Showing posts with label Michael Connelly. Show all posts
Showing posts with label Michael Connelly. Show all posts

27 April 2020

How Low Will You Go?


Over the last two weeks, I've joined several other Connecticut crime writers on two podcasts from the Storyteller's Cottage in Simsbury. I've touted the venue before and love working with them. Now they're trying to keep their programs for writers functioning during the shutdown, and Lisa Natcharian invited several of us to discuss villains in our stories. I'll post the link to the podcast when it's edited and live, probably sometime in May.
Lisa came up with some provocative questions, and the topic for today is "How much evil can readers tolerate and how do you decide when to rein in a dark character?"

Her question made me look at my own writing again. I've sold nearly 30 short stories (a good week for Michael Bracken or John Floyd), and about half of them are from the bad guy's POV or have her/him getting away with it. Most of those stories involve revenge or poetic justice, and I seldom have a REALLY horrible person go scot-free. The comments on my website and Facebook Page indicate that readers like those stories, and some are among my special favorites.

Revisiting my novels, I was surprised to find how nasty some of my villains are, probably because I've worried lately that both my series characters are becoming more domestic in their private lives. Maybe I've done that unconsciously to contrast the "normal" and the dark side. But when I look at the bestseller lists, it's not just me.

If you look at those lists, you'll find Lee Child, Michael Connelly, Karin Slaughter, Meg Gardiner, Lisa Gardner, Laura Lippman, S. J. Rozan, Robert Crais, Stephen King, Harlan Coban, Tana French, Dennis Lehane, Don Winslow, Alison Gaylin, and a slew of other excellent writers, all of whom go deep. When I think back to the 90s, maybe the first book and film to come to mind is Silence of the Lambs, which presents two twisted villains.

I don't remember the last time I saw a cozy mystery on the list.

One of my undergrad history professors from days of yore said the best way to understand the minds and values of a civilization was to look at their popular arts. Plays, music, stories. . .

Remember, in Shakespeare's time, his most popular play was Titus Andronicus, which I usually describe as The Texas Chainsaw Massacre in blank verse. It was a time of political turmoil, and his plays reflected that.



One of the other writers on the podcast said her readers know she won't get violent and won't use much profanity. Obviously, if you write cozies, your body count is lower. She doesn't read my books because she thought one of my covers was objectionable.

Maybe my readers want darker stories to help them cope with the real world, the way we tell ghost stories around the campfire. Remember Shakespeare's observation in King Lear:  "The worst is not/ So long as we can say, 'This is the worst.'"

Think of the Brothers Grimm, too. The original version of Cinderella involves the wicked stepsisters cutting off toes to make their feet fit the glass slipper, and birds pecking out those same stepsisters' eyes on their way to and from Cindy's wedding. The Greek tragedies wallow in gore.

Ditto slasher flicks, like Halloween and Friday the 13th.
We want to go waist-deep in the big bloody. Aristotle talked about catharsis. Maybe he's right. Maybe we've always been enticed by the horrific and crave a release. Maybe my history professor was right, too.

My most recent novels involve a serial killer who leaves the bodies of street people in abandoned buildings in Detroit, a cold case involving five people murdered in a home invasion, and a serial rapist. I think that as I watch the current social and political situation deteriorate, my inherited pessimism has become even stronger and it's coming out in my writing. Or maybe I do it to show that my life is nowhere near as bad as that of my characters. All I know is when I sit down at the keyboard, this is what comes out.

The book I'm vaguely resurrecting has a main character who is an alcoholic with an abusive husband, and I re-discovered things that excited me when I re-read scenes I had forgotten long ago. My last few short stories are darker, too. As long as people buy them, I'll keep going because people seem to need them.

When do I rein these characters in? I don't.

What's in YOUR holster right now?

12 March 2018

Viva la difference


by Jan Grape

Jan Grape
As a female writing about a female character I feel it is all natural because I am a woman. I can put my head into the mind of a young woman or an older woman.

I also think I can write a fairly good representation of a male character. Mainly because I had two boys and I had a husband for almost 40 years who was a great teacher about men and how they think.

Of course, I'm not an expert because I have never been a man. I did mention good maybe not great.

However, through the years of reading I have run across writers who I think are able to write strong and excellent characters who happen to be of the opposite sex.

Susan Rogers Cooper has a male character, Milt Kovack, who is a sheriff. He is such a realistic male character that Susan has even relieved a fan letter chiding her for publishing under a woman's name. The fan swore she had to be a man.

