Location, Location, and... What Was It?

 I was looking at A Textbook Case this week, the SleuthSayers page I created as a sort of informal manual on writing fiction. It consists of about sixty essays I wrote here and at other blog sites.  

I noticed that I had only one piece about settings, and  that one was about imaginary places.  This didn't really surprise me because I am not a big fan of descriptions of setting.  Elmore Leonard famously advised us to leave out the parts people don't read, and that is how I tend to feel about those descriptions.  But I admit they have their place - sometimes.

You can find some excellent essays on setting here at the SleuthSayers website.  In one of them I found this comment from O'Neil DeNoux:  "Setting is not just the name of a place or time period, it is the feeling of the place and time period. It includes all conditions – region, geography, neighborhood, buildings, interiors, climate, time of day, season of year." 

Good starting place.  I began thinking about descriptions of setting that really stood out for me and a few came to mind:

* The beginnings of Chandler's novels.

* Elizabeth Peters' descriptions of Luxor and the Valley of the Kings  in various Amelia Peabody novels.

* Doyle's descriptions of  Dartmoor  in Hound of the Baskervilles.

* Tony Hillerman's description of the Navaho Reservation.

* Hong Bay in William Marshall's Yellowthread Street novels.

Personally I am much more interested  in interior settings: descriptions of houses and rooms.  How many full size reproductions have been made of 221B Baker Street?  Rex Stout provided a detailed plan of Nero Wolfe's famous office but that doesn't prevent people from arguing with it or (very common)  picturing it in mirror image.  

If you want a real master class in describing interiors in an interesting manner open any of Mick Herron's Slow Horse novels.  Near the beginning of each one you will find a description of Slough House; each version is different, and each is intriguing. 

All this came to mind because I have a story in the current issue of Black Cat Weekly and setting is important in it.  All the tales in my "Bad Day" series take place in Brune County, which is fictional, but "A Bad Day For Good Samaritans" centers on a park which is very much based on a real one in my city. 

 Well, here is a little report I wrote on Facebook in 2020 about something that happened to me: 

The pond this week

My story begins with a similar situation except the mother is nasty (conflict is the kernel of fiction).  So I went to some trouble to describe the place.  But the other scenes in the story are afterthoughts, with hardly more than a few words of description.

The pond in 2020

I suppose the point I am making is that you don't go deep into setting unless it is crucial to the story.  That could mean it is part of the plot (as in mine) or part of the mood.  But as always in short stories, the rule is not one word  should be included that doesn't move the story forward.

Now over to you: what are your favorite fictional settings?


 

  

How to Maintain a Career in Fiction Writing

 Today, I'm combining the wisdom of two authors I much admire, Benjamin Stevenson and John Floyd.

Two nights ago, I hosted/interviewed Australian author Benjamin Stevenson on stage at the Centennial Theatre in Burlington, Canada.  To say I was 'outnumbered' is an understatement:  Benjamin's book "Everyone in my Family has Killed Someone" has sold a million copies!  I don't believe I've sold even half that if you were to combine all my books, short stories, and comedy pieces put together.  (Okay, the newspaper columns had audiences in the millions, but that wasn't fiction.)

It was an electric night on stage with Benjamin, as we both got our start writing standup.  Lots of fun!  But some of the things we talked about have really resonated with me after the event.

Benjamin said it takes him two years to write a book.  (It takes me one year.  I sit in awe of cozy writers who can write three a year, frankly.)  We both agreed on one thing:  We have to be really excited about a book project to sit down, bum in chair, and write every day until that one project is done.

Excited.  I've thought back to my own career as a novelist, and can see that this drives me as well.

I didn't start as a novelist.  I began life as a short story writer.  But when the short story market began to shrink, I started to think about meeting the challenge of writing a novel. 

My first series is still my bestselling individual series.  Rowena Through the Wall was epic fantasy, or what they would call Romantasy these days.  It was featured in USA Today some years ago, and took off (a top 50 Amazon bestseller, all books.)  That series was great fun to write, but once I finished it, it felt that fantasy was kind of done for me.  I looked around for something that would excite me. 

This brings me to John Floyd's column from a few weeks ago, The Old Genre Switcheroo, about moving between genres or subgenres.  I realized that this is what I've been doing.  It's how I've stayed excited, while continuing to write novels.

My next series was The Goddaughter mob caper series.  You can't get more different from dark ages fantasy than that!  A contemporary mob goddaughter in Hamilton doesn't want to be one, but keeps getting dragged back in to bail out her family.  

Totally different genres with different rules.  What they did have in common?  Both series were high comedy.   

When that series ended, I looked around for another genre or subgenre that I could get excited about.  Something that would challenge me, and provide a host of fresh ideas.

Which led to The Pharaoh's Curse Murders (out this week!) and the historical Merry Widow Murder series.  Still humorous, but with the challenge of a 1929 setting and - new for me - classic mystery plotting requirements.

Challenging and therefore exciting, for this writer. 

What does all this prove?  This is what I've learned:

The secret to having a multi-decade career in fiction writing is to be versatile.  Move where the market goes.  Keep yourself fresh by exploring new genres or sub-genres.  

Versatility.  Which begs the question, what's next for this writer, after The Kennel Club Murders, out April 2027?

I'm excited to see.  

Melodie Campbell is the winner of ten awards, including The Derringer and the Crime Writers of Canada Award of Excellence, for her 21 novels and 60 short stories.  She didn't even steal them.

NOW AVAILABLE AT B&N, AMAZON, CHAPTERS/INDIGO AND INDEPENDENTS! 

