Showing posts with label advice. Show all posts
Showing posts with label advice. Show all posts

06 March 2019

A Textbook Case: Advice For Fiction Writers

Courtesy Western Libraries
by Robert Lopresti

You can call this my good deed for the day, or an act of flagrant narcissism.  Possibly it is both.

A while back a friend asked if I had ever written any tips on writing short stories and I had to answer yes and no.  Or rather, no and yes.  I had never written any formal advice on that subject but in ten years of blogging I had covered a lot of related topics.

So here is my informal textbook, selected from several different blogs.  It leans heavily toward mystery fiction, naturally, and some of it is about novels rather than short stories.  But hey, you can't beat the price.  I will probably add links when I write something new on the subject.

I hope some of you find it useful.  Enjoy.



CHAPTER 1: THE WRITER'S MIND

How It Works.  Creativity requires two parts of your brain.

How to Make It Work.  Getting the parts of your brain to cooperate.

From The Shiny New Desk.  Applying the thoughts above to some advice from Ken Rand.

The Four Seasons.  An author's mental year.


CHAPTER  2: THE WRITING HABIT

Dominating the Submission.  Five tips for people about to submit stories for the first time.

A Page A Day. Finding time to write.

Working Vacation.  Time off gives you a chance to think about your work habits.

Have Suitcase, Will Plot.  More about writing on the road.


CHAPTER 3: INSPIRATION

Time to Accessorize. Five sources for story ideas.

Missed Connections. Getting (or not) story ideas.

Seventeen Minutes.  Do something with that idea!

Light Bulbs, A Dime A Dozen.  A great idea is not enough.

Gutter Dwellers and Chair Thieves.  When is plagiarism legitimate?


CHAPTER 4: PLOTTING

The Hole Truth. Creating conflict.

Telling Fiction From Fact. Stories based on true events.

Two Plots, No Waiting. A complicated entwined plot.

The Rising Island Method.  Writing a long story out of order.

Unlikely Story.  The power of foreshadowing.



CHAPTER 5: PLOT PROBLEMS

New Choice! Avoiding plot cliches.

Get Off The Premises.  An unbelievable premise can kill your story.

Time Warp.  What year do you think you are writing about?

http://criminalbrief.com/?p=1061Refrigerator Questions.  Which plot problems don't need fixing?

Enter the Villain.  One way to ruin a mystery novel.


CHAPTER 6: STYLE

Suddenly I Got A Buzz.  Words to avoid.

There's Only One Rule. How experimental or mainstream should you be?

See If I Care.  How do you make the reader care what happens?

Good Cop Story, Bad Cop Story.  The old rule: show, don't tell.

Would You Rather Be Framed or Flashed?  Structural devices.

Salute To The Unknown Narrator.  A method of creating suspense.

Filling In The Landscape.  Use a real place, make one up, or compromise?

The Pain of Others.  Great stories tend to have at least one of these three characteristics.  (I have since added a fourth.)


CHAPTER  7: CHARACTERS

The Motive Motif.  About characters and their motivation.

Rosencrantz and Guildenstern Want Something.  Every character needs a motive.

The First Two Pages: The Chair Thief.  Using dialog to establish personality.

Naming the Detectives.  Selecting names for your characters.

Backtalk.  Taking advice from your characters.

Necessary Evils.  Turn a plot necessity into a great character.

Who Do You Trust?  Unreliable narrators.


CHAPTER 8: TITLES

Insert Clever Title Here.  How to choose one.

Title Fight.  Examples of great titles and what makes them so.

Beat Cop.  A long title should scan.


CHAPTER 9: BEGINNINGS, ENDINGS

Opening Bottles and Books. The purpose of opening lines.

The First Two Pages: Greenfellas.  Introducing many characters early. (PDF)

With A Twist.  The power of twist endings.

Right Way To Do The Wrong Thing.  Good and bad endings.


