Minor Movie Series vs. the Thin Man Effect

Some time back I wrote about the big three of the old-time mystery movie series, The Thin Man, Sherlock Holmes, and Charlie Chan series.  In that column, I noted how popular mystery series were with audiences of the thirties and forties, just as popular, in fact, as mystery television series are today. I also mentioned then that I might return to the subject from time to time to consider "minor" series.  Here is just such a return visit, though with a twist, as I'd also like to consider the balance between comedy and detection in the mystery.  A discussion of B-movies series is a great place to discuss this balance, because, in your humble correspondent's humble opinion, more than one series tumbled into obscurity when the balance was lost.  
The Balancing Act

Anyone who decides to use humor in a mystery story, and that's a fair number of writers these days, faces a balancing act:  how much humor to how much mystery element.  The recipe varies from writer to writer, just as a taste for humor in the mystery varies from reader to reader.  The men and women who wrote B-movie mystery series in the thirties tended to err on the side of humor, since these films were light entertainment meant to fill out a film program.  For my money, what gave humor the upper hand was the amazing success of The Thin Man, staring William Powell and Myrna Loy and released in 1934.  Prior to that money making machine, mysteries tended to be a  little more serious, afterward, less so.  Unfortunately, nobody could match Powell and Loy's comic technique (or the crisp direction of W.S. Van Dyke), and few even came close, so what I'll call the "Thin Man Effect" wasn't always a positive thing.  For an example, compare the original Maltese Falcon of 1930, pre-Thin Man, with its first (loose) remake, Satan Met a Lady from 1936, post-Thin Man.  The first is straight and memorable, the second silly and forgettable, despite the presence in the cast of a young Betty Davis.

Here's my personal position, nailed to the cathedral door:  Though I enjoy reading P.G. Wodehouse as much as I do Raymond Chandler, when it comes to a mystery story, I want the mystery elements to hold the upper hand.  (And not just against humor; I want mystery to win out over romantic elements in romantic mysteries, over small-town interactions in cozy mysteries, and against existential angst in noir mysteries.  Even against literary flourishes in literary mysteries.)  The following film series demonstrate the pitfalls of tilting the balance the other way. 

Perry Mason

Warren Willams

No series was more adversely affected by the Thin Man Effect than the Perry Mason films made by Warner Bros.  In the first entry, 1934's The Case of the Howling Dog, Mason (played by Warren Williams) was a serious investigator, not unlike the later television incarnation created by Raymond Burr.  But by the second entry, released on the heels of The Thin Man, Mason, still played by Williams, was transformed into a hard-drinking gourmet who can barely be bothered with the crime.  By the time Williams left the series two films later, Mason was almost a lush, a la early Nick Charles.  There were two more films post Williams, and they came somewhat back to earth, but the damage had been done.  It would be years before an authentic Mason returned to the (small) screen.

Ellery Queen

Ralph Bellamy

For this mystery fan, one of the great lost opportunities of the 1940s was the Ellery Queen series made by Columbia, starting in 1940.  Ellery Queen was at or near the height of his considerable popularity back then, thanks to a string of successful books, none of which portrayed him as a bumbling idiot.  But that was exactly the way he was played first by Ralph Belamy (four films) and then by William Gargan (three films).  Neither actor was young enough or cerebral enough to play Ellery, who comes across in these programmers as too dumb to read books, never mind write them.  It was an inexplicable decision, all the more so because a successful radio show, The Adventures of Ellery Queen had debuted in 1939.  Its Ellery, played by Hugh Marlowe, was much more faithful to the books.  Why ignore that successful model?  I blame the Thin Man Effect.         

Boston Blackie

Chester Morris

Hollywood never met a gentleman jewel thief it didn't love, from the venerable Raffles to Michael Lanyard (the Lone Wolf) to John Robie (the Cat).  Boston Blackie's literary roots went back as far as those of Raffles, and there were even Blackie films in the silent era.  But he didn't get a series until Chester Morris took on the part in 1940.  Morris was a square-jawed actor who would have made a great Dick Tracy, if he could have kept himself from smiling.  As Blackie, he didn't have to try, as the films made by Columbia between 1940 and 1948 were lighter than air.  The plots were very similar.  Blackie, a reformed thief, would be in the wrong place at the wrong time, often because he was trying to help some poor soul, often a beautiful Columbia starlet.  He would then spend the rest of the movie's very brief running time clearing his name.

I don't mean to suggest that this series was a failure.  Far from it.  They were popular enough to run to fourteen installments, two more than Universal's Sherlock Holmes series.  But Blackie was a much tougher character in print and might have been on the big screen, even with the debonair Morris in the part.  That he wasn't is another example of the Thin Man Effect.  

Nick Carter

Walter Pidgeon

MGM, the same studio that had struck gold with Nick Charles, tried again in 1939 with a Nick who had appeared in print before Sherlock Holmes:  Nick Carter.  The brief movie series had little in common with the Nick Carter dime-novels that began appearing in 1886, except for the hero's name and some "outlandish" plotting, to quote film critic Leonard Maltin.  The three-picture run starred Walter Pidgeon, before that actor hitched his wagon to Greer Garson's star.  It aimed for a light and breezy tone, but was often only silly.  This silliness was embodied by Carter's self-appointed sidekick, the Bee-Man.  Played by Donald Meek, the Bee-Man kept live bees in his pocket for timely use against bad guys.  (I am not making this up.)  It gave a whole new meaning to B-movie.

In my next installment, if I have one, I'll look at series featuring female sleuths.       
         

