01 November 2014

Name That Crook



by John M. Floyd



I like books about writing. I buy a lot of them, and I always seem to learn more from them than I expect to. These "how-to-create-good-fiction" authors sometimes differ on their views of what's good and what isn't, and what works and what doesn't--but now and then, like a family driving away from the Honda dealership, they are all in one Accord. (Sorry--I couldn't resist.)

One piece of writing advice that they all seem to agree on is that we talespinners should spend at least as much time on our villains as we do on our heroes. The point, there, is that the character who actually propels the action forward in a story or novel is the antagonist, not the protagonist. A wimpy bad guy just won't do. As I heard someplace, Jack the Giant Killer needs a giant to kill.

Another good move is to come up with suitable names for our villains. I once said, in a previous column, that I couldn't imagine 007 introducing himself as "Dinkins. Wilbur Dinkins." Well, the same goes for Bond's adversaries. Arnold Goldpinkie probably wouldn't have presented much of a threat to the world, or Doctor Yessiree.

Along these lines, here are a few fictional baddies whose names I especially like. (I can almost picture the sudden smiles on the writers' faces when these popped into their heads.)

Seriously evil dudes:

Hans Gruber, Die Hard
Noah Cross, Chinatown
Percy Wetmore, The Green Mile
Vince Stone, The Big Heat (Lee Marvin played baddies and goodies equally well)
Amon Goeth, Schindler's List
Morgan Sloate, The Talisman
Roy Batty, Blade Runner
Anton Chigurh, No Country for Old Men 
Voldemort, Harry Potter series
Stuntman Mike, Death Proof
Colonel Kurtz, Apocalypse Now
Randall Flagg, The Stand
Little Bill Daggett, Unforgiven
Sauron, Lord of the Rings
Max Cady, Cape Fear
Oddjob, Goldfinger
Freddy Kreuger, A Nightmare on Elm Street
Dr. Szell, Marathon Man
Bill Cutting, Gangs of New York
Dean Wormer, Animal House
Emilio Largo, Thunderball
Cicero Grimes, Hombre (Richard Boone was always a convincing villain)
Tommy Udo, Kiss of Death 
Commodus, Gladiator (what could be worse? Toiletus?)
Miles Quaritch, Avatar
Leatherface, Texas Chainsaw Massacre
Francis Dolarhyde, Red Dragon
Lex Luthor, Superman

Seriously evil dudettes:

Irma Bunt, On Her Majesty's Secret Service
Cersei Baratheon, Game of Thrones
Miranda Priestly, The Devil Wears Prada
The Wicked Witch of the West, The Wizard of Oz
Phyllis Dietrichson, Double Indemnity
Cruella de Vil (cruel devil?), 101 Dalmations
Mallory Knox, Natural Born Killers
Santanico Pandemonium, From Dusk Till Dawn
Maleficent, Sleeping Beauty
Elle Driver, Kill Bill (Daryl Hannah, of all people)
Miss Havisham, Great Expectations
Mama Fratelli, The Goonies
Alex Forrest, Fatal Attraction (Play Misty for Me, Part 2?)
Aileen Wuornos, Monster
Nurse Ratched (wretched?), One Flew Over the Cuckoo's Nest
Bellatrix Lestrange, Harry Potter and the Order of the Phoenix
Catherine Tramell, Basic Instinct
The White Witch, The Chronicles of Narnia (who better than Tilda Swinton, for this?)
Rosa Klebb, From Russia With Love

Asides and exceptions

I should pause here to admit that some of the best literary and cinematic villains had normal, plain, believable names: Michael Myers (Halloween), Annie Wilkes (Misery), Frank Booth (Blue Velvet), Norman Bates (Psycho), Mrs. Danvers (Rebecca), Ben Wade (3:10 to Yuma), Tom (The Talented Mr.) Ripley, George Harvey (The Lovely Bones), Reverend Harry Powell (The Night of the Hunter), Jack Wilson (Shane), and so on. But who's to say that they wouldn't have been even more ominous if their names had been ominous as well?

By the way, all baddies are not truly evil. Some--Mrs. Robinson (The Graduate), Lt. Gerard (The Fugitive), Major Henry Terrill (The Big Country), Ed Rooney (Ferris Bueller's Day Off), Headmaster Nolan (Dead Poet's Society), etc.--are just unpleasant people who get in the way of the protagonists' needs and goals. I'll always like the name of Milo Minderbinder, the sneaky opportunist and profiteer from Catch-22--and even though his actions unknowingly caused death and disaster, he was more of an antagonist than a villain.

And some villains are so terrifying they have no names at all. In The Village, the creatures in the surrounding woods were whisperingly called Those We Don't Speak Of.

In closing, here are my Top 10 favorite names for bad guys:

Gordon Gekko, Wall Street
Ernst Stavro Blofeld, You Only Live Twice
Lars Thorwald, Rear Window
Liberty Vallance, as in The Man Who Shot
Draco Malfoy, Harry Potter series
Hannibal Lecter, The Silence of the Lambs
Apollo Creed, Rocky
Darth Vader, Star Wars
Hugo Drax, Moonraker
Uriah Heep, David Copperfield


Sigh. I wish I were the one who came up with those . . .




