Showing posts with label quiz. Show all posts
Showing posts with label quiz. Show all posts

16 February 2013

And the Beat Goes On




As most of you know, author Robert B. Parker passed away in 2010. Parker was a prolific writer, turning out some 68 novels in two different genres--three, I suppose, if you count Young Adult (Edenville Owls). But the crime novel was his forte, and three of his four "series" were in the mystery genre. The protagonists of two of those three series--Spenser and Jesse Stone--successfully made the transition to TV, and the first installation of his Virgil Cole/Everett Hitch Western series was adapted into the critically-acclaimed feature film Appaloosa.  (Parker's third mystery series featured female P.I. Sunny Randall and included half a dozen novels, none of which has yet been adapted to either the big or small screen.)

The purpose of this column, though, is not to discuss Parker's work. At least not specifically. What I'd like to talk about today are three recent efforts to extend his work, and to keep alive most of the beloved-by-millions Parker characters.

To this date, three authors have been given permission to continue writing novels based on Parker's characters and settings: Ace Atkins for the Spenser series, Michael Brandman for Jesse Stone, and Robert Knott for Cole/Hitch. It would appear they are all well qualified for such a task. Atkins is a journalist and bestselling mystery/suspense author, Brandman co-wrote and co-produced (with Tom
Selleck) the Jesse Stone TV episodes, and Knott co-wrote and co-produced (with Ed Harris) Appaloosa. Since Parker's death, there have so far been four Parker-inspired novels published by the new authors, the first three of which were Lullaby (Atkins), Killing the Blues (Brandman), and Ironhorse (Knott).

I, for one, was thrilled to learn that these wonderful characters had been granted a new lease on life. The question, of course, is Are the new novels any good? Well, I just finished Ironhorse last night, so I've now read all of those first three--and here are my humble opinions on each.



Lullaby

In this novel Spenser winds up helping a kid, which has worked well in the past--and it works here too. I won't dwell further on the plot; let me just say that Ace Atkins did what I thought was a great job with Parker's writing style. The almost-entirely-dialogue scenes, the spare and simple language, the action sequences, the fast-paced narration--all of this was well done. Spenser's strange relationship with Hawk rang true, his personal code of honor came into play on several occasions, and even though Susan Silverman was featured, she was--thank God--less nauseating than usual. This was a darn good book. I remember reading someplace that Atkins doesn't sound like someone copying Parker; he sounds like Parker.






Killing the Blues

While this one didn't impress me quite as much as Lullaby did, I enjoyed it nonetheless. The only things I found a bit jarring were that (1) it was a little more violent than most of the Stone novels, (2) it involved a lot less "thinking" on Jesse's part (which is one of the things he's really good at), and (3) Jesse didn't seem to carry around quite as much emotional baggage as he usually does. Jesse's faults--his brooding over his now-distant ex-wife, his drinking problem, etc.--aren't something I particularly like, but they do help make him what he is. Even so--as I said--I found the novel interesting and entertaining, and Brandman writes a smooth story. I will happily buy the next one in the series when it comes along.







I
ronhorse

I really liked this novel. I'm a sucker for Westerns anyway--I'd probably write more Western stories than mysteries if there were a market for them--and I thought this one was intelligent, authentic, and great fun to read. The terse conversations between Marshal Cole and Deputy Hitch were done extremely well, and the settings were so real I felt I was riding beside them, both on the trail and along the railroad tracks that run throughout this tale. The action scenes were understated but effective, and the keynote of the novel was--as in the others--the rock-solid friendship between the two leads. A good effort, I thought.



Question for you mystery (and Western) fans: are any of you Parker fans as well? Have you read any or all of these "additional" books? If so, did you enjoy them?

NOTE: While researching this column, I learned that the second of Michael Brandman's Jesse Stone novels, Fool Me Twice, is now available--and I understand the second of Ace Atkins's Spenser novels, Wonderland, will be out in May. I look forward to reading both. 

I still remember how sad I felt when I first heard about Parker's death, almost exactly three years ago. Part of that was purely selfish, since I figured his creations had died with him. Nobody's happier than I am that his characters are still around. 

I cannot, however, say that I envy any of the three authors who've agreed to carry on. Bob Parker left some big shoes to fill.