Bieber Shot

Music is almost as important to SleuthSayers as mystery. I like classical, blues, dark, smokey songs, and so-called progressive rock before alt and acid became respectable. And I listen to other rock, even pop, like Coldplay’s dysphoric Viva La Vida and Imagine Dragons’ foreboding Demons. Meanwhile my cockatoo, Valentine, likes to dance to Lorde’s Royals.

It should come as no surprise I know next to nothing about Justin Bieber. Justin Beiber? Wait, don't leave. There's a flash fiction payoff at the end.

Sure, I’m aware he’s a teenager, at least for the next three weeks. It’s difficult not to have heard his name, thanks to true Beliebers. I well remember adults despised our rock ‘n’ roll, so I'm not too judgmental and he's probably harmless.

I’m not familiar with his songs and couldn’t identify his voice if I heard it, but he’s played at the Apollo and appeared on CSI where he was, er, gunned down. Of course there were those disappointed that happened in fiction.

My impression is fame and fortune outstripped his ability to handle celebrity, but that’s happened to many supposedly far more mature. But he has a positive side.

In my blog records, I noted a tear-jerking article about ‘Mrs. Bieber’, a six-year-old with a fascination for the boy. She ‘married’ him in a ceremony shortly before her death from a fast-growing cancer. Even if his publicist made the arrangements, Justin gets high marks for classiness and sensitivity.

Like a lot of teens but on a worldwide scale, Bieber’s been getting in trouble recently with graffiti, vandalism, reckless driving, assault, and… $21,000 egg-throwing hijinks. Although Bieber wasn’t present, police in Sweden and the US found marijuana and apparently other drugs in his home and tour buses. On a flight from Canada to the US, Daddy Bieber, Justin, and their entourage of ten smoked so much dope on board and refused to stop despite repeated requests, the crew wore oxygen masks so they wouldn't test positive for THC. Whew! Talk about getting a mile high!

This tarnish on his image has prompted jokes:

“Police found drugs but less than an ounce of talent.”

Mother hears “Baby, baby, baby, oooooo…” from her daughter’s bedroom. “What are you doing?” “Having sex.” “Oh, thank goodness. I thought you were listening to Justin Bieber.”

Conan O’Brien said, “The police report described [Bieber] as 5’9 and 140 pounds – or as his cellmate put it, just right.” Which brings us to today’s flash story, inspired by a quip from a friend who went on to add, “The teacher in me finds this wickedly funny.”

Justin Goes to Jail by Leigh Lundin Police arrest Justin Bieber and send him to lockup. Dismayed but not disheartened, Bieber writes “Free JB!” on the walls in protest. That’s when he learns his cellmate is dyslexic.

Looking Around

and I saved the best for last.  Please scroll down.

This was too good to resist after reading John's column on rejection a few weeks ago and Dixon's last week.    

Until we meet again, take care of … you!

Getting into Big Trouble

Some of the columns I enjoy reading the most at SleuthSayers are those that tell me about past novels and stories and movies that I somehow overlooked or never heard about at all. I still remember how pleased I was to find out from Rob Lopresti about the quirky film In Bruges; as soon as I sought it out and watched it, it became one of my favorite crime movies.

A couple of weeks ago I discovered one of these long-lost little gems on my own, in the book-sale section of our local library. It was a novel published fifteen years ago by Miami journalist and humor columnist Dave Barry, called Big Trouble. In fact I believe it was his first attempt at fiction--and it was one of those books that I knew I would like as soon as I picked it up and flipped through it. (It also cost me only fifty cents, but still …)

In hindsight, I think I recall at least noticing it when it appeared in bookstores and hearing about the movie that was later made from the novel, but I just never paid much attention to either one. Turns out that was a mistake.

Funny business

A quick note. Big Trouble is not profound, meaningful, life-changing literature, and doesn't pretend to be. It's just a joy to read. On the book jacket, Elmore Leonard blurbed that it was the funniest book he'd read in fifty years, and Stephen King said it's the funniest thing he'd read in almost forty years. I'm not sure I'd go that far– some of the early Stephanie Plum novels made me laugh like a loon on just about every page– but I do agree that Big Trouble is hilarious, and delightful from start to finish.

Two more things, as I wrote this piece, reminded me of recent SleuthSayers columns. One is that we've spent quite a bit of time at this blog lately talking about humorous mysteries--presumably because so many of us enjoy them. And believe me, this book ranks right up there with the work of Carl Hiaasen, Janet Evanovich, Tim Dorsey, etc. My hat's off to all of them. It can be difficult to make crime funny, and we writers know that humor of any kind is hard to do well and easy to do badly.

The other thing I kept thinking of was Leigh Lundin's frequent columns about the weirdness of some of the residents of Florida. At times it does appear that many of the loose nuts in the continental U.S. have indeed rolled down and lodged in the Sunshine State, and most of those seem to have kept trickling down to the Miami area. Big Trouble is set entirely in South Florida, and sometimes the only reason given by some of the characters to explain the behavior of the other characters is that they simply happen to be residents of Miami. Goofy things happen there.

Troublemakers

I'm not overly fond of book reviews that go into great detail about the plot, so with that in mind (plus the fact that I'm basically lazy), here's my snapshot of Big Trouble: Two hitmen from New Jersey head down to Coconut Grove to "take care of" an embezzler named Arthur Herk, and in the process they encounter a tree-dwelling vagrant, a python named Daphne, two Russian arms dealers, a truckload of goats, a giant toad, a down-on-his-luck ad man, a dog named Roger, three teenagers obsessed with a squirt-gun game called Killer, a nuclear bomb, and an assortment of crooks, illegal aliens, airport security personnel, FBI agents, and charter pilots. And wind up, of course, in big trouble.

