Showing posts with label free story. Show all posts
Showing posts with label free story. Show all posts

13 March 2016

The Boorn Brothers


Leigh Lundin Last month, we brought you stories by Abraham Lincoln and Wilkie Collins about actual cases of wrongful conviction that nearly resulted in hangings. As mentioned in the articles, a few critics assumed the Collins novella, The Dead Alive, might have been based upon Lincoln’s own defense as a young lawyer. However, Collins premised his story on another American murder trial that took place in Vermont, 1819-1820.

The Boorn Brothers
Boorn Brothers
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I stumbled upon the case in an interesting book published in 1932 by Yale University, Convicting the Innocent. Whatever your views regarding capital punishment, the chapters read like fiction and, apart from footnotes, don’t come off the least bit academic.

Here now is the actual case that Wilkie Collins fictionalized into his own story.

21 February 2016

Wilkie Collins - The Dead Alive


Wilkie Collins
Wilkie Collins, 1853
So often the stories we enjoyed as kids don’t hold up when we reread them as supposedly mature adults. Dale Andrews discussed this in particular about the Hardy Boys and I’ve noted this recently while rereading S. S. Van Dyne.

One of the earliest novels I read in the 4th or 5th grade was a battered copy of The Moonstone, one of the many hundreds of books my family hoarded in case of cultural collapse and literary starvation. At the time, I didn’t know The Moonstone was special, that it was considered the first modern English mystery novel. I simply enjoyed it so much I would remember it for decades.

Its author, Wilkie Collins (1824–1889), is recognized as one of the great authors of the Victorian era, reaching his peak during the 1860s. It was during this decade he published The Woman in White (1860), No Name (1862), Armadale (1866), and The Moonstone (1868). Also during this time his friendship with Charles Dickens grew and developed to the point of collaboration.

Bully

Many of us feel a particular distaste for school bullies, but Collins credits a class tormentor for awakening his creative talent where he “learnt to be amusing on short notice.” When Collins was 14, he appeased his in-residence persecutor with stories. “It was this brute who first awakened in me, his poor little victim, a power of which but for him I might never have been aware. … When I left school, I continued story telling for my own pleasure.”

The Dead Alive
The Dead Alive ebook PDF
ebook PDF

The Dead Alive
The Dead Alive print PDF
print PDF
Today’s The Dead Alive, sometimes called John Jago’s Ghost, features at least one bully and arguably a second. Note Collins’ smooth, modern style. While not as ‘deep’ as his friend Dickens’, Collins’ writing isn’t nearly as dense. Some Victorians require intense mental mastication, but Collins’ words dissolve on the tongue like a well-made pastry.

A few reviewers believe Abraham Lincoln’s Trailor Murder Mystery was answered by this Wilkie Collins’ story. That assessment is likely a mistake. While it’s impossible to determine whether Collins was aware of Lincoln’s case, it’s far more certain Collins based his story on another American case, that of the Boorn Brothers in Vermont. Not only will readers will find the parallels irrefutable, but Collins himself admits such in his afterword.

And now, a tale by Wilkie Collins…

14 February 2016

Abe Lincoln's Mystery


Lincoln
Abe Lincoln: rail splitter, a riverboat crewman, an inventor, a country lawyer, a congressman, a poet, a president, the great emancipator… and murder mystery author.

Tomorrow is Presidents Day in celebration of our great presidents, Abraham Lincoln (12th Feb), George Washington (22nd Feb), and in some states, Thomas Jefferson (13th Apr). To honor them, SleuthSayers brings you a murder mystery written by our 16th president. (Bet you didn’t see that coming.)

We normally picture the lawyerish Lincoln involved in contracts and torts, bailments and agreements, the dry essence of civil law. The man also practised criminal law. He’s particularly recognized for winning what became known as the Almanac Case, in which he looked up the position of the moon in lunar tables to discredit a witness.

Lincoln
Earlier, Lincoln wrote “A Remarkable Case of Arrest for Murder” back when he was still a country lawyer. To be candid, it’s not a murder mystery in the expected sense, but based upon an actual 1841 case in which Lincoln defended one of three brothers accused of murder.

