Showing posts with label Paul D. Marks. Show all posts
Showing posts with label Paul D. Marks. Show all posts

23 October 2018

To Speak or Not to Speak

by Paul D. Marks

I have several speaking gigs of one type or another coming up. And I’m looking forward to them. That said, it’s said that one of the greatest fears Americans have is speaking in public. I don’t really get nervous or uptight about speaking. But if I have to read a selection from my works then the palpitations begin. I don’t know why reading causes me so much anxiety, when just speaking doesn’t. I could speak to a group of 500 people and not be nervous, but if I read to a group of ten I would be. You’d think it would be just the opposite since when you’re reading you don’t have to come with answers on the fly. As the saying goes, go figure.

Newhall Library panel: Ellison Cooper, Carlene O'Neill (moderator, standing),
Patty Smiley, Connie di Marco, Paul D. Marks, Paddy Hirsch

I recently did a well-attended panel at the Old Town Newhall Library, that even included a dinner, with a moderator and four author-panelists. The moderator kept things moving, asking questions and everyone on the panel was fun and interesting and didn’t hog time, which sometimes happens. I sold more books than I usually do at these types of things. I was also recently on two panels at Bouchercon. I always feel lucky to get on panels at conventions since everyone is vying for those spots.

Coming up are several different kinds of gigs: One is another library event at the Studio City Library, a trivia night (https://www.lapl.org/whats-on/events/trivia-night-mystery-lovers-0) where a group of eight authors rotate tables with library patrons and try to answer trivia questions. I did this event last year and it was a lot of fun. Then another library event at the Agua Dulce Library (https://www.friendsacton-aguadulcelibrary.org/ )where I’ll be with one other writer, Connie di Marco. And instead of each of us just getting up and talking about ourselves, giving our this is the “wonder of me” speeches, we’ve decided to talk about each other, ask each other questions, and liven it up a little.

After that is Men of Mystery (https://www.menofmystery.org/ ), which is as their brochure proclaims, “the grandest gathering of gentlemen in the genre,” and which usually gets a huge crowd. Everyone has to stand up and tell a little about themselves. Last time I told about the time I pulled a gun on the LAPD and lived to tell about it. Afterwards a couple of law enforcement officers came up to talk to me about that... I wonder what I can do to top that?


Next up is The Palos Verdes Woman’s Club (http://pvwomansclub.org/home/fundraising-and-events/ ), which usually gets a few hundred people. I’ll be one of five authors there. I’ll have to speak about myself a little, which is always awkward. Fun, but awk.


And rounding out this bunch of events is a speaking gig at the Southern California Writers Association (http://ocwriter.com/ ). I’ll be talking about incorporating screenwriting techniques into the writing of short stories and novels.


I’ve also done a bunch of radio interviews lately to help promote the release of Broken Windows. It’s always fun doing these, whether in-studio or on the phone.

Each event is a little different, so the question is, how do I prepare for these events? For some, there really is no preparing, you just have to wing it. But sometimes, since I tend to even forget the names of my characters, I might give a quick glance to some cheat sheets I’ve made up over the years. It’s always embarrassing when someone asks you a question about this or that character or story and you have that deer in the headlights look, trying to figure out who the hell that is and what story they were in—and what it was about. For events where I’m actually giving a talk, I prepare notes on the subject of the talk. I can wing much of it, of course, but it always helps to have a plan and something to help keep you on track.

I always enjoy these events and it’s part of being a writer. A good part in that you get to interact with readers instead of hiding away in our writing caves. And I’m looking forward to all of these upcoming events. Hope to see some of you there.

What are your thoughts on preparing for events?

~.~.~

And now for the usual BSP:


I’m honored and thrilled – more than I can say – that my story Windward appears in The Best American Mystery Stories of 2018, edited by Louise Penny and Otto Penzler, which just came out this week. I wrote a blog on that on SleuthSayers if you want to check it out: https://www.sleuthsayers.org/2018/10/the-impossible-dream.html .

I’m doubly thrilled to say that Windward won the Macavity Award at Bouchercon a few weeks ago. Wow! And thank you to everyone who voted for it.

And I’m even more thrilled by the great reviews that Broken Windows has been receiving. Here’s a small sampling:

Kristin Centorcelli, Criminal Element

"Although it’s set in 1994, it’s eerie how timely this story is. There’s an undeniable feeling of unease that threads through the narrative, which virtually oozes with the grit, glitz, and attitude of L.A. in the ‘90s. I’m an ecstatic new fan of Duke’s."