17 comments:

Fran Rizer said...

John, I'm always eager to read your lists. I agree with you on most of these though I think the name Vince Stone would work equally well for a good guy. Have you considered a list of names that come across as wicked because of their parts in a particular story, not just by the sound of their names?

David Dean said...

What a great list, John! I've always thought that Ian Fleming (great name also) was the best at naming villains--Klebb and Blofeld being among my favorites. Dr. No is nothing short of brilliant for a bad guy. Think about it--no one wants to see the doctor, and everyone hates to be told, "no!" Genius, I say!

John Floyd said...

David, I agree that Bond villains had some great names. I wasn't fond of Jaws, but maybe that's because that name was a creation of the filmmakers' and not of Fleming's. He didn't appear in any of the novels.

Fran, you're right about Vince Stone--I was probably lured into listing him because of the reason you gave: he was more a memorable villain in that particular story, than a villain with a memorable name.

Melodie Campbell said...

What great lists! John, your posts are always worth reading.
I'm smiling here, thinking that - in my own books - usually the cops are the bad guys, and the mob are the ones you root for. I love a villain who is really fleshed out...where his motivation is believable, such that the reader has sympathy for him.

Robert Lopresti said...

>Sigh. I wish I were the one who came up with those . . .

You would be very rich.

A few addtions:
Arnold Zeck (Rex Stout's AND BE A VILLAIN etc)
James Flood (Stanley Ellin's STRONGHOLD)
Professor Moriarty (guess)

John Floyd said...

Thanks, Melodie! In some of Elmore Leonard's novels, like Get Shorty, bad guys like Chili Palmer are certainly the ones to root for.

I've heard it's ALWAYS better to give the bad guys at least some good qualities (just as the good guys should have some bad in them). And yes, the baddies have to be properly and believably motivated--it's not enough anymore to just make them MEAN.

Good names do help, though. I'd be willing to bet the top authors spend a LOT of time coming up with appropriate character names.

John Floyd said...

I started to mention Moriarty, Rob. The reason I didn't is that I know some Moriartys that are really nice folks. (Then again, I also know some really nice Tramells and Cadys and Grimeses and Forrests and Dolarhydes. As Fran said, I suppose I let the evilness of the villains themselves influence whether I included them or not.)

Forgot Arnold Zeck! Good addition . . .

Herschel Cozine said...

Johnny Rocco, Eddie G's name in Key Largo. He made a great villain.

As usual, John, your list is impressive

Peter DiChellis said...

Great lists. I always thought Travis Bickle (Taxi Driver) was a creepy character name. But maybe DeNiro's genius performance just made it seem creepy.

John Floyd said...

Good old Johnny Rocco--thanks, Herschel. I actually watched Key Largo again a couple months ago. And I don't know how I neglected Travis Bickle, Peter, but I did. Half the fun of these trips down Novel-and-Movie-Memory Lane is hearing about characters you've either forgotten about or didn't know about.

Another Bond villain (this one from a short story called "Risico," in the collection For Your Eyes Only) was named Aristotle Kristatos--and I forgot him too.

Dixon Hill said...

Great list. And I'd like to suggest another entry:

I've always been interested that in Tinker Taylor Soldier Spy and some other George Smiley novels by John le Carre, the Soviet bad guy orchestrating the mole network is codenamed "Karla."

This seems, to the Western ear at least imho, to be a feminine name, as if even the man's gender is uncertain. Thus, to me, it's the perfect name for an extremely important and mysterious high-level KGB operative, about whom so little is known that MI6 is willing to create a file using unconfirmed information, rumor and inuendo. The name Karla, to me, serves to illustrate just how truly spectral the character is in the eyes of those trying desperately to track his operations.

--Dixon

John Floyd said...

I agree, Dixon. In a world where code names are usually something like Jackal, Crossbones, Komodo, and so on, Karla seems appropriately mysterious and diabolical. I love those le Carre novels, and I can't help thinking of other le Carre villains: Haydon, Mundt, Roper, etc.

Dixon Hill said...

Yes, it's as if the mundanity serves to almost highlight how duplicitous their true natures really are.

Eve Fisher said...

And then there's the Len Deighton (early) spy novels, in which the hero is nameless (so they called him Harry Palmer in the movie). Somehow that always really worked for me: especially when he was up against Johnny Vulkan and Colonel Stok in "Funeral in Berlin".

John Floyd said...

More good villainous names, Eve. I liked the first three Harry Palmer movies--Michael Caine played him in all of those, I think--but I haven't seen the next two. I have only the first two books, plus Deighton's Game/Set/Match trilogy, and enjoyed them.

Robert Lopresti said...

My memory is that in Tinker Tailor, Smiley says that some people say "Karla" was the name of the only woman the villain ever loved - and had killed. This theory becomes significant (though it is not mentioned) in SMILEY'S PEOPLE.

John Floyd said...

Rob, I think you're right. And am I the only one who sees a similarity in the kinds of spy novels written by le Carre and Deighton? Their work seems to be more cerebral and less action-packed than other espionage stories.

I recall a logline years ago for the movie version of The Ipcress File: it was billed as "The thinking man's Goldfinger."