Okay, class. You've all heard this before but it's good to remind ourselves over and over about the joys of editing. I used to hate to edit, because it seemed so tedious but once I realized how much better reading my story or book will be with good editing, I hopped on the band wagon.
I've been reading books for an award to be given later on this year. I'm the chair of the committee and there are two other people on the committee with me. We each will read a book, not the same book at the same time, but we need to winnow the pile down and pick our nominees and our winner. In the back and forth e-mails we are sending each other, one big thing has been discussed back and forth. The need for some good editing. It not too easy to edit your own work, but I've found one thing that helps me is to put that mss in the file cabinet for at least a day or two. A week is even better and three weeks is excellent. Let the story jell. Work on something new, and take your mind totally off your work in progress (WIP).
If possible get someone to give the WPI a read for you and I don't mean your mother or brother or even your critique group. Let someone you trust that has been published read and critique for you. And it's very important if you don't have an editor at your publishing house. If it's a small press and they just don't have enough people to go around, you might consider hiring someone to edit for you. It could be that a friend who has some experience, has been published and especially in your genre will look at your book without charge. If so, that's great. Take them to lunch or at least promise them a copy of the book when it is published.
There are also a number of editing services. But like with anything, some are good and some not so good. Some may be too expensive for you. Check with organizations like Sisters-in-Crime. You don't have to be female to join. We call them Brothers-in-Crime. Check with Mystery Writers of America. Here in Texas we have a large national and international writing organization called Writers League of Texas. All will have listings of editing, critiquing services.
Several years ago before I was published I checked with the major university in my home town with the creative writing department. I found a professor who was willing to read and critique my WIP. He charge a fairly substantial fee. I didn't have much extra money at the time, but I wanted the mss to be in the best possible shape. Unfortunately, he wasn't that familiar with the mystery genre, he leaned way over to literary fiction. He wanted to know the theme of my book. The motivations of each character. He thought the dialogue was too informal. In other words, he was too much of a professor for me. And his help was no help for me.
A short time later, I attended a writing conference in Houston, with editors, agents, and a handful of published writers . All were willing to read and critique, I believe the first fifty pages of your WIP at no charge other than the conference fee. Mine was being read by a New York agent. He was fairly well known in the business. I walked into the room where I was to have a private talk with him. The first thing he said was, "I don't like your characters and I don't like your setting." I was flabbergasted and crushed. I said, "Okay, but how's my writing." "Oh your writing is fine," he said, "but I just don't care for your book." I was supposed to have a fifteen minute meeting with him and this all took about two minutes. I walked out, went straight to my room and cried.
A few minutes later, my roommate walked in and she was crying. Her critique had been by one of the semi-famous authors and what he actually done was a line edit but it was like he wanted her to change so much, she felt like he didn't like her book. He destroyed her. He gave her the full fifteen minutes but they had been quite rough. After she got over her initial shock and we looked at what he had done, we realized his line editing was very good, it's just we were still babies in the writing game and didn't understand what had been done. I, on the other hand, could find no redeeming words for my visit with the agent. I did realize later that opinions were very subjective in this writing game. I received rejections that said, the characters weren't strong enough. The next editor who read the very same mss said my characters were wonderful but the plot sucked.
Several other attendees had similar complaints and we all reported what had happened to the organizers. It was decided from that time forward, we would pay the critiquers a nominal fee. That way they didn't feel like they were working for nothing, the conference had paid their way to Houston, paid their room and meals but they obviously felt put upon. It did seem to make a difference. I think the fee might have been twenty-five dollars for a 15 minute meeting. They could schedule as many as they felt they could handle over the two day conference.
One of the neatest stories I heard during a Southwest Chapter of Mystery Writers of America was from a man who was a best selling author of True Crime and a number of fiction books and stories by the name of Clark Howard. Even some of his stories were made into movies. When he was in college in the mid-west, near Chicago, he took a creative writing class. The students were to write a story, turn it in, the teacher made copies for everyone and passed them around. The whole class was to critique the story in class. When they got to his story, the whole class ripped it to shreds. Whatever one person said, the next person piled it on. About that time the class was over and Clark said, "I didn't have the nerve to tell them I'd just sold that story for five hundred dollars. He left and never went back to that class. (I don't remember if he'd sold it to Ellery Queen or Hitchcock magazine.) I told him I would have walked back into class the next time they met and tell them he'd sold the story and then say "Neener, neener," and then walk out.
I do think it's important to get your WIP in the best shape possible before you let anyone publish it. Most writers I know, say their first reader is their spouse. And sometimes that works very well. My late husband, Elmer, was my first reader and he caught things like the correct description of a gun. Or the way a building or house looked or was constructed. Or my description of a car or motorcycle. Anything mechanical or along those lines he was an expert. And often if a scene or a plot line made good sense. But he had no idea if the dialogue was stilted or sounded natural. He had no idea if I wrote a run-on sentence or an incomplete sentence. So I always had to have another writer read and let me know about sentence or scene structure or punctuation. I was fortunate in the early years I had a wonderful critique group. There were only four of us. Susan Rogers Cooper, Barbara Burnet Smith and Jeff Abbott. Susan had published three or four novels and I had published two or three short stories and a handful of magazine articles. But Barbara and Jeff were not published We did help each other and Barb and Jeff were soon published.