"Duke and company practically beg for their own TV show."

John Dwaine McKenna, Mysterious Book Report:

"This electrifying novel will jolt your sensibilities, stir your conscience and give every reader plenty of ammunition for the next mixed group where the I [immigration] -word is spoken!"

Betty Webb, Mystery Scene Magazine:

"Broken Windows is extraordinary."


Please join me on Facebook: www.facebook.com/paul.d.marks and check out my website www.PaulDMarks.com


02 October 2018

The Impossible Dream

by Paul D. Marks

Today is a big day for me. The Best American Mystery Stories of 2018, edited by Louise Penny and Otto Penzler, hits the shelves. And my story Windward, originally published in Coast to Coast: Private Eyes from Sea to Shining Sea (from Down & Out Books, edited by Andrew McAleer and me), is in it.


It is truly one of the biggest thrills of my writing life and my life in general. I’m still in disbelief – still pinching myself. Still floating on air.

When we embark on this writing journey we have things we want to achieve. It’s a given that we want to write good and compelling stories. But aside from that I think most of us want to attain some kind of recognition, both from our peers and from a general audience. To that end we might have certain goals: getting published at all, getting published in more prestigious/bigger circulation magazines. Maybe winning an award or two. And getting into The Best American Mysteries series.

Otto Penzler
I woke up one morning a few months ago to find an e-mail from Otto Penzler saying that Windward had been selected for BAMS. Michael Bracken wrote a couple of weeks ago about his tears of joy upon hearing the news. My first reaction was total disbelief! I thought someone was scamming me, spamming me. Playing a prank on me. I’m so paranoid about being scammed and I believed this so much that I e-mailed fellow SleuthSayer and BAMSer John Floyd a copy of the e-mail asking if he thought it was legit. He did! So with his imprimatur I responded to the e-mail, relatively sure that I wasn’t going to be talking to a Nigerian Prince trying to scam me out of my Beatles and toy collections.

Louise Penny
Once I found out it was for real it was like fireworks on the Fourth of July, Old Faithful blasting towards the sky, the Ball dropping on New Year’s Eve. My wife Amy and I celebrated with a fancy dinner of take-out pizza and ice cream – because what’s better than pizza and ice cream 😃 ? (I’m not joking here.)

Windward was a fun story to write, partially because it’s set in Venice Beach, one of the most colorful areas of Los Angeles. Here’s an excerpt of the end-notes I wrote about Windward for the anthology:

Venice is a little piece of the exotic on the edge of Los Angeles. That got me thinking about setting my story there and showcasing the colorful and sometimes dangerous streets of Venice Beach in my story “Windward” for Coast to Coast: Private Eyes from Sea to Shining Sea. So I gave Jack Lassen, my PI, an office (complete with 1950s bomb shelter), amid the old world columns and archways of Windward.

With a setting like that I needed a crime that would be equally intriguing and what better fodder for crime than the façade of the movie business, where nothing is what it appears to be and a hero on-screen might be a monster offscreen.

Ultimately, Venice is more a state of mind than a location. But either way, a great setting for a story.


The stories in the book are arranged alphabetically by the author’s last name. Since my last name begins with M, the exact middle of the alphabet I always end up in the middle. I remember in school how for whatever things they were doing they often went from A to Z, but sometimes they switched it up so that the people whose names started at the end of the alphabet got to go first. But the Ms in the middle always stayed in the middle. So I’m in the middle again in the book. But that’s fine with me. I’m just glad to be in it, amongst such august company.

It’s a true thrill to be in this book along with Michael Connelly, Lee Child, Joyce Carol Oates – and all the other terrific writers, including my old professor at USC, T.C. Boyle, who I took classes from even though I was a cinema major. (And I was just going through some boxes from our storage facility and came across a postcard from him, which was a trip in itself.)

It’s also a thrill to be with friends and fellow SleuthSayers. And I’d also like to congratulate John Floyd, whose story Gun Work, also from Coast to Coast: Private Eyes, is in this year’s BAMS. And to fellow SleuthSayers Michael Bracken and David Edgerly Gates, who also have stories in it. And to pal Alan Orloff.

So these last few weeks have been very eventful for me, winning the Macavity for Windward, and with Broken Windows coming out and now BAMs. And I want thank everyone who voted for Windward, who bought Coast to Coast, the authors in it, the folks at Down & Out, and the same for those who reviewed Broken Windows, talked about it, bought it, etc. And thanks to our own Rob Lopresti for his review of There’s An Alligator in My Purse, my story in Florida Happens, the 2018 Bouchercon anthology. Wow! What a time!

