

by Fran Rizer

    Here I am with two fine, good-looking, talented men I'd love to have known personally. I wouldn't mind having been  able  to drink a little bourbon or Jack Daniels with each of them. To my left, Mr.  William  Faulkner. To my right, O Henry. In my youth, I spent a lot of  time             reading short stories. My favorites include everything O Henry  ever  wrote and "A Rose           for Emily" by William Faulkner.
     My   published writing so far has been four novels, two children's books,   some scientific reports for Clemson University, numerous magazine   features, and a few short stories. Lately, I've been thinking a lot   about trying more short stories, and short stories make me think of   songs. When I taught writing, I used songs to help the students identify   some of the writing elements--setting, characters, plot, as well as   beginning, middle, and ending.
     I   grew up on a mix of country music, R&B, classical, and jazz.   Two of the finest story songs from my youth are "Stagger Lee" and "Long   Black Veil." Both of them involve murder.
     On   Christmas Eve, 1895, "Stag" Lee Shelton, a Black pimp, shot William   "Billy" Lyons in a St. Louis saloon after Billy snatched Stag's Stetson   hat. That was immediately cast into a song that swept through the South   with several little changes each time it was sung. A myth evolved,   described by Julius Lester in "Black Folktales" as, "Stagolee was so bad   that the flies wouldn't even fly around his head in the summertime,  and  snow wouldn't fall on his house in the winter."
     Over   four hundred artists have released the song about "Stag" Lee Shelton   since the first recording in 1923, and the song has been refashioned as   Ragtime, Broadway showtune, Blues, Jazz, Honky Tonk, Country, '50's  Rock  'n Roll, Hawaiian and Gangsta Rap. The story lives on as a  musical, two  novels, a short story, an award-winning graphic novel, Ph.  D.  dissertations, and a pornographic feature film.
     Recordings   include those by James Brown, Nick Cave, Neil Diamond, The Clash, Pat   Boone, Fats Domino, Bob Dylan, Duke Ellington, The Grateful Dead, Woody   Guthrie, The Ventures, Ike and Tina Turner, Ma Rainey, Jerry Lee  Lewis,  Tom Jones, The Black Keyes and Elvis Presley. My favorite is the   extremely popular 1959 version by Lloyd Price. (shown below left)  These  are the lyrics as Price recorded it.

    STAGGER LEE
  The night was clear, and the moon was yellow
  And the leaves came tumbling down. . .
  I was standin' on the corner
  When I heard my bulldog bark.
  He was barkin' at the two men
  Who were gamblin' in the dark.
  It was Stagger Lee and Billy,
  Two men who gambled late.
  Stagger Lee threw a seven
  Billy swore that he threw eight.
                           Stagger Lee told Billy
                          "I can't let you go with that.
                          "You have won all my money,
                                "And my brand new Stetson hat."
                          Stagger Lee went home
                     And he got his .44.
                    He said, "I'm going to the bar room
                          Just to pay that debt I owe."
                  (bridge)
                       Go, Stagger Lee
                          Stagger Lee went to the bar room
                          And he stood across the bar room door.
                         He said, "Now nobody move,"
                         And he pulled his .44.
                            "Stagger Lee," cried Billy,
                    "Oh, please don't take my life!
                    "I've got three hungry children
                          And a very sickly wife."
                          Stagger Lee shot Billy.  
                          Oh, he shot that poor boy so bad 
                        'Til the bullet went through Billy
                           And broke the bartender's glass.
                         Go, Stagger Lee, go, Stagger Lee
                   Go, Stagger Lee, go, Stagger Lee

