.  We used the front room for storage.  We also had a large metal storage shed on site.

A few weeks ago, however, the home owner decided that the housing market was finally looking up. She announced her decision to sell the house, and I finally managed to convince my family to try apartment living in the 21st Century.

Photo 2:  Yes it's a dumpster.  But, the city's name is right on there.

Photo 4:  This is a shot of the same area seen in Photo 3, but taken from a reverse angle and much closer.

Photo 5:  This shot shows the small Ramada with gas BBQ, which is visible in Photo 1.  The Ramada is equipped with ceiling fan and lights, as well as electrical outlets.  I'm sitting there, as I write this, smoking a cigar, my computer tethered to the internet through the Wi-Fi in our living room.  So far, I've found this a very pleasant place to write ... and to burn burgers and steaks!

Photos 6,7 & 8:  These shots show what's called "The Quiet Pool."  The apartment complex is located about four miles from Arizona State, but rental prices keep most students from living here.  For those grad students, or out of state students -- or just young singles who have the money to live here -- the complex throws parties at one pool on weekends, while maintaining the other pool in a more family-oriented atmosphere.  Frankly, I prefer this pool because the Jacuzzi is hotter and has more jets than the Jacuzzi at the party pool.

Photo 9:  The dog park, located beside the Quiet Pool.

Photo 10:  A look at some of the apartments in the complex.

Photo 11:  Grill overlooking Volleyball courts.  There are several small BBQ Ramadas here.   Two are located beside the sand volleyball courts. 

Photo 12:  Covered parking is very important here in The Valley, if you don't want your vehicle's paint to get bleached-out in very short order.

Photo 13:  This is the Fitness Center.  It's one of my two favorite shots, because I can get my son in there.

One problem I've had for the past year, is that I hadn't been able to find a gym that would let my 11-year-old son work out with me.  Gym policies usually stipulated no one below 16 or 17 could use the equipment.  Unfortunately, school Phys. Ed. classes are woefully inadequate, here, so my son hasn't been getting the exercise he needs.  That had me pretty worried, until I found this apartment complex, where my son can use the Fitness Center -- open 24/7 -- as long as I'm with him.  Since moving in, he's run miles on the treadmill, and I don't know how far he's gone on the elliptical machines.  Frankly, it's tough to get him off the rope-climbing machine when it's time to go home!

Photo Group 14:  The Party Pool.  As you can see, there is a nice bar setup, with two large gas grills. I have little doubt that this works wonders for creating that party atmosphere -- and even less doubt that I'm glad this pool is located at the opposite end of the complex from our apartment.

Photo 15:  This is my favorite shot.  Luxurious green grass that I need neither plant, feed, water, nor mow.  Now THAT's paradise!!

See you in two weeks,
Dixon




03 April 2014

Another Forgotten Bastard: Pope Stephen VI (Or Was It VII?) and the Cadaver Synod


by Brian Thornton
As I mentioned a few posts back, a couple of years back I wrote two of books about "bastards": (in)famous people with a mean streak- including some that many today continue to consider "heroes," or at least "good people"- admittedly many of these historical figures have overall positive public images, but in order to show that most everyone has a bit of the "bastard" in them, I included discussions of George Washington putting the moves on his best friend's wife, Jefferson siring children with one of his slaves, and so on.
More fun to write were the accounts we have of many historical personages who have all but disappeared from the pages of history, and getting the opportunity to lay out just exactly why these characters ought to still be considered "bastards" even today. This is one of those "neglected" personages. The account below is an expanded version of the one that ended up in The Book of Ancient Bastards, and lends more detail than I was given within the constraints of the book itself. I hope you enjoy it.

**************

Read, — how there was a ghastly Trial once Of a dead man by a live man, and both, Popes

                                                                                    – Robert Burns, The Ring and the Book 


Our latest foray into historical bastardry concerns the Papacy and a pope “convicted” of terrible crimes nearly a year after his death!

The late 9th and early 10th centuries marked a period of widespread political chaos in Italy dubbed the “Iron Age” of the Papacy.  For example, no less than twenty-five men served as pope between the years 872 and 972.  During this time the Papacy came to be viewed as the ultimate “plum job” by Rome’s wealthy families, many of whom vied with each other to see one of their number don the shoes of the fisherman and in turn dispense ridiculous amounts of patronage amongst his kinsmen.

Feuds developed, blood was spilled.  A pope was poisoned, and the reigns of his successors became successively shorter (many of them also meeting violent ends).  In the midst of all of this chaos, where a pope would change canon law by this or that decree, only to have his reforms overturned by an antagonistic successor, one pope took matters even further.