***

And if that wasn’t enough of a BSP trip:

Here’s a small sampling of excerpts from reviews for Broken Windows:

Kristin Centorcelli, Criminal Element

"Although it’s set in 1994, it’s eerie how timely this story is. There’s an undeniable feeling of unease that threads through the narrative, which virtually oozes with the grit, glitz, and attitude of L.A. in the ‘90s. I’m an ecstatic new fan of Duke’s."

"Duke and company practically beg for their own TV show."

John Dwaine McKenna, Mysterious Book Report:

"This electrifying novel will jolt your sensibilities, stir your conscience and give every reader plenty of ammunition for the next mixed group where the I [immigration] -word is spoken!"

Betty Webb, Mystery Scene Magazine:

"Broken Windows is extraordinary."

11 September 2018

The Broken Windows Tour of L.A.

by Paul D. Marks

“It is through that broken window that we see the world...”
                                                                                                  –Alice Walker

A while back I did a tour of some of the locations in White Heat. Now, since it’s Hot Off the Presses—it came out yesterday from Down & Out Books—it’s the Broken Windows Tour of L.A. One of the things I really enjoy is writing about Los Angeles in the context of a mystery-thriller. In Broken Windows, P.I. Duke Rogers and his very unPC sidekick, Jack, are on the hunt for the killer of an undocumented worker.

Briefly, a little about Broken Windows: While the storm rages over California’s infamous 1994 anti-illegal alien Proposition 187, a young woman climbs to the top of the famous Hollywood sign—and jumps to her death. An undocumented day laborer is murdered. And a disbarred and desperate lawyer in Venice Beach places an ad in a local paper that says: “Will Do Anything For Money.”—Private Investigator Duke Rogers, and his very unPC partner, Jack, must figure out what ties together these seemingly unrelated incidents. Their mission catapults them through a labyrinth of murder, intrigue and corruption of church, state and business that hovers around the immigration debate. And that turmoil is not unlike what’s roiling the country today—in fact it might be seen as a precursor to it.

Hope you'll give it a read. And Reviews would be greatly appreciated...especially if they're good ones :-) .

Realtors say the most important thing is Location Location Location. I wouldn’t go that far in terms of writing. But location is important. So, hop on the bus for a handful of the many SoCal locations in Broken Windows:

View from behind the Hollywood sign (1)

The Hollywood Sign:

The story opens with a young woman climbing to the top of the Hollywood Sign.

The Hollywood Sign beckoned her like a magnet—or like a moth to a flame. The sign glowed golden in the magic hour sun—that time of day around sunrise and sunset when the light falls soft and warm and cinematographers love to shoot. Like so many others, Susan Karubian had come here seeking fame and fortune, hoping to make her mark on the world. Oh hell, she had come to be a star like all the others. And she would do it, just not quite in the heady way she’d anticipated.


When a friend and I hiked up to the sign before the fence was put around it,
 so you could actually get to the sign


The Santa Monica Pier:

Duke, looking for a little R&R, takes his new dog, Molly, to the pier:

The Santa Monica Pier used to be one of my favorite places to go to while away time, do some thinking on cases when things weren’t breaking right. I still liked it, but not as much as before. They’d remodeled it, turning it into a mini Disneyland, new rides, new chain restaurants. Just another mini-mall-amusement-park, but with a saltwater view, with kitschy chain restaurants featuring Cowabunga Burgers and a food court, for crying out loud. And a lot more people. Tourists. Families with their kids. Freaks of all kinds. Still, the air was clean. And I thought Molly should get a taste of it.

A view from Santa Monica pier of Santa Monica looking north (2)
At the pier, he runs into Marisol, whose brother Carlos, an undocumented immigrant, has been murdered. Later, Duke takes on the case of trying to find out who killed Carlos and why.