 

 

Avignon and All That

"During a January closed-door meeting at the Pentagon, a Trump administration official reportedly warned a Vatican ambassador that America had the military power to do whatever it wants in the world, and that the Catholic Church had better take its side.
While the sourcing is limited, the American government confirms the meeting happened (if not the wording used) and Christopher Hale confirms that “some Vatican officials were so alarmed by the Pentagon’s tactics that they shelved plans for Pope Leo XIV to visit the United States later this year [for the celebration of America’s 250th].” All of which certainly puts the Pope's comments against American violence in Iran in a different light.
But what’s getting a ton of attention is both the worst sourced, and most intriguing, piece: that an American official in that meeting invoked the Avignon Papacy." (LINK)

Why does that matter? Well, bringing up the Avignon Papacy to a Pope – any Pope – is pretty much a direct threat.

Back in the High Middle Ages, before the Calamitous 14th Century (and thank you, Barbara Tuchman, for one of the greatest histories ever written), i.e., the 1300s, there was only one official church in all of Western Europe, the Church, catholic and Catholic. Everyone was born into it, and it was integral to everything. The Church told you what was right and what was wrong, how to get to heaven, how to love your fellow man, how you should work, how you should live, how you should treat each other. All the social services that government and various non-profit organizations do today were then done by the church and the (often forced) largesse of the wealthy: welfare to widows and orphans, hospitals, asylums, orphanages, schools, etc.

The Church was like breathing, it was all around you. And that was fine with most people. The High Middle Ages, from 950 to 1300, has been called the Great Age of Faith. Cathedrals were built. Crusades were fought. And it helped that it was what's known as the Medieval Warm Period, a/k/a the Climatic Optimum: perfect weather, good harvests, often great harvests, fat bellies...

And then it all went to hell in a handcart, thanks to the Hundred Years' War (between England and France), the Black Death (where a third of the world OR MORE died, and that was just the first go-round), and the Avignon Papacy (a/k/a the Babylonian Capitivity of the Church) and the Great Schism. These three things shattered everything.

AVIGNON AND WHAT CAME NEXT

The papal palace in Avignon

Jean-Marc Rosier from http://www.rosier.pro

So let's start off with a problematic Pope, Pope Boniface VIII (r. 1294-1303): He was from the Gaetani family, wealthy Italian nobility. (Back then, it was pretty normal for a Pope to be elected from among wealthy Italian families and would be so for a very long time.) And it had been expected that he'd be elected to the papacy, but it didn't happen.

Instead, a monk named Pietro Angelerio, a hermit monk was elected by a fluke of frustrated cardinals (who were tired of wealthy noble Italian families running everything, and this was way before the Borgias). Pope Celestine was extremely holy, and wept when he was dragged from his cell to Rome. He was easily persuaded to resign a few months later, probably by Boniface, who was immediately elected Pope.

NOTE: Celestine had been promised he could return to his hermitage, but instead Boniface had Celestine arrested and imprisoned until he died.

Pope Boniface accomplished a lot, including the Regulae Iuris, a collection of legal principles, which is still used as a source for deciding matters of canon law. But his most infamous achievement was the papal bull Unam Sanctam – which declared the pope's jurisdiction over both temporal and spiritual powers: "We declare, announce and define that it is altogether necessary to salvation that every human creature be subject to the Roman pontiff."

This wasn't new: it was pretty much believed throughout Western Europe. Not in Eastern Europe, where the Orthodox Church still considered the Bishop of Rome as just another Patriarch among many. The Catholic/Orthodox schism over papal authority goes back a very long way...

The King of France was Philip IV a/k/a "the Fair" (apparently he was handsome), and did his best to expand French lands. He spent a lot of time at war with England, also with Spain, Flanders, etc., while setting up an alliance with Scotland (the "auld alliance" began with him), conquered Flanders, and made contact with the Mongols with the idea of future military alliances. The trouble is, all that cost money. He was always scrambling for money, and got it a variety of ways, such as arresting bankers and seizing their money.

(Later, under the next Pope, Philip IV pitched a huge fight with the Knights Templar, who had financed most of his war with England, and sent troops to arrest all the Templars in France, accusing them of sacrilige, idolatry, homosexuality, financial corruption, fraud, and secrecy. And seized all their large assets…)

But then Philip IV levied taxes on the French clergy of one-half their annual income. Neither the Church nor the papacy would put up with that... Pope Boniface VIII issued the bull Clericos Laicos, forbidding the transference of any church property to the French Crown.

So between the two bulls, Philip IV of France saw a threat, and held a little assembly of his own in Paris in April 1302. Nobles, burgesses and clergy met to denounce the Pope and pass around a crude forgery*, Deum Time ("Fear God"), in which Boniface supposedly claimed feudal suzerainty over France, an "unheard-of assertion". Boniface denied the document and its claims, but – insanely – reminded Phillip that previous popes had deposed three French kings. (Also a few English ones, including John Lackland.)

*I know, you thought social media and fake news were modern, right?

And that ticked Philip IV off enough to call for a council to depose Boniface on charges of heresy, blasphemy, murder, sodomy, simony, and sorcery. Boniface prepared to excommunicate Philip, and in order to stop him, Philip hired some thugs who attacked Boniface and imprisoned him for three days without food or water. Boniface was rescued by a group of Italian nobles, but the pope died of his treatment within a month.

Depiction of the death of Boniface in a
15th-century manuscript of Boccaccio's De Casibus

Pope Clement V (r. 1305-1314)

With Boniface's death, King Philip IV promptly bribed the college of cardinals, and Boniface's successor was a Frenchman who revoked Unam Sanctam. And in 1309 King Philip IV moved Clement and the papacy to Avignon, France. Clement brought with him all the French cardinals, papal bureaucracy, etc. In exchange, Philip promised him protection from anything like what happened to poor Boniface.

And there the papacy stayed, at Avignon until 1377, a period that's known as the Babylonian Captivity of the Church.

In case you're wondering, this was a disaster for the Church, because the church expenses skyrocketed. Why? Well, they're in France, and the papal states are in Italy, and the papal states are where a lot of the papal wealth comes from. And the money isn't flowing regularly, so papal taxes went up even more. And, since the pope and his court were in France, and dependent on French support, they rubber-stamped all of the French king's policies and decisions. Especially since, of the 134 cardinals that were created during these 70 years, 113 of them are French.

