Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

14 April 2015

Mariel– The Story, Part I


Some time ago I did a piece here on the writing of my story, "Mariel", which appeared in the Dec. 2012 issue of ELLERY QUEEN MYSTERY MAGAZINE. Finding myself overcome by events and coming up dry on the deadline for this month's entry in the SleuthSayers sweepstakes, I decided to make the story available (in two parts due to its length) to anyone who wants to read it. I hope that you will, if you haven't already, and that you enjoy meeting it's young heroine.

Mariel

THE NEIGHBOR watched Mariel approach through his partially shuttered blinds. She cruised down their quiet cul-de-sac on her purple bicycle, her large head with its jumble of tight curls swiveling from side to side. He thought she looked grotesque, a Shirley Temple on steroids. Mariel ratcheted the bell affixed to her handlebars for no apparent reason and stopped in front of his house. He took a step back from the window.

His house was one of three that lay along the turn-around at the end of Crumpler Lane and normally she would simply complete her circumnavigation of the asphalted circle and return to her end of the street. This time, however, Mariel’s piggish eyes swept across his lawn and continued to the space between his house and that of his neighbor’s to the north, who despised the child as much as he did, if that was possible. A crease of concern appeared on his freckled forehead and he took a sip of his cooling coffee.

Suddenly she raked the lever of her bell back and forth several times startling him, the nerve-wracking jangle sounding as if Mariel and her bike were in his living room. He felt something warm slide over his knuckles and drip onto his faux Persian carpet.

Hissing a curse about Mariel’s parentage, he turned for the kitchen and a bottle of stain remover. “Hideous child,” he murmured through clenched teeth, “Troglodyte!” What was she looking for? More than once he had chased her from his property after he had found her snooping around his sheds and peering in his windows. Though he had complained, her mother had proved useless in controlling the child. She was one of those ‘single moms’ that seemed to dominate the family landscape of late, and had made it clear that she thought he was overreacting.

He recalled with a flushing of his freshly razored cheeks, how she had appeared amused by the whole thing and inquired with an arched brow how long he had been divorced—as if the need for companionship might be the real motive behind his visit! He felt certain that on more than one encounter with the gargantuan and supremely disengaged mother, that he had smelled alcohol on her breath, cheap wine, if he had to hazard a guess.

But what now, he wondered? Usually, Mariel crept about in a surprisingly stealthy manner for such a large girl, but now she commanded the street like a general, silent but for the grating bell that even now rang out demandingly once more…but for what?

Forgetting the carpet cleaner, he set down his morning mug and glided stealthily back to his observation point at the window. He felt trapped, somehow, by this sly little giant so inappropriately named ‘Mariel’. What had her mother been thinking, he asked himself with a shake of his graying head, to assign this clumsy-looking creature such a delicate, feminine name? When he peeked out again it was to find Mariel’s bike lying discarded on his lawn, the girl nowhere to be seen. The crease between his eyes became a furrow and he rushed through his silent house to the kitchen windows.

Carefully parting a slat of his Venetian blinds, he looked on the path that led between his property and the next and on into the woods, a large head of curly hair was just disappearing down it and into the trees. A shudder ran through his body and beads of sweat formed above his upper lip like dew. ‘Damn the girl,’ he thought, feeling slightly nauseous as suspicion uncoiled itself within his now-queasy guts.

Unbidden, the image of the dog trotted into his mind, its hideous prize clasped between its slavering jaws. It had reeked of the rancid earth exposed by the recent torrential rains. He remembered with a shudder of distaste and a rising, renewable fury how it had danced back and forth across his sodden lawn, clearly enjoying its game of ‘keep away’. He remembered the shovel most of all, its heft and reach, the satisfaction of its use.

“That was her dog,” he breathed into the silent, waiting room, then thought, ‘Of course it was…it would be.’ His soft hands flexed as if gripping the shovel once more.



Mariel stood over the shallow, hastily dug grave and contemplated the partially exposed paw. The limb showed cinnamon-colored fur with black, tigerish stripes that she immediately recognized. She hadn’t really cared for Ripper, (a name he had been awarded as a puppy denoting his penchant for ripping any and every thing he could seize between his formidable jaws) but he had been, ostensibly, her dog.

Ostensibly, because as he had grown larger, his destructive capabilities, coupled with Mariel and her mother’s complete disregard of attempting to instill anything remotely resembling discipline, had resulted in a rather dangerous beast that had to be kept penned in the back yard at all times. Mariel had served largely as Ripper’s jailer.

As she couldn’t really share any affection with the dog, or he with her, they had gradually grown to regard one another with a resigned antipathy, if not outright hostility—after all, she was also the provider of his daily meals which she mostly remembered to deliver. It was also she that managed to locate him on those occasions when he found the gate to his pen unlatched (Mariel did this from time to time to see what might happen in the neighborhood as a result) and coaxed him into returning. This was the mission in which Mariel had been engaged this Saturday morning in early November. She saw now that she had been only partially successful, Ripper would not be retuning to his pen.

Looking about for something to scrape the loose earth off her dog’s remains, she pried a rotting piece of wood from a long-fallen pine tree and began to dig into the damp, sandy soil. Grunting and sweating with the effort, her Medusa-like curls bouncing on her large, round skull, Ripper was exposed within minutes. Whoever had buried him had not done a very good job of it and the slight stench of dead dog that had first led her to the secret grave rose like an accusing, invisible wraith. Mariel wrinkled her stubby nose.

Ignoring the dirt and damage being done her purplish sweat shirt and pants that matched her bicycle, she seized the dead creature by his hindquarters and dragged him free of the grave. Letting him drop onto the leaf litter of the forest floor with a sad thump she surveyed her once-fierce companion.

She thought that he looked as if the air had been let out of him—deflated. His great fangs were exposed in a permanent snarl or grimace, the teeth and eyes clotted with earth. She pushed at his ribcage with a toe of her dirty sneaker as if this might goad him back into action, but nothing happened, he just lay there.

She thought his skull appeared changed and squatted next to him to make a closer examination. As she brought her large face closer, the rancid odor grew stronger yet, but Mariel was not squeamish and so continued her careful scrutiny. It was different, she decided. The concavity that naturally ran between Ripper’s eyes to the crown of his skull was now more of a valley, or canyon. Mariel ran a finger along it and came away with a sticky black substance clinging to it. The stain smelled of death and iron.