I have to agree in part because I know Susan is a woman, but she does write a very realistic male.

On the other side, John Lutz writes very realistic women characters. They are strong, independent and certainly never depend on a male to rescue them.

Robert B. Parker also wrote strong women. He often got into philosophical discussions with women leaving them surprised.

Best-selling author Michael Connelly has written a new book, THE LATE SHOW, featuring  Detective Renee Ballard. This is a female character he fully intends to be a series character.

In the back of the book is an interview. The question is asked if he can describe Renee with one word. He has described Harry Bosch as "relentless." Michael says he knows a real-life homicide Detective Roberts that Renee is loosely based on and he would describe Roberts as "fierce," which is close to relentless.

A woman detective working in a job that is predominately male has to be better than her male co-workers in order to gain respect. She must be fierce.

I think this is true and yet to make a female character more realistic she should show a little vulnerability. Unless your plan is to have her be a bitch. Personally, I think Connelly has done a fine job with Detective Ballard.

Viva la difference.

17 May 2016

The Bradbury Building – Screen Star


Well, I had a post all written, even pulled pictures for it, and was ready to go. Then realized I had signed a non-disclosure agreement and, therefore, have decided not to run it. But since I did the photo here of me in the long white hair figured I’d run at least that anyway and let you all try to figure out what that post was about…

In the meantime, I’ll talk about the Bradbury Building in downtown Los Angeles. A famous LA landmark and one that’s been in tons of movies, many in the mystery and noir genre. It played Philip Marlowe’s office in Marlowe, starring James Garner. Some people say that Marlowe had his office here in Chandler’s books, but there’s no real proof of that. Oh, and of course, it makes an appearance in several of my stories.

Today, the building is on the National Register of Historic Places and was designated a National Historic Landmark. It’s also a Los Angeles Historic-Cultural Monument, as well it should be.

Bradbury Building interior
It was commissioned by Lewis L. Bradbury, a goldmining millionaire, and opened in 1893 (old by LA standards), a few months after Bradbury’s death.

According to Wikipedia, “The design of the building was influenced by the 1887 science fiction bookLooking Backward by Edward Bellamy, which described a utopian society in 2000. In Bellamy's book, the average commercial building was described as a ‘vast hall full of light, received not alone from the windows on all sides, but from the dome, the point of which was a hundred feet above ... The walls and ceiling were frescoed in mellow tints, calculated to soften without absorbing the light which flooded the interior.’ The influence of this description can be seen in the Bradbury.”



The Bradbury Building 2005
The outside of the building is a rather plain brick façade. But inside, you’re in for a treat. The Bradbury is built around an atrium-like central court. The ceiling is a gigantic skylight that lets in natural light, which falls on glazed brick, polished wood, marble and wrought iron railings throughout, giving it warm and changing light throughout the day. The birdcage style elevators are something to see.

In my novel-in-progress, The Blues Don’t Care, I describe it this way: “From the outside the Bradbury Building looked like any other office building, brown brick and sandstone in an Italian-Renaissance meets L.A. style. Inside, it was like being transported to a great European palace or maybe a train station of the industrial age. Bobby had heard of this building, though never had occasion to visit. He was awed by its breathtaking beauty. A glass skylight let shards of light fall on glazed brick and wrought iron grillwork. Marble flooring. Bobby stopped for a moment to catch his breath before heading to the open-caged elevators. He told the operator his floor, rode to the top, walked to room 501.”

Details of elevators and glass ceiling
The Bradbury is an office building and various types of businesses lease space there. Today one of those lessees is the LAPD’s Internal Affairs Division, so be good if you visit…

The Bradbury in DOA
The Bradbury is the star of many books/stories, movies, videos, commercials and TV shows. It made its first screen appearance in China Girl (1942), filling in for a Burmese hotel. And the rest, as they say, is history.

Michael Connelly, Max Allan Collins and others have used the Bradbury in their writing.

It features prominently in the original version of D.O.A. (the good version!), I, The Jury (based on Mickey Spillane’s novel), Mission Impossible (the old TV show), the Jack Nicholson movie, Wolf, and more.

Videos by Janet Jackson, Genesis, Heart, Earth, Wind and Fire and more.

More recently, it shows up in Blade Runner, The Artist, CSI NY, etc.

The Bradbury in Bladerunner


To say I love this building would be putting it mildly. It’s a fantastic place. And if you ever come to LA make sure to hit it in downtown at 304 South Broadway.