But it really helped French royalty. A nice, tame Church that could pretty much be controlled…

Gennadii Saus i Segura

A map of Rome, showing an allegorical figure of Rome
as a widow in black mourning the Avignon Papacy

But that's medieval history - why does it matter that someone brought that up to today's representative for the Pope?

The big deal is that the Avignon Papacy began with a king sending a bunch of thugs to capture the Pope, and then setting up his own pope on his own land and controlling the church for 70 years.

Anyone in the Vatican would, and probably did, see "mentioning" it as a threat.

BTW, back in the day, things got worse. Eventually a pope returned to Rome, but instead of things getting back to normal, the French contingent elected yet another Pope in Avignon. So now there were two Popes, one in Avignon, one in France, each excommunicating the other, and all of the others' followers...  Eventually there were three popes...  Briefly... But that's another story, for another time.

Some Great New Books

Books. Books. Books.

I read a lot. Last year, for instance, I finished more than 200 published books (and many short stories and unpublished novels and short story manuscripts). One thing I enjoy as much as reading is telling people about books I love. And since today, March 31, is the last day of the first quarter of 2026, this seems a good time to talk about my favorite mystery/crime books published in the last three months. 

 

 Finlay Donovan Crosses the Line

Elle Cosimano's wonderfully funny and fresh Finlay Donovan series is back with its sixth book, Finlay Donovan Crosses the Line. I think it's the best one since we were first introduced to Finlay and her nanny/best friend/unintentional partner in crime, Vero (short for Veronica), in Finlay Donovan is Killing It. The series begins with Finlay--a romantic-suspense author and single mom juggling two small kids, an annoying ex-husband, money problems, and a book deadline--being mistaken for a hit woman. 

Each book is madcap and fun, this newest one especially. It has Finlay, Vero, and friends trying to clear Vero of charges that she stole a lot of money that her old college sorority raised from illegal poker games. The story is engaging, with tons of twists, strong characters, a great voice, and clever, interesting writing. I laughed out loud often. If you haven't checked out this series yet, don't wait. The first novel is being adapted by Tina Fey for a TV series on Peacock. Take my advice: read the books first. While you could start with the sixth book, you'll get much more enjoyment by reading them in order. 

 The Bookbinder's Secret 

There are a bunch of books with this title. I am talking about the one written by A. D. Bell. This is a debut novel, but it doesn't read like one. It is set in England at the start of the twentieth century. The main character, Lily, is an accomplished bookbinder (she is technically an apprentice but it is in name only). While repairing a book, she finds an old letter hidden in the binding, and it leads her to a dangerous mystery that she is compelled to investigate. 

This novel has wonderful characters, a well-drawn setting, and an intriguing story. The voice is melodious, and the writing is strong. Plus you get an inside look at bookbinding. What reader wouldn't like that? I did have a quibble: Lily didn't quickly figure something out that seemed obvious to me. But a book needn't be perfect to be recommended, and I definitely recommend this one.

  

Murder Will Out

This is another debut, and I have to thank Kristopher Zgorski for talking about it recently and thus bringing it to my attention. Jennifer K. Breedlove's Gothic-ish novel, set on an island off the coast of Maine, won the Mystery Writers of America/Minotaur Books First Crime Novel Award last year, and I see why. 

The story opens with Willow returning to the island where she spent summers as a child. She has come back to attend the funeral of her beloved yet long-estranged godmother, Sue. It turns out that Sue recently inherited a mansion (a haunted mansion--but it's not scary-haunted), and her death--occurring the day before she was supposed to get married--looks awfully suspicious to Willow. With the help of new friends, including a resourceful librarian and a smart, brave, charming corgi, Willow is determined to find out what happened. 

This book has strong writing and an engrossing, complex story. The author makes great use of the setting, especially the house and the ghosts. I appreciate how the main character grows by the end and finds her place in the world. And of course I love the dog. I did find the large cast of characters a little hard to follow at times. And I have a problem with a legal issue affecting the plot that the author (and her editor) overlooked. It could have been resolved with an additional sentence or two. Nonetheless, this is a book I enjoyed and recommend.

A Field Guide to Murder

The final book I'm recommending is also a debut. Written by Michelle L. Cullen, A Field Guide to Murder has two main characters, Harry--a sixtysomething anthropologist who's no longer traveling the world thanks to his broken hip--and Emma, his twentysomething nurse. When one of Harry's neighbors calls him begging for help right before she dies (murdered, of course), no broken hip is going to keep him from finding out whodunit. And Emma, dissatisfied with her life, is happy to help him. 

I enjoyed how both characters grow throughout the book. And I loved watching them learn to lean on each other as they investigated, developing a sweet father/daughter-type relationship. The book has a slow start and a lot of characters, but once I got into it, I was invested in the mystery and especially in Harry and Emma. The writing was good and, at times, funny. A solid debut. 

 

Overall, all four of these books are recommended. As I said, the Finlay Donovan series is up to book six, and the other three books are the first in their series. I'm looking forward to the next book from all of these authors. I hope they are released sooner than later.

Before I go, I don't usually mention here the release of books I edited. But today happens to be the publication date of Let Nothing Astonish You by Lauren Opper. This intricate whodunit is set in part in a Gothic mansion in small-town Connecticut. It is Opper's first novel, and it comes with a blurb from none other than Meg Gardiner: "A lively mystery rich with atmosphere, a vivid cast of suspects, and some delicious twists. Enjoy!" I couldn't say it better myself. 

Happy book birthday, Lauren! May your writing career be long and bright.

 

 

 

 

 

A Sleep or A Scrape

As part of an irregular series of blogs looking at notable trials from this month in history, I'd like to enter Mr. Peabody's Wayback Machine. Let's revisit 1845 and the murder trial of Albert Tirrell. Although old, the case offers an opportunity to consider the roles of defense attorneys, prosecutors, and novel defenses. 