Having completed her necropsy, Mariel stood once more and surveyed the surrounding woods. The trees had been largely stripped of their colorful foliage by the recent nor’easter, but her enemy was not to be seen. Though she did not truly mourn Ripper’s untimely passing, she did greatly resent the theft of her property and its misuse, and concluded with a hot finality that someone owed her a dog.

She gently kicked Ripper’s poor carcass as a final farewell then turned to leave and find a wheel barrow in which to transport him home once more. She knew of several neighbors who possessed such a conveyance and almost none were locked away this time of year.

It was then that something within the dog’s recent grave caught her attention—something that twinkled like a cat’s eye in the slanted beams of daylight that filtered through the trees. Mariel dropped to her knees, thrusting her chubby hand into the fetid earth to retrieve whatever treasure lay within. When she withdrew it once more it was to find that she clasped a prize far greater than any she could ever have imagined—a gold necklace, it’s flattened, supple links glistening like snake skin and bearing a pendant that sparkled with a blue fire in the rays of the milky sun. Mariel had no idea as to what, exactly, she had discovered, but her forager’s instinct assured her that she clasped a prize worth having.

Without hesitation, she gave it a tug to free it from the grasp of Ripper’s grave, but oddly, found that her efforts were resisted. She snatched at it once more, impatient to be in full possession of her prize, and felt something beneath the dirt move and begin to give way. Encouraged at the results of this tug-o-war, she seized the links in both hands now and rocked back on her considerable haunches for additional leverage.

With the dry snap of a breaking branch, the necklace came free and Mariel found herself in full possession. The erupted earth, however, now revealed a yellowish set of teeth still lodged in the lower jawbone of their owner. Several of these teeth had been filled with silver and as Mariel had also been the recipient of such dental work, she understood that the remains were those of a human. A stack of vertebrae were visible jutting out from the dirt, evidence of the result of the uneven struggle, though the remainder of the skull still lay secure beneath the soil.

Mariel’s grip on the pendant never wavered as she regarded the neck of the now-headless horror that had previously worn the coveted necklace. With only a slight “Ewww,” of disgust, she rose in triumph to slip the prized chain over her own large head, admiring the lustrous sapphire that hung almost to her exposed navel while ignoring the slight tang of death that clung to it. She felt well-pleased with the day’s outcome, Ripper’s demise notwithstanding.

With her plans now altered by this surprising acquisition, Mariel dragged her dog’s much abused corpus back to the grave from which she had only just liberated him, tipped him in and began to cover Ripper and his companion once more. When she was done, she studied the results for several moments; then thought to drag a few fallen branches over her handiwork.

Satisfied with the results, she turned for home once more, pausing only long enough to slip the necklace beneath her stained sweat shirt. Mariel did not want to have to surrender her hard-won treasure to her mother, who would undoubtedly covet the prize and seize it for her own adornment. Besides, she had things she wanted to think about and did not want anyone to know of the necklace until the moment of her choosing, specially, the three men who occupied the homes on the cul-de-sac. It had not escaped Mariel’s notice that only those three had easy access to the path that led into the woods and passed within yards of the secret grave.



The neighbor watched her emerge from the trees and march past his house. He studied her closely but could read nothing from her usual closed expression. Other than her clothes being a little dirtier than when she went in she appeared the same as always and he breathed a sigh of relief.

It was silly, he thought as he saw her raise and clumsily mount her bike, how one unpleasant child could instill so much unease. It was because he was a sensitive man, he consoled himself—he had been a sensitive boy and with adulthood nothing had really changed. He had always resented the unfeeling bullies of the world, child or adult. Children like Mariel had terrified him when he had been a school boy and apparently nothing had changed in that respect either.

The sudden jangling of the bell caused him to gasp and his eyes returned to the robust figure of Mariel. She surveyed the surrounding houses with her implacable gaze, studying each of the three on the cul-de-sac in turn, coming at last back to his own. He shrank back from the window once more, his heart beating rapidly.

Then, with a thrust of a large thigh, her bike was set in motion and she pedaled from his sight with powerful strokes. “Damn her”, he whispered defiantly as his earlier concerns returned with such force that his blood suddenly roared within his ears.

Finding an overstuffed chair to settle into, he peered around the plush, dim room with its collection of his own paintings on the wall, while around him song birds began to chirp and sing from their cages as if to restore and calm him. He smiled weakly in gratitude at their effort even as Mariel’s imperious face returned to his mind’s eye with a terrible clarity. He closed his eyes against her, massaging his now-throbbing temples with his soft fingertips. If she had discovered anything in those woods, he asked himself, she would have come out screaming, wouldn’t she? He lowered his head into his sweaty hands, while a blood-red image of Mariel shimmered on his inner eyelids …wouldn’t she?



Mariel had no trouble engineering her encounter with Mister Salter. He worked on his lawn from early spring until the cold and snow of January finally drove him indoors. As long as there was any light she knew that her chances were good of finding him in his yard. So after she was delivered home by her school bus and enjoyed a snack of cream-filled cupcakes she pedaled her bike directly to the cul-de-sac and his property.

Salter watched her approach with a sour expression meant to ward her away, but Mariel was not troubled by such subtleties. She came to a sudden halt in his driveway causing a scattering of carefully raked gravel. She watched Salter’s expression darken at this, but he refrained from saying anything. He shut off the leaf blower he had been using and its piercing whine faded away. Man and girl observed each other from several yards apart as his corpulent Labrador waddled happily toward Mariel, thick tail wagging.

“Bruiser,” Salter warned menacingly.

The dog ignored him and continued on to Mariel, pleased to be patted on his large head. Salter’s complexion went darker yet.

“Can I do something for you?” he asked, his tone clearly inferring the opposite.

Mariel regarded him without answering, while fingering the necklace she had retrieved from its hiding place before going out. Salter fidgeted beneath her round-eyed stare. “Be careful of the dog,” he muttered hopefully, “he might bite.”

As Mariel had surreptitiously recruited Salter’s dog during her many secret forays, she knew this to be untrue. She often went into Salter’s garage where he kept the dog food and fed the animal while he was away teaching shop at the high school, Bruiser was always pleased to see her as a result. As if to emphasize their relationship, the dog laid its great head on her thigh, sighed, and stared adoringly into her eyes.

