The Louvre Heist: The Somber Rubbing Shoulders With The Absurd

On October 19^th, the news of the Louvre Heist hit. Eight crown jewels were stolen from the room that,  since 1887, has housed what is left of the French crown jewels.. These jewels are symbols of the French state and the history of the country, described as priceless and irreplaceable. It was, like much of the news these days, upsetting to read about, until some of the details came out and then, it became a story juxtaposing the grave with the absurd.

The first hint of this came in the details of how the heist was committed; the four thieves used a ladder and  escaped on scooters after spending less than eight minutes robbing the Louvre. Let's face it, it looks like a few friends wanting to avoid the holiday rush and deciding to pick up a few gifts by robbing the national museum of France that is, by the way, the most visited museum in the world. The ladders and scooters are hardly the stuff of a carefully planned modern heist one would expect. Add to this the comment by Lynda Albertson, chief of the Association for Research into Crimes against Art (ARCA), an organisation that examines and tracks trends in museum security including theft and vandalism, saying the Louvre’s architecture was not built “to address modern security needs, rigorous conservation controls, or the massive crowds it now attracts.”

The problem with that statement is that there were no crowds at the time and ladders are hardly modern security threats. Yes, the internet was abuzz with questions because seriously,  at a minimum one should protect the world's most famous museums and its priceless and precious works from being accessed by a something as simple as a ladder. 

While about 100 high powered detectives investigated the jewelry robbery, the news focused on this man and the internet initially identified as one of the investigators, "This is, by all accounts, genuinely the detective tasked with cracking the Louvre heist. God I love the French," writer David Patrikarakos said. 

It was only later that it was clarified that this gentleman was not a fabulously dressed detective but, rather, a passerby who was at the right place, at the right time and exuded enough je ne sais quoi to capture the imagination of the world. 

Then, Cosmopolitan put out an article discussing the suspects, replete with photos,"It is so French of them to both be this hot," activist and actor Jameela Jamil said in response to the two mugshots, with someone else commenting: "Why do they look like Calvin Klein models?"

However, the article informed the panting hordes that, "Hot as they may be, however, the Louvre heist mugshot men don't actually have anything to do with the jewel heist – as we've discovered..."

Of course, one can't help but picture Parisians following these guys around Paris and not just for being hot. Ditto for the man initially identified as a detective. 

After the modern heist that didn't use modern tools, a detective who only looks like a detective but is not one and suspects who are just two random hot guys who didn't rob the Louvre, surely we should be done with the hilarious part of this sad story.

Yet, we are not.

Even the high tech security of the Louvre is hilarious. Did someone ask a small child to make up a password?  Apparently so because, "one of the museum’s key passwords was simply “LOUVRE.” To add the absurd onto the ridiculous, the French Culture Minister Rachida Dati decided to respond to this with the understatement of the year by finally admitting, “Security failures did indeed occur.”

There is so little news to chuckle about these days. Most of the news has us diving under the covers of our newly made beds, in hopes of ignoring the world for a few moments. Despite the gravity of the theft, for the first time in a long time I found myself enjoying reading the news to follow the unexpected and hilarious twists and turns. That said, this theft is a grave and serious matter. I will continue to follow the story in hopes that the crown jewels are found intact and returned soon. While not so secretly hoping for a new funny twist, most of all, I'm hoping a mystery writer somewhere is inspired by all this and is making this dapper gentleman  the main character of a brilliant new novel. I would buy that book in a heartbeat. 

And on it goes...

Today, November 9th on APNews:

 "When 15-year-old Pedro Elias Garzon Delvaux realized an Associated Press photo of him at the Louvre on the day of the crown jewels heist had drawn millions of views, his first instinct was not to rush online and unmask himself. 

Quite the opposite. A fan of Sherlock Holmes and Hercule Poirot who lives with his parents and grandfather in Rambouillet, 30 kilometers (19 miles) from Paris, Pedro decided to play along with the world’s suspense.

Pedro began dressing this way less than a year ago, inspired by 20th-century history and black-and-white images of suited statesmen and fictional detectives. 

“I like to be chic,” he said. “I go to school like this.” 

 He loves Poirot — “very elegant” — and likes the idea that an unusual crime calls for someone who looks unusual. “When something unusual happens, you don’t imagine a normal detective,” he said. “You imagine someone different.”

Well played, Pedro. Well played. 