***



-------------------------
Bradbury Building interior: By Luke Jones - originally posted to Flickr as Bradbury Hotel, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=7271823

Bradbury Building 2005: By Highsmith, Carol M., 1946- photographer, donor. - This image is available from the United States Library of Congress's Prints and Photographs division under the digital ID pplot.13725.This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing for more information.العربية | čeština | Deutsch | English | español | فارسی | suomi | français | magyar | italiano | македонски | മലയാളം | Nederlands | polski | português | русский | slovenčina | slovenščina | Türkçe | українська | 中文 | 中文(简体)‎ | 中文(繁體)‎ | +/−, Public Domain, https://commons.wikimedia.org/w/index.php?curid=16340394

Detail of elevators and glass ceiling: By JayWalsh - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=30719803

Bradbury in Bladerunner: By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=2276721

02 February 2015

Wanted Mystery Readers


Jan Grapeby Jan Grape

Mystery readers are a varied and particular group. The majority of them want what they like to read best and all you have to do is point them to their favorites are.
And exactly what are their favorites? Cozy, Private Eye, Legal, Medical, Historical, Soft boiled, Hard boiled, Noir, Police Procedural, Who Dunnit, Woman in Jeopardy Thriller, Paranormal Cat Mysteries, Dog Mysteries, Comic Capers? And what about True Crime?

Did you realize there are so many different divisions in Mystery? Only when I owned a bookstore did I really realize that there is a huge variety under the mystery umbrella. What's funny to me is many people say, "Oh, I never read mysteries." But when you ask who do they read, they say, "Oh, I read James Patterson, Michael Connelly, Lee Child, Charlaine Harris, Stephen King, Sara Paretsky, Sue Grafton, Janet Evanovich, Kathy Reichs, Tony Hillerman, Mary Higgins Clark, Jonathan or Faye Kellerman."

Okay, I guess these authors write what is considered suspense, not mystery. I personally would say all of those authors write mysteries. I don't understand why people don't consider these best selling books are mysteries. Are they ashamed and don't want too admit they read mysteries. Do they think mystery is low-brow. Or maybe they think if a book is on the New York Times Best Seller List it's not a mystery? Often when a writer says they are published and they write mysteries, someone invariably will ask (usually one of your off-side relatives) when are you going to write a REAL book. That's when I want to run away screaming.

What about Harlan Coben's books? They are usually high suspense but they also are mysteries. A crime is committed, usually someone is murdered and a man (or a woman) is caught up in a situation they have no knowledge of or how to solve the mystery. Sometimes they or their loved one is in jeopardy and the main character has to use everything they've ever learned or known to save the loved one or themselves.

Back to my original question, what do mystery readers want? I can only say what I want in a book. I want a character that I like and like to root for, although I don't have to have a perfect character. In fact, it's much better if the main character has vices or flaws. However, it's nice if you see the main character in one place and, by the end of the book, the main character is in another place, perhaps changed a bit. Becoming a better person, maybe or at least has a different outlook on life.

I like reading about a location that's new to me like Alaska or Iceland, Hawaii or Florida. Places where I can learn about a state or country, their customs, foods, peoples.

I feel that way about someone who has an occupation I'm not familiar with, like Fran Rizer's character who works in a funeral home. Her character is also from South Carolina and I've never been there so I enjoy reading about the coastal area of the Atlantic side of our continent.

I also enjoy reading about a place when I have been there and see a few things in the story that I've seen. Like reading The Girl With The Dragon Tattoo, set in Sweden. I had two short trips in Sweden, but I had been to Stockholm and several of the other locations mentioned. That made the book more fun and interesting to me.

I enjoy reading good stories wherever they're set or the people who populate the mystery story. I like a story that begins with some action. I'll go along with perhaps fifty pages but something better be happening by then or forget it. It doesn't have to be a bloody murder; the murder can have taken place off scene, but I want to see the main character doing something to move the story forward. If you're a writer, write the best most intriguing book you can. Don't forget that if you are bored with the story then your readers most likely will be bored, too.

If you're a reader, proudly admit that you like mysteries. Some of the best writing is being done under the mystery/suspense umbrella. Trust me. Mystery writers cover the major issues of the day. And in about 98% of mystery books, the bad guy is caught and justice prevails, which doesn't happen in the real world often enough.

That's my opinion, what do you think, class?

06 October 2014

What Are You Reading?