       On an occasional Friday or Saturday night, when
 I go to a bluegrass jam, I inevitably get irritated when
 one of the pickers does my other favorite story song.
The reason is that they don't sing the words as written.  
When confronted, the reply is, "Oh, that's an old 
public domain folk song.  I sing it the way I heard it 
at another jam."
     "Long   Black Veil" isn't an old, uncopyrighted folk song. It was written by   Marijohn Wilkin and Danny Dill, and originally recorded by Lefty   Frizzell on March 3, 1959, as a country ballad
that became a smash hit.
     Wilkin   and Dill claimed their inspiration for the song was three-fold: Red   Foley's recording of "God Walks These Hills With Me," a contemporary   newspaper report about the unsolved murder of a priest, and the legend   of a mysterious veiled woman who regularly visited Rudolph Valentino's   grave.
     "The   Long Black Veil" has been covered by artists in country, folk, and  rock  styles. Sammi Smith had a hit with it in 1974 and other recordings   include those by Johnny Cash, Dave Matthews Band, Joan Baez, Mick   Jagger, Bruce Springsteen, Harry Manx, Mike Ness, Nancy Owen with Mama Said, and Rosanne Cash.
THE LONG BLACK VEIL
       Ten years ago, on a cold dark night
       There was someone killed 'neath the town hall light
       There were few at the scene, but they all agree
       That the slayer who ran looked a lot like me
       The judge said, "Son, what is your alibi?
       If you were somewhere else, then you won't have to die."
       I spoke not a word, though it meant my life,
       For I had been in the arms of my best friend's wife
Chorus
       She walks these hills
       In a long black veil
       She visits my grave
       When the night winds wail
       Nobody knows, nobody sees
       Nobody knows but me
       The scaffold's high and eternity near
       She stood in the crowd and shed not a tear
       But sometimes at night, when the cold wind blows
       In a long black veil, she cries o'er my bones
    Repeat Chorus
    Tag   Nobody knows but me
            Nobody knows but me
              Talk about flash fiction! What a great story in a few words!!
     Randall   Hylton, songwriter and performer extraordinaire who had more than two   hundred original songs cut by major artists, told me, "Fran, story  songs  are easiest to sell," so I wrote a bluegrass story song. I'm  tempted to  put it here, but I'll save it for next time. I know that at  least two  other SleuthSayers are song writers as well. What about you?  Do you have  an original story song? If so, email it to me at franrizer  at gmail dot  com and I'll include it two weeks from now.
     Wanna   win a prize? Answer this question of the day in Sleuthsayers Comments Section.  First person with correct answer wins.  Instructions how to claim the prize will be given tonight when the winner is announced tonight.
QUESTION OF THE DAY: What did Edgar Allan Poe and Abraham Lincoln have in common other than the century during which they lived?
Until we meet again...take care of YOU.
 
 
My apologies for the appearance of this blog. When I previewed it, the type was consistent and the margins were even. C'est la vie.
ReplyDeleteGreat songs, both of them. I remember hearing the co-author of Veil at the Vancouver Folk Festival years ago and everyone was astonished to find out he was still very much alive. Folksong writers often try to make their songs sound a century old; he succeeded better than most.
ReplyDeleteMy favorite version of Staggerlee is "Mrs DeLyon's Lament," really a different but related song by Jim Ringer.
"If you're still here when I get back
with my barlow knife and gun
I'm gonna stab you if you stand still
and shoot you if you run."
I also just realized I had no idea what O. Henry looked like. Such a sweet grandfatherly looking bank embezzler, wasn't he?
Rob, I haven't heard the Jim Ringer song, but I'll check it out. I love the line "stab you if you stand still and shoot you if you run." I'd heard a few other versions but listened to more of them when I started writing this blog.
ReplyDeleteNot only was the embezzler sweet and grandfatherly looking, he appears a bit debonair to me. Guess being so close to Christmas, I could have mentioned "Gift of the Magi," as one of his most famous stories, but my favorite is probably "Mammon and the Archer."
David Bromberg does a great version of Mrs D's Lament.
ReplyDeleteBy the way, my daughter's band performs at science fiction conventions (among other places) and she emailed me last night to say she is on a panel at one next year about story songs. She asked for the words to a few of mine. What a kid...
Fran, two additions to the "Long Black Veil" covers: the Chieftains and Bill Monroe. And I hope I got this link right: It's me singing it (my favorite murder ballad) at Killer Nashville (the video is lousy but the audio is good) on the stunning black and silver acoustic guitar that had just been presented to J.A. Jance.
ReplyDeleteLiz Zelvin sings "Long Black Veil" at Killer Nashville