Twenty-two-year-old Albert Tirrell was no paragon of virtue. The scion of a wealthy Weymouth, Massachusetts family, he left his wife and two children to maintain a relationship with Maria Bickford, a prostitute living in a Boston brothel. Although they traveled and were constantly together, she refused to abandon her profession. Maria was successful in her work; she could afford a maid and expensive clothing. The relationship between Bickford and Tirrell was described as volatile. Maria reportedly said that she enjoyed quarreling with Albert because they had such a good time making up.  

In September 1845, local authorities charged Albert with adultery for cohabiting with Maria while married. He surrendered, posted a bond, and returned to Maria.

Albert visited her at her disreputable boarding house after her last customer on October 26^th, 1845. Late that evening, the proprietor saw and heard the couple arguing. The next morning, the proprietor and his wife heard a scream and a heavy thud from the upstairs room. They heard someone running down the stairs and out the door. Maria was found on her back, a neck wound nearly cutting off her head. Someone had set fire to the bed on which she lay. At the foot of the bed was a bloody razor. A man's walking stick and vest in the room were found spattered with blood. The landlord also found a letter addressed with the initials, "A.J.T. to M.A.B."

National Police Gazette

At about the same time, Albert Tirrell arrived at a nearby stable and requested a horse. He had gotten into a little scrape, he reported. When the police tried to find Tirrell, they discovered he had fled. From Weymouth, Tirrell traveled through Vermont to Canada. There, he boarded a ship bound for Liverpool. Bad weather forced the ship back to port. He journeyed to New York and booked a boat for New Orleans. He was arrested in Louisiana.

Tirrell hired Rufus Choate to defend him. A protégé of Daniel Webster, Choate is considered one of the great American lawyers of the 19^th Century. An outstanding orator, he was famous for delivering the “longest sentence known to man.” (1,219 words)

The prosecutor presented a strong circumstantial case, relying on the abovementioned facts. The witnesses, however, all resided in the brothel, and no one was beyond impeachment. Additionally, no one witnessed the murder. Still, robust evidence pointed toward Albert Tirrell.

Then Rufus Choate began his defense. His strategy was three-pronged. Maria may have killed herself, the defense argued. Choate’s associates impugned Maria’s character and suggested that suicide was “almost the natural death of persons of her character.” This theory suffered, however, from the violent nature of the injury to her neck. The defense team also presented evidence of Albert’s good character before he was ensnared by the lascivious Maria. Choate suggested another resident of the boardinghouse might have done it. And finally, the defense argued that if Tirrell had killed her, it was while he was sleepwalking.

A parade of friends and family testified to his sleepwalking habit beginning as early as age six. They elicited testimony that the somnambulism had increased in frequency and manifested bizarre behaviors. These episodes, according to his family, included window-smashing and threatening his brother with a knife. The dean of the Harvard Medical School testified that a person in a somnambulistic state could rise, dress, kill, set a fire, and escape.  

It is an essential element of most crimes that the defendant intended to commit the offense. As a society, we criminalize behavior that a person knows or should know is wrong. But if they don't understand, then punishment serves no purpose. Usually, this applies to young children or to the insane.

Harvard Art Museum

On March 27th, 1845, Rufus Choate gave his closing argument to the jury. He began by telling them he did not intend to take up much of their time. He then talked for five hours non-stop. The court recessed for a meal, and when the court resumed, Choate continued for another hour and a half. He spent much of the postprandial argument focused on somnambulism.

The jury deliberated for two hours before acquitting Tirrell.

The strategy worked again when the prosecutor tried to convict Tirrell of arson for setting the room on fire.

Tirrell later wrote to Rufus Choate asking the lawyer to return half his legal fee. He argued that he shouldn't have to pay so much for a case where it had been too easy to persuade the jury of his innocence.

I do not want to leave the blog with the impression that somnambulism serves as a get-out-of-jail card. According to an internet search, the defense has been tried perhaps sixty times. Most of the time, it has not been successful. Sleep scientists say it would not work today; Tirrell's behaviors, especially the flight, cannot be explained by sleepwalking. Even Tirrell did not get away completely. He went to prison for the original adultery charge. The judge refused to dismiss the case and sentenced him to three years.

Besides an interesting fact pattern, the case highlights the roles of the prosecutor and the defense. The government must prove each element. The government needs a clear message to explain the defendant’s actions. It has a problem, even today, when a victim comes from a marginal or ostracized part of the community.

The defense, meanwhile, succeeds when it undermines even one necessary element of the government's case. To do this, sometimes an astute lawyer presents a unified theory; other times, he or she scattershoots. Sometimes, the defense merely picks at the government's case, testing its reliability and challenging the credibility of the witnesses on which it rests. In other cases, the attorney prosecutes the defense—putting forward an alternative theory that explains the evidence and exonerates the client.

Choate tried all of the above. He picked at and maligned the government's evidence. He highlighted matters the prosecutor had not brought up--chiefly an eyewitness. He also put forward several alternatives. Choate's chief theory, the one that keeps the murder case of Albert Tirrell in the public eye, was the defense of somnambulism. A novel defense that in this case worked. 

Albert Tirrell's murder trial is the March Trial of the Month.

Now go get a good night's sleep.

Until next time. 

Pulpwood Fiction

I like that term. Pulpwood Fiction isn't an established genre, but it's a definite--and different--area of storytelling, one that focuses on the gritty, blue-collar people of the rural South, where the setting plays a central role. I've also heard it called Redneck Noir, and Grit Lit. A blog I found a few years ago refers to it as "good old-fashioned noirish pulp fiction with a Southern twist."