He ordered a predecessor’s corpse dug up and put on trial.

Enter Pope Stephen VI (or VII, depending on who you ask), who reigned as pontiff from May of 896 to August of 897.

These days people (Catholic or not) tend to view the Pope, the head of the Roman Catholic Church as a benevolent, invariably elderly man dressed in clean white robes, apolitical, a living symbol of the Church’s stances on things such as social justice and mercy.

This was not always the case.

The Papacy has been around for millennia; it is one of the oldest institutions in the Christian Church.  It stands to reason that a position like this one, which has been occupied by any number of different men over the course of its existence, has been occupied by the occasional loose screw.  In the case of the Papacy, one could make the case that the law of averages has been stood on its head, and the office has seen enough loose screws, screaming rivets and outright nuts to fill a toolbox.

Funny, he doesn't LOOK crazy....
 One such loose screw was Stephen VII, a churchman so off his rocker that he was given to toasting the health of the Devil and blaspheming against God.  Add in the fact that Stephen was politically beholden to the family that ruled the nearby Duchy of Spoleto, and things start to get interesting.
During the Middle Ages the idea went that if a Pope was Christ’s vicar on Earth, he ought to have actual territory to rule like any secular feudal lord.  This usually included the city of Rome and varying amounts of adjacent territory.

Since the Papacy at the time was scrambling for money and troops of its own, a succession of popes (including Stephen VII and many others) made outside alliances with powerful Italian families bent on adding the prestige of the Papacy to their own names.  The Popes of this period usually accomplished this end by offering to legitimize the rule of the ally in question with a formal papal coronation (literally having the Pope himself place the ruler’s crown on his blessed head) in exchange for military aid and protection.

One pope who had done this was a predecessor of Stephen’s named Formosus, whose reign lasted
Pope Formosus, apparently before his death, exhumation and trial (in that order).
five years (891-896).  During that time Formosus (whose name in Latin means, “good looking”) had crowned the young Duke of Spoleto Holy Roman Emperor, then turned around and offered the same crown to Arnulf, King of Germany.

Arnulf had answered Formosus’ invitation by invading Italy and taking Rome, where Formosus promptly crowned him Holy Roman Emperor as well.  Needless to say, this caused an uproar in Spoleto, especially with Agiltrude (or Ageltrude), Queen of Italy, Duchess of Spoleto, and erstwhile Holy Roman Empress, mother of the underaged Duke of Spoleto (who, lest we forget, had already been crowned Holy Roman Emperor himself).

German king Arnulf, posing for his action figure.
Struck by a sudden mysterious paralysis, Arnulf withdrew from Italy, leaving Formosus to pick up the pieces.  Formosus responded by dying shortly afterward, to be initially succeeded by a couple of popes with ridiculously short reigns (one of them only lasted two weeks as pontiff!), and eventually by Stephen VII, the certifiably crazy political pawn of Spoleto’s ruling family.

About six months into his reign, Stephen had Formosus dug up and propped up in a chair in the Vatican, where he was then placed on trial with Pope Stephen himself sitting as judge.  Formosus (or rather his corpse) was accused of (among other things) being ambitious enough to actually want to be pope (the nerve!).  No one is sure of Stephen’s reasons for putting on this, the ultimate show trial, but historians speculate that he was feeling pressure from Agiltrude and her supporters to delegitimize Formosus’ reign (thereby also wiping out Arnulf’s coronation as Holy Roman Emperor) and suffering from some well-documented psychosis.

The trial lasted for weeks, during which time Stephen would frequently interrupt his own papal prosecutor in order to rant at Formosus’ moldering corpse, calling it all manner of names, accusing it of murder, blasphemy and several other crimes with which it was not actually charged.  How the corpse responded is not recorded.

The trial’s outcome was a foregone conclusion.  The corpse was stripped of its expensive papal vestments, the first three fingers of its right hand (the three with which a pope blesses his subjects) were cut off, and the body was briefly reburied, this time in an unmarked grave in a graveyard reserved for foreigners.  Within a couple of days it had been dug up yet again and tossed in to the Tiber River, only to be pulled out by a monk loyal to the dead pope’s memory.

"Let the record show that the accused did NOT deny the charges against him!"
Called the “Synod Horrenda” in Church Latin, this “Cadaver Synod” resulted in riots throughout Rome which eventually cost Stephen first his papal throne and eventually his life.  He was strangled in prison less than six months after “condemning” the dead Formosus (once again, Formosus’ reaction, if any, to this news is not recorded).