Jan Grape
I didn't think I had done much reading this summer but looking back, I did.
 First, I was on the Shamus Committee to pick the Best Original Paperback. The Shamus is given by the Private Eye Writers of America. I always enjoy reading for awards because I quickly learn how important a great first line, first paragraph and first page actually are. I think we sometimes forget those important elements as writers. But I think you absolutely have to grab the reader immediately.

As a book seller for nine years, I quite often watched as customers picked up a book. I believe we all know the book cover and title are extremely important. My friend Bill Crider titled one of his early Sheriff Rhodes books, SHOTGUN SATURDAY NIGHT. I can't recall his other titles but I never forgot that one. And I really enjoy Bill's work and that character. Another friend, Susan Rogers Cooper wrote two titles that I remember well, THE MAN IN THE GREEN CHEVY and HOUSTON IN THE REAR VIEW MIRROR. All three titles are memorable and intriguing. You better believe I'm going to pick-up a book with a title like that and read the back jacket and maybe the first page. And most likely I'll buy that book. The only other title that really intrigued me was on a non-fiction book, HOW TO SHIT IN THE WOODS. That book was in the visitor's center of the Rio Grande Gorge, near Taos, New Mexico, where I volunteered three summers. I think it still remains their best seller.

After reading a number of the thirty-five or forty book our committee chose our nominees and our winner (you'll have to wait until the PWA banquet at Bouchercon on Nov 14th to find our who won.)
I did purchase a few books that I really wanted to read. One paperback I bought was CITY OF BONES by Michael Connelly. I  always enjoy Michael's books, especially the Harry Bosch novels and I had read it before but the new TV series featuring Harry Bosch and starring Titus Williver as Harry is the main storyline. It had been quite a while since I read it and I wanted to get back in the "Bosch world" and be ready for the upcoming TV shows. The title is another memorable one and the mystery of the bones of a child found, by a dog, located up in the Hollywood Hills presented a page-turner for sure. To add even more suspense the skeleton had been buried around twenty years earlier.

A hardcover that I bought new, which I seldom do anymore since I live on a fixed income, is Alafair Burke's ALL DAY AND A NIGHT.  I'm sorry to confess that I have not read Alafair before...been intending to, but somehow just hadn't. However, I began to be interested in her as a person on FB. She is bright, witty, beautiful and very likable. I wanted to see if I might possibly like her books. I called my favorite mystery bookstore, Murder By The Book in Houston, as Alafair was going to be there and ordered a signed copy. And I must tell you, I enjoyed the heck out of it. Ellie Hatcher is a homicide detective for the NYPD and is a wonderfully strong and strong-willed female character. Exactly the kind of woman I like to read about. She and her police detective partner work with a female lawyer who believes the man in prison is NOT the serial killer. I love the back and forth between the women and between Ellie and her partner. This book kept me on the edge of my seat.

Next is a book by Les Roberts, titled WET WORK. His editor asked me to read and review if I wanted to do so.  I read it and it's very compelling. The main character, first seen in THE STRANGE DEATH OF FATHER CANDY is a anti-hero, Dominick Candiotti in that he's a paid assassin for the Brownstone Agency.  The agencies leader, a man with the code name "Og" is the boss of a shadowy CIA-type black ops group. They hire assassins to kill traitors, dictators, despots of the world, pedophiles, drug kings, the scum of the earth. Turns out that Dominick is one of the best assassins. He learned his trade in Viet Nam. But he grows weary of the killings, the violence.  Og calls again with a new hurry-up assignment and Dominick says, "no, he's quitting." His boss is NOT happy, trying to make Dominick see that you don't quit the agency ever. Suddenly, he's the mark. Brownstone assassins are after him. Dominick has to use all his skill and cunning and brains to stay one step ahead of the people sent after him. The story takes us from one U.S. city after another as Dominick tries to save himself and try to track down his nemesis  Og. This is one thriller you will not want to put down.

The final book on this short list is one whose title I will always remember, TO HELL AND GONE IN TEXAS by Russ Hall. If you like reading about Texas and good guys and bad guys, then this is a book for you. It starts off with two brothers, Al and Maury who've not been speaking for twenty years. Maury seems to think and act as if he's God's gift to women and all women want him. And it does seem that they do. Which is the major cause of the brother's feud. Maury managed to get to Al wife and that cause a riff that so far hasn't healed. But right now, Maury is quite ill and someone is trying to kill him. Al, who is a retired deputy of Travis County has his lovely Hill Country lake home,  where he can fish, feed the deer that come around and ignore the world. All good things must come to an end and the Austin Police Detective, Fergie and the nurse who has been taking care of Maury talk Al into letting Maury stay at Al's house. Maury is in such bad shape he has to be sedated.