If you're so inclined, and if you like to belly-laugh, give this novel a try. I found that I really didn't want it to end, and when it did I was pleased to discover, via Google, that Mr. Barry has since written two other funny mysteries--Tricky Business and Insane City.

I'll be looking for them on the library book-sale shelves.

The Great American Novel - Yeah, Right

by Eve Fisher

First of all, thank you, Fran, for a great idea for a column!  Fran wrote on Monday a blog called "What's Lit Got To Do With It" -  http://www.sleuthsayers.org/2013/12/whats-lit-got-to-do-with-it.html - in which she unveiled her new Callie Parrish novel, which is great, and I can hardly wait to read it.  But something she said - "it's not the Great American Novel..." - triggered a whole range of responses in me, beginning with,

WHY do we always say that?  (Except of course, for those who think they have written the GAN, and all I can say is, God bless you and just keep moving on.  Nothing to see here.  Nothing to do with you.)  Really, I have heard this rap - "well, thanks, but it's not the Great American Novel" - from all sorts of mystery writers, fantasy writers, romance writers, sci-fi writers...  And here's my response:

(1) Most "literary" novels, most "great" novels, are depressing.  I know this because I have read a lot of them.  They are mostly about how crappy life is, how disillusioning, how people make bad choices, and very few of them have happy endings.
SIDE NOTE #1:  I believe the only humorous novel that the critics agree is a Great American Novel is Huckleberry Finn - surely there are more than that.  And the last comedy to win Best Picture was "Annie Hall" in the 1970s...  Tells you something right there, doesn't it?  And a lot of people today are embarrassed about "Our Town" winning a Pulitzer Prize "because it's so sappy" - no, it isn't.
SIDE NOTE #2:  Interestingly, the Russians - who always get a bad rap for depression - are much more hopeful than the British and the Americans, but I think that's mostly because Dostoevsky and Tolstoy both had strong spiritual beliefs, and so believed that there was a way out of hell.  (And if you want ribald humor with that, try Gabriel Garcia-Marquez or Gunter Grass.)  But there's a whole lot of authors who simply provide hell, and no way out, and I'm not just talking about Kafka.  Back in Victorian times, after reading Jude the Obscure, Edmund Gosse wondered, "What has Providence done to Mr. [Thomas] Hardy that he should rise up in the arable land of Wessex and shake his fist at his Creator?"  I tend to ask the same about Cormac McCarthy.  Enough is enough.
SIDE NOTE #3:  I don't have to have a happy ending - I still re-read Edith Wharton and "Madame Bovary," and I loved "Mystic River" - but if your characters are universally unpleasant, violent, inarticulate, and hostile, moving across a bleak landscape in which there is no hope and it's all a mug's game, and everyone ends up miserable, raped, tortured, and/or dead...  I may give it a pass.  Forever.

The one and only
James Thurber

(2) What are the novels you read and re-read?  The ones where the spine's broken, and the pages are falling out, and you finally have to buy a new copy because you've read them to death?  My bet is a lot of them are funny.  A lot of them are fun.  A lot of them make you feel good.
SIDE NOTE:  Please feel free to provide your own definition of fun and what makes you feel good:  for some it's Stephen King (personally I read too much Poe and Lovecraft as a child, and I don't like being scared that much anymore).  Other's it's P. G. Wodehouse.  I go all over the place, myself, from the complete works of Patrick O'Brian (who has a wicked sense of humor) to James Thurber to Gunter Grass (everyone talks about "The Tin Drum", and all I can say is, read "The Flounder") to Angela Thirkell.

(3) There are not enough humorous works in the world.  Seriously.  We need more laughter, folks.  We need more jocularity, as Father Mulcahy would say.  And those who write funny, humorous, amusing, entertaining, witty, acerbic, knee-slapping, whimsical, ribald, facetious, farcical, waggish, playful, droll, campy, merry, and/or playful stories, sketches, plays, novels, essays, poems, etc. should never, ever, ever be ashamed of it, or put themselves down for it, or say, "Well, it's not the Great American Novel..."  I repeat, THERE ARE NOT ENOUGH HUMOROUS BOOKS OUT THERE.  Write some more.  People will thank you, read you, love you.  Repeatedly.  I know I will.

(4) People have been giving the lighter stuff a bad rap for millenia.  Petrarch told Boccaccio that his "Decameron Tales" (the world's largest collection of dirty jokes, told against the background of the bubonic plague, and if the world ever needed a laugh, it was then) were unworthy of a humanist and a scholar.  The result:  Boccaccio quit writing.  Religious pressure made Chaucer add a retraction to his "Canterbury Tales", taking it all back.  Samuel Johnson said that "Tristram Shandy will not last."  All I can say is, "Nyah, nyah, nyah, nyah."

To these and every writer who has tickled, amused, and made me burst out laughing, thank you!
Keep it up!

Hiaasen on the Cake

I have an interesting, if not always accurate, theory. A two-part observation, actually. Country music singers seem to make good actors, and newspaper writers seem to make good novelists. Case in point: Miami Herald journalist and mystery author Carl Hiaasen.  (I won't get into examples of country singers/actors, but I still defend my theory.)

Another observation. Hiaasen has developed a pattern, with the titles of his books: most are two words each. Tourist Season, Double Whammy, Skin Tight, Native Tongue, Strip Tease, Stormy Weather, Lucky You, Sick Puppy, Basket Case, Skinny Dip, Nature Girl, Star Island. His young-adult novels, oddly enough, feature one-word titles. Hoot, Flush, Scat, Chomp.