His client didn’t pay him, so Honest Abe monetized the experience in a different way… by selling a story about it. Fortunately, he went on to other pursuits and the rest, as they say, is history.

Unlike traditional murder mysteries, the story doesn’t contain the customary dénouement. It’s written as a puzzling happenstance without a true resolution.

Some contend Wilkie Collins’ charming 1873 novella, The Dead Alive (a.k.a John Jago’s Ghost) suggests a solution for Lincoln’s story, but in fact Collins based his tale on another American true crime story known as the Boorn Brothers murder case.


Now, from the Presidential of the United States…

24 January 2016

Flash Fiction– The Gamble


Leigh Lundin
Imagine a game I invite you to play. Here are the rules:
  1. You put down $1. Me, nothing.
  2. We flip a coin.
  3. If you win, you get 50¢ back.
  4. If I win, I get your $1 bill.
In a nutshell, I’ve described exactly how lotteries work. Simply substitute ‘the state’ for the first person pronoun and ‘the public’ for the second person ‘you’.

Astonishing, isn’t it? You could make it more accurate by substituting ‘the poor’ for ‘the public’, because that’s the lottery’s primary target.

The lotteries like to tout the advantages. “It allows people to dream for a little while,” says Florida’s own lottery commissioner.” “It pays for education (sorta, kinda)” insists New York’s. “It allows the public to join in a social exercise,” claims a professor.

But for all that, the lottery has one, sole purpose: It’s a cynical tax on the poor. Do politicians honestly believe states implemented lotteries to entertain the masses? Or even benefit their citizens in some way? They’re put in place to shift taxes away from those who don’t want to pay– the wealthy.

A young woman named Cinnamon represents the lotteries’ prime target. Convinced she couldn’t lose, she blew her family’s $800 (or much more depending upon the source) rent and grocery budget buying tickets. I feel sad for the girl, even sadder for her family, victims of the lottery culture.

But she’s got chutzpah. She went on Go Fund Me, where some of us might donate a little to people with serious medical issues. (Consider helping writer Kevin Tipple’s wife Sandi for her cancer treatment.) Our plucky girl Cinnamon wrote this:
Please help me and my family as we have exausted [sic] all of our funds. We spent all of our money on lottery tickets (expecting to win the 1.5 billion) and are now in dire need of cash. With your small donation of at least $1.00, a like, and one share, I’m certain that we will be able to pick ourselves up from the trenches of this lost [sic] and spend another fortune trying to hit it big again! PLEASE, won’t you help a family in need. DONATE NOW.

The rational among us might have expected her to have learned a lesson, but notice the words bolded by me.

As you might imagine, people were scathing, but– surprise– some donated until Go Fund Me took down her donations page. Now she claims it's all a joke, ha-ha. Thing is, I've personally known desperate people who empty their wallet at the local lottery store.

My friends Sharon and Cate, seldom at a loss for words, managed a few choice ones. Inspired by them, this little bit of flash fiction came to mind. Our colleague Vicki Kennedy tells me this form is called a ‘drabble’. Please don’t confuse our fictional Nutmeg with the real Cinnamon whom we prefer to believe is much classier.


The Gamble
by Leigh Lundin

After the lottery tops a stratospheric billion dollar pot, Nutmeg wagers her family’s rent and grocery money. To her surprise, she loses. Even her car’s repossessed. She visits the local charity, which shoos her out the door.

Matters go from bad to worse after she’s arrested for prostitution. Police visit charity officials.

“Miss Nutmeg claims you sent her to WalMart to peddle her ass.”

“For a job, sir. I told her to pedal her ass to WalMart.”

20 December 2015

O Henry Meets the Magi


Norman Rockwell : The Gift of the Magi
© Norman Rockwell
It’s the Christmas season. The countdown to the holiday stands at -5 until we begin the twelve days of Christmas. In recent weeks, I’ve been uncharacteristically uncharitable to an iconic American author, O Henry, revisiting Shamrock Jolnes parodies that might be better forgotten (here and here). But frankly, I admire O Henry’s tales. To make up for past sins, here is one the most famous Christmas stories ever.