In the meantime, someone takes pot shots via drive-by boating, hoping to kill Maury or Al, but not succeeding. Then someone takes a match to the lake house. It's saved and now Al is trying to get Maury to explain what has he been into that someone actually wants him dead. Maury isn't inclined to talk. Al finds out that ICE and a Mexican Mafia are both interested in Maury.  To add a little extra tension, Al discovers than all that time spent alone might have been wasted. He finds himself coming alive with Fergie, they've known each other since high school and who knew things might change. However, unless Al can figure out the source of Maury's problems, things are liable to get tough as Hell.

Hope everyone has had a good reading summer. Now it's time more reading and cooler weather.

25 February 2013

Ripped From The Headlines


Jan Grape People always ask writers: "Where do you get ideas?" Gosh, I dunno, maybe the news of the day, just ripped from the headlines. Two items that caught my attention this week:

Body in hotel tank: Cause may take weeks


An autopsy on a woman whose body was found in a hotel water tank in Los Angeles is complete, but the cause of death is deferred pending further examination, the Los Angeles County Coroner's Office said Thursday.
That may take six to eight weeks, according to Ed Winter, the assistant chief of the coroner's office.
The decomposing body of Elisa Lam, 21, of Canada, was found floating inside a water tank on the roof of the Cecil Hotel on Tuesday. The body was in the tank for as long as 19 days while guests brushed their teeth, bathed and drank with water from it, officials say.

One lady is reported to have thought the water tasted "funny" but finally chalked it up to the LA area having strange tasting water. (Taken from a CNN News Report)



Don't think about this too much, but maybe for the next few weeks or months people will carry bottled water with them. That won't help with bathing; at least what you drink will likely be pure.

My first thought when reading this was I wonder how many thriller/mystery books will come out next year with this idea as the premise? Someone on Facebook stated that one of the CSI-type shows had this as a story line a few years ago.

Maybe this next item should be in the "Stupid Crooks" column except this guy wasn't a crook. At least nothing was said about his rap sheet.

Woman 'shot' by exploding bullets in oven


A Florida woman is lucky to be alive after being 'shot' when a loaded handgun magazine exploded in an oven.
Aalaya Walker, 18, was visiting a friend when she turned on the oven to heat up some waffles, not realising he had hidden the magazine there earlier, the Tampa Bay Times reports.
When she went to investigate the resulting explosion, she was struck in the chest and leg by bullet fragments.

Ms Walker was able to remove the shrapnel before taking herself to hospital to be assessed. Her friend, Javarski Sandy, told police he had placed the magazine from his licenced Glock weapon in the oven with four rounds still in it.

"He stated that he does not have a temperature gauge on the oven so he estimates the temperature based on how far the knob is turned," the police report read. "I observed that the inside of the oven was damaged."

If being an idiot were an arrestable offense, Mr. Sandy would be in handcuffs by now but no charges have yet been laid. (Taken from a CNN News Report & Tampa Bay Times)



As most writers know truth is often stranger than fiction. I know writers who have written true stories in their manuscripts and an editor rejected them by saying "No one would believe that."

I've often said and think maybe have even mentioned in a column before that ideas are everywhere. I even have a strange feeling they're in the air and when you need one, you just reach for one. There have been times I've had an idea come to me and a short time later I would read or hear something about that same idea. Or would come across a book written by someone else using that same idea.

But I've also heard stories of authors already working on a book when the major premise of their book actually happened in the real world. Both times the author had to stop and give up on the idea because it was too close to the real events. The first was a writer friend who told of how he was writing a book about a famous athlete (not a football player) killing his wife and he was about three-fourths of the way to the ending of his book, when O.J. Simpson was accused of killing his wife. In my friend's book the athlete is caught burying the wife. The author gave up his book because by the time it came out everyone would think he had just "ripped" his story from the headlines.

The second, was current best-selling author Michael Connelly and he reports in his newsletter that he had a book almost complete that he had to give up because it dealt with school children being killed in an elementary school. But it's got to hurt an author to spend so much time developing the story and characters and then have to dump it. Michael had to do that, Newtown CT was too emotional.

I do know that many television shows of today are based on true stories or events of the day. One television show has used that idea to their successful advantage for many years.

So the next time someone asks you where you get your ideas, you know what to say: "Ripped From The Headlines."