I've read 'em all. I finished his latest, Bad Monkey, a few days ago. It's a delightful read, with a great setting and an intriguing plot. The location is, as usual, Florida, and this one's set in the Keys, which is even more fun. As for the plot, it's complex but believable, consisting of Medicare fraud, arson, drug trafficking, bribery, murder, and a host of other crimes, and makes for a suspenseful story.

But all that, as good as it is, is only icing on the cake. The main attraction of any Hiaasen novel, the reason most of his fans read him, is his quirky characters. No, make that outrageous characters. And yes, it doesn't hurt that they're residents of the Sunshine State--we already know from Leigh that most of the peninsula can be a loony bin. It's an extension of the old joke-theory that at one point the nation bowed up in the middle and all the loose nuts rolled to both coasts; in popular fiction, those on the east side seem to have rolled all the way down and collected in Florida.

The folks in the latest Hiaasen book remind me of those one might find in a Coen Brothers movie (Raising Arizona, maybe). Here's a sampling of the players in Bad Monkey:

Andrew Yancy -- Former police officer, demoted now to restaurant inspection duty (also known as roach patrol).

Dr. Rosa Campesino -- Miami coroner who yearns for more excitement in her life, probably because all her patients are deceased.

Bonnie Witt, a.k.a. Plover Chase -- sex-offender and fugitive from Tulsa; also Yancy's former (and sometimes current) love interest.

Evan Shook -- Hapless real-estate developer who's attempting to build a McMansion between Yancy's beach house and his cherished view of the ocean sunsets.

Nicky Strickland -- Ruthless killer and con artist, always wears an orange rain poncho. The discovery of his severed arm sets the novel's plot in motion.

Eve Strickland -- Nicky's plump, upscale, greedy, screwball wife.

Sonny Summers -- Lazy but opportunistic sheriff who busts Yancy from detective to roach inspector.

K. J. Claspers -- Freelance pilot who specializes in drug smuggling but isn't really out to get rich. He just loves to fly.

Johnny Mendez -- Retired Miami cop who made a fortune calling in tips about crimes that had already been solved.

Neville Stafford -- Island native engaged in a fight with corporate bullies who want to spoil his natural homeland (a recurring Hiaasen theme).

The Dragon Queen -- Deranged voodoo priestess who tricks Neville into selling her his "bad" monkey.

Cody Parish -- Scatterbrained, lovesick kid who fancies himself the Clyde in Bonnie Witt's criminal escapades.

Egg -- Bald, hulking henchman, real name Ecclestone. He's the Dragon Queen's boyfriend, and one of the book's worst (meaning "best") villains.

Caitlin Cox -- Nicky and Eve's daughter, and just as goofy and conniving as her parents.

John Wesley Weiderman -- Tough but sympathetic FBI agent who mistakenly figured his Key West assignment would be a vacation.

Driggs -- A demented, pipe-smoking, feces-flinging monkey who supposedly once starred with Johnny Depp in his pirate movies and has since suffered a reversal of fortune.

This is only some of the cast. How could a novel populated with characters like that not be fun?

In closing, let me say that I've always enjoyed reading humorous authors: Janet Evanovich, Christopher Buckley, Steve Martin, Charlaine Harris, Kinky Friedman, Douglas Adams, Tim Dorsey, Woody Allen--even Nelson DeMille, who writes novels with serious themes but includes something witty on almost every page. In my opinion, that kind of talent is a true gift.

Carl Hiaasen's one of the best.

Famous Last Words

Years ago, I read Clancy Sigal's novel GOING AWAY, which is a terrific book about the decline of the Old Left, in the 1950's, but I bring it up because of the epigraph, a guy on his deathbed.

"Take it away," he says.
"What, the pillow?" he's asked.
"No, the mute. I want to play on the open strings."

Nowadays, in this age of antibiotics, we forget that people used to take some time dying. I'm not talking about AIDS or cancer, but more generic, commonplace infections, like pneumonia, which today can usually be cleared up, but before penicillin, were pretty much fatal. People would take to their bed, and in their slow decline, their family and friends would gather around, to bring comfort and prayer, and nobody thought it odd to make note of what you said in your final moments. It might be despairing, or funny, or brave, and often very graceful. There's also the sub-genre of those facing the scaffold. Here are a few.

Give Dayrolles a chair. Lord Chesterfield
All my possessions for a moment of time. Elizabeth I
A dying man can do nothing easily. Ben Franklin
Let not poor Nellie starve. Charles II
Give the boys a holiday. Anaxagoras
I shall hear in Heaven. Beethoven
I want nobody distressed on my account. Ulysses Grant
All is lost! Monks, monks, monks! Henry VIII
I always talk better lying down. James Madison
More light. Goethe
Kiss me, Hardy. Lord Nelson
I owe Asclepius a cock. Socrates
My neck is very small. Anne Boleyn

Some of the best lines seem absolutely unrehearsed, naive in their sincerity. And some are poetry. Stonewall Jackson, shot by one of his own sentries: "Let us go across the river, and into the trees." We can easily imagine being surprised by death, but sometimes it comes by inches. My own mom died a protracted death, and it wasn't easy on her, or anybody else. When my sister and I took her to the hospital for what turned out to be the last time, she was so weak she couldn't even talk. But she looked at me, and made a scissors gesture with her fingers, snipping across her hairline. She meant it was time I went to a barber shop. In effect, my mother's last words to me were a grooming tip. It made me smile then, and it makes smile now. It was so human, and so much in character.

Perhaps the question is whether we die with grace. My favorite quote is attributed to the late actor Sir Donald Wolfit. Close to breathing his last, a friend asked him if he found death hard. Wolfit shook his head.