William Sydney Porter wrote it in 1905, possibly in the second booth from the front at Pete’s Tavern, Irving Place and East 18th in New York City. O Henry apparently spent a lot of time at Pete’s place, which now honors O Henry on its awning: “The Tavern O Henry made famous.”

The New York Sunday World published the story 10 December. O Henry reissued it the following spring of 1906 in the collection The Four Million.

You know the tale, but Christmas is about tradition. Take a sentimental journey with us as we read…

The Gift of The Magi

by O Henry
(© 1905)


One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty- seven cents. And the next day would be Christmas.

There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.

While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad.

In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name “Mr. James Dillingham Young.”

The “Dillingham” had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, though, they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called “Jim” and greatly hugged by Mrs. James Dillingham Young, already introduced to you as Della. Which is all very good.

Della finished her cry and attended to her cheeks with the powder rag. She stood by the window and looked out dully at a gray cat walking a gray fence in a gray backyard. Tomorrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn’t go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. Something fine and rare and sterling– something just a little bit near to being worthy of the honor of being owned by Jim.

There was a pier-glass between the windows of the room. Perhaps you have seen a pier-glass in an $8 flat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art.

Suddenly she whirled from the window and stood before the glass. her eyes were shining brilliantly, but her face had lost its color within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length.

Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim’s gold watch that had been his father’s and his grandfather’s. The other was Della’s hair. Had the queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty’s jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy.

So now Della’s beautiful hair fell about her rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her. And then she did it up again nervously and quickly. Once she faltered for a minute and stood still while a tear or two splashed on the worn red carpet.

On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she fluttered out the door and down the stairs to the street.

Where she stopped the sign read: “Mne. Sofronie. Hair Goods of All Kinds.” One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the “Sofronie.”

“Will you buy my hair?” asked Della.

“I buy hair,” said Madame. “Take yer hat off and let’s have a sight at the looks of it.”

Down rippled the brown cascade.

“Twenty dollars,” said Madame, lifting the mass with a practised hand.

“Give it to me quick,” said Della.

Oh, and the next two hours tripped by on rosy wings. Forget the hashed metaphor. She was ransacking the stores for Jim’s present.

She found it at last. It surely had been made for Jim and no one else. There was no other like it in any of the stores, and she had turned all of them inside out. It was a platinum fob chain simple and chaste in design, properly proclaiming its value by substance alone and not by meretricious ornamentation– as all good things should do. It was even worthy of The Watch. As soon as she saw it she knew that it must be Jim’s. It was like him. Quietness and value– the description applied to both. Twenty-one dollars they took from her for it, and she hurried home with the 87 cents. With that chain on his watch Jim might be properly anxious about the time in any company. Grand as the watch was, he sometimes looked at it on the sly on account of the old leather strap that he used in place of a chain.

When Della reached home her intoxication gave way a little to prudence and reason. She got out her curling irons and lighted the gas and went to work repairing the ravages made by generosity added to love. Which is always a tremendous task, dear friends– a mammoth task.

Within forty minutes her head was covered with tiny, close-lying curls that made her look wonderfully like a truant schoolboy. She looked at her reflection in the mirror long, carefully, and critically.

“If Jim doesn’t kill me,” she said to herself, “before he takes a second look at me, he’ll say I look like a Coney Island chorus girl. But what could I do– oh! what could I do with a dollar and eighty- seven cents?”

At 7 o’clock the coffee was made and the frying-pan was on the back of the stove hot and ready to cook the chops.

Jim was never late. Della doubled the fob chain in her hand and sat on the corner of the table near the door that he always entered. Then she heard his step on the stair away down on the first flight, and she turned white for just a moment. She had a habit for saying little silent prayer about the simplest everyday things, and now she whispered: “Please God, make him think I am still pretty.”

The door opened and Jim stepped in and closed it. He looked thin and very serious. Poor fellow, he was only twenty-two– and to be burdened with a family! He needed a new overcoat and he was without gloves.

Jim stopped inside the door, as immovable as a setter at the scent of quail. His eyes were fixed upon Della, and there was an expression in them that she could not read, and it terrified her. It was not anger, nor surprise, nor disapproval, nor horror, nor any of the sentiments that she had been prepared for. He simply stared at her fixedly with that peculiar expression on his face.