A fitting end for one crazy bastard.

02 April 2014

Time to Accessorize


by Robert Lopresti

I am somewhat stunned to report that my morning granola was interrupted today (April Fool's Day) by the news that my "The Present" had won the Derringer Award for best short story.  Talk about a present!  I can't think of anything to say about the story that I didn't say here.  But thanks to the Derringer judges, the voters, and The Strand for publishing in the first place.  Now, on to more good news...

On the day my last blog entry went up I came home to a pleasant surprise: three copies of the June issue of Ellery Queen's Mystery Magazine.  I knew they were publishing a story of mine but I had no idea when that happy event would occur.

"The Accessory" is my second appearance in EQMM in 38 years of trying.  Yes, you read that right.  It's a story about --

Well, let's pause for a moment.  This is a golden opportunity to rehash that favorite topic: Where Do You Get Your Ideas?  This time, by category!

1.  Personal experience.  At three in the morning one night a policewoman rang my doorbell to tell me my car had been "prowled."  The first two pages of my story "Shanks on the Prowl" are almost a literal description of that scene.

2.  Someone else's personal experience.  One day I watched an elderly, over-the-hill musician being disrespected by his accompaniest.  "Snake in the Sweetgrass" was conceived while they were still on the stage.

3.  News story. 
Or other piece of nonfiction.  "Crow's Lesson" began with a New York Times article about a school system hiring private eyes to follow students and see if they really lived in the catchment district.

5.  Out of the clear blue sky 
One day I had a vision of a short man attacking a much bigger man on the street for no obvious reason.  "Hammer and Dish" was my attempt to find out why and what happened.

And finally...

4.  Fiction.  To some extent ALL fiction comes from other fiction we have read.  For example, I read "My Life with the Butcher Girl," by Heath Lowrance, a very nice story about a man who becomes romantically obsessed with a woman who killed three men in sexual situations.  That got me thinking about people who correspond with convicted criminals.  The main character of my new story, "The Accessory" is a woman who does just that.  Now the man is out of prison and has apparently killed someone who testified against him.  The cops want to find out what she knows...

I hope you like it. 

01 April 2014

Honey...I'm home!


I know what day this is, but this isn't a joke--I'm back.  None the wiser for the hiatus, mind you, just back...and glad to be here.  I noted in my absence, that Terry raised the bar for Tuesdays so that I am almost guaranteed to disappoint.  Thanks for that, Terry.  Thanks a lot.

If you recall, dear reader, I took the time away from SleuthSayers to pen another of my unsellable novels.  It is with some pride that I report--mission accomplished!  "Starvation Cay" is complete!  My thanks, by the way, to my fellow Tuesday scribbler, Dale Andrews, for overseeing some of the technical aspects of the story.  Besides his literary value, he has a wealth of knowledge regarding all things nautical.  Useful to me, as I set nearly the entire story on board boats.  Thanks again, Dale.  Through no fault of his, I am now in the process of collecting rejection slips and arranging them in order of snarkiness.

On another note entirely, my son and heir, has gotten hitched to a truly lovely young woman.  Robin and I absolutely fell in love with her too, and apparently she was too smitten to heed that time-honored warning--Look to the parents!   

The wedding took place in the Blue Ridge Mountain region of Virginia where they both teach.  My son's side was not only represented by mine and Robin's families (The Georgia-Jersey Axis), but also by a large contingent of his college rugby buddies who double, apparently, as the school's male dance team.  Her side was family from both Jersey and Michigan.  Both sides were duly impressed with the athletic abilities of rugby players and their women, even if the dance floor became a dangerous place for the infirm and elderly.  The bride's family went very quiet during their dance interpretation of John Denver's "Country Roads," which also included a sing-along.  Fortunately, the nuptials had already been performed so there could be no "take-backs." 

As if this wasn't enough good news, our Christmas present from them was a grandparents' album.  Robin got it almost immediately.  I, however, being a former police officer, stared at it for several stupefied moments before understanding dawned.  Robin was crying and hugging the young couple, as I was still turning the album over and over in my hands, murmuring, "They're trying to tell us something...but what?  What could it be?"

Besides working on the novel, I also managed to knock out a few short stories along the way.  I'm happy to report that those did sell, and will be (or have already been) published in Ellery Queen Mystery Magazine.

As if all these things weren't enough, I've actually read a few books, as well.  But more on that at another time.