We headed back down the pier. In the distance a woman with coal black hair sat on a bench staring out to sea, her back to me. The wind pitched her hair over her face; she swept it away with a backhand. Something seemed familiar about her. When we got closer I saw that it was Marisol. She didn’t see us and I debated whether to approach her. “Days like this are my favorite time at the beach,” I said. She turned around, looking up at me through a tangle of hair. It looked like she had been crying…

Venice and the Venice Beach Boardwalk:

The bad part of Venice is where Eric, a disbarred lawyer, lives in a not so nice place compared to what he had been used to:

He opened a window, could smell the briny ocean air and hear the waves booming in the distance. This was Venice, California—crammed onto the SoCal shore between tony Santa Monica and haughty Marina del Rey—but not the Venice of the tourists and beach people. And this certainly wasn’t what Abbot Kinney had envisioned when he wanted to recreate Italy’s Venice in Southern California, complete with canals and gondoliers. No, Kinney must be rolling over in his grave these days. This was the other side of Venice. No canals here. No bathing beauties. Unless cockroaches had beauties in their midst, maybe to another cockroach. Miss Cockroach of 1994. Would she want world peace too? Or just a crumb of leftover bread?

Venice Beach (3)
Eric puts an ad in the paper. At first we’re not sure how he ties into the main story of Duke trying to find Carlos’ killer…

And he [Eric] opened the L.A. Weekly underground paper. Today was the day his ad was due out. He scanned a few pages until he came to it:

“Contact Eric,” it said, and gave his phone number. So far the phone hadn’t rung, but it was early. Breakfast time. He figured he’d sit by the phone today and hope for the best. If something didn’t come along, he wouldn’t even be able to pay the rent on this hell hole.

He looked at the phone, willing it to ring. When it didn’t, his eyes shifted back to his ad, to the headline: “$$$ Will do anything for money. $$$”.

At one point, Duke also finds himself down in Venice:

When Abbott Kinney founded Venice, California, south of Santa Monica, in the early nineteen hundreds, he had big dreams for it. Modeled after Venice, Italy, complete with canals and gondoliers, it was supposed to be a place of high-minded culture. Maybe it was, a hundred years ago. I don’t think so. And certainly not today. Now it was divided between the Hollywood Haves, who filled many of the little, but exceptionally expensive homes along the canals, and the low-rent people a few blocks away, whose homes were the gangs they belonged to more than the houses they lived in. Los Angeles Schizoid Dream.

Man on Venice Boardwalk (4)
The Café Noir:

A down on its heels bar on Sunset Boulevard, where Duke hangs out sometimes:

I opened the Café Noir’s door, a flood of velvet blackness enveloping me as I entered. The transition from daylight, even overcast daylight, to the Noir’s dimness made me close my eyes for a few seconds. Nat King Cole’s “The Blues Don’t Care” sinuously threaded its way from the jukebox. The bartender nodded. I nodded back. I settled in a corner at the far end of the bar, hoping no one I knew would join me. It wasn’t crowded at this hour, but you never knew. And right now I just wanted to get lost in a drink and the shadows, in the music and the anonymity of a dark corner.


The Cafe Noir


Smuggler’s Gulch:

In the 1990s, Smuggler’s Gulch near San Diego was just what its name implies, a major smuggling point for people coming over the border. Jack and Duke have a “meet” there that goes bad and later Duke returns to the “scene of the crime,” so to speak:

I figured Jack wouldn’t be back and I knew I wouldn’t be able to sleep so I packed Molly in the Jeep and hit the freeways. Southern California’s become one long rush hour for the most part, but at that time of night, traffic moved at a good clip. We drove south, toward the border. Landed back at Smuggler’s Gulch. Rocky Point. I surveyed the area with night-vision binoculars, making sure no cops, Border Patrol, or even some of Miguel’s friends were there. I knew Jack had hidden the body well, but you can’t be too careful. When I knew the coast was clear, we walked to the rock. I sat there with Molly on the same spot where I’d been shot. She’d been getting stronger by the day and I thought she might enjoy getting out of the house.


Smuggler's Gulch / Tijuana River Valley, San Diego, CA (5)


***

So, there’s a mini tour of just some of the L.A. and SoCal locations in Broken Windows. Hope you might want to check the book out—it’s available now.

***



And now for the usual BSP:

Broken Windows released on September 10th and is available now at AmazonBarnes & Noble , Down & Out Books and all the usual places.