A Good News Story of a Cigar, a War Won and Priceless Stolen Art Returned

In these difficult days, we all need a good news story and this one began eighty-four years ago when an Ottawa photographer, Yousuf Karsh, pulled a cigar out of Winston Churchill's mouth, rushed back to his camera and took a photo of the furious Churchill. 

The day was December 30, 1941 and Churchill had just given a speech to the Canadian House of Commons to rally support for the war against Hitler. Britain and Canada had been at war for two long years, endured the loss of many lives, and America had just entered the war on December 8, 1941. Churchill was desperate to steel the resolve of the allies and to rally more help from America; Churchill's annoyance at Karsh for taking his cigar would help with both of those, while also becoming the most reproduced portrait in the history of photography. 

Canada’s leading general interest magazine at the time, Saturday Night, published the scowling photo of Churchill, dubbed the Roaring Lion. When Life magazine put The Roaring Lion on their cover three weeks later, it focused the attention of the American public on the plight of Britain, and convinced them of Britain’s determination to win the war. The Roaring Lion photo is widely credited with helping Churchill rally the support he desperately needed to win the war. 

Maria Tippett, Karsh’s biographer, stated: 

“Just like the Old Masters who made kings and queens appear more beautiful or more powerful than they were, Karsh had used artful manipulation to transform an unpromising negative of a tired, overweight, sick, and slightly annoyed man into a photograph of a heroic figure.”

The Roaring Lion photo also catapulted Karsh's career and he soon became one of the most famous portrait photographers of all time. He went on to  photograph many famous political and military leaders, writers, actors, artists, musicians, scientists, and celebrities in the post-war period. Among his other famous portraits are the iconic photos of Ernest Hemingway, George Bernard Shaw, Dwight D. Eisenhower and Soviet leader Nikita Khrushchev. 

Karsh gifted the Roaring Lion photo, along with with other portraits, to the Chateau Laurier, the Ottawa hotel that was his home for almost two decades. This was another part of the good news story - these photographs were placed in the Château’s reading lounge, where everyone could enjoy these priceless works of art in the same lounge that Karsh and his wife spent many hours. 

Unfortunately, making The Roaring Lion accessible to everyone who loves art also made it accessible to those who love to steal art and, sometime between December, 2021 and January, 2022, it was, indeed, stolen. However, because it was replaced with a forgery, it was eight months before the theft was discovered. 

Robert K. Wittman, a former Federal Bureau of Investigation special agent said, “The real trick in art crime...is not in the stealing; it’s in the selling.”

The time between the theft and the discovery of that theft gave the thief a window of opportunity to sell it when no one knew it was stolen property. When The Roaring Lion photograph was finally located in Italy, in the home of art lover, Nicola Cassinelli, the problem was that Italian law didn't oblige him to relinquish it. He had bought it in good faith and he could keep it. 

Here's where more good news comes in: Cassinelli waved his rights as a good-faith purchaser along with any financial compensation for the portrait, and he handed it over to Italian police. 

“It cannot belong to one person and cannot be confined to the private space of a living room,” Cassinelli said. “The Roaring Lion belongs to anyone who cherishes freedom… I did not hesitate to return it.” 

The other piece of rather charming good news is that Cassinelli still enjoys the photo, because he purchased a cheap replica from an online poster shop and hung it in place of the stolen original. 

The thief? He was arrested on April 25, 2024, and charged. 

When I first wrote about this art heist, it was not as a good news story but a story of a tragic loss for Canada. Now that the Roaring Lion was put back in it's original place in Chateau Laurier on November fifteenth, 2024, I'm able to see the thread of good news in this eighty-four-year-old story. 

I'm not a 'glass half full' person because, like with most sayings, I don't even understand what it means. If there's good news and bad news, putting it in a glass doesn't change that - it's just good and bad news in a glass - whatever putting it in a glass means in the first place. However, I am forever in love with stories because turning the page in time brings a new twist, another turn, and that can alter everything. 

Who knew that taking away Churchill's cigar could result in the good news stories of helping to win a war and also helping a Canadian photographer capture images of many iconic figures of world history? Many years later, the good news continues in the form two other utterly unique stories; priceless works of art that can be enjoyed by anyone who walks into the reading lounge of a downtown hotel and an Italian returning a priceless piece of art back to its home in Canada, just because it was the right thing to do.