BY THE WAY . . . Here are the answers to my Mystery Trivia quiz, posted two weeks ago:


1. What was the full name of Sherlock Holmes's landlady?
Mrs. Martha Hudson

2. In what magazine did Dashiell Hammett's first Continental Op story appear?
Black Mask

3. What was Evan Hunter's best-known pseudonym?
Ed McBain

4. Who killed Richard Kimble's wife in TV's The Fugitive?
The one-armed man

5. What's the name of Bill Pronzini's famous detective?
The Nameless Detective (Okay, it was a trick question.)

6. Who played the gangster who carved up Jack Nicholson's nose in Chinatown?
Roman Polanski (a cameo by the director)

7. What fictional series character hitchhikes across America carrying only a toothbrush, an ATM card, and the clothes on his back?
Jack Reacher

8. Where did Nick and Nora Charles stay when they were in New York?
The Normandie Hotel

9. What mystery (and former Western) author wrote the novel Hombre and the short story "3:10 to Yuma"?
Elmore Leonard

10. What Poe story is considered to be the first "locked-room mystery"?
The Murders in the Rue Morgue

11. What was taken in John Godey's novel The Taking of Pelham One Two Three?
A New York subway train

12.  Who played a judge in the final episode of Perry Mason, telecast in 1966?
Erle Stanley Gardner

13. In what city was Spenser based?
Boston

14. How do you pronounce Ngaio Marsh's first name?
Ny-O (rhymes with Ohio)

15. In North by Northwest, what is Cary Grant's reply when Eva Marie Saint says, "Roger O. Thornhill. What does the O stand for?"
"Nothing."

16. Who shot J.R., on TV's Dallas?
Kristin Shepard (Sue Ellen Ewing's sister, played by Mary Crosby)

17. What was the basis of many of the titles of Martha Grimes's detective novels?
They were names of English pubs

18. What was Mike Hammer's secretary's name?
Velda

19. What did BullittVertigoThe Maltese Falcon, and Dirty Harry have in common?
San Francisco

20. Who lived on a houseboat called The Busted Flush?
Travis McGee

21. Edgar Box is the pseudonym of what writer?
Gore Vidal

22. Who always includes a number in the titles of her mystery novels?
Janet Evanovich

23. Who played the murderer in Rear Window?
Raymond Burr

24. In Christie's The Murder of Roger Ackroyd--how did he die?
He was stabbed in the back

25. How did Nero Wolfe finish the following line: The only safe secrets are . . .
. . . those you have yourself forgotten

26. What TV character's name was taken from the British film industry expression "man-appeal" or "M-appeal" (which is what the series producers were looking for)?
Emma Peel

27. What was Robert B. Parker's middle name?
Brown

28. What was Dick Francis's only collection of short stories?
Field of Thirteen

29. Who was the voice of Charlie in TV's Charlie's Angels?
John Forsythe

30. How did Hitchcock manage to do his trademark cameo in the cramped setting of the movie Lifeboat?
He appeared in an ad for a fictional weight-loss drug, shown in a newspaper aboard the lifeboat

31. What's the name of the bog that borders the Baskerville estate?
Grimpen Mire

32. In Richard Diamond, Private Detective, who played Sam (RD's answering service)?
Mary Tyler Moore

33. What mystery writer is actually Dr. Robert William Arthur?
Robin Cook
(This was my mistake. The real name is Dr. Robert William Arthur Cook. Nice way to keep you from guessing the correct answer, right?)

34. In which of the Thin Man movies did James Stewart play a suspect?
After the Thin Man

35. Who had to turn down the role of Indiana Jones because he was tied up filming a P.I. series?
Tom Selleck

36. What's unique about the settings of Nevada Barr's mystery novels?
They're all set in National Parks

37. In The Maltese Falcon, what was Sam Spade's partner's name?
Miles Archer

38. Who were the two cousins who used the pen name Ellery Queen?
Frederick Dannay and Manfred B. Lee

39. What Ben Gazzara/Chuck Connors TV series had the following format: the first half was spent catching the crook and the last half was spent convicting him?
Arrest and Trial

40. What do P.D. James's first two initials stand for?
Phyllis Dorothy

41. Who writes mystery novels starring sports agent Myron Bolitar?
Harlan Coben

42. Who was the producer's first choice to play Lt. Columbo?
Bing Crosby

43. The movie Heavenly Creatures was based on a crime actually committed by what popular mystery writer, when she was in her teens?
Anne Perry

44. What musical instrument did Sherlock Holmes play?
The violin

45. What TV private detective frequented a bar called Mother's?
Peter Gunn

46. What was used to simulate blood in the Psycho shower scene?
Hershey's chocolate syrup

47. What do Robert B. Parker's Jesse Stone series and Steve Hamilton's Alex McKnight series have in common?
The Stone series is set in Paradise, Massachusetts; the McKnight series is set in Paradise, Michigan

48. What did the dying man tell James Stewart in The Man Who Knew Too Much?
That someone would be assassinated 

49. What is romance author Nora Roberts's mystery-writer pseudonym?
J.D. Robb

50. Which Agatha Christie novel featured Alice Ascher, Betty Barnard, and Carmichael Clarke?
The ABC Murders

16 May 2012

Going up?


The photo at left is by my brother, Tom LoPresti.  You can see more of his work here.

I was recently a participant at a book signing.  This was a fundraiser for a good cause (a new library branch, if you must know).  There were perhaps two dozen authors, all local, and most genres were represented.

This was the first signing I had done in quite a while and I realized I had learned something since the last one.  Namely, how to give an elevator speech.