Peter Anthony Holder interviewed me for the Stuph File. It’s short, 10 minutes. You might enjoy it. It’s episode 0471 at the link below. And check out the Stuph File too:

https://tunein.com/podcasts/Comedy/Peter-Anthony-Holders-Stuph-File-p394054/?topicId=123713643

www.thestuphfile.com

And I was also interviewed by Dave Congalton at KVEC radio:

http://www.920kvec.com/davecongalton/posts/air-date-aug-27-2018-seg3-mystery-writer-paul-d-marks.php 


Please join me on Facebook: www.facebook.com/paul.d.marks and check out my website www.PaulDMarks.com


____________________

Photo attributions:

(1) Hollywood sign photo by Caleb George (https://unsplash.com/seemoris), Unsplash.com: https://unsplash.com/photos/5NslKuaHTJo

(2) A view from Santa Monica pier of Santa Monica looking north photo by Korvenna

(3) Venice Beach, photo by InSapphoWeTrust from Los Angeles, California, USA 

(4) Man on Venice Boardwalk, photo by Sean Stratton seanstratton - ttps://unsplash.com/photos/dEEMyIa4zPc

(5) Smuggler's Gulch / Tijuana River Valley, San Diego, CA, USA, photo by Roman Eugeniusz, https://www.panoramio.com/photo/127934179




31 July 2018

The Things We Do for Our Art

by Paul D. Marks

We all do various forms of research for our art, our writing. And we all make sacrifices for it. Some are big, some are little. There’s the standard research in books and on the net. Then there’s first-hand research, going to a particular location, talking to people who might have been involved in a certain event, or maybe taking on certain experiences ourselves, etc.

I’ve hung out in dive bars and other dives (including SCUBA dives). And spent years doing things that would make your hair curl and mine, too…if I had any, all so I could have a life and some life experience to eventually write about. Well, maybe I didn’t think of it as research at the time, but in retrospect it came in handy for things I wrote later on. And I’ve turned down invitations to go places, anything from a movie to parties, with friends so I could write—and have lost friends over it. Ah, the sacrifice.

But here I want to focus on a handful of things that I think are kind of funny in retrospect. At least these are a few of the ones that are light enough and that I’m willing and comfortable enough to talk about at this time, but they’re really only the tip of that sacrificial iceberg.

The Den of Nazis: Okay, maybe Nazis aren’t fun, but here goes: In ye olden days, before the
internet, I was doing research for a project set in the near past. I needed info about the daily life and costs of items and such from the 1930s, 40s, etc. Time-Life had a book series called This Fabulous Century. Each volume covered a decade and had that types of info in them. I had a few of the volumes  but not the whole set—how I managed that I’m not sure. Anyway, I wanted to get the rest of the set so I saw an ad from someone selling it. I responded and they gave me their address in a middling L.A. neighborhood, not great, not horrible. I drove down one afternoon. Nice old brick or other classic-type apartment buildings, like something Philip Marlowe would be comfortable in. I go to the people’s apartment. A young woman answers the door and lets me in. I walk into this beautiful old living room with fancy crown molding and gorgeous original wooden floors and the biggest motherfucking Nazi swastika flag hanging on the wall that you can imagine. It took up the whole wall. Now, maybe they were just into humungous historical flags…or maybe something else. The rest of the place was filled with all kinds of other Nazi stuff too. Now I’m wondering if the books were just a scam. Will I get out alive? Her boyfriend comes to me “You want the Time-Life books?”—Yeah, and I want to get out of here in one piece. I also didn’t want the whole set of books as I had some, and, long story short, I bought the ones I needed, the people were actually nice and we didn’t talk politics. I left but it left an impression on me.

Mobbed Up: I had a spec script I was trying to push that dealt with a delicate issue, which I won’t go into here. And there was a nightclub in L.A. at the time that catered to a certain type of clientele that were in my story. So I made an appointment to go talk to the owners as I thought maybe they’d like to finance a movie. In those days I’d talk to anyone or try anything to hawk my stuff—see my Cary Grant and Gene Kelly stories on my website: https://pauldmarks.com/cary-grant-gene-kelly/ , and those are just a couple of my more fun stories. Anyway, I went to the club for my appointment and was led into the back offices where I met Murray: The Gangster. Straight out of Central Casting, gray pin-striped suit, carnation, Brooklyn accent. Well, Murray was interested but he needed to talk to his partners (hmm, who could they be, Mickey Cohen and Bugsy Siegel—well, no, ’cause they were goners by then—though I did grow up across the street from Bugsy’s brother and his family, but that’s another story…) Long story short, nothing came of it in terms of getting financing for a movie, but my then-writing partner took to calling me Murray and on occasion I used that and  another last name as a pseudonym.