This was too much for Salter, who turned his wide back on her and went to pull at the cord that would start his treasured leaf-blower.

Mariel glanced at the well-worn path that led from Salter’s back yard and into the woods. “I have this,” she said, pulling the necklace from her shirt and allowing it to fall down over her plump stomach. The sapphire shone in the late day sun like a blue flame. Her eyes remained warily on Salter, even as her small mouth puckered into a smile of possessiveness.

Salter, glancing over his shoulder, halted, and turned slowly back. “Where the devil did you get that?” he managed. He took a few steps closer as Mariel backed her bike away an equal distance. Bruiser’s head slid off her thigh leaving a trail of saliva.

Seeing this, Salter stopped and studied Mariel’s prize from where he stood. “Did your mother say you could wear that?” he asked.

As the girl did not reply, but only continued her unsettling scrutiny, he added, “Does she even know that you have it? For that matter, how the hell could your mom afford something like that…provided its real, of course?” Forgetting himself, he took another few steps, but Mariel was already turning her bike to coast down his driveway.

“I know that you’ve been coming onto my property,” he called to her as she picked up speed with each stroke of her powerful legs. “You’d better stop sneaking around here…it’s called trespassing you know, I could call the cops.” His voice grew louder as she added distance between them. “And maybe I will the next time,” he offered.

“Did you steal that?” he called out meanly as she disappeared around the curve.

Mariel only looked back as she sped up the street and out of sight of the cu-de-sac. A small smile played on her puckered lips. She scratched Mr. Salter off her list of suspects.



Mariel surprised Mister Forster in his own back yard. She had glided silently across his still-green lawn to roll to a halt at the back edge of his house. Forster had his back to her and was busily feeding and talking to his flock of tiny bantam hens. He did not notice her arrival. The hens themselves restlessly pecked and grumbled within the pen he had provided them and gave her no notice as Forster continued to scatter feed amongst them.

Mariel enjoyed watching these birds, and had several times in the past attempted to better make their acquaintance. On one such occasion, Forster had found Mariel within the pen itself attempting to catch one of his miniature chickens, feathers flying about in the air amid a cacophony of terrified squawking. He had been livid with rage at her incursion and had joined the ranks of other neighbors who had visited her home to complain to her mother. Mariel had learned to be more careful since that encounter and had not been caught since, but neither had she been successful.

“They’re funny,” Mariel lisped quietly.

Forster spun around scattering the remainder of the feed from the bowl he was using. “Oh,” he cried, as the small, black fowl swarmed his shoes and cuffs for the errant seeds. “Oh,” he repeated; then focused on his unexpected visitor. He brought a hand up to his heart and gasped, “You scared me half to death, Mariel. I didn’t hear you come up and you nearly scared me half to…” he caught himself. “You usually ring that little bell of yours,” he finished with a limp gesture at her bike.

Man and girl regarded one another across several yards of mostly grassless, churned-up soil…evidence of poultry. A worn path into the woods separated them. Mr. Forster set the metal bowl down and opened the pen door to come out. Mariel clumsily rolled her bike into a half-circle that left her facing in the direction from which she had come.

The older man appeared to note the child’s wariness and slowed his steps, easing himself leisurely through the door and taking his time in carefully closing and latching the wire-covered frame. When he turned once more to Mariel it was to find her holding out a large jewel pendant that hung about her neck from a gold-colored chain. She reminded him of the vampire-slayers in horror films attempting to paralyze and kill their undead foes with a crucifix.

“My goodness, Mariel that is some necklace you have there. It’s lovely. You are a very lucky girl to have that.”

Mariel continued to fix him with both her gaze and the pendant while her lips vanished into a grim, pensive line. Forster stared back uncertainly. “Was there something that you wanted?” he thought to ask at last.

The sapphire wavered in her grip and she slowly lowered and slipped it once more beneath her top. It appeared to have no power over this man either. As she puzzled over her lack of progress in her investigations thus far, Forster took two steps closer.

Forster was only slightly taller than Mariel and had no more than fifteen pounds over the ten-year-old, so she was not as intimidated as she might have been with other men in the neighborhood.

“It’s the hens, isn’t it?” he ventured. “You appreciate them like I do.” He glanced back over his shoulder at the chicken coop. “I was probably a little hasty last time you were here,” he continued. “I should have thought…but when I heard all that commotion and came out to find someone in the pen…Well, I should have realized that you were just as fascinated by them as I am.” He studied Mariel’s broad, unintelligent face for several moments. “Would you like to hold one?”

Mariel’s gaze flickered just slightly at this invitation. The thought of actually holding one of the softly feathered birds had become something of a Holy Grail for her and her breath caught at the idea.

Forster turned and retraced his steps to the coop and within moments returned stroking a quietly clucking hen. Mariel smiled and reached out both arms for the coveted bird, but Forster stopped a few paces short of her. Still running his hand over the bantam’s glossy feathers, he nodded contentedly at Mariel, and said, “Show me that necklace again, why don’t you? I was too far away to be able to see it well. How about another look…I won’t touch it; then I’ll let you hold Becky.” He smiled widely at Mariel and held the bird a few inches away from his chest to indicate his willingness.

Mariel quickly retrieved the necklace from within her shirt and held out the pendant for him to study, her small greedy eyes never leaving the near-dozing hen. Forster leaned forward onto the balls of his feet and studied the stone silently for several moments. Finally, Mariel heard him exhale and murmur, “You should be very careful with that, Mariel. That’s exactly the kind of thing that grown-ups will want to take from you.” He leaned just a little closer and asked, “Does your mother know you’ve got that?” And when she fidgeted and didn’t answer right away, added, “I wouldn’t tell her, if I were you…she’ll want to wear it…and keep it…for sure. Any woman would.”

Mariel stuffed the necklace back down her shirt and thrust her arms out once more for the agreed-upon chicken. Forster carefully placed it within her thick arms and smiled as Mariel’s normally glum face began to light up with the tactile pleasure of the silken bird. In her enthusiasm, she began to run her sticky hand down the hen’s back with rapid movements, even as ‘Becky’ began to squirm and protest volubly at the excessive downward pressure of her strokes. The contented clucking quickly became the frenzied cackles of a terrified chicken in the clutch of a bear cub.