Tell yourself the story first. Let the creative side work it's magic, write the whole mss. Of course most of us edit the previous day's work before we continue the new day. Before long it will be finished. Then set it aside to cool off. Wait as long as you can to take the story up again and let the editor side of your brain read and edit and edit and edit. But don't forget to stop and let it go. You can keep messing around with it and in time you'll think it's got to be perfect. Once you've done some rewriting and let someone edit for you then send that WIP to your agent or editor and keep your finger crossed. Before you know it you'll be holding your book in you hands. You'll open it up and start reading and find 10 mistakes that you or someone should have caught. But that's okay, you'll get better editing on the next book.
All right, class dismissed. Stay warm if you're still in winter. April is here and warm weather is coming. I guarantee you.
31 March 2014
28 January 2013
by Jan Grape
My good friend, Taffy Cannon posted this the other day and it just tickled me so I requested and got permission to post it here. Intriguing idea, don't you think?
The Next Big Thing Blog Hopby Taffy Cannon
This is kind of a blog chain letter, wherein one writer answers a specific set of questions about a work-in-progress, and then tags five other writers to answer the same ten WIP questions on their blogs—and so on and so on until there aren’t any more writers left on the earth.
Of course I am a rebel by nature and so I have switched around the order of the questions to make them more to my liking. Also because this book is unlike anything I’ve written previously.
What is the working title of your book?
The Baby Boomer’s Guide to SibCare
Who or what inspired you to write this book? Where did the idea come from for the WIP?
Five years ago, my younger brother’s health, which had been problematic since a malignant brain tumor in 1994, took a serious nosedive. My sister and I were suddenly immersed in major issues and decisions related to his deteriorating health. She was in Seattle and I was in San Diego. Our brother, a former cop who lived alone with a minimal support system, was in Chicago and wanted to stay there.
We faced a lot of medical crises, bureaucracies, and financial messes. We made mistakes and followed false paths and spent a lot of time with our fingers in our ears, singing lalalalala very loudly. We learned to live by a maxim our mother, gone now for 41 years, used often: “We’ll cross that bridge when we come to it.”
We had some great help from friends and relatives and even bureaucrats. We also were blessed with a true deus ex machina that changed everything in the family equation fairly early on. But most of the time we were banging around in the dark, trying to figure out what to do next. My mantra became:
I met other folks my age having similar sibling-related medical experiences and got some useful tips and advice from them. And I tried to find some kind of handbook about the particular joys and challenges of helping a sibling with a serious medical problem.
I came up empty.
My brother passed away last March. And I decided to write the book that I had looked for and couldn’t find.
What is the one-sentence synopsis of your book?
The baby boomers are getting old, and when your body turns on you and you don’t have a strong local support system, the default is likely to be family.
How long did it take you to write the first draft of your manuscript?
I wrote about what was happening quite a bit while it was going on, in narrative fashion. When I looked at this narrative, I realized there was a lot of practical material in there that could be very helpful to other people taking on medical bureaucracies, bill collectors, stubborn patients, unexpected crises, and sometimes other relatives as well. I decided to make it more accessible by putting it into handbook form.
Every family’s situation is different, and so is every sibling relationship, even within a single family. There are, however, common problems and challenges. My intention in The Baby Boomer’s Guide to SibCare is to point people in the right direction to find out more about how to meet their particular family needs.
I danced around getting started with the handbook itself for a while, writing bits and pieces here and there. I wrote outlines and arranged multi-colored Post-Its on pieces of foam board. I did some research and labeled a lot of file folders. In fact, I was researching studies of adult sibling relationships (Newsflash: there are precious few) when my brother went into his final decline.
Is your book self-published, published by an independent publisher, or represented by an agency?
Since my agent handles only fiction, I anticipate working with a former agent who represents nonfiction.
What genre does your book come under?
Self-help, I guess. Health. Caregiving. It’s a hybrid.
Let’s see. Maintaining equanimity in the face of uncertainty. Standing up to unforeseen challenges. Laughing at adversity. Have I missed any clichés?
What other books would you compare this story to within your genre?
Ain’t none. See above.
There are certain similarities to books about taking care of aging parents, but the sibling relationship is really quite different from that. There is also a limited literature about siblings disabled from birth, a group with many overlapping elements.
Here’s why it’s different: Your siblings are the people you’re likely to know for the longest time in your life.
Your parents are around for the first part and with luck you’ll have a family of some sort with you during the middle-to-last parts. But your siblings march in lockstep beside you throughout your entire family history.
What else about your book might pique the reader’s interest?
Ten thousand baby boomers become eligible for Medicare every single day. That’s a whole lot of people getting old at a very rapid rate, people who genuinely believed they would remain forever young.
Nobody’s been talking too much about the boomers for a while, but there plenty of us and we share an important collective history. We were young in a period when it sometimes seemed as if everything was changing at once. We caused or participated in in a lot of important societal movements, events, and changes—sometimes from more than one side. Vietnam, of course, is the classic generation-splitter.
But despite many differences, the baby boomers share a lot of common ground and have left an important cultural legacy. It all kind of blended together over time:
Rock and roll. Vietnam. Protest. Civil Rights. The Women’s Movement. The Sexual Revolution. Exercise for adults. Environmental Awareness.
And did I mention rock and roll?
Which actors would you choose to play your characters in a movie rendition?
As a general rule self-help books don’t get made into movies, or even get development deals. And a lot of this material is drawn from personal experience, which means it’s about the Cannon family. It’s hard for me to picture us as anybody but us.
However, I would be satisfied to have Meryl Streep play me. She’s also a blonde baby boomer and I think she can get the accent.