Stolen Identity – before it was even a term: I was working for a small newspaper. The editor called me and asked if I had called NASA to request press credentials to attend a Space Shuttle landing. He continued, saying NASA had called him to verify if someone from our paper had faxed them to request press credentials for the landing…using my name. Talk about your “Oh shit!” moments.
What? No. I covered local stories, movie reviews and entertainment, not space shuttle landings. I was alarmed. Was someone impersonating me? Had they stolen my identity? Were they terrorists? What the hell was going on? I called the FBI and talked to an agent with the lowest, deepest voice I’d ever heard, lower than I ever imagined possible. He didn’t seem concerned. But I couldn’t let it go. So, I did some of the best detective work of my career…I called Ma Bell and had them trace the fax number where the credential request came from to a local Kinko’s. Then my Mata Hari (Amy) called Kinko’s pretending to be the secretary to a Colonel Severin. They gave her the name and phone number of the imposter who’d sent the credential request. Then I called NASA and told them about the ruse and gave them the information we had tracked down. Hey, they should have given us medals for this, but they also seemed kind of blasé about the whole thing. But if this had been post-911, I’m sure they would have had a different attitude and a different ending…or maybe not. Who knows? At least I didn’t end up at Guantanamera, I mean Guantanamo.


The Mossad: I was working on a script for a producer (who was also an actor, more on this later). The woman who hooked us up warned me about him ahead of time—I should have heeded the warning. He was a pain in the ass to put it ever so mildly. One time in our previous house where the houses were closer together than where we are now, I was screaming at said producer on the phone. Amy was home and since I didn’t want her to think I was the lone psycho on that call I put it on speaker so she could also hear him screaming at me. I was also concerned that our neighbors would think I was yelling at her as the houses were close, but luckily no cops were called. To say my relationship with this guy was contentious would be the understatement of the century. But we worked together for a while…until things got so bad that one day he threatened to send his friends in the Mossad after me. Quaking in my boots, I couldn’t sleep for years, waiting for the stealthy Mossad operatives, who I’m sure had nothing better to do than to come after me. And, as for the actor part, well, since he is an actor I see him in things now and then and it makes it hard to watch them. On occasion I’ve turned them off. And I’m still looking over my shoulder every day…

The Bondage House: Aside from working for other people on their properties or rewrites I was always trying to find money to do a film of my own. To that end, someone I knew said, Hey, I know a producer and maybe he’d want to invest in your project. This is someone whose work I knew and you might know his movies too. So we went to this guy’s house in the hills and it was a really cool house, kind of like a huge Spanish-Mediterranean castle. But on the inside it was more like a Spanish-Mediterranean dungeon. You walked in the front door and there were very sexily and scantily clad mannequins chained to the wrought iron staircase and anything else you could attach a chain to. There were dressed in leather bustiers and wearing high heels. For some reason I can’t remember anymore, my friend and I got the tour of the house and the chained mannequins were everywhere. This was another one where I wondered if we’d get out unscathed, but we did. And, of course, he didn’t want to invest in my film—he wanted me to invest in his. Ah, Hollywood.

The Joan Crawford House: Or should I say museum? Someone wanted me to meet this guy—I can’t remember his name anymore—who had been Joan Crawford’s publicist before she died. She/my friend thought maybe he could help me raise some money—like I said, always looking for money. I wish we had Go Fund Me back then… Anyway, we go to this guy’s house, a nice, Spanish style house in Bev Hills (my favorite architecture by the way), though not nearly as big as the bondage house, and you walk in the door—no, no bondage gear this time—but the house was totally decked out in everything Crawford. He had several of her dresses displayed, every little thing she’d ever touched it seemed like, cigarette lighters and shoes. It was a total museum and homage to Joan Crawford. If her ghost wasn’t haunting that place I don’t know where it would be. And no, he didn’t end up investing either.

There were also other pleasant experiences like a trip to New Orleans and other places for research and other things. And then the Top Secret things that I’m not ready to talk about. But good, bad and indifferent, we all make sacrifices for our writing. What are some of yours?

***
Broken Windows – Sequel to my #Shamus-winning White Heat drops 9/10/18. A labyrinth of murder, intrigue and corruption of church and state that hovers around the immigration debate. #writers #mystery #amreading #thriller #novels  



Available for pre-order now on Amazon.



Please join me on Facebook: www.facebook.com/paul.d.marks and check out my website www.PaulDMarks.com

10 July 2018

Writers: Their Rooms and Pets

by Paul D. Marks

One of the things I really enjoy is seeing other writers’ offices/work spaces. I’m curious about how other people go about their work—it’s like looking into someone’s eyes, seeing into the soul of the writer (sort of). Or maybe it’s just the writer-voyeur in me. But I’ve always found it fascinating. Some people have pristine offices that look like they’re out of Architectural Digest, while others look like that picture of Einstein’s cluttered desk.