Della wriggled off the table and went for him.

“Jim, darling,” she cried, “don’t look at me that way. I had my hair cut off and sold because I couldn’t have lived through Christmas without giving you a present. It’ll grow out again– you won’t mind, will you? I just had to do it. My hair grows awfully fast. Say `Merry Christmas!’ Jim, and let’s be happy. You don’t know what a nice– what a beautiful, nice gift I’ve got for you.”

“You’ve cut off your hair?” asked Jim, laboriously, as if he had not arrived at that patent fact yet even after the hardest mental labor.

“Cut it off and sold it,” said Della. “Don’t you like me just as well, anyhow? I’m me without my hair, ain’t I?”

Jim looked about the room curiously.

“You say your hair is gone?” he said, with an air almost of idiocy.

“You needn’t look for it,” said Della. “It’s sold, I tell you– sold and gone, too. It’s Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered,” she went on with sudden serious sweetness, “but nobody could ever count my love for you. Shall I put the chops on, Jim?”

Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year– what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts, but that was not among them. This dark assertion will be illuminated later on.

Jim drew a package from his overcoat pocket and threw it upon the table.

“Don’t make any mistake, Dell,” he said, “about me. I don’t think there’s anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you’ll unwrap that package you may see why you had me going a while at first.”

White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat.

For there lay The Combs– the set of combs, side and back, that Della had worshipped long in a Broadway window. Beautiful combs, pure tortoise shell, with jewelled rims– just the shade to wear in the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone.

But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: “My hair grows so fast, Jim!”

And them Della leaped up like a little singed cat and cried, “Oh, oh!”

Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit.

“Isn’t it a dandy, Jim? I hunted all over town to find it. You’ll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it.”

Instead of obeying, Jim tumbled down on the couch and put his hands under the back of his head and smiled.

“Dell,” said he, “let’s put our Christmas presents away and keep ‘em a while. They’re too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on.”

The magi, as you know, were wise men– wonderfully wise men– who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. O all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.

Gift of the Magi (© illustrator unknown)
I don’t know who the illustrator is, but he managed to capture the poignancy and joy of the story.



Be safe, be warm (no problem for our friends in South Africa and New Zealand) and have a wonderful Christmas holiday! See you here next year.

13 December 2015

Sherlock Holmes meets O Henry, 2


O Henry
If you thought last week’s story featuring O Henry’s Shamrock Jolnes was dull, er, droll, wait until you read this week’s clunker.

I admire O Henry’s stories, I really do, but his heavy drinking shows, drinking that led to an early death by liver failure. But that’s just my opinion. These turkeys managed to get published posthumously.

The ‘O’ in William Sydney Porter’s O Henry pseudonym originally stood for Olivier. He used that pen name only once and changed it to simply ‘O’ to disguise the fact he was writing while in federal prison for bank embezzlement. A friend forwarded manuscripts to publishers to further obscure Porter’s whereabouts.

Athol, Margaret, William Porter, 1895
Without doubt, he loved his wife, Athol. Porter married her knowing she suffered from consumption, the disease tuberculosis that would eventually take her life.

Athol encouraged her husband to write, which he began while working in Austin and Houston. After a boy who died in childbirth, Athol bore a daughter, Margaret.

After Porter’s indictment for bank fraud, he fled the country, arriving in Trujillo, Honduras. Porter planned for his wife and daughter to join him, but upon learning she was dying of tuberculosis, Porter returned and gave himself up. While serving three years of a five-year sentence in an Ohio federal prison, he wrote short stories to help support his young daughter, Margaret.

After prison, Porter moved to New York where he commenced his literary career in earnest. These Shamrock Jolnes stories were written shortly before his 1910 death at age 47.

The Sleuths

by O Henry
(© 1911)


In the Big City a man will disappear with the suddenness and completeness of the flame of a candle that is blown out. All the agencies of inquisition – the hounds of the trail, the sleuths of the city’s labyrinths, the closet detectives of theory and induction – will be invoked to the search. Most often the man’s face will be seen no more. Sometimes he will re-appear in Sheboygan or in the wilds of Terre Haute, calling himself one of the synonyms of ‘Smith’, and without memory of events up to a certain time, including his grocer’s bill. Sometimes it will be found, after dragging the rivers, and polling the restaurants to see if he may be waitng for a well-done sirloin, that he has moved next door.

