That's the case with one of the stories I had published in December, "A Family Matter." While driving a few years ago, I passed a house with a clothesline. They certainly aren't uncommon, but for whatever reason it made me remember a story my mom once told about moving into the neighborhood where I grew up. This was in 1962, years before I was born. One day shortly after my parents and siblings moved in, my mom was in the backyard hanging up the laundry on a clothesline when one of the next-door neighbors hurried over to tell my mom that drying laundry on a clothesline just wasn't done there. My mom needed to get a dryer to fit in. I don't know if this story is true or not (my mom sometimes told tales), but seeing that clothesline evoked that memory, from which grew "A Family Matter," a story set in 1962 suburbia about what happens when new neighbors violate the unwritten social code. The story is published in the January/February 2021 issue of Alfred Hitchcock's Mystery Magazine.
The other main source of my story ideas (when I can figure out the source) is the news. It feels bad to say that I hear about someone else's misfortune and think: I can use that! But I'm sure I'm not the only author who does it. "Compulsive Bubba" grew out of a terrible accidental death in which someone waited in a car while it warmed up, not knowing the car's exhaust pipe was covered with snow and the carbon monoxide was backing up into the car. I got the idea for "Ulterior Motives" after reading about an Oregon county whose residents voted down a bond referendum to fund the police department, which resulted in them having police only part time. "Have Gun, Won't Travel" came about after reading about an Ansel Adams print worth a lot of money that sold at a garage sale for practically nothing because the seller didn't realize who created it. (The story was later debunked, but it gave me my idea nonetheless.) "Alex's Choice" was prompted by the horrific death of a family after one of them went into the ocean to save their dog, and when that person didn't come out, the next person went in to save him, and it went from there.
A side effect of admitting you used a real-life event as a story springboard is having people ask if everything in the story really happened. That's a big no. That's why it's called fiction. But just in case you're wondering:
I never tried to kill my fifth-grade teacher.
I never tried to get revenge on the person who found and kept the ring I lost at Sleuthfest (the fact that I don't know who it was is irrelevant, I assure you).
I never tried to kill the woman who was dating my father when he died.
I never tried to kill my boss (none of them, really).
Nothing in "A Family Matter" is based on real life except that clothesline incident (in case anyone has read the story and is wondering).
And I really was not an evil little girl, despite what that school librarian thought. But if you think otherwise, well, it might be best not to tell me. It's always better to be safe than sorry. After all, you wouldn't want to end up on the news, giving someone else a good story idea, would you?
If you want to read any of the stories I mentioned above, you can find them listed on my website, along with where they were published. Just click here. And in case you missed my last post, I had three stories published recently: "A Family Matter," discussed above, in the January/February AHMM; "That Poor Woman," a flash story in the January/February Ellery Queen's Mystery Magazine; and "Second Chance" in Mickey Finn: 21st Century Noir.