One reason I like those kinds of stories is, of course, that I grew up in that part of the country, with all its weird food and scenery and characters and traditions. As I said in one of my private-eye stories a few years ago, the Deep South is like the song: fish are jumpin', the cotton is high, and the livin' is easy. At least usually. Everyone moves at a slower pace and many things get done at a slower pace, including talking. Most of us sound like Billy Bob Thornton, or Holly Hunter, or Walton Goggins.

Some of my short stories that were the most fun to write are set in that world, both past and present--partly because it's familiar ground and partly because it's just easier. I don't have to do as much research. 

I think the best writer of so-called pulpwood fiction is Joe R. Lansdale. Most of his novels and short stories are set in East Texas, in and around the fictional town of LaBorde (often compared to Nacogdoches, the author's hometown). My favorite Lansdale books are standalones, but I also love his series of novels and stories featuring Hap Collins and Leonard Pine. 

A quick description of those two: Hap is a white, straight, liberal redneck who doesn't like guns and Leonard is a gay black Republican who doesn't like much of anything except Dr Peppers and vanilla cookies. They've been best friends since childhood, and despite mostly-good intentions they wind up in deep trouble at every turn--and often have to shoot their way out. 

So far, three movies have been made from Lansdale's novels and novellas. Bubba Ho-Tep (2002) with Bruce Campbell and Ossie Davis, Cold in July (2014) with Sam Shepard and Don Johnson, and The Thicket (2024) with Juliette Lewis and Peter Dinklage. All are worth watching, and The Bottoms, which won an Edgar for Best Novel in 2001, is supposedly under film development. There's also an excellent TV series appropriately called Hap & Leonard, starring James Purefoy and the late Michael Kenneth Williams. The first of the three H&L seasons is the most fun, but all of them are good.

Another thing worth mentioning: We've talked a lot at this blog about humor in fiction writing--and Lansdale is one of the best at this. I've learned a lot from him, and I think any writer can.

Here are some of my favorite Lansdale standalone novels:

Edge of Dark Water

Sunset and Sawdust

The Bottoms

Paradise Sky

A Fine Dark Line

The Thicket

And my favorite Hap & Leonard novels:

Savage Season

Mucho Mojo

The Two-Bear Mambo

Vanilla Ride

Rusty Puppy

Hatchet Girls

The Elephant of Surprise

If you're interested, Lansdale has also written plenty of short-story collections, my favorite of which is Driving to Geronimo's Grave.

That's all I can think of, for today. If you haven't read Joe Lansdale, I hope you will. I believe I have everything he's written right here on the shelves of my home office, and I've read several of his novels and many of his stories two or three times each.

And why not? I can identify with these folks.

When They Stop Teaching the Classics...and Cursive

I heard recently that the school district I am in has decided to stop teaching Shakespeare.  That alarms me for so many reasons, but also for a personal one.

Quite simply, I'm having a hard time finding books to use as examples in teaching fiction writing.

I used to have a lovely example, when trying to show what was meant by 'plot'.  I'd ask my class:  "What is the plot of Gone with the Wind?"

Several people would put up their hands, and say, "It's about the Civil War." 

And I would say, "No it isn't.  You've just described setting.  The SETTING of Gone with the Wind is the civil war.  The PLOT is something like this:  Scarlet O'Hara falls in love with a man who does not return her love, and she spends the entire civil war chasing after him.  Until in the end, she decides other things are more important."

Lots of Ohs! and Ahs!  Smiles all around.

Flash forward to my last term. I ask the same question of the class (all adults):  "What is the plot of Gone with the Wind?"

Not a single hand went up.

Nobody had read it or even seen the movie.

Me:  "Come on, people!  I can't use Harry Potter for EVERY example!"  (lots of laughter)

Yes, Harry Potter seemed to be the only book everyone in the class had read.  And - dare I say it - most had seen the movie Twilight (but not necessarily read the book.)  This does not leave a lot for me to reference as examples.

Further gripe: 

So here we are today, taking Shakespeare out of the school system.  Does anyone honestly think kids will read Shakespeare on their own?  Are we honestly to face a world in which no one knows the lessons learned in The Scottish Play, Hamlet, The Merchant of Venice, The Tempest, the Richards and Henry's?  And so many more.

A world in which I could say, "He would make a great Caliban" in a business meeting, and no one would know what I meant?  (I made the mistake of saying that once.  Probably not my best political move...)

So this leads me to my latest fear:

I hear they are no longer teaching Cursive.  Which means, in a few years, only a very very few people will be able to read any historical documents.  Any manuscripts in the original.

In fact, I was told today that a California town is asking people who know Cursive to apply for town jobs. 

Does this not scare others?  When only a few can access original text, I worry that everything will be 'as interpreted' by a central body.  

We already know how Homer's work was translated and tinkered with by men centuries ago to change and sometimes diminish the role of women in it.

Dammit, I'm worried.  I want a world where everyone is given the chance to be exposed to ideas.

Not a world where only a few can refute the masters (AI or other) who control the narrative.

Melodie Campbell worries and writes on the shores of Lake Ontario.  Her latest book (available for pre-order everwhere) was given the following review by BOOKLIST (we're permitted to post one sentence in advance of issue date):

 

 

 

 

 

 

Sixteen Lives

Launched in 2017, BCMM
lasted 16 issues.

Black Cat Mystery Magazine—not to be confused with Black Cat Weekly, though it often is—lasted sixteen issues, the final issue releasing September 16, 2025. I had hoped to convince the publisher to continue through issue eighteen, so I held onto the stories already accepted for issues seventeen and eighteen far longer than I should have, not notifying the writers of the magazine’s demise until early February of this year.

My excuse for the delay, lame as it is: I was unable to accept the magazine’s demise, especially during fall 2025 when so many other publishers and publications had announced closure, hiatus, restructuring, new ownership, and other negative news. The market for short crime fiction was collapsing and I didn’t want to share one more bit of bad news in the midst of the shit-storm.