This snuffing out of a human being like the erasure of a chalk man from a blackboard is one of the most impressive themes in dramaturgy

The case of Mary Snyder, in point, should not be without interest.

A man of middle age, of the name of Meeks, came from the West to New York to find his sister, Mrs. Mary Snyder, a widow, aged fifty-two who had been living for a year in a tenement house in a crowded neighborhood.

At her address he was told that Mary Snyder had moved away longer than a month before. No one could tell him the new address.

On coming out Mr. Meeks addressed a policeman who was standing on the corner, and explained his dilemma.

“My sister is very poor,” he said, “and I am anxious to find her. I have recently made quite a lot of money in a lead mine, and I want her to share my prosperity. There is no use in advertising her, because she cannot read.”

The policeman pulled his mustache and looked so thoughtful and mighty that Meeks could almost feel the joyful tears of his sister Mary drooping upon his bright blue tie.

“You go down in the Canal Street neighborhood,” said the policeman, “and get a job drivin’ the biggest dray you can find. There’s old women always getting’ knocked over by drays down there. You might see ‘er among ‘em. If you don’t want to do that you better go ‘round to headquarters and get ‘em to put a fly cop onto the dame.”

At police headquarters, Meeks received ready assistance. A general alarm was sent out and copies of a photograph of Mary Snyder that her brother had were distributed among the stations. In Mulberry Street the chief assigned Detective Mullins to the case.

The detective took Meeks aside and said:

“This is not a very difficult case to unravel. Shave off your whiskers, fill your pockets with good cigars, and meet me in the café of the Waldorf at three o’clock this afternoon.”

Meeks obeyed. He found Mullins there. They had a bottle of wine, while the detective asked questions concerning the missing woman.

“Now,” said Mullins, “New York is a big city, but we’ve got the detective business systematized. There are two ways we can go about finding your sister. We will try one of ‘em first. You say she’s fifty-two?”

“A little past,” said Meeks.

The detective conducted the Westerner to a branch advertising office of one of the largest dailies. There he wrote the following “ad” and submitted it to Meeks.

“Wanted, at once – one hundred attractive chorus girls for a new musical comedy. Apply all day at No.–- Broadway.”

Meeks was indignant.

“My sister,” said he, “is a poor, hard-working, elderly woman. I do not see what aid an advertisement of this kind would be toward finding her.”

“All right,” said the detective. “I guess you don’t know New York. But if you’ve got a grouch against this scheme we’ll try the other one. It’s a sure thing. But it’ll cost you more.”

“Never mind the expense,” said Meeks; “we’ll try it.”

The sleuth led him back to the Waldorf. “Engage a couple of bedrooms and a parlor,” he advised, “and let’s go up.”

This was done, and the two were shown to a superb suite on the fourth floor. Meeks looked puzzled. The detective sank into a velvet armchair, and pulled out his cigar case.

“I forgot to suggest, old man,” he said, “that you should have taken the rooms by the month. They wouldn’t have stuck you so much for em.”

“By the month!” exclaimed Meeks. “What do you mean?”

“Oh, it’ll take time to work the game this way. I told you it would cost you more. We’ll have to wait till spring. There’ll be a new city directory out then. Very likely your sister’s name and address will be in it.”

Meeks rid himself of the city detective at once. On the next day some one advised him to consult Shamrock Jolnes, New York’s famous private detective, who demanded fabulous fees, but performed miracles in the way of solving mysteries and crimes.

After waiting for two hours in the anteroom of the great detective’s apartment, Meeks was shown into his presence. Jolnes sat in a purple dressing gown at an inlaid ivory chess table, with a magazine before him, trying to solve the mystery of “They.” The famous sleuth’s thin, intellectual face, piercing eyes, and rate per word are too well known to need description.

Meeks set forth his errand. “My fee, if successful, will be $500,” said Shamrock Jolnes.

Meeks bowed his agreement to the price.