If you aren’t familiar with this term, it is one I have heard a lot in the last few years at the university where I work.  The concept is this: you find yourself with a minute  to chat with someone important – in the case of the university, say, a state legislator, or a potential donor or student.  “What do you do for a living?” she asks.  And now you have a precious minute to explain why your school is the best, most important, most deserving place in the world.  And that, dear friends, is your elevator speech.

So now, picture me sitting behind one  of a dozen tables, waiting for potentual customers to stroll up.  On my table was bait in the form of two poster-size blow ups of covers of Alfred Hitchcock’s Mystery Magazine featuring my stories.  Then there were copies of my book and freebie handouts with information about it.

When someone came by I would stand up, smile politely and wait until their eyes focused on the book.  Then I leapt into the speech.  I perfected it as the afternoon went by.  In its final form it sounded like this:

It’s a mystery novel set in Greenwich Village during the Great Folk Music Scare of 1963.

Almost every word of this was carefully worked out  If you didn’t say it was a mystery some people would ask what type of book it was (in spite of the outline of a corpse on the cover…one person was more perceptive.  “What a great cover!” she said.  “You can TELL that’s a mystery!”  Well, she could, at least.)  If you didn't say novel someone would ask if it was non-fiction.  (And an aside here, have you noticed how some people who don't read our genre always refer to "murder mysteries," as if to distinguish them from, perhaps, loitering mysteries?  But I digress.)

The Great Folk Music Scare is supposed to grab attention.  Some people were amused.  Some baffled.  Some repeated it back to me as a question.  To the latter I nodded earnestly and said “That stuff almost caught on!”  This is stolen from Martin Mull, except he didn’t use the word stuff.

And finally the use of the date got a surprising number of people pondering where (or if) they were in 1963.  Several asked if I had been part of the scene.  No, I said, I was only eight years old, but I interviewed several people who were.

The short-term goal, of course, is to keep people chatting, thinking about your book, and not moving on to the next deserving author.  If they stand there long enough they might think of a friend who likes mysteries, or folk music, or might even decide to get it for themselves.

Which, oddly enough, happened several times that day.  Which was several times more than I expected.  And that left my spirits elevated.  So to speak.

And in addition

Here are the answers to my quiz from two weeks ago.  I'm sure you have been waiting with braided Beth, or however that goes...

1.A type of mustard, or a priest.
G.K. Chesterton's Father BROWN
2. A wetland or an English professor
Edmund Crispin's Gustave FEN
3. A school of Buddhism or a Roman cop.
Michael Dibdin's Aurelio ZEN.
4. A child's transportation device, or a Detroit private eye.
Loren D. Estleman's Amos WALKER
5. A type of hole, or a Seattle private eye. 
 Earl Emerson's Thomas BLACK
6. A financial instrument, or a spy.
Ian Fleming's James BOND
7. A boatman, or a Seattle private eye.
G.M. Ford's Leo WATERMAN.
8. A builder in stone, or an attorney.
Erle Stanley Gardner's Perry MASON
9. An adverb or a British police inspector
Alan Hunter's George GENTLY
10. A shirt size or a clergyman.
Harry Kemelman's Rabbi David SMALL
11. Cheerful, or a British spy.
John LeCarre's George SMILEY
12. An expert with an ancient weapon, or a private detective.
Ross MacDonald's Lew ARCHER   
13. A state capital, or a British police inspector.
Joyce Porter's DOVER
14. A playing card, or an amateur detective
Ellery Queen's Ellery QUEEN
15. A part of the face, or a New York City private eye.
S.J. Rozan's Lydia CHIN.
16. A greeting card, or a gambling consultant.
James Swain's Tomy VALENTINE.
17. A circular water movement or an Akron private eye.
Dick Stodghill's Jack EDDY.
18. Something bestowed, or a British Inspector.
Josephine Tey's Alan GRANT.

02 May 2012

What a whiz of a quiz it is



This is a variation of a quiz I gave in 2009.  Last time you had to match definitions with mystery authors.  This time you have to match them with characters.  For example, if I wrote A garden implement or a private detective you would respond Dashiell Hammett's Sam SPADE.
 
But be warned.  It doesn't have to be the most obvious definition.  I could have said A playing card for SPADE..

The answers are in alphabetical order by the author's name.  Answers next week.

1 A type of mustard, or a priest.
2 A wetland, or an English Professor. 
3 A school of Buddhism or a Roman cop.
4 A type of hole, or a Seattle private eye. 
5 A child's transportation device, or a Detroit private eye.
6 A financial instrument, or a spy. 
7 A boatman, or a Seattle private eye.
8 A builder in stone, or an attorney. 
9 An adverb or a British police inspector
10 A shirt size or a clergyman. 
11 Cheerful, or a British spy.
12 An expert with an ancient weapon, or a private detective. 
13 A state capital, or a British police inspector.
14 A playing card, or an amateur detective 
15 A part of the face, or a New York City private eye.
16 A greeting card, or a gambling consultant. 
17 A circular water movement or an Akron private eye.
18 Something bestowed, or a British Inspector.