I've missed you guys.  Though I have duly followed SS every morning (it's the first thing I read), it's been a little lonely out here.  Writers are not thick on the ground in South Jersey, and as you all know, it's a solitary profession at the best of times.  So, it's good to be back amongst friends, if only virtually, and even better to have been asked.  Thanks all.   

     

 


 

31 March 2014

Edits and Editing


Jan Grape Okay, class. You've all heard this before but it's good to remind ourselves over and over about the joys of editing. I used to hate to edit, because it seemed so tedious but once I realized how much better reading my story or book will be with good editing, I hopped on the band wagon.

I've been reading books for an award to be given later on this year. I'm the chair of the committee and there are two other people on the committee with me. We each will read a book, not the same book at the same time, but we need to winnow the pile down and pick our nominees and our winner. In the back and forth e-mails we are sending each other, one big thing has been discussed back and forth. The need for some good editing. It not too easy to edit your own work, but I've found one thing that helps me is to put that mss in the file cabinet for at least a day or two. A week is even better and three weeks is excellent. Let the story jell. Work on something new, and take your mind totally off your work in progress (WIP).

If possible get someone to give the WPI a read for you and I don't mean your mother or brother or even your critique group. Let someone you trust that has been published read and critique for you. And it's very important if you don't have an editor at your publishing house. If it's a small press and they just don't have enough people to go around, you might consider hiring someone to edit for you. It could be that a friend who has some experience, has been published and especially in your genre will look at your book without charge. If so, that's great. Take them to lunch or at least promise them a copy of the book when it is published.

There are also a number of editing services. But like with anything, some are good and some not so good. Some may be too expensive for you. Check with organizations like Sisters-in-Crime. You don't have to be female to join. We call them Brothers-in-Crime. Check with Mystery Writers of America. Here in Texas we have a large national and international writing organization called Writers League of Texas. All will have listings of editing, critiquing services.

Several years ago before I was published I checked with the major university in my home town with the creative writing department. I found a professor who was willing to read and critique my WIP. He charge a fairly substantial fee. I didn't have much extra money at the time, but I wanted the mss to be in the best possible shape. Unfortunately, he wasn't that familiar with the mystery genre, he leaned way over to literary fiction. He wanted to know the theme of my book. The motivations of each character. He thought the dialogue was too informal. In other words, he was too much of a professor for me. And his help was no help for me.

A short time later, I attended a writing conference in Houston, with editors, agents, and a handful of published writers . All were willing to read and critique, I believe the first fifty pages of your WIP at no charge other than the conference fee. Mine was being read by a New York agent. He was fairly well known in the business. I walked into the room where I was to have a private talk with him. The first thing he said was, "I don't like your characters and I don't like your setting." I was flabbergasted and crushed. I said, "Okay, but how's my writing." "Oh your writing is fine," he said, "but I just don't care for your book." I was supposed to have a fifteen minute meeting with him and this all took about two minutes. I walked out, went straight to my room and cried.

A few minutes later, my roommate walked in and she was crying. Her critique had been by one of the semi-famous authors and what he actually done was a line edit but it was like he wanted her to change so much, she felt like he didn't like her book. He destroyed her. He gave her the full fifteen minutes but they had been quite rough. After she got over her initial shock and we looked at what he had done, we realized his line editing was very good, it's just we were still babies in the writing game and didn't understand what had been done. I, on the other hand, could find no redeeming words for my visit with the agent. I did realize later that opinions were very subjective in this writing game. I received rejections that said, the characters weren't strong enough. The next editor who read the very same mss said my characters were wonderful but the plot sucked.

Several other attendees had similar complaints and we all reported what had happened to the organizers. It was decided from that time forward, we would pay the critiquers a nominal fee. That way they didn't feel like they were working for nothing, the conference had paid their way to Houston, paid their room and meals but they obviously felt put upon. It did seem to make a difference. I think the fee might have been twenty-five dollars for a 15 minute meeting. They could schedule as many as they felt they could handle over the two day conference.

One of the neatest stories I heard during a Southwest Chapter of Mystery Writers of America was from a man who was a best selling author of True Crime and a number of fiction books and stories by the name of Clark Howard. Even some of his stories were made into movies. When he was in college in the mid-west, near Chicago, he took a creative writing class. The students were to write a story, turn it in, the teacher made copies for everyone and passed them around. The whole class was to critique the story in class. When they got to his story, the whole class ripped it to shreds. Whatever one person said, the next person piled it on. About that time the class was over and Clark said, "I didn't have the nerve to tell them I'd just sold that story for five hundred dollars. He left and never went back to that class. (I don't remember if he'd sold it to Ellery Queen or Hitchcock magazine.) I told him I would have walked back into class the next time they met and tell them he'd sold the story and then say "Neener, neener," and then walk out.