Forster, seeing that Mariel’s technique required more practice and refinement, made to take the bird from the grinning school girl, but she turned away with her prize as if she meant to keep Becky at all costs. With that movement, however, the hen was given just the opening she required in which to free her wings. Becky began to flap them frantically in her rapidly escalating desire for freedom.

Startled, Mariel released the bird, which in a whirlwind of beating wings and flying feathers covered the short distance to her coop in awkward bounds only slightly resembling actual flight. Mariel was left with nothing but a few of the errant feathers and her hot disappointment.

With a frown of both disapproval and resentment, she pushed off on her bike and made for Crumpler Lane. Behind her, Forster called out, “They just take a little getting used to, Mariel. Come back when you want and I’ll teach you to handle them!”

After she had gone away, he turned to his precious coop to insure that Becky was returned and properly locked in for the night. Then, with a sigh, went up the back steps and into his house, turning on the lights in room after room as true darkness fell.



Mister Wanderlei was next on Mariel’s’ list and she was not long in cornering him. She found him that very Saturday as he was painting the wooden railing of his front porch.

Stopping at his mail box, she gave her bike bell several sharp rings to gain his attention. He glanced over his shoulder and smiled at her.

“Hello, Mariel,” he called, while lifting a paint brush in salute. “Another few weeks and it will be too cold to do this.”

Mariel could think of nothing to reply and so rung her bell once more. Mister Wanderlei set the brush carefully on the lip of the can and stood, wiping his hands on the old corduroy pants that he was wearing. “Is that a new bike?” he asked amiably.

Mariel nodded her big head at this, then thought to add, “My Grandma bought it for me…I didn’t steal it.”

Wanderlei smiled and answered, “I never would have thought so.” He ambled down the steps in her direction.

Mariel fumbled with the necklace and only just managed it bring it out from beneath her top as he drew near. This caused Wanderlei to halt for a moment as he took in Mariel’s rather astounding adornment.

“Goodness,” he breathed at last. “That’s some necklace for a little girl. Where did you get that?” He ran a large knuckled hand across the top of his mostly hairless skull.

As she had done with Salter and Forster, Mariel realigned her bicycle for a quick escape should it prove advisable, one foot poised on a pedal. She remained silent.

Wanderlei fished a handkerchief from his pocket and set about wiping his face and near-naked pate. “Such things cause great temptation,” he said finally. “Of course, I know that you’re too young to understand what I mean exactly.” He glanced up and down the street; then turned his gaze onto her once more.

“Where I work, there are men who have killed for such baubles.” A slight frown crossed his face. “Do you know where I work, Mariel?”

In fact, Mariel did know, as one of her uncles had pointed him out to her during a visit between incarcerations. She nodded slightly.

Wanderlei studied her face with interest, then said, “Well, then you know that I’ve spent my life amongst a lot of very bad people.” His eyes had taken on a sparkle that was beginning to make Mariel uneasy. He took another step and she eased her rump upwards in preparation for escape.

“Are you Christian?” he asked gently. “Does your mother ever take you to church?”

Mariel frowned, unable to follow Mr. Wanderlei’s drift. Even so, she nodded involuntarily out of nervousness.

“Is that right?” he smiled, completely ignoring her necklace. “Really, what church would that be?”

“We go sometimes,” Mariel whispered, for some reason not wanting to lie outright to this man. “We’re Cat’lics.”

Wanderlei’s expression became one of disappointment. “Oh, I see,” he murmured. “That would explain the love of gold and baubles,” he said quietly, as if Mariel were no longer there.

Mariel rose up and pushed down on the waiting pedal, she had learned what she needed to know here.

Wanderlei looked up as she pulled away, his expression gone a little wistful now. “You and your mother are welcome to attend the services here at our house anytime that you want,” he called after her. “God accepts anyone that has an open heart. Do you have an open heart, Mariel?”



To be continued… Part II

11 April 2015

Go Away, Space Angel! I'm Trying to Write Crime


by Melodie Campbell

A funny thing happened on the way to the crime book: it became a comic sci-fi spy novella.

That’s the frustrating thing about being a fiction writer.  Sometimes you don’t pick your characters – they pick you.

I was sitting at my desk, minding my own business, when…no, that’s not how it happened.

It was far worse.

“Write a spy novel!” said the notable crime reviewer (one of that rare breed who still has a newspaper column.) We were yapping over a few drinks last spring.  “A funny one. Modesty Blaise meets Maxwell Smart, only in modern day, of course.”

“Sure!” I said, slurping Pinot by the $16 glass.  After all, crime is my thing.  I was weaned on Agatha Christie.  I had 40 crime short stories and 5 crime books published to date.  This sounded like the perfect 'next series' to write.

And I intended to.  Truly I did.  I tried all summer. I even met with a former CSIS operative to get the scoop on the spy biz (think CIA, but Canada – yes, he was polite.)    

Wrote for two months solid.  The result was…kinda flat.  (I blame the Pinot.  Never take up a book-writing dare with a 9 oz. glass of Pinot in your hand. Ditto good single malt.  THAT resulted in a piece of erotica that shall forever be known under a different name…  But I digress.)

Back to the crime book.  I started to hate it.  

Then, in the middle of the night (WHY does this always happens in the middle of the night?) a few characters started popping up.  Colourful, fun characters, from another time. They took my mind by siege.  “GO AWAY,” I told them. “I’m trying to write a crime book!”

They didn’t.  It was a criminal sit-in.  They wouldn’t leave until I agreed to write their tale.
So the modern day spy novel became a futuristic spy novel.  Modesty Blaise runs a bar on a space-station, so to speak.  Crime in Space, with the kind of comedy you might expect from a descendent of The Goddaughter.

Two more months spent in feverish writing.  Another two in rewrites.  Then another, to convince my publisher that the project had legs.

CODE NAME: GYPSY MOTH is the result.  Yet another crossing the genres escapade.

Written by me, and a motley crew of night visitors.

Now hopefully they will keep it down in there so I can sleep.

CODE NAME: GYPSY MOTH
“Comedy and Space Opera – a blast to read” (former editor Distant Suns magazine)
“a worthy tribute to Douglas Adams”  (Cathy Astolfo, award-winning author)

It isn't easy being a female barkeep in the final frontier...especially when you’re also a spy!