It’s like going to visit someone’s house and seeing what books they have on their shelves. I like seeing what writers have in their workspaces, what art work, what books, awards, photos, tools of the trade, etc. I’m also curious about writers and their pets.

To both these ends, I asked all the SleuthSayers to contribute pictures of their offices and pets. Here goes (and I hope I haven’t missed anyone who responded, if so it’s purely unintentional):

***

MICHAEL BRACKEN

When Temple and I married a few years ago, I sold my home and moved into hers. The most difficult part of the process was determining how to arrange my new office space after more than twenty years in my old office space.

A four-bedroom home, our home has two bedrooms on the right and two on the left, the bedroom pairs separated by the living room, dining room, and kitchen. The two on the left are of approximately equal size, separated by a bathroom, and have a short hall connecting them. I put my primary office—the one with my desk—in the front bedroom of the pair and my filing cabinets, supplies, and most of my library in the rear bedroom. Awards and publication covers adorn the shelves and wall space in the hall.

In addition to my desk—a traditional office desk with secretarial arm—for my computer and printer, I have a trio of bookcases crammed full of books, toys, and music (LPs, CDs, 45s, and cassette tapes, along with the appropriate technology to play all of them). My wife had my first professionally published story framed and it hangs on the wall to my left. Immediately in front of me is the movie poster for Pulp Fiction, and a pair of Pearl Jam posters also adorn the walls.

By surrounding myself with books, music, and toys I’ve created the optimum writing environment.

Ellie, a Border collie, sleeps under my desk when I write. Jenny, a gray tabby, sometimes sits behind my computer monitor, but mostly wants to spend time in my lap. Because she won’t remain still, I have to encourage her to move along after a few minutes. Kiwi, an orange Manx, rarely visits my office while I write, but the moment I sit down in the living room to watch television, he beelines it to my lap.


About the photo: Ellie is under the desk. The gray blur in the middle is Jenny exiting the scene.


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MELODIE CAMPBELL

I have a giant Frankenpoodle, who is a St. John Ambulance therapy dog, going into nursing homes and schools to provide therapy. If Dr. Frankenstein were creating a dog, this is what he might end up with. Standing 30 inches at the shoulder, Frankenpoodle is a giraffe in a dog suit.

I got my start writing comedy. Frankenpoodle got his start as the klutzy giant of the litter. No breeding for him. Instead, he became a canine muse. Together, we have slogged through fifteen novels; me at the keyboard, him on the worn brown chaise beside me.  Both of us snarfing snacks and looking forward to walk time. Damn straight, this dog inspires me. Toker, the big black poodle-cross with the Mohawk hairdo in The Goddaughter’s Revenge, steals the show. Ollie, “They gone and done it, Stella…crossed a poodle with a grizzly bear,” is the star of The Crime Club, out in 2019. When Frankenpoodle isn't beside me, he's doing his St. John Ambulance Therapy dog thing at the local high school special needs class. He's an old guy now, at twelve, but what a joy, still.

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O'NEIL DE NOUX  

Here are a few photos of my work space and helpers.

Charley in 2007, helping me after Hurricane Katrina. We’re temporarily relocated in Lake Charles, LA.

Charley again. Same place.


Stella as we’re living in Covington, LA now.



Harri as a kitten, same work place.


Full grown Harri at my current workspace in Covington.



Jeffty in my current workspace. He’s helping with my new computer.



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MARY FERNANDO

My study works for me because I get to write on walls. In my study, one wall is painted with dry erase paint, where I can both scribble ideas and rub them out. There are also two glass mounts where I can insert plot pics and scribble some more. The old typewriter reminds me to be grateful for my computer—even though it hates me and misbehaves constantly. My Bouviers, Kai and Tiffany, refuse to help me write. However, they demand constant walks, so that help me walk off a crucial component of my writing: chocolate.



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RT LAWTON

[This photo] was taken of one wall of our study. It shows a loaded down old style computer desk and hutch that I've had for at least 25 years, my computer screen and tower, magnifying glass for small print, a few piles of papers that only I can understand their organization, colored files, a mass of reference books (ranging from dictionaries to agent's manuals to how-to books to The Anarchist's Cookbook to Reservation Law to foreign language dictionaries, etc.), my first badge set in acrylic, photos of grandkids, a calendar, bush hat, spurs, Ukrainian officer's hat, and a painting of Hueys which hangs on the wall over the hutch.