UNOFFICIAL HISTORY

Perhaps someday someone will write the official history of Black Cat Mystery Magazine but, as someone associated with every issue of the magazine, I can share some unofficial history.

I first heard about the impending launch of Black Cat Mystery Magazine when another writer shared inside information mid-2017. I contacted the publisher for more information and was invited to submit. Carla Coupe and John Betancourt were co-editors and they accepted my stories for the first six issues.

After the fourth issue, Carla announced her retirement from the magazine (she didn’t stay retired; she now edits Sherlock Holmes Mystery Magazine and co-edits, with John and me, Malice Domestic’s annual anthology), and I joined the editorial staff. I co-edited issue five with Carla and John and became the sole editor with issue six.

Many of the stories selected for issues five and six—including mine—were acquired by Carla and John, so my influence over the content didn’t take full effect until issue seven, the special private eye issue.

While the magazine was—much like Alfred Hitchcock’s Mystery Magazine and Ellery Queen’s Mystery Magazine—open to all sub-genres of crime fiction, we produced two-more themed issues. Issue twelve was the cozy issue and issue sixteen was the historical issue.

I believe the content of the first issue was solicited, but I’m uncertain how Carla and John found the content for the next few issues. While John selected the classic reprints each issue, I acquired the original content for the issues I edited via open submission calls.

And that lead to the situation mentioned earlier. From the hundreds of stories submitted, I accepted more than I could publish in a reasonable amount of time given the magazine’s publication schedule.

BCMM's final issue was
published in 2025.

LEGACY

Though BCMM lasted only sixteen issues, it published many great stories, including several that were recognized by awards and best-of-year inclusions:

“Rhonda and Clyde” by John M. Floyd (issue 5) was selected for inclusion in The Best American Mystery Stories 2020.

“Blest Be the Tie That Binds” by Michael Bracken (issue 6) was selected for inclusion in The Best Mystery Stories of the Year 2021 and was named one of the Other Distinguished Mystery and Suspense stories by The Best American Mystery and Suspense 2021.

“Mustang Sally” by John M. Floyd (issue 7) received a Shamus Award.

“Show and Zeller” by Gordon Linzner (issue 7) was short-listed for a Shamus Award.

“The White Calf and the Wind” by Mike Adamson (issue 11) was short-listed for a Derringer Award and was included in the Honor Roll for The Best Mystery Stories of the Year 2023.

“Real Courage” by Barb Goffman (issue 14) was nominated for Agatha, Anthony, and Macavity Awards.

“El Paso Heat” by Peter W.J. Hayes (issue 14) was selected for inclusion in The Best Mystery Stories of the Year 2024.

SUPPORT 

While I am dismayed at the loss of Black Cat Mystery Magazine as an ongoing publication, all back issues are still available from the publisher and at various online booksellers. If you didn’t purchase copies when they were first published, you can certainly purchase them now.

Additionally, there are several crime fiction magazines still publishing and a few new ones have recently launched. So, while you’re picking up back issues of BCMM, spend a few dollars supporting the remaining and new publications. Your support helps ensure their continued success.

* * *

“Store-Crossed Lovers” was published February 4, 2026, in Cold Caller.

“Takes the Cake” was published February 5, 2026, in Micromance.

* * *

I’ll be at Left Coast Crime later this week and will be joining the “Short But Usually Not Sweet” panel at noon Thursday in the Seacliff CD room with Tom Andes, Vera Chan, and David Hagerty. Brian Shea will moderate.

* * *

ShortCon, the Premier Conference for Writers of Short Crime Fiction, returns to Alexandria, Virginia, on June 6. Join acclaimed crime fiction professions for an immersive one-day event and learn how to write short crime fiction, get your stories published, and develop and sustain a long-term career writing short. Session leaders include Gary Phillips, Art Taylor, and Michele Slung. Learn more and register at https://www.eastcoastcrime.com/#/.

* * *

Spend four weeks in South Carolina this summer learning to write crime fiction from some of today’s masters: Joe R. Lansdale, Cheryl Head, Michael Bracken, and Warren S. Moore. The Newberry Crime Writing Workshop is an intensive, in-person, one-month workshop focusing on fundamentals particular to the writing of crime, mystery, and suspense fiction. It takes place July 6-31, on the historic campus of Newberry College, in Newberry, South Carolina.

A different professional writer or editor conducts the workshop each week. About fifteen participants are housed in college apartments, and classes are held in seminar facilities. Lunch and dinner are provided and continental breakfasts with coffee will also be available. The writers-in-residence live nearby and are continuously available to students. Mornings are devoted to critiquing manuscripts in a workshop setting. Afternoons, evenings, and weekends are devoted to individual writing, conferences with the current writer-in-residence, social activities, and the completion of class assignments.

Learn more and apply at https://www.newberry.edu/academics/academic-experience/crime-writing-workshop.

King of Ashes

 As I've written before, SA Cosby has replaced Ken Bruen as the first crime author I read in a given year. That's probably going to slow down unless he's got another one coming out this year. (Shame on me for not checking.) So, instead of Jack Taylor, I get to read about a side of Virginia we never see. Set in fictional Jefferson City, Cosby establishes his setting as lying near the real city of Roanoke, in the southwestern part of the state. This region has little in common with the Tidewater, Chesapeake Bay, or the urban sprawl of Richmond and the DC suburbs. It has more in common with West Virginia, just on the other side of the Blue Ridge Mountains. 

We open with Roman Carruthers, a financial mogul in Atlanta who makes money magic happen for all manner of athlete, musician, and actor. We briefly see Roman in his element, living in Buckheads, approaching his craft like a science, and contracting the services of a dominatrix to relax him before a major meeting or decision. Like you do.

Then he gets a phone call. His father is in a coma after being hit by a train. Roman flies home after a five-year absence to help with the family business. A crematorium. His sister Neveah runs the shop with her father and is pretty much in charge when we meet her. Brother Danta...