Nell Romana loves two things: the Blue Angel Bar, and Dalamar, a notorious modern-day knight for hire.  Too bad he doesn't know she is actually an undercover agent.  When Dalamar is called away on a routine job, Nell uncovers a rebel plot to overthrow the Federation. She has to act fast and alone. 

Then the worst happens.  Her cover is blown…

Buy link AMAZON
Buy link SMASHWORDS

The Toronto Sun called her Canada’s “Queen of Comedy.”  Library Journal compared her to Janet Evanovich.  Melodie Campbell got her start writing standup.  She has over 200 publications and nine awards for fiction.  Code Name: Gypsy Moth (Imajin Books) is her eighth book.

08 April 2015

The Wolf at the Door


I was a big fan of the first two books in Hilary Mantel's trilogy, WOLF HALL and BRING UP THE BODIES, but I'm an easy mark for that kind of stuff. Historicals have always been high on my list - Mary Renault, Robert Graves, Bernard Cornwell, Patrick O'Brian, Norah Lofts - in part because you get to inhabit a foreign world, the past, and in part because they so often turn on the hinge of Fate, or a transforming moment: think Alexander the Great, the fall of the Mongol Empire, the Black Death.

The television adaption of WOLF HALL began its run on PBS this past weekend, and I'm queer for it already. Not that it's easy, mind. (Neither were the novels.) A broad canvas, a raft of competing characters, a complex political dynamic.


To cut to the chase, the Prime Mover of the narrative is Henry VIII's pursuit of a male heir, and everything follows from that. The rise and fall of favorites, Wolsey, Sir Thomas More, Cromwell, depend on the king's goodwill, and how effectively they manipulate the machinery of power, to get what he wants. When they don't, or can't, they're cast aside, left naked to their enemies, in Wolsey's phrase.  

The interesting thing to me about the Tudors - not Henry VII so much, but Henry VIII and Elizabeth I - is that they're about to step over the threshold of the modern age. Richard III, the last Plantagenet, was the last British king to die on the battlefield, and in a war of succession. This goes some way toward explaining Henry VIII's fierce obsession with generating a son. His pursuit of a divorce leads directly to his break with Rome, and the English Reformation. (Henry's place in folklore comes from sending two of his wives to the block.) The fracturing of the Church, and the authority of the Pope, erodes secular authority, as well. There is no Divine Right, and in two generations, Charles Stuart will meet the headsman. The religious issue becomes worldly. Henry creates this, He's a touchstone for the fall of kings. 

Another point WOLF HALL underlines is the rise of a commoner - Cromwell a blacksmith's son - to the office of Lord Chancellor. This is an enormous shift. promotion on merit, not the accident of birth. Ambition the spur, and Cromwell does make love to this employment, but he's neither a prince of the Church or a noble. He's nobody in the food chain, and beneath notice. A private secretary, Wolsey his patron. How he survives, and thrives, is in itself the story, that a man of mean antecedents can win the
king's confidence, not because he was born to it, but by his wits.  Not that he's entirely a ruthless bastard, either. He simply knows which side his bread is buttered on, and the currency he trades on is his service to the king, in all things. It gains him preferment, it lines his pockets, and it becomes his only purpose. He lives alone for it. This hasn't much changed, today. The difference is that Cromwell can even be chosen, in an earlier age.

WOLF HALL, the adaption, isn't for the faint of heart, any more than the books were. It helps if you know the basic storyline, and what's at stake. The politics, religion and its discontents, the maneuvering for advantage. You could get lost, and Cromwell himself is an unreliable narrator, a shape-shifter. You don't really know whether to trust him or not, and neither does anybody else. He seems all things to all men, but once you understand that what lies beneath is the fury of the king, and whether onstage or off, that it's Henry who whips the horses, then if they die in the traces, he's been well-served, at whatever cost. We hang on princes' favors, Wolsey says. (I'm quoting Shakespeare, here.)
     " ... I have ventured, 
     Like little wanton boys that swim on bladders,
     This many summers in a sea of glory,
     But far beyond my depth."

Is it a cautionary tale? Not exactly. It's about dangerous men in dangerous times, and treading water in the deep end of the pool.   



DavidEdgerleyGates.com

10 February 2015

Everything That Rises


Flannery O'Connor once wrote a story titled, "Everything That Rises Must Converge".  Like most of her work it's brilliant.  The title alone I found remarkable and has always stuck in my mind.  There was something about those words.  The truth be told, even after reading the story, I still didn't understand the phrase; the choice of the title.  Generally happy in my ignorance, I was content to coast along for many, many years with only the occasional thought about it.  But still it bothered me--those words kept returning.
Georgia has been fortunate to have produced a number of notable writers, many of whom, most I would say, having been female.  First there's Margaret Mitchell of course, there's no getting around her.  You are not allowed to graduate high school in Georgia without at least knowing who wrote "Gone With The Wind".  That question is also included in college entry exams as per state law.  Carson McCullers, the most notable writer my hometown ever produced wrote "The Heart Is A Lonely Hunter", "Ballad Of The Sad Café", "Member Of The Wedding", and a number of other great novels.  Of the male persuasion there is Erskine Caldwell, who penned "Tobacco Road" and "God's Little Acre" amongst others.  And of more recent note, James Dickey, of "Deliverance" fame.  All of them formidable talents. 

Then there's Flannery O'Connor (1925-1964).


Flannery made her reputation during the 1950's and 60's predominantly with short stories.  She is one of the reasons that I learned to love them.  Afflicted by lupus, she lived a brief life, succumbing to the disease at 39 and after spending many of those years on a small farm near Milledgeville--notable for being the home of the state's largest psychiatric institution.  She never married, and beyond the occasional lecture at a nearby women's college, lived quietly and obscurely.  Though she certainly achieved a great deal of critical recognition during her lifetime, neither of her two novels became best-sellers.  I like to think she wouldn't have cared.

Like Margaret Mitchell's fictional heroine, Scarlett O'Hara, Ms. O'Connor was a Catholic and of Irish descent.  The more astute of you may have intuited this last from her name.  Also like Scarlett, she was born in the beautiful city of Savannah.  I have stood outside her family's townhouse, but was unable to go inside as it was not open to the public.  Which was a shame.  Beyond these things, Scarlett and Flannery could hardly have been more different.  I doubt Flannery would ever have said, "Fiddle-de-dee!"  I could be wrong.