“I will undertake your case, Mr. Meeks,” said Jones, finally. “The disappearance of people in this city has always been an interesting problem to me. I remember a case that I brought to a successful outcome a year ago. A family bearing the name of Clark disappeared suddenly from a small flat in which they were living I watched the flat building for two months for a clue. One day it struck me that a certain milkman and a grocer’s boy always walked backward when they carried their wares upstairs. Following out by induction the idea that this observation gave me, I at once located the missing family. They had moved into the flat across the hall and changed their name to Kralc.”

Shamrock Jolnes and his client went to the tenement house where Mary Snyder had lived, and the detective demanded to be shown the room in which she had lived. It had been occupied by no tenant since her disappearance.

The room was small, dingy, and poorly furnished. Meeks seated himself dejectedly on a broken chair, while the great detective searched the walls and floors and the few sticks of old, rickety furniture for a clue.

At the end of half an hour Jolnes had collected a few seemingly umintelligible articles – a cheap black hatpin, a piece torn off a theatre programme, and the end of a small torn card on which was the word “Left” and the characters “C 12.”

Shamrock Jolnes leaned against the mantel for ten minutes, with his head resting upon his hand, and an absorbed look upon his intellectual face. At the end of that time he exclaimed, with animation:

“Come, Mr. Meeks; the problem is solved. I can take you directly to the house where your sister is living. And you may have no fears concerning her welfare, for she is amply provided with funds – for the present at least.”

Meeks felt joy and wonder in equal proportions.

“How did you manage it?” he asked, with admiration in his tones.

Perhaps Jolnes’s only weakness was a professional pride in his wonderful achievements in induction. He was ever ready to astound and charm his listeners by describing his methods.

“By elimination,” said Jolnes, spreading his clues upon a little table, “I got rid of certain parts of the city to which Mrs. Snyder might have removed. You see this hatpin? That eliminates Brooklyn. No woman attempts to board a car at the Brooklyn Bridge without being sure that she carries a hatpin with which to fight her way into a seat. And now I will demonstrate to you that she could not have gone to Harlem. Behind this door are two hooks in the wall. Upon one of these Mrs. Snyder has hung her bonnet, and upon the other her shawl. You will observe that the bottom the hanging shawl has gradually made a soiled streak against the plastered wall. The mark is clean-out, proving that there is no fringe on the shawl. Now, was there ever a case where a middle-aged woman, wearing a shawl, boarded a Harlem train without there being a fringe on the shawl to catch in the gate and delay the passengers behind her? So we eliminate Harlem.

“Therefore I conclude that Mrs. Snyder has not moved very far away. On this torn piece of card you see the word ‘Left, the letter ‘C,’ and the number ‘12.’ Now, I happen to know that No. 12 Avenue C is a first-class boarding house, far beyond your sister’s means – as we suppose. But then I find this piece of a theatre programme, crumpled into an odd shape. What meaning does it convey? None to you, very likely, Mr. Meeks; but it is eloquent to one whose habits and training take cognizance of the smallest things.

“You have told me that your sister was a scrub woman. She scrubbed the floors of offices and hallways. Let us assume that she procured such work to perform in a theatre. Where is valuable jewellery lost the oftenest, Mr. Meeks? In the theatres, of course. Look at that piece of programme, Mr. Meeks. Observe the round impression in it. It has been wrapped around a ring – perhaps a ring of great value. Mrs. Snyder found the ring while at work in the theatre. She hastily tore off a piece of a programme, wrapped the ring carefully, and thrust it into her bosom. The next day she disposed of it, and with her increased means, looked about her for a more comfortable place in which to live. When I reach thus far in the chain I see nothing impossible about No. 12 Avenue C. It is there we will find your sister, Mr. Meeks.”

Shamrock Jolnes concluded his convincing speech with the smile of a successful artist. Meeks’s admiration was too great for words. Together they went to No. 12 Avenue C. It was an old-fashioned brownstone house in a prosperous and respectable neighborhood.

They rang the bell, and on inquiry were told that no Mrs. Snyder was known there, and that not within six months had a new occupant come to the house.

When they reached the sidewalk again, Meeks examined the clues which he had brought away from his sister’s old room.