There haven't been pets at our house since a series of German Shepherds decades ago. The two local grandsons we do daycare for pretty well fill that emotional slot ever since Grandma cut the cord on the oldest in the birthing room 15 years ago. Over time, I come to think it was easier training dogs, although I did co-write a short story with the oldest for one of the MWA anthologies. Unfortunately, that story didn't get picked, but he and I are getting good grades in 9th grade social studies.

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ROB LOPRESTI

I have three cats but the only one who takes an active part in my writing is Charlie. Here he is sitting on the desk in my office, urging me to concentrate on my work.  How could I do it without him? And when can I start?




I have included three pictures of that office, without Charlie. One shows the cramped quarters where I created my early masterpieces. The second shows my lovely current ergonomic stand/sit desk. The photos on the left wall are two grocery stores in Plainfield, NJ, one owned by my father’s father, and the other owned by my mother’s grandfather. The photo on the right, taken in Russia, shows my wife’s grandfather. And on another wall I have my proudest trophies: four AHMM covers!






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LEIGH LUNDIN

I don't have a photo of Valentine, my goffin cockatoo, without someone other than me in the picture. The attached isn't Valentine, but an identical stand-in, an understudy when his voice grows hoarse at operatic performances. His Wagner is… painful.



When I had a desktop computer (and a desk), he enjoyed sitting between my wrists staring at the screen. Valentine is usually good… if he has to dump, he flies back to his cage. Except… He gets jealous if I speak on the phone.

One day I received a call and went to another room to chat without interruption. When I returned, defiant Valentine had surgically snipped both the mouse cord and the keyboard cable in two. That’ll show me.

He stayed a few days at my friend Thrush’s house. After Valentine’s departure, Thrush tried to make toast. He discovered Valentine had snipped the live toaster cord in half. I’m still gobsmacked.

Here are photos of my favorite workspace moments before demolition started. A couple of deck planks in my dock had rotted, and it must be rebuilt. The variety of birds is extensive– heron, egrets, gallinules and moorhens, shovelers and mallards, anhingas (snakebirds), kingfishers, osprey (fish eagles), and one season, a flock of pelicans.



In late summer / early autumn, I buy citronella candles by the bucket, literally, to combat mosquitoes that carry off unattended toddlers and small dogs. My wifi signal stretches to the dock making it easy to read or write. As this dock is being rebuilt, I plan to run power to it, providing permanent lighting and keeping the laptop battery charged.

In good weather on the dock shaded by an overarching tree, I put my feet up and write or read Paul’s SleuthSayers article. I may enjoy supper on the dock. In poor weather (which includes August temperatures and humidity of 100%), I live in an easy chair, the papa bear chair in the living room.

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PAUL D. MARKS

My favorite place to write these days is in my home office. Not very romantic, but it's got everything I need close at hand. Probably more than I need. I know some people say you shouldn't have a TV or phone in your office. I do. But I can turn them off. And I have a nice view. Pictures on the wall that inspire me.  Mostly album covers and movie lobby cards, some other things. And, of course, my picture of Dennis Hopper flipping the bird from Easy Rider. When I was younger I had a full-sized poster of that shot, now it's just a little 8x10.  Oh how we change as we get older.

And my desk is a cluttered mess. Oh hell, the whole office is a cluttered mess. I keep talking about organizing it but who has time? There’s something comforting about the clutter (well, I have to rationalize the mess, don’t I?), though I would like to reorganize and put out some other mementos or unbury the ones that are already here.



And, of course, I have my assistants to help out. Over the years there’s been a variety of them. They’re really good company and help alleviate one of the banes of a writer’s existence: being alone much of time.

Here’s my office pretty much as it looks today. And in the photo on the right Curley, who with his littermate Moe, both used to like helping me write and tap on the keyboard. Unfortunately, neither is with us anymore.



And here are Curley (cat) and Audie (dog):



Missing are some earlier buddies, as I don’t think their pix are scanned. But here’s my current crew: Buster and Pepper.



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JANICE TRECKER

This is my office and painting room, complete with Marcel Proust, who turned 25 this month. He is now too old to assist in any composition whatsoever but retains his affection for typing chairs, and he spends part of every morning trying to acquire either mine or my husband’s.


The room upstairs in an old farm house is quite small for a big desk, a file cabinet, a full sized easel, paint cabinet and bookcases but it has nice light with everything close to hand. That and a cat—what more would a writer want?

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So there you have it. See how the other half lives. Thank you everyone who contributed. I really enjoyed getting a peak into your writing lives.

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And now for the usual BSP:



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