If you've never read Ms. O'Connor's works, you may be in for a surprise.  This quiet, unpretentious, and devout woman will shock you with the violence, both interiorly, and often, exteriorly, of her characters.  Her stories are often driven by grotesque people, and seemingly depraved behavior.  No one is immune from the mortal upheaval of life, no matter their station, their opinion of themselves, their personal ambitions; their gifts, or their handicaps.  In "Revelation" a woman is devastated by a vision that reveals she may have to share paradise with those she considers undeserving.  A grandmother learns she is willing to trade the lives of her family in order to continue living in "A Good Man Is Hard To Find".  Then there's "Everything That Rises Must Converge", the tale of a mother/son bus ride to the YMCA that ends badly, but may result in wisdom, however unwelcome.  If a single theme could be said to run throughout her writings, it is that all are eligible for redemption: black and white, male and female, saint and criminal, and that everyone, however imperfectly, and sometimes violently, is searching desperately for it. 

Which brings me back to the beginning--what about that title?  Well, when you consider the body of O'Connor's work as the sum total of who she was, the answer may not be so surprising.  It refers to a work by the French priest, philosopher, and scientist, Pierre Teilhard de Chardin titled "Omega Point".  Here is the pertinent quote: "Remain true to yourself, but move ever upward toward greater consciousness and greater love!  At the summit you will find yourselves united with all those who, from every direction, have made the same ascent.  For everything that rises must converge."  Remarkable words from a remarkable (and controversial) man, and embodied in a truly gifted writer. 

Father de Chardin (1881-1955) probably did not know that his theological and philosophical works were influencing a writer in rural Georgia.  On the other hand, most people at that time could not have told you who Fr. de Chardin was (As a side note: Fr. de Chardin was the model for Wm. Peter Blatty's Fr. Merrin in "The Exorcist").   Yet, he was one of those rare and luminous souls whose insight and brilliance have influenced millions of people, while the man himself has largely been forgotten.  Though a priest, he was also a scientist, and participated in the discovery and study of Peking Man.  And it was through his study of science, that he offered an alternative theory to the biblical origins of man--a theory that was controversial at the time and remains so.  *He posited that the  theory of evolution was entirely compatible with the Church's long-held belief that God created man; that, in fact, there was no conflict when one considered that God provided the essential spark to creation itself.  The actual mechanics leading to man's advent should not trouble us, as they were guided by our Creator.  Though many of Fr. de Chardin's teachings do remain unendorsed by the Church, and are suspect in many ways, it is worth noting that Pope Pius XII agreed that the theory of evolution was not incompatible with the Church's teachings, so long as it encompassed man as possessing a soul granted by God Himself, a view  repeated recently by Pope Francis.   

Less known, perhaps, was Fr. de Chardin's more subtle contribution in his capacity as theologian.  **Taking on a long-held belief that only the work of the religious (read priest, nuns, monks, etc...) contributed to the glorification of God, he held that all peoples, in their everyday endeavors, had it within their power to contribute to the sanctification of the world (Opus Dei--the boogeyman of "The Da Vinci Code" holds to this belief, as well--after all, Jesus was a carpenter).  In other words, he contended that by offering up their labors to God, anyone could serve in His glorification. In essence, that we should all be striving to move up, to rise up together..."For everything that rises must converge." 

It seems that Flannery O'Connor and Fr. de Chardin, each in their own way, did exactly that.

*Please note that this interpretation of Fr. de Chardin's theory is my own, and probably poorly represents his intentions.

**Again, I take full responsibility for whatever damage I do here. 

          









             
     


17 January 2015

They Call Me a Literary Slut


"The Princess Bride with Sex” or Why I Write Wacky Time Travel (in addition to respectable crime)

I am best known as a writer of comic crime capers, and in particular The Goddaughter series (Orca Books).  However, I also have a second life as an author of racy fantasy…the sort of thing that has been called “OUTLANDER meets Sex and the City.”

This has gotten me the rep of being labeled a 'literary slut,' in that I 'write around' in a lot of genres.

Why?  Why would a moderately respectable crime author swap genres and write a wacky time travel series, set in Arizona and Alternate-world Great Britain?

1.  I like Arizona.  Especially in winter.  You can fly nonstop there from Toronto.
(Whoops – delete, delete.  Of course, the real reason for using Arizona is I believe in accuracy of setting and doing research, which I take great pains to do once each year in February.) 


2.  I like Great Britain.  And I like to be accurate.  But you can’t travel to medieval Great Britain right
now, at least not on WestJet. (WHY doesn’t someone invent a cheap time travel airline?)  So I can’t be accurate, which bugs me a lot.  But I can be silly, which is almost as good.  Hence, Alt-world.


3.  My cousin Tony’s family, the Clegg-Hills, used to own a Norman castle in Shropshire.  Unfortunately it burned down in 1556.  Damned careless of them.  I had to make up what it would look like from family stories, which are probably dubious at best, and vaguely criminal, on reflection.  Also, I hate being sued. Hence, Alt-world.


4.  Fessing up, here.  I actually didn’t mean to write funny time travel.  I meant to write a serious whodunit that would get the respect of the Can-Lit crowd, and the more erudite members of Crime Writers of Canada.  This ‘veering from plan’ is becoming a nuisance.  Next book, for sure, will be a serious whodunit.  Okay, maybe a whodunit.  Okay, maybe a book.


5.  Okay, I lied.  The serious whodunit turned into a wacky mob comedy series that has won a Derringer and an Arthur.  Still no respect from the Can-Lit crowd.  So I might as well go back to writing wacky time travel.

Why?  ‘Cause it’s a hell of a lot of fun being a literary slut.

Are you a literary slut?  Confession time!  If you write in more than one genre, let us know in the comments.

Flash Update: The Land's End Trilogy featured in this blog started charting on Amazon this week, and on Thursday made the overall Amazon Top 100 Bestseller list, at no. #47!  Author is faint~ 

Land's End Trilogy ("OUTLANDER meets SEX AND THE CITY" Vine review) is on sale for a ridiculous 99cents this weekend!  If you were ever curious about her 'other life'...'nuf said. 