CHAPTER 10: SERIES

The Story I Said I Would Never Write.  About writing a sequel to a (supposed) standalone.

But I've Told You This Before.  How to deal with backstory in a series.

Meeting Some Old Friends.  Keeping track of series characters.

A Plea For Unity.  In what ways do a series of stories need unity?


CHAPTER 11: EDITING

Get Me Rewrite! The joys and pains of editing.

Flunking the Oral Exam.  Why you should read your work out loud.

Send Me In, Coach!  Working with a first reader.

The Joy of Rewriting.  No, Revision.  No...  How to polish your work without killing it.

Last Rites.  The final edit.



CHAPTER 12: IF YOU CAN MEET WITH TRIUMPH AND DISASTER...

An Hour In Purgatory.  It can't be said too often.  It can't be said too often.

 Lost Weekend. The inevitable.

Beautiful Day.  The preferable.

Smile!  Your Story Has Been Rejected.  Ten doses of lemonade.

25 April 2015

Bad Girl's Tricks for Writing with Kids...

In honour of the Arthur Ellis Awards for Crime Writing shortlists being released this week, a good friend asked the question:  how the heck do we actually find time to write the stuff that is up for the awards tonight?
My tricks...

By Melodie Campbell

Okay, these are not the definitive rules for Writer-parents. I would never claim to be an expert.  But I did raise two kids while writing stand-up on the side and penning a syndicated humour column every two weeks. So I learned a few things about survival along the way.

Bad Girl’s Tricks for Writing with Kids:
  
    1.  Probably you shouldn’t lock yourself in the bathroom, so the kids can’t get at you. Equally, you shouldn’t sit in the playpen with your kid on the outside, screaming and shaking the thing.  Okay, at least not more than once a day.

    2.  Never put a package of Twinkies in front of a toddler so that you can continue to write. (Remove them all from the plastic wrappers first so the kid doesn’t choke.)

   3.  A kid won’t die if they drink half a mug of cold coffee.  But watch the wine. In fact, you might want to finish the rest of the bottle right now, just to be safe.

   4.  Breast-feeding can be a real timesaver, but not during Bouchercon book-signings.

   5.  Other kid’s birthday parties are a great thing for a writer. But you really should pick up your own kid when they’re over. (Eventually. Before winter.)

   6.  It’s okay to get someone to babysit your kids while you move into a new house. But it’s not okay to forget to tell anyone where that house is.

   7.  When your kid leaves home for university, it is not recommended to immediately change their room into a study or writing room. Wait until after Christmas. The sales are better.

Re “Leaving the nest”: Every mother gets emotional about this. But probably you shouldn’t do it until your kids are grown up.

Do you have tricks?  Leave them below in the comments.  Please.  Hurry. 

Postscript: The Arthur Ellis Award shortlist events were held two nights ago in major cities across Canada.
The jaw-dropping surprise: I am shortlisted with Margaret Atwood for the Arthur!   Never, not ever, did I expect to see my name linked with CanLit Royalty.  Damned honoured.

The Opening to THE GODDAUGHTER’S REVENGE (Orca Books)

Okay, I admit it. I would rather be the proud possessor of a rare gemstone than 
a lakefront condo with parking. Yes, I know this makes me weird. Young women today are supposed to crave the security of owning their own home.

But I say this: real estate, shmeel estate. You can’t hold an address in your hand. It doesn’t flash and sparkle with the intensity of a thousand night stars. It will never lure you away from the straight and narrow like a siren from some Greek odyssey.

Let’s face it. Nobody has ever gone to jail for smuggling a one bedroom plus den out of the country.

 However, make that a ten-carat cyan blue topaz with a past as long as your arm, and I’d do almost anything to possess it.

 But don’t tell the police.

The Goddaughter’s Revenge, winner of the 2014 Derringer (in US) and Arthur (in Canada) is available at Chapters/Indigo stores, Barnes&Noble, and online retailers everywhere.