Art theft: Churchill and Zelensky

Around December 2021 the famous Yousuf Karsh 1941 photograph of Winston Churchill was stolen from the Chateau Laurier in Ottawa and replaced by a forgery. The heist was about 2 months before Russia invaded Ukraine. The Russian invasion is not related to the photograph but also, very related.

The photograph is perhaps one of the most widely reproduced photos of all time. Prime Minister Churchill's belligerent expression exemplified the British resolve to win against Hitler, who many believed to be invincible.

Karsh at that time lived in the Chateau Laurier and was a friend of the Prime Minister of Canada - William Lyon Mackenzie King - and this is how he was able to take the photograph and why it was hanging in the Chateau Laurier.

The photograph is aptly titled ‘The Roaring Lion’. The roar behind the photograph has a story, some parts moving and some parts simply hilarious. Just prior to the photograph being taken, Prime Minister Churchill had given a rousing and defiant speech to the Parliament of Canada. In fact, if you look closely at the photograph you can see the speech peeking out of his pocket. It was a speech to an ally in Parliament but Churchill knew it was a speech that would be shared with the world. I picture him writing the speech by reaching deep within himself into places where hope and belligerence met.

After this speech, and probably carrying the mood of the speech with him, Churchill was brought into the Speaker’s Chamber. Here he found Karsh waiting, with his camera and lighting equipment. The Prime Minister of Canada, William Lyon Mackenzie King, hadn't told Churchill he was to be photographed so Churchill roared, "Why was I not told?” I suspect that the look captured on Churchill’s face was present at that moment. Churchill gave Karsh two minutes to take the photograph and this is how Karsh described the two minutes:

“Churchill’s cigar was ever present. I held out an ashtray, but he would not dispose of it. I went back to my camera and made sure that everything was all right technically. I waited; he continued to chomp vigorously at his cigar. I waited. Then I stepped toward him and, without premeditation, but ever so respectfully, I said, “Forgive me, sir,” and plucked the cigar out of his mouth. By the time I got back to my camera, he looked so belligerent he could have devoured me. It was at that instant that I took the photograph.”

The title of the photograph came, inadvertently, from Churchill himself, who told Karsh, “You can even make a roaring lion stand still to be photographed.” So Karsh named the photograph 'The Roaring Lion'.

This photograph, as much as Churchill’s speech, helped bolster the resolve to continue fighting during those difficult days.

Almost 80 years – perhaps even to the day – after Karsh took this photograph, it was stolen. Then two months later, Russia invaded Ukraine.

Russia believed it would win the war quickly because it was a much more powerful nation than Ukraine. It felt invincible, just like Hitler did. However, Russia faced two potent forces: history and Zelensky.

History taught Europe and North America that appeasement doesn’t work and the only thing to do when one country attacks a sovereign country is to fight. Churchill’s photograph embodies this fight.

After the 1938 Munich Conference, then British Prime Minister Neville Chamberlain declared his appeasement of Hitler had obtained “peace for our time.” When Chamberlain resigned in disgrace, Churchill - who had argued against appeasement - became the Prime Minister, outlined a bold plan of British resistance and declared Britain would “never surrender.”

When Russia invaded Ukraine, Ukrainian President Volodymyr Zelensky turned down an offer from the United States of evacuation from the capital city Kyiv, by famously stating, "The fight is here; I need ammunition, not a ride," and with that statement, Zelensky became a wartime leader and, his own ‘Roaring Lion’.

This is because human stories of history never stay in books about the past - they are relived by every generation.

Listening to Churchill’s 1941 speech in that Parliament of Canada and then, Zelensky’s 2022 speech to the Parliament of Canada - although they are very different - one can hear similar themes: both spoke to the courage of their people and the brutality of their opponent. Both were unbowed and pugnacious in their resolve. Leaders give speeches for their allies, for their enemies but, most of all, for their own people because of the personal costs of war. We see that now in videos of Ukraine. We know that more from stories of WWII. My mother-in-law told me half of the young boys she grew up with were killed in the war. I think of that incomprehensible loss when I see videos of the devastation in Ukraine. During wartime, leaders must be roaring lions to keep up the spirit of their people and play down the invincibility of their enemy.

Even though the original stolen photo, The Roaring Lion, has never been recovered, there are copies of this elsewhere, to remind us of a time back then and how easily back then becomes now. History never stays in books - as long as there are people, history is relived by each generation. Apparently, art continues to be stolen by each generation as well.