Well, he's why Dad is in a coma. And then there's the matter of their mother, who disappeared. Their father caught her cheating. She disappeared. When the wife of a crematorium operator disappears, it's almost impossible to conclude what happened to her and why there is no body.

But the present situation, someone pushing the elder Carruthers' car into an oncoming freight train's path, ties back to Dante. By his own description, he is the family disappointment. So Roman sets about to fix this. Dante is in debt to some very bad characters named Torrent and Tagent, both sociopaths, and both ruling by fear. Roman works his way into their inner circle by offering to make them money instead of straight up paying Dante's debt. Things spiral from there.

Roman uses his talents both to bring in money for those Dante owes and to set Torrent and Tangent's people against each other and their enemies against them. Complicating matters is a woman Roman meets at a party: Jealousy. Jealousy, or Jae as she calls herself, works for the mayor. She's also Torrent and Tanget's sister. Roman falls for her, but he's out to kill her brothers. It's as messy as messy can be. 

Roman is, of course, the center of this mess. While trying to save his siblings, he becomes the reverse of The Wire's Stringer Bell. Whereas Bell used his money to get out of the game and into respectability, Roman starts out respectable and spirals into the game. 

Over all, this is what Cosby does best. He mixes Southern life, race, poverty, and the disruption of crime into a mile-a-minute tale. The crematory makes for an interesting backdrop and a plot point in several threads. However, it doesn't quite live up to his masterpieces, Blacktop Wasteland and Razorblade Tears. But then not every Beatles album is Sgt. Pepper's or every Pink Floyd Dark Side of the Moon. Just as reaching for those bands off your streaming service still delivers great music, so does pulling SA Cosby from the shelf.

2025 Year in Review: Writing and Other Things

In my previous SleuthSayers post, I discussed my year as an editor; in the following I discuss my year as a writer, and I discuss some of the other things with which I was involved.

WRITING

Productivity was up from last year, but still nowhere near my best year (75 stories in 2009) with 18 original stories completed, including a novella I co-authored with a fellow SleuthSayer. This is my most productive year since 2020, when I completed 26 stories.

The shortest story was 700 words and the longest (excluding the novella) was 6,700 words, for a total of 52,950. The average length (excluding the novella) was 3,100 words, and the novella was 19,000 words. One story was horror; the rest were crime fiction of one sub-genre or another.

ACCEPTED

Although I wrote only 18 new stories, I received—exclusive of the collections mentioned in the next paragraph—23 acceptances, all for original stories.

Also accepted were a collection of 22 of my stories and a collection of 6 stories I coauthored with Sandra Murphy that also includes one individually written story from each of us. I’ll provide more details closer to publication dates.

PUBLISHED

In 2025, 21 original stories, including a collaboration with Sandra Murphy, were published in Alfred Hitchcock’s Mystery Magazine, Black Cat Weekly, Chop Shop, Dark Yonder, Ellery Queen’s Mystery Magazine, Gag Me With a Spoon, Guilty Crime Stories Magazine, In Too Deep, Kelp Journal, KissMet Quarterly, Lunatic Fringe, Micromance, The Vigilante Crime Pulp Fiction Anthology, Tough, and Von Stray’s Crimestalker Casebook.

Also in 2025, two quasi-reprints were published: one appeared in an anthology that was rereleased by a new publisher, and a collaboration with James A. Hearn first published in AHMM was released as a podcast.

I also wrote three articles for the Mystery Writers of America’s The Third Degree.

Five publications/publishers are represented multiple times: Black Cat Weekly with four stories, Alfred Hitchcock’s Mystery Magazine with two stories, KissMet Quarterly with two stories, Micromance with two stories, and White City Press with stories in two anthologies.

REJECTED

I received nine rejections, which is fewer rejections than acceptances, and any year in which acceptances outnumber rejections is a good year.

RECOGNIZED

While two anthologies I co-edited won or were short-listed for awards, and while several stories I edited won or were short-listed for awards or included in best-of-year anthologies, my own writing flew under the radar in 2025.

FORTHCOMING

Including those accepted in 2025 and in previous years, I have stories forthcoming in Alfred Hitchcock’s Mystery Magazine, Black Cat Mystery Magazine, Black Cat Weekly, Chop Shop, Cold Caller, Cryin’ Shame, Ellery Queen’s Mystery Magazine, Get Your Kicks, Kings River Life, KissMet Quarterly, Mickey Finn, Micromance, Sex & Synthesizers, Skinning the Poke, The Perp Wore Pumpkin, Time After Time, and Wish Upon a Crime.

LOOKING AHEAD

So many publishers (book, periodical, and web-based) closed in 2025, are struggling with publication schedules, or have announced their impending end that it is impossible to predict what the market for short mystery fiction will look like this year. Rather than fret about it, I choose to keep writing and keep my eyes open for whatever new opportunities present themselves. That might mean—as it was this year with the discovery of new romance publications—working in other genres.

SHORTCON

After the successful launch of ShortCon, the Premier Conference for Writers of Short Crime Fiction, in 2024, we presented the second ShortCon in 2025. The third ShortCon will be presented Saturday, June 6, 2026, in Alexandria, Virginia, and we plan to continue this as an annual event. (Learn more at https://www.eastcoastcrime.com/#/.)

MYSTERY IN THE MIDLANDS

As I did in 2024, I helped Paula Benson organize the 2025 Mystery in the Midlands, an online conference that emphasized writing and publishing short crime fiction. Paula has invited me to join her again in organizing the 2026 Mystery in the Midlands, again focusing on short crime fiction.

OTHER EVENTS

I participated—as a panelist, moderator, or presenter—in several live and online conferences, conventions, and presentations in 2025 and am already scheduled to attend or present at several events (live or online) in 2026.

MYSTERY WRITERS OF AMERICA

I’m halfway through my second two-year term as an at-large board member of the Mystery Writers of America. I will rotate off the board in January 2027.