"Dying is easy," he said. "Comedy is hard."

Doyle When He Nodded

by Terence Faherty

First I'd like to echo Brian Thornton by thanking the other contributors to SleuthSayers for their warm welcome. I'd especially like to thank Robert Lopresti for inviting me to give this a try and Dale Andrews, who's alternating with me on Tuesdays, for the generous plug he gave me in his most recent post.

For my first post, I thought I'd write about one of my mystery writing heroes, Sir Arthur Conan Doyle, and about one of his most interesting characteristics (from a writer's point of view): his carelessness.

Even casual readers of Doyle's immortal Sherlock Holmes stories have probably noted one egregious example of this carelessness, namely Watson's mobile bullet wound, which unaccountably shifts from his shoulder to his leg. Well, you might be thinking, in a long series of stories (there are fifty-six Holmes short stories and four longer ones), a writer is apt to get a detail of a character's backstory wrong. But Watson's wound made its famous migration sometime between the first tale, A Study in Scarlet, and the second, The Sign of Four. Not a good omen for the future, though a telling one.

I'll cite just a couple more examples I've come across recently. In "The Copper Beeches," a young governess arrives at 221B for a morning meeting, stays about twenty minutes, and bids Holmes and Watson "good-night" as she leaves. In "The Man with the Twisted Lip," Watson's wife refers to him as James, though his given name was John. Speaking of the doctor's wife, the reports of her death seem to have been greatly exaggerated, as she returns from the grave from time to time. Or was there a second Mrs. Watson? Or half a dozen?

Dorothy L. Sayers, another of my favorites, once wrote a scholarly essay that attempted to straighten out the date problems in "The Red-Headed League." She focused on four issues, one of which might be called "The Mystery of the Missing Summer." The story is set in October of 1890 but a character refers to an April newspaper article as having appeared "just two months ago." What, as current scholars might phrase the question, is up with that?

I find two features of Doyle's carelessness particularly intriguing. The first is its endurance. Okay, so Doyle wrote quickly and didn't get much help from his editors at the Strand Magazine. But who was minding the store when the stories were collected in book form? Buy any new edition of The Adventures of Sherlock Holmes today and in "The Man with the Twisted Lip," Watson's wife will still get his first name wrong. October 9, 1890 will still be called a Saturday in "The Red-Headed League" when it was in fact a Thursday. It's as though Doyle carved his first drafts in stone.
 
Even late in his long life, by which time Sir Arthur must have known that the tossed-off Holmes tales were going to outlive his more serious literary efforts, he didn't clean up after himself, though by then he must have received hundreds of letters from helpful or confused readers. By then, too, pioneering Sherlockian scholars had published essays on all aspects of the Holmes tales, including the puzzling problems.

Doyle might have recognized in this correspondence and in the critical literature an unlooked-for benefit from his mistakes. I find this benefit to be the second intriguing characteristic of Doyle's carelessness: its appeal. Far from turning readers off, it draws them in. It makes the Sherlock Holmes stories a particularly interactive form of fiction.

All fair play mysteries are interactive to the extent that readers are invited to solve the crime along with the detective, but the Sherlock Holmes stories take interaction to a whole new level. Like Dorothy Sayers, generations of writers, who presumably had better things to do (like dogs to walk and lawns to mow), have taken up their pens to try to reconcile or explain away Watson's two wives and the "long interview" in "The Copper Beeches" and so on. (One of Sayers' explanations for the date problems in "the Red-Headed League" was transcription errors caused by Watson's poor handwriting, perhaps the earliest argument against cursive.)

In the process, the Sherlockians scholars have created hours of enjoyment for readers who love the stories and maybe even helped the stories live on. It's enough to make an author cast a jaundiced eye on writing-manual advice of the "revise endlessly" variety. A little carelessness might actually be good for the soul of a work. To paraphrase Holmes himself, once you have eliminated actual spelling errors, whatever remains, however improbable, might be better left alone.

Growing the Language

Barney and Clyde, The Washington Post, December 1, 2012

Hear the sledges with the bells -
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells -
From the jingling and the tinkling of the bells.

                                      The Bells, First Stanza
                                      Edgar Allan Poe

America's present need is not heroics, but healing; not nostrums but normalcy; not revolution, but restoration.

                                      Warren G. Harding

    So, you are doubtless wondering, what exactly does Edgar Allan Poe have in common with Warren G. Harding?  The italicized words set forth above are the clues – both “tintinnabulation” and “normalcy” basically did not exist until used by Poe and Harding, respectively.  Poe’s made up word, derived from the Latin word for "bell", tintinnabulum, entered the English language largely because it fit Poe’s pentameter.  Harding’s invention, or at the least popularization, of the word “normalcy” is predictably baser, deriving from the existing word “normality” and Harding’s political aspirations, which required a less high-falluting word to garner the support of the voting public. 

    These two words eventually gained entry to most dictionaries, but prior to besting that bar they were “sniglets.”  “Sniglet” is itself a made-up word, and one that, I will admit, I had not encountered until I heard a weatherman in Washington, D.C. use it several weeks ago.  A sniglet is defined (simply) by the Urban Dictionary as a word that should be in the dictionary but isn't.  The “should” part of this may be a bit generous – the word “irregardless,” for example, an illegitimate progeny of “regardless” and “irrespective,” qualifies as a sniglet and is used often.  At least for me it continues to grate.  (With apologies to my Tuesday partner in crime Mr. Dean, my wife and I had a law school professor who used to scratch through "irregardless" whenever it appeared in a paper or exam and write in the margin “this is only a word in New Jersey!”)