“I am no detective,” he remarked to Jolnes as he raised the piece of theatre programme to his nose, “but it seems to me that instead of a ring having been wrapped in this paper it was one of those round peppermint drops. And this piece with the address on it looks to me like the end of a seat coupon – No. 12, row C, left aisle.”

Shamrock Jolnes had a far-away look in his eyes.

“I think you would do well to consult Juggins,” said he.

“Who is Juggins?” asked Meeks.

“He is the leader,” said Jolnes, “of a new modern school of detectives. Their methods are different from ours, but it is said that Juggins has solved some extremely puzzling cases. I will take you to him.”

They found the greater Juggins in his office. He was a small man with light hair, deeply absorbed in reading one of the bourgeois works of Nathaniel Hawthorne.

The two great detectives of different schools shook hands with ceremony, and Meeks was introduced.

“State the facts,” said Juggins, going on with his reading.

When Meeks ceased, the greater one closed his book and said:

“Do I understand that your sister is fifty-two years of age, with a large mole on the side of her nose, and that she is a very poor widow, making a scanty living by scrubbing, and with a very homely face and figure?”

“That describes her exactly,” admitted Meeks. Juggins rose and put on his hat.

“In fifteen minutes,” he said, “I will return, bringing you her present address.”

Shamrock Jolnes turned pale, but forced a smile.

Within the specified time Juggins returned and consulted a little slip of paper held in his hand.

“Your sister, Mary Snyder,” he announced calmly, “will be found at No. 162 Chilton Street. She is living in the back hall bedroom, five flights up. The house is only four blocks from here,” he continued addressing Meeks. Suppose you go and verify the statement and then return here. Mr Jolnes will await you, I dare say.”

Meeks hurried away. In twenty minutes he was back again, with a beaming face.

“She is there and well!” he cried. “Name your fee!”

“Two dollars,” said Juggins.

When Meeks had settled his bill and departed, Shamrock Jolnes stood with his hat in his hand before Juggins.

“If it would not be asking too much,” he stammered , “if you would favor me so far – would you object to ––”

“Certainly not,” said Juggins, pleasantly. “I will tell you how I did it. You remember the description of Mrs. Snyder? Did you ever know a woman like that who wasn’t paying weekly instalments on an enlarged crayon portrait of herself? The biggest factory of that kind in the country is just around the corner. I went there and got her address off the books. That’s all.”


Trivia: Kids of yesteryear might remember The Cisco Kid, a popular movie and western television series. The name, although not the plot, was taken from a short story by… O Henry.

06 December 2015

Sherlock Holmes meets O Henry, 1


Last month, we brought you a Sherlock Holmes parody by the author of Peter Pan, J. M. Barrie. A number of famous writers have penned takeoffs on Holmes. Today, we bring you a Holmesian tale from one of America’s best known authors.

O Henry
You might not recognize the name William Sydney Porter (spelled Sidney on his birth record) because he’s much more famous under his pen name, O Henry.

The author is known for his contemporary humor and twist endings. He wrote at least two Sherlock Holmes parodies featuring the characters Shamrock Jolnes and Dr. Whatsup. Not O Henry’s best works, the stories contain tepid joke endings. A number of jests and witticisms of the time can be found in this story, such as a comment on the price of gas for heating in New York City where O Henry’s characters reside.

We see here another example of British spellings still in use, much as we found in the works of Horatio Alger, Jr in post-Civil War America. Here the publish date is 1911, the eve of World War I, a year after O Henry's death.

After reading this, you’ll probably head to the bar for a stiff one, muttering, “Oh, man. O Henry gets this trash published and I can’t get an editor to look at my Sherlock in Love opus?”

You’ve been warned.

The Adventures of Shamrock Jolnes

by O Henry
(© 1911)


I am so fortunate as to count Shamrock Jolnes, the great New York detective, among my muster of friends. Jolnes is what is called the “inside man” of the city detective force. He is an expert in the use of the typewriter, and it is his duty, whenever there is a “murder mystery” to be solved, to sit at a desk telephone at headquarters and take down the messages of “cranks” who ’phone in their confessions to having committed the crime.

But on certain “off” days when confessions are coming in slowly and three or four newspapers have run to earth as many different guilty persons, Jolnes will knock about the town with me, exhibiting, to my great delight and instruction, his marvellous powers of observation and deduction.