14 January 2015

Genre & Its Discontents


There was a recent newspaper article on the wire services - courtesy of the Houston CHRONICLE - about video games now being treated seriously as an academic subject. Not simply gaming design, which is a career path, but themes and narrative, studying the art of the medium. The first thing that struck me was there's sure to be pushback, from more conservative circles, a sense that this is frivolous, or another sign of the impending doom of Western Civilization.

What's the world coming to, that we seriously look into the origin story of Batman, for example, and the dark graphics of Bob Kane, or the influence of MAD Magazine on American culture? There was a time, not that long ago, when comics were seen as a malign presence, poisoning youth. (See SEDUCTION OF THE INNOCENT, published in 1954, which led to mutterings in Congress.) The comic book industry got ahead of the curve with the so-called Comics Code, akin to the Hays Office in the movie biz, which self-censored content. These days, Archie Andrews takes a bullet and dies in a pool of blood. What's next, Nancy Drew comes out to her dad as a lesbian dominatrix, or the Hardy Boys cook meth in their garage? The mind boggles.

This goes back to an older division of the spoils, low-brow vs. high-brow. Or the related question, does commercial success compromise literary integrity? ULYSSES got
tied up in court for a dozen years, remember, over whether it was obscene. Its publication in the U.S. led, for better or worse, not just to LADY CHATTERLY'S LOVER seeing the light, but MY GUN IS QUICK. Spillane's books were wildly successful, and struck a deep chord, but the critics took him over the coals, the brutal sadomasochism, the perceived contempt for women, the casual Red-baiting. Not that Mickey gave a rat's ass. He wrote a book in three months, and spent the other nine months fishing off the beach.
The issue is their staying power. Who would you rather read, Spillane or Melville? No disrespect to MOBY-DICK, but most of us are gonna go with the more lurid and accessible.


G.K. Chesterton once remarked that any informed person knows the difference between literature and printed matter. (Chesterton, of course, wrote the Father Brown mysteries, so you couldn't call him a snob.) Genre writing - gothics, Westerns, thrillers, SF and fantasy - has for a long time been condescended to. So have novels themselves, for that matter. Early on, they were thought of as unserious, books for women, who were frivolous by nature. Maybe it's the comfort zone. There's a shapeliness to fiction, unlike life, say. Fiction of itself is a construct, a pattern, a design. Life is messy, and unresolved. Stories are rounded and complete, and usually have a satisfying punchline, mystery stories in particular. I don't think of this as a weakness. There's something to be said for the familiar. That doesn't mean it's paint-by-numbers, or unoriginal. You don't let it get stale. You write faster and smarter. You don't settle for less, although sometimes less is more. And if it ain't broke, don't fix it.


We'll leave the last word with Spillane. (Spoiler ahead.) I, THE JURY ends with Mike Hammer and the killer alone. They have a sexual history together. She tries working her wiles on him yet again. Hammer isn't having any. He shoots her in the belly. She sinks to her knees. "How could you?" she asks him tearfully, holding in her stomach, blood leaking through her fingers.

Mike looks down at her. "It was easy," he says.

http://www.davidedgerleygates.com/

13 January 2015

Story Time


Because I'm bereft of useful ideas about writing, I thought I'd share this little story with you all.  It's written by me and titled "Awake".  Published by Ellery Queen Mystery Magazine in it's July 2009 issue, it seems a suitable winter's tale.  Read at bed time it should either put you to sleep, or keep you awake (did you catch how I worked that in?).  I hope that you enjoy it while forgiving the uneven formatting. Correcting it appears to be beyond my skill set.

Awake
            The old man settled back into the tangled welter of sheets and blankets that comprised his bed and sighed.  From somewhere near his feet, his sigh was answered with a similar exhalation.  In the moonlight that leaked around the edges of the drawn curtains, he could just make out the silhouette of two large, pointed ears beneath which two concerned eyes glistened and watched.  Then, as if in agreement, man and dog grunted in unison and lay their heads down once more.

            For the old dog, sleep returned easily and she was soon snoring, but for her master, a lifetime of loss, regret, and now, loneliness, always awaited his return to consciousness and seized him fast in its talons.  To counter this, he had developed a process by which he could sooth his mind of its anxieties and eventually return to sleep.  This method consisted of a simple inventory of all the familiar and comforting sounds that his home and dog made within the overall silence of the greater night.  It always began with his companion.

            Her deep, steady breathing told him all was well, and this provided the first step towards his greater relaxation.  Keeping his own breathing regular while attempting to slow his heart rate at the same time, he allowed his mind to wander through his home of forty years seeking other familiar sounds that reassured him. 

First and foremost was the furnace.  During the winter months, the reliability of its great warming breath held no equal as his ideal of comfort and safety from the elements, and now he looked forward to that series of sounds that heralded its arousal.  The light, tap-tap-tap of the contracting water pipe he had so recently used warned him of the dropping temperature, even as the winds outside scampered with tiny claws across the wall next to his bed.  Then, as if on cue, he perceived the barely audible click of the thermostat signaling from its perch on the wall that the moment for action had arrived.  With pleasurable anticipation, the old man listened for the sounds that must follow. 

From within the greater darkness of the attached garage came the barely audible hiss of gas followed by, after what seemed a long and dangerous time, the business-like snap of the igniter.  Then, with a satisfying, distant roar, the flames were brought into being to warm his home.  In his mind’s eye he could picture the dancing light playing across the stained concrete floor of the garage.  And then, as the finale, the heater fan located beneath the staircase whirred into life as the warm air coming through the vent reached it to trigger its assistance in pushing the warmth up to the second floor.  The house now hummed contentedly to itself as it dispelled the tendrils of cold that had seeped silently through the walls.  The old man secured the blanket beneath his chin, even as his eyes began to dart and play beneath his eyelids.

As sleep began to reclaim him at last, the voices of his wife, Claire, and their children, called to him from somewhere not far away, though their actual figures were still withheld from him.  In the dusty living room, the French clock he had bought her as a gift in Europe began to chime the hour in light, tinkling notes and, like a hypnotist; he counted each one as they sank him deeper and deeper into the welcoming darkness. 

The old man, now decades younger, watched as his lovely young wife toweled off his children next to the pool beneath a benign sun in a peerless sky, and smiled contently.  The only sound that intruded was the reassuring crackle of expanding wood that signaled the triumph of the furnace over the nascent cold; the walls and door frames returning to their intended shapes and sizes.