    As noted, “sniglet” is itself a "sniglet".  The word was invented by Richard Hall, a comedian and actor in the 1960s.  Hall published several books of sniglets and also, for a time, had a newspaper column devoted to these wannabe words.  While Hall coined the word sniglet, the concept was previously more broadly encompassed by the word “neologism,” which encompasses not only a newly coined word or phrase, but also a newly offered idea or theory.  Some skips and jumps through the internet reveal that neologisms or sniglets often make their assault into accepted speech from the springboard of literature.  Science Fiction, for example, has reportedly given us the then-new words “laser,” (Light Amplification through Stimulated Emissions of Radiation) in 1960, and “robotics” in 1941.  (Thank you, Mr. Asimov).  Other then-new additions to the language that sprang from literature include “nymphet,” from Vladimir Nabokov’s Lolita, “Orwellian,” from the themes set forth in George Orwell’s 1984.  And as descriptive nouns we have a “Scrooge,” a “Pollyanna,” someone who is “Quixotic” as well as those who are “Sadistic,” (derived from the practices of the Marquis de Sade). 

    Commenting on the need for the English language to fluidly grow, Thomas Jefferson stated the following in an 1831 letter: 

I am no friend, therefore, to what is called Purism, but a   zealous one to the Neology . . . .    The new circumstance under which we are placed, call for new words, new phrases, and for the transfer of old words to new objects. An American dialect will therefore be formed; so will a West-Indian and Asiatic, as a Scotch and an Irish are already formed.

So, it is often we, the writers, who are either responsible for all of this or, at the very least, carry the ball by repeating, in dialog, that which we hear around us.  Print adds legitimacy.

    As we approach 2013 it is interesting to look at previously aspiring words and phrases that “passed their finals” and gained admittance  into the Merriam Webster Dictionary in 2012.  Newly legitimized words for 2012 include:

• Man-cave
• Sexting (Alexander Graham Bell must be rolling in his grave)
• Earworm (denoting a song you can’t get out of your head)
• Bucket List
• Energy Drink
• Aha Moment
• Game Changer
• F-Bomb (as in “Dropping the F-Bomb”)
• Gastropub
• Mash-up (Something created by combining items from two or more sources).

    Although writers can nudge the language in new directions, as the foregoing discussion and examples illustrate, there are some places that the language simply will not allow itself to go.  Thus, while Lewis Carroll is discussed prominently as a contributor of sniglets or neologisms, more often than not Carroll’s imagination proved too great for the more conservative tastes of evolving language.  No greater example of this exists than his poem Jabberwocky from Through the Looking Glass, composed almost completely of substantive words that are still aspiring to existence but never made it.

Twas brillig, and the slithy toves
  Did gyre and gimble in the wabe:
All mimsy were the borogoves,
  And the mome raths outgrabe.

“Beware the Jabberwock, my son!
  The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
  The frumious Bandersnatch!"

He took his vorpal sword in hand:
  Long time the manxome foe he sought --
So rested he by the Tumtum tree,
  And stood awhile in thought.

And, as in uffish thought he stood,
  The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
  And burbled as it came!

One, two! One, two! And through and through
  The vorpal blade went snicker-snack!
He left it dead, and with its head
  He went galumphing back.

"And, has thou slain the Jabberwock?
  Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
  He chortled in his joy.

`Twas brillig, and the slithy toves
  Did gyre and gimble in the wabe;
All mimsy were the borogoves,
  And the mome raths outgrabe.

"The Unicorn in the Garden", or God Bless You, Mr. Thurber

I freely admit that Thanksgiving is not my favorite holiday. In my household, there were only the three of us, which meant that I was outnumbered. With neither church nor company, there was little occupation for my parents other than to eat, drink, and fight. In the immortal words of Laura Ingalls Wilder, "It was a queer, blank day," and sometimes more. The turkey was good, and the stuffing superlative, but I got the same at Christmas, and we had more variety in the way of entertainment.

Robert Benchley

But we all have our escape hatches, and mine was books, for which I give grateful and ever-lasting thanks. Especially humor. When I was a child, my grandfather found a copy of "The Thurber Carnival" lying on the street and gave it to me. At the same time, someone else gave me a copy of "The Benchley Roundup" and I was hooked - and warped - for life.

Here are some of my favorite quotes, just to warm us up:

Benchley - "A freelance writer is a man who is paid per word, per piece, or perhaps."

Thurber - “You can fool too many of the people too much of the time.”

James Thurber

Benchley - "Even nowadays a man can't step up and kill a woman without feeling just a bit unchivalrous."

Thurber - “With sixty staring me in the face, I have developed inflammation of the sentence structure and definite hardening of the paragraphs.”

Benchley's work was, 99% of the time, the classic humorous essay. Thurber's work ranged far more widely, from wistful to sardonic to straight-up reporting to literary analysis. (He wrote what I consider the best essay on Henry James' writing ever - "The Wings of Henry James", in the November 7, 1959 issue of the New Yorker.) And then there are his parables. Here, for our Thanksgiving entertainment, is "The Unicorn in the Garden", the obvious predecessor of "The Catbird Seat", and in both cases, one of the neatest ways of getting rid of someone unpleasant I have ever found. Not that any of us would be interested in that...