NEWBERRY CRIME WRITING WORKSHOP

The most exciting event on the horizon is the inaugural Newberry Crime Writing Workshop, an “intensive four-week writers’ workshop for developing crime and mystery authors, taught by major figures in the field,” which takes place July 6–31, 2026, on the campus of Newberry College in Newberry, South Carolina.

Teaching one week each are Joe R. Lansdale, Cheryl Head, Warren S. Moore, and me. Writers-in-residence will live nearby and share meals with the students, providing students with an immersive experience.

Mornings are devoted to critiquing manuscripts in a workshop setting. Afternoons, evenings, and weekends are devoted to individual writing, conferences with the current writer-in-residence, social activities, and the completion of class assignments.

The registration fee includes housing and all meals throughout the four-week workshop. There is at least one small scholarship available, and we’re working on adding more, so don’t let the $4,000 tuition stop you from applying.

Add your name to the mailing list here to be notified when applications are open.

AND THAT’S ALL FOLKS

This past year was quite a wild ride, and 2026 looks to be more of the same. I can’t predict the future, so the best I can do is buckle up and prepare for whatever comes.

I hope y’all were productive last year and that this year brings you even greater success.

* * *

To kickstart the new year, my story “Glass Beach” appears in the January/February 2026 issue of Alfred Hitchcock’s Mystery Magazine.

The Resolution Will Not Be Televised

 

Happy New Year! In the past I have asked the other SleuthSayers for resolutions or generously made some up for other people, but this time I decided to invite my fellow members of the Short Mystery Fiction Society to share their solemn oaths for 2026, which I am sure will be an unbearably spiffy year. Right?  Anyway, here goes: 

"Here’s my two. They are pretty much the same every year. First is to value showing up. And that means to care less about getting it right than showing up, at my desk, to my work, and for my peeps. Second is to recognize and be grateful for the ways others show up for me, to take it to heart, and enjoy it." - Karen Odden

"I am planning to resolve to read more short stories and submit one flash per week, and one longer story a quarter…this time, to help me I hope to join someone’s course." - Joan Leotta

"More rejections! I didn't do a good job this year of keeping my stories in front of editors.  But for 2026, I vow to submit until it feels lie high school prom season, 1987! My motto? 'If I'm not crying, I'm not trying."  Chris L. Robonson

 "I don't have a resolution for 2026. But this is a story of success. Back at the end of 1992, when I had just turned 35yo, I was frustrated with the whole idea. It's too much pressure to make unrealistic promises to yourself and the community. So my resolution for 1993 was this: 'I am tired of setting myself up for failure and heartache. Therefore, for 1993, I resolve to never make New Year's resolutions again!' Guess what? THAT one I have kept for 33 years. And counting." - Linda Kay Hardie 

"My resolution: reach for a book every time I have a knee-jerk impulse to reach for my phone.  I'm always happier if I go for the book." - Joseph S. Walker

"I will stop going down rabbit roles in the name of research unless I have first spent hours wandering about in the weeds."  - Judy Penz Sheluk

 "My resolution is to keep better track of prompts and submission closing dates so I don’t waste time rooting around for them and/ or missing sub dates." - Joan Leotta

 "My resolution is to write—or edit what I have already written—every day. That's it." - Yoshinori Todo

"I hope to start focusing on writing more in 2026.  I would like to complete a story or two and send them off by the end of the year - or at least get them to MWA's Mentor Program.  I really value that service but haven't participated in a while." - Robert Daniher

"My resolution is that I will not find out where all the people who don't like my writing live and go to their homes and sing "Never Gonna Give You Up" outside their window all night long." - A.L. Sirois

"I resolve to ignore the fact that I pay for a gym membership I don’t use. And, to use the time to finish the next novel and submit at least one short story somewhere. I love my short form Mondays on Substack but that doesn’t cover the YMCA expense." - D.J. Lutz

 "I resolve to create new adventures for my favorite characters." - Paula Messina

"Next year, I hope to pull together some of my similar stories into short collections. One for sure (if it happens) will be ghostly mysteries since I realized I have quite a few of them. I think that by writing anything I darn well please, I’m missing a niche audience, and I know that’s important. In general, more supernatural elements are creeping into my stories and I want to pursue that." - Bobbi Chukran

 "My resolution is to propose to my girlfriend when we go on the big trip we're planning. Don't tell her I said that though..." - Stephen M. Pierce

"I resolve to quit buying voodoo dolls to use on editors who displease me, and instead be more frugal and repurpose already used dolls." - Dave Zeltserman

"I will finish cleaning up a book of my favorite stories and throw it in front of an editor.  Also, be neater when discarding my tea leaves." - Robert Lopresti

 "I'm going to do my best, in 2026, to not buy a single book from Amazon. We're lucky enough to have a great independent bookstore in my town (shoutout to Morgenstern Books!), and I figure if I want to keep having a great independent bookstore, I should give them as much of my business as possible.  It might take a little longer and cost a little more, but Bezos is getting more than enough of my money already, and I've got plenty of stuff to read while I wait.  Last time I was in I had them order me a copy of the new Best Private Eye Stories of the Year.  Can't hurt to get products from small publishers like Level Best on their radar." - Joseph S. Walker

"I just decided to try and walk on my walking pad (that I haven’t used in years) while I write. I’m doing it right now and haven’t fallen off yet. I guess if I wind up in traction, I will have more writing time! So, maybe commit to some time every day?" - Cindy Goyette 

"I resolve to not make any New Year's resolutions because I always break them. I plan to keep writing when I should be focusing on chores, when I should be walking on the treadmill, when I should be preparing a sensible meal. If I followed a resolution to change my dastardly ways, I wouldn't be writing as much as I want.  Thus, a happy New Year for me, no habit changing creeds, and I hope the same for many others!" - Wil A.

"Spend far less time on social media. More time reading books and short stories. Make time to work on my own writing. Wear pants." - Kevin R. Tipple