I'm not an outgoing person. I'm not like my partner here on SleuthSayers, Jan Grape, who never met a stranger and can and will talk to anyone about anything and has friends all over the world. That's not me. I picked writing (or writing picked me) because I thought it was a solitary endeavor. I knew nothing about conventions, and book signings, and publicity. And all I knew about research was: Get in the car, go to the library and pick out a book on whatever I needed to know. Then along came the internet, and it was even easier. I didn't have to get out of my PJ's or put on shoes. My late husband told me everything I needed to know about guns, and, because he was the exact opposite of me when it came to interacting with people, I used him to make telephone calls and go visit people when necessary. He developed a friendship with the Travis County ME and even got an excellent murder device from Dr. Biardo that I used in a short story. Of course, I never met the man.
Recently I was able to use the internet for intense research into China Marines. My father had been a China Marine – U.S. Marines stationed in China in the 1930s before and during the Japanese invasion. My bad guy in the newest E.J. Pugh mystery DEAD TO THE WORLD, was not the upstanding jarhead my daddy was, but I took him to China and on to the Philippines, following the plight of the many who fell under the forces of the Japanese. Luckily my father was not among them. But this became a very personal research project and one I enjoyed immensely. Also, I didn't have to actually talk to anyone.
But that brings me back to the one book I wrote where I became totally involved with people and their stories, and their sights, and their sounds, even if I was being pulled into it yelling and screaming. Quietly, of course.
Back in the 1990s, I wrote two books with the character of a stand-up comic named Kimmey Kruse. In the second book, FUNNY AS A DEAD RELATIVE, I decided to take Kimmey to a place I knew. Port Arthur, Texas. Now I only knew this town because it was sort of an in-law. It was where my husband had been born and bred and where all my in-laws (and there were a lot of them) lived. My husband was part Cajun and that had always intrigued me (although my idea of a first married Christmas dinner was not goose and dirty rice dressing, but that's another story entirely). The story of DEAD RELATIVE was that Kimmey was called upon to deal with her Cajun grandfather who had broken his leg down in Port Arthur. Me-maw, his wife, had thrown him out many years before, so the cousins all took turns when it was time to deal with Pee-paw. Which meant, that although I knew all about Port Arthur – that it smelled of rotten cabbage from one refinery and dirty socks from another and that it had mosquitoes the size of hummingbirds – I really needed to spend a weekend researching the place.
And my mother-in-law and sister-in-law were happy to take on that challenge. They drove me all over the town, by the ornate homes of the ship captains who had started the town, to the beautiful Buddhist temple in the part of the city that housed mostly Vietnamese immigrants. They took me to a wonderful spot under the Orange Bridge (the bridge isn't orange but it connects Port Arthur to the city of Orange across the Sabine River) with funky restaurants and even funkier homes – Quonset huts and RV's and shacks decorated with art work made of junk. And I knew that this was where Pee-paw now lived.
While wandering around under the bridge, we saw some shrimp boats tied up there on the Sabine. I innocently said to no one in particular, “Gee, it would be nice to see the inside of one,” where upon my mother-in-law (from whom my husband inherited his tendency of never meeting a stranger) shouted out to a man on said shrimp boat, “Hey! Y'all! My daughter-in-law's a writer and she wants to see inside your boat!”
To say I was mortified was an understatement. Unfortunately my complexion lends itself to turning colors under stress, so I could feel the heat of the bright red shade I'd suddenly turned. But, having no other choice, I followed my family members onto the boat, shook hands with the captain and his wife, and got to see all there is to see on a small shrimp boat, and learn all about their lives and the vulnerability of fishing for a living. Thanks to my in-laws, I met several people that weekend, all with a story to tell.
That trip opened my eyes about research and what it can do. For one thing, it made it clear to me that Port Arthur, Texas, was more than a smelly place with big mosquitoes. It was the home to many, many refineries, with containers full of oil and gas and other flammables. It was only a stone's throw from the town of Texas City that had experienced the ultimate nightmare of living in that kind of world. The people of Port Arthur were brave souls, I discovered, living under the constant light of flames shooting from the pipes of the refineries, going to work, taking their kids to school, falling in love, getting married, having babies. Just living their lives, knowing that the horror of what befell Texas City could happen to them, at any time, in any of the many locations. So they drink a lot, eat a lot of sea food, and make bottle trees and paint tires white and bury them half way in their front yards. They listen to very loud zydeco music and still think Justin Wilson is the best comedian who ever lived.
I try to remember that experience when it's time to do research. I try to remember how ultimately good it really was. But I still need a little shove, a push in the right direction. That's where Jan Grape comes in. She shoves hard.