The Unicorn in the Garden

by James Thurber
reprinted from
Fables For Our Time Once upon a sunny morning a man who sat in a breakfast nook looked up from his scrambled eggs to see a white unicorn with a golden horn quietly cropping the roses in the garden. The man went up to the bedroom where his wife was still asleep and woke her. "There's a unicorn in the garden," he said. "Eating roses." She opened one unfriendly eye and looked at him.
"The unicorn is a mythical beast," she said, and turned her back on him. The man walked slowly downstairs and out into the garden. The unicorn was still there; now he was browsing among the tulips. "Here, unicorn," said the man, and he pulled up a lily and gave it to him. The unicorn ate it gravely. With a high heart, because there was a unicorn in his garden, the man went upstairs and roused his wife again. "The unicorn," he said,"ate a lily." His wife sat up in bed and looked at him coldly. "You are a booby," she said, "and I am going to have you put in the booby-hatch."
The man, who had never liked the words "booby" and "booby-hatch," and who liked them even less on a shining morning when there was a unicorn in the garden, thought for a moment. "We'll see about that," he said. He walked over to the door. "He has a golden horn in the middle of his forehead," he told her. Then he went back to the garden to watch the unicorn; but the unicorn had gone away. The man sat down among the roses and went to sleep.
As soon as the husband had gone out of the house, the wife got up and dressed as fast as she could. She was very excited and there was a gloat in her eye. She telephoned the police and she telephoned a psychiatrist; she told them to hurry to her house and bring a strait-jacket. When the police and the psychiatrist arrived they sat down in chairs and looked at her, with great interest.
"My husband," she said, "saw a unicorn this morning." The police looked at the psychiatrist and the psychiatrist looked at the police. "He told me it ate a lily," she said. The psychiatrist looked at the police and the police looked at the psychiatrist. "He told me it had a golden horn in the middle of its forehead," she said. At a solemn signal from the psychiatrist, the police leaped from their chairs and seized the wife. They had a hard time subduing her, for she put up a terrific struggle, but they finally subdued her. Just as they got her into the strait-jacket, the husband came back into the house.
"Did you tell your wife you saw a unicorn?" asked the police. "Of course not," said the husband. "The unicorn is a mythical beast." "That's all I wanted to know," said the psychiatrist. "Take her away. I'm sorry, sir, but your wife is as crazy as a jaybird."
So they took her away, cursing and screaming, and shut her up in an institution. The husband lived happily ever after.

Moral: Don't count your boobies until they are hatched.

Have a Happy Thanksgiving, and may all your unicorns lead to high hearts.

From the Bristol Blotter

I get to spend the weekend at the pen - I know, I need to start behaving better - so I am busy getting ready for that.  So, to prove that there are just as many crazies outside as in, (as well as to give myself a little breathing room) I submit the following.  These are all from a friend of mine in Tennessee, who provides me with "The Bristol Blotter" - available on-line and on Facebook.  All true, sadly, hilariously true:
From the "it's so hard to get off their radar" list:
* Someone called from to report “a suspicious black sports car that followed him home from Walmart [and] keeps riding by his residence.”

You have something that I want:
* A guy reported that his “baby’s momma locked him out and took the tags off his car.”

* "his girlfriend threw him out and he needs to get in and get his clothes because he has an interview tomorrow."

One man's exam is another man's...
* A man told police that another guy assaulted him “while attempting to give him medical treatment.”

Buyer's remorse takes various forms:
* Police went to a car lot where an “irate customer,” upset over his recently purchased car, threatened to run over the sales manager. Store employees said the angry customer “circled the parking lot, stopping in front of the sales manager, began revving up the engine causing excessive smoke, and lurched forward stopping short of striking the sales manager.” The manager in question was afraid that the unsatisfied customer would return “because of his explosive demeanor.”

With friends like these:
* A man reported that his “friend” of four years pulled into a nearby alley, got halfway out of the car wielding a knife and said, “I got something for you.” The man, who knew only his friend’s first name, responded: “If you want to fight, come on” and started toward his antagonist. The friend then scurried into his Oldsmobile and left.

From the "if it were only that easy department":
* When a man had his sister’s cell phone turned off “due to payment issues,” the sister got mad and threatened to vandalize his car. The sister, in turn, told officers that the brother “had been leaving threatening letters on the windshield of her vehicle.” Police told them to stop leaving one another messages.

Also known as, "You called us for WHAT?":

* Some kids were “playing baseball in the road.”

* Someone came in to report they’d lost their license plate, but weren’t sure where or when.

* "she advised she'd been drinking all day..."

* A man "found a bird in his yard and it can't fly ... wants to speak to an officer."

* A woman told police she was taking some medicine that she's been taking daily for about a month but she doesn't know why she's taking it.

And my favorite:

*Someone called to report a suspicious squirrel... 
 

Good luck with that one, officer! 

Now That Is Funny

During the first week and half of July, the temperature here in Knoxville ranged from 95 to 100 degrees. My air condition system quit at the beginning of the heat wave, and the temperature in my house climbed to over 90 degrees. All I could do was sit in front of my 20 inch fan, watch TV, and think about a subject for my post this month. I decided to comb my local and online newspapers for funny stories about the bizarre behavior of us humans.

Nudity Prohibited

A guy here in Knoxville did chores in his house and yard buck naked until he was arrested for indecent exposure. He has lived in the neighborhood for over 10 years and during that time has embarrassed his neighbors as he traipsed about his property in the nude. He rode his lawn mower naked while mowing his lawn. Although the neighbors called the sheriff’s office many times, the deputies weren’t able to catch him until a neighbor recently saw him using a chain saw to cut up the branches of a toppled tree while naked and immediately called the sheriff’s office. A deputy arrived just as the guy ran into the house and caught him before he could put on his clothes. Being arrested probably won’t stop him from practicing his constitutional right to go naked on his property.