I do think it's  important to get your WIP in the best shape possible before you let anyone publish it. Most writers I know, say their first reader is their spouse. And sometimes that works very well. My late husband, Elmer, was my first reader and he caught things like the correct description of a gun. Or the way a building or house looked or was constructed. Or my description of a car or motorcycle. Anything mechanical or along those lines he was an expert. And often if a scene or a plot line made good sense. But he had no idea if the dialogue was stilted or sounded natural. He had no idea if I wrote a run-on sentence or an incomplete sentence. So I always had to have another writer read and let me know about sentence or scene structure or punctuation. I was fortunate in the early years I had a wonderful critique group. There were only four of us. Susan Rogers Cooper, Barbara Burnet Smith and Jeff Abbott. Susan had published three or four novels and I had published two or three short stories and a handful of magazine articles. But Barbara and Jeff were not published  We did help each other and Barb and Jeff were soon published.

Tell yourself the story first. Let the creative side work it's magic, write the whole mss. Of course most of us edit the previous day's work before we continue the new day.  Before long it will be finished. Then set it aside to cool off. Wait as long as you can to take the story up again and let the editor side of your brain read and edit and edit and edit. But don't forget to stop and let it go. You can keep messing around with it and in time you'll think it's got to be perfect. Once you've done some rewriting and let someone edit for you then send that WIP to your agent or editor and keep your finger crossed. Before you know it you'll be holding your book in you hands. You'll open it up and start reading and find 10 mistakes that you or someone should have caught. But that's okay, you'll get better editing on the next book.

All right, class dismissed. Stay warm if you're still in winter. April is here and warm weather is coming. I guarantee you.

30 March 2014

Slow Death by Disuse


by Louis Willis

The main task of the semicolon is to mark a break that is stronger than a comma but not as final as a full stop. It’s used between two main clauses that balance each other and are too closely linked to be made into separate sentences. 
Oxford Dictionaries.

In his article “Has Modern Life Killed the Semicolon?” on the Slate website, Paul Collins relates a brief history of the semicolon:

       The semicolon has a remarkable lineage: Ancient Greeks used it as a question mark; and after classical scholar and master printer Aldus Manutius revived it in a 1494 set, semicolons slowly spread across Europe. Though London first saw semicolons appear in a 1568 chess guide, Shakespeare grew up in an era that still scarcely recognized them; some of his Folio typesetters in 1623, though, were clearly converts.  

Collins notes that the advent of the telegraph in 1850 might have “radically” changed language use because punctuation marks cost the same rate as words ($5.00). As far the semicolon, his perusal of “telegraph manuals reveals that Morse code is to the semicolon what weedkiller is to the dandelion.” He never quite says that in these modern times the Internet is killing the semicolon but strongly implies that it is. He believes, nevertheless, that “semicolons serve a unique function,...” but fails to say what that function is.
Matthew Kassel believes the semicolon isn’t dying but is “the perfect punctuation for the digital age.” In his "The Semicolon Is the Perfect Punctuation for the Digital Age" article on the New York Observer web site, Kassel argues “that the semicolon is...perfectly suitable for text messaging, instant messaging and online correspondence via Facebook and other social networks, where disparate ideas roam free and ‘unexpected juxtapositions’ are the norm.” He felt “compelled” to defend the semicolon because he “often uses semicolons in digital communication and [has] encountered some unexpected pushback.” Further, for him “the semicolon’s breezy informality… captures the unstructured, colloquial nature of digital correspondence more so than any other punctuation mark out there.” I didn’t find a whole lot of semicolons in his articles on the Observer site, and I couldn’t access his Twitter account, which was probably due to my unstructured, colloquial nature. 
The goal of communications on the social networks is to get the message out as quickly as possible and don’t bother about those little pesky things called punctuation marks. Way back in 1999, one writer, Amy Harmon, in an article "Internet Changes Language" published in the New York Times on February 20 noted that “Although judgments vary, what seems clear so far is that the Internet has propelled the traditionally deliberate pace of language evolution to higher speeds.” 
The semicolon doesn’t lend itself to the speed Twitter and Facebook requires because it insists on a brief pause to allow the reader to think. Readers who, like me, sometimes want, not just dip into an article, story, or essay, but to savor it, would, in these times of instant gratification, miss the semicolon. I have faith, though I don’t know if it is “the perfect punctuation for the Digital Age” as Kassel suggests, that its demise is not imminent. 
To you semicolon; may you live forever.