Claire noticed him watching and returned his smile.  The kids were fussing about being called out of the water and though he could not hear their words; their body language was unmistakable.  A popping sound from somewhere to his left, startled him, and he found himself vaguely troubled as to its source and meaning, but loath to turn away from his wife and children even for a second.  Even so, Claire’s face wavered in his vision like the surface of a pond disturbed with a pebble. When it settled again into the plump-cheeked, grey-eyed features that he was familiar with, her expression had changed to one of concern, the laughing smile having vanished like the sun he could no longer feel nor see above him.  She approached him still carrying a dripping towel. The kids leapt soundlessly into the pool behind her back.

She spoke to him and he strained to hear her words, “Did you remember to lock the front door?” she whispered, the words seeming to come from a great distance.

He stared back at his wife in bereaved silence.  Was this all she had to say to him…her husband of fifty years; after so long a separation?  The mundanity of her words struck him to the heart and a sob caught in his throat that snatched him back to awareness. 

As he opened his eyes, his young wife’s words blew into tatters like an old cobweb, and he struggled to catch them before they vanished.  But the sound that seemed to have prompted them returned to him with terrifying clarity and he understood in that instant that it had come from one place and that place alone—the seventh step of the stairwell outside his bedroom door.  As the furnace switched off and its efforts faded into a long sigh, the house lapsed into the silence of a held breath. Then the dog began to growl…

12 January 2015

A Curious Incident


Though, in my mind,  publication of nine fiction books gives me a license to lie, I'll be truthful with you. I was not enthusiastic about blogging today.

I've recently been promoting Callie's A Corpse Under the Christmas Tree, trying to decide where to launch KUDZU RIVER, making changes suggested by the editor in The True HAUNTING of JULIE BATES, and expanding "An Odor Yet to Come" from its original short story form to a full-length horror novel. With all of this plus the holidays and three immediate family birthdays (as well as my own) in December, I hadn't given much (correct that to "any") thought to blogging.

In addition to all of the above, I became "a lady who lunches" during December, having had the pleasure of lunching with several long-time friends who were back in SC for the holidays.  One of them is a talented artist who moved to New York when we graduated from USC way back when. (Remember, Dixon, USC is the University of South Carolina as well as Southern Cal.)

"If you haven't read it already, you need to read this," my friend said and handed me a paperback with an orange cover as I joined him in my favorite Italian restaurant.

"Is it a mystery?" I asked.  I read a lot of books that aren't mysteries, but that genre is my "go-to" for relaxation.

"Look at the first line on Chapter 7, page four," he said.

Seven chapters by the fourth page?  But I opened the book to page four.  It read "This is a murder mystery novel."

"Didn't you teach students with Autism?" he asked and then continued without waiting for my reply.

"This book is written from the point of view of a fifteen-year-old boy with Asperger Syndrome."

I dropped the paperback into my purse, and we had a wonderful visit over our lunch of shrimp and lobster risotto with amaretto bread pudding for dessert. (Yes, I realize that's a high-carb lunch, but we were celebrating.)  I didn't think any more about the book until that night.  I planned to read only a few pages, but I didn't put it down until the last line, which happened to be Chapter 233. (More about that later)

The book is the curious incident of the dog in the night-time by Mark Haddon. (Absence of capital letters is Haddon's decision, not mine. As some of you know, I LOVE using caps.)

It's not a new book.  It won the Commonwealth Writers Prize in the Best First Book category in 2003 because it was Haddon's first novel for adults though he'd been previously successful in children's literature.  He also won the Guardian Children's Fiction Prize for the curious incident of the dog in the night-time that same year because though Haddon called this his first book written intentionally for adults, his publisher marketed it to both adult and child audiences.

Christopher, the first-person narrator, shares characteristics with several Autistic individuals I've known, and Haddon doesn't tell them--he shows them.  There are 233 chapters because Christopher has a fondness for prime numbers and uses them instead of cardinal numbers for chapter headings.  He only eats foods that are red or green.  His parents expand the variety by adding red food coloring to less colorful dishes. Christopher is brilliant in math, but he is terrified by new experiences.

Is this a murder mystery as the author proclaims?  Well, there is a murder.  The story opens when Christopher discovers a neighbor's dog stabbed to death with a "garden fork" stuck completely through and anchoring the body to the ground.  A "garden fork" is what we call a pitch-fork here in the South.  He decides to investigate and solve the murder and to write a book about how he does it.

The Boston Globe described the curious incident of the dog in the night-time as "gloriously eccentric and wonderfully intelligent." There are five pages of acclaim for the book at its beginning.

As I usually do when I enjoy a book, I sought more information about the author.  Mark Haddon was born in 1962 in Northampton, England.  He wrote his first book, Gilbert's Gobstopper, in 1987 and followed this with several more children's books, many self-illustrated.

One of the things I found interesting about Haddon is several Internet sites about quotes from him concerning writing. Three of my favorites are:

                                           Reading is a conversation.  All books
                                           talk.  But a good book listens as well.
                                                                             Mark Haddon

                                           Most of my work consisted of crossing
                                           out.  Crossing out is the secret of good
                                           writing.
                                                                             Mark Haddon


The second quote is especially true of my own writing because my rough drafts tend to ramble and require a lot of crossing out.  

Reader questions for today:  Was I just out to lunch in 2003 when the curious incident of the dog in the night-time was published?  How many of you had heard of this book before today?

Have you read other books that claim to be mysteries, but turned out to be far more?  If so, what are they?

Do you ever read genres other than mystery just to study some aspect of the writer's style?  If so, I recommend the curious incident of the dog in the night-time as an excellent study in voice. (Besides, if you don't read it, you won't know who killed the dog.)

I've shared before that there are writers with whom I would like to have spent some time. Examples: I would really love to have sipped some (maybe a lot) of bourbon with William Faulkner.  I met Mickey Spillane in his later years, and I'm Christian, but I would like to have known him before he became religious. This list could go on forever, and perhaps, due to John M. Floyd's influence, one day I may use that list as a blog-starter and even add some writers I wouldn't care to visit and why. I'd be willing to pass up my two favorite lunches (prime rib and/or lobster) to have lunch with Mark Haddon to talk about writing even though he's a vegetarian.  


Until we meet again, take care of . . . you.