Butt Enhancement

You all probably read this story in the NY Times. A woman in Georgia visited several cities and set up a pseudo doctor’s office in hotel rooms. Her customers were people wanting big rear ends. She would inject their buttocks with commercial silicone and use glue and cotton balls to prevent leakage. I wonder whose intelligence is the more questionable: the pseudo-doctor who thought she could get away with practicing medicine without a license, or her customers who were stupid enough to go to her for buttock enlargement? 

Hooray For The Bear

With nothing else to do, and sitting in the cool of my new air condition system on July 14 about 9 in the evening, I watched a reality show for the first and probably last time. The show was called “Stupid Daredevil Stunts.” The scene that caught my attention involved a big black bear and a bear trainer. The bear was in an enclosure in a nature reserve, and when the trainer entered the enclosure, that bear stood up on its hind legs as if to challenge him. The trainer picked up a stick and started hitting it on the head and nose. Well, sir, that bear knocked him down and started smelling and pawing him. Outside the enclosure, the trainer’s helper tried to call the bear away: “here chubby, here chubby.” 

That bear ignored him, probably because his name wasn’t “chubby.” Anyway, the trainer played dead and after a little more smelling and pawing, that bear walked away. I imagine the bear was thinking: “if I kill this fool, that other fool will call those idiots with guns, and they’ll come and kill me. They ain’t gonna listen to my self defense argument that I was just standing my ground. I just better get the hell away from here.” 

Update

As you all know, I’ve been keeping up with the case of the three men who were tried, convicted, and sentenced for the carjacking, torture, and killing of a young couple. The original trial judge, Judge P, admitted using pain pills and engaging in other criminal activities during the trials of the three men. He was replaced by Judge G, who ordered new trials without holding hearings on whether Judge P’s behavior caused any errors in the cases. The DA is appealing Judge G’s granting of new trials. Recently one of the defendants decided to take matters into his own hands. He filed a motion invoking his constitutional right to a speedy trial. 

John Hancock Signs Constitution

Like a lot of folks, I don’t think any one of the murderers should get a second chance to prove his non-innocence.

Lawyers and Writers, Oh My!

Whether they are prosecutors, defense attorneys, ambulance chasers, or out and out shysters, lawyers have become a major part of the mystery genre. Comedians have made careers from joking about lawyers, but mystery writers with a background as lawyers have been the ones laughing all the way to the bank and to the New York Times bestseller lists.

One of the first American lawyer as sleuth characters was Mr. Ephraim Tutt, created by Arthur Train in 1919. Mr. Tutt, a "wily old lawyer who supported the common man and always had a trick up his sleeve to right the law's injustices", appeared in several volumes of short stories from 1920-1945.

What's the difference between a lawyer and a catfish?

One is a slimy, bottom dwelling scum sucker. The other is a fish..

Erle Stanley Gardner practiced law for two decades before creating the most recognized name of a lawyer in literature, Perry Mason. Mason debuted in 1933 in The Case of the Velvet Claws. More than eighty novels, a series of movies in the 1930's, a radio show and the acclaimed television series, "Perry Mason" starring Raymond Burr which ran from September 1957-May 1966 followed. As the dapper lawyer whose skilled examination of cross address, Mason deduced the real culprit when the police could not and practically compelled the guilty party to confess on the witness stand. Burr became the quintessential Perry Mason and reprised the rolein a series of made-for-TV movies in the 1980's.

If you are stranded on a desert island with Adolph Hitler, Atilla the Hun and a lawyer, and you have a gun with only two bullets, what do you do?

Shoot the lawyer twice.

Scott Turow was a former assistant United States attorney before he became a successful writer. His first legal thriller published in 1987 was Presumed Innocent featuring Rozat "Rusty" Sabich accused of murdering his colleague, prosecutor Carolyn Polhemus.

D. R. Meredith worked as a legal secretary for her lawyer husband. Her first mystery concerned a body discovered beneath a large barbecue pit during a city celebration in The Sheriff and the Panhandle Murders published in 1984. Meredith writes the John Lloyd Branson mystery series from her home in the Texas panhandle, beginning with Murder by Impulse, published in 1988.

How many lawyers does it take to change a light bulb?

How many can you afford?

Linda Fairstein is a former prosecutor specializing in crimes against women and children and served as head of the Sex Crimes Unit of the Manhattan District Attorney's office from 1976-2002. Her mystery series feature Manhattan prosecutor Alexandra Cooper.

Richard North Patterson was a trial lawyer who won an Edgar Award from the Mystery Writers of America for his first legal thriller, The Lasko Tangent, with his character, U. S. Attorney, Christopher Paget.

What's the difference between a dead dog in the road and a dead lawyer in the road?

There are skid marks in front of the dog.

William Manchee is a Dallas attorney who writes a series about a Dallas attorney, Stan Turner.

William Bernhardt is a Tulsa former attorney who writes the Ben Kincaid legal thrillers.

Southerner John Grisham is a handsome former lawyer who writes tales about (sometimes) Southern lawyers who invariably are portrayed by handsome actors with or without Southern accents. (But the stories are always accented by backgrounds of knowing the laws and how people break them and try to get away with it.)

Whether you are interested in reading about a lawyer who is out to right the injustices of the world or simply one trying to do the best job he can for his client to one who will take any case he can get just to pay the bills, the mystery world has something out there just for you. And often, one of those lawyer-types are the ones writing them. Thank God for lawyers. Without them, comedians would have to find someone else to make fun of and the readers everywhere wouldn't have half as much fun in the bookstores finding a great thriller to curl up with on the couch.

*** Many thanks to comedian Jason Love for authorized use of his great cartoons. Find him at jasonlove.com and doing a terrific standup comedy routine when he isn't writing his own brand of lawyers jokes and cartoons.