The other day I dropped in at Headquarters and found the great detective gazing thoughtfully at a string that was tied tightly around his little finger.

“Good morning, Whatsup,” he said, without turning his head. “I’m glad to notice that you’ve had your house fitted up with electric lights at last.”

“Will you please tell me,” I said, in surprise, “how you knew that? I am sure that I never mentioned the fact to any one, and the wiring was a rush order not completed until this morning.”

“Nothing easier,” said Jolnes, genially. “As you came in I caught the odour of the cigar you are smoking. I know an expensive cigar; and I know that not more than three men in New York can afford to smoke cigars and pay gas bills too at the present time. That was an easy one. But I am working just now on a little problem of my own.”

“Why have you that string on your finger?” I asked.

“That’s the problem,” said Jolnes. “My wife tied that on this morning to remind me of something I was to send up to the house. Sit down, Whatsup, and excuse me for a few moments.”

The distinguished detective went to a wall telephone, and stood with the receiver to his ear for probably ten minutes.

“Were you listening to a confession?” I asked, when he had returned to his chair.

“Perhaps,” said Jolnes, with a smile, “it might be called something of the sort. To be frank with you, Whatsup, I’ve cut out the dope. I’ve been increasing the quantity for so long that morphine doesn’t have much effect on me any more. I’ve got to have something more powerful. That telephone I just went to is connected with a room in the Waldorf where there’s an author’s reading in progress. Now, to get at the solution of this string.”

After five minutes of silent pondering, Jolnes looked at me, with a smile, and nodded his head.

“Wonderful man!” I exclaimed; “already?”

“It is quite simple,” he said, holding up his finger. “You see that knot? That is to prevent my forgetting. It is, therefore, a forget-me-knot. A forget-me-not is a flower. It was a sack of flour that I was to send home!”

“Beautiful!” I could not help crying out in admiration.

“Suppose we go out for a ramble,” suggested Jolnes.

“There is only one case of importance on hand just now. Old man McCarty, one hundred and four years old, died from eating too many bananas. The evidence points so strongly to the Mafia that the police have surrounded the Second Avenue Katzenjammer Gambrinus Club No. 2, and the capture of the assassin is only the matter of a few hours. The detective force has not yet been called on for assistance.”

Jolnes and I went out and up the street toward the corner, where we were to catch a surface car.

Half-way up the block we met Rheingelder, an acquaintance of ours, who held a City Hall position.

“Good morning, Rheingelder,” said Jolnes, halting.

“Nice breakfast that was you had this morning.” Always on the lookout for the detective’s remarkable feats of deduction, I saw Jolnes’s eye flash for an instant upon a long yellow splash on the shirt bosom and a smaller one upon the chin of Rheingelder -- both undoubtedly made by the yolk of an egg.

“Oh, dot is some of your detectiveness,” said Rheingelder, shaking all over with a smile. “Vell, I pet you trinks und cigars all round dot you cannot tell vot I haf eaten for breakfast.”

“Done,” said Jolnes. “Sausage, pumpernickel and coffee.”

Rheingelder admitted the correctness of the surmise and paid the bet. When we had proceeded on our way I said to Jolnes:

“I thought you looked at the egg spilled on his chin and shirt front.”

“I did,” said Jolnes. “That is where I began my deduction. Rheingelder is a very economical, saving man. Yesterday eggs dropped in the market to twenty-eight cents per dozen. To-day they are quoted at forty-two. Rheingelder ate eggs yesterday, and to-day he went back to his usual fare. A little thing like this isn’t anything, Whatsup; it belongs to the primary arithmetic class.”

When we boarded the street car we found the seats all occupied -- principally by ladies. Jolnes and I stood on the rear platform.

About the middle of the car there sat an elderly man with a short, gray beard, who looked to be the typical, well-dressed New Yorker. At successive corners other ladies climbed aboard, and soon three or four of them were standing over the man, clinging to straps and glaring meaningly at the man who occupied the coveted seat. But he resolutely retained his place.

“We New Yorkers,” I remarked to Jolnes, “have about lost our manners, as far as the exercise of them in public goes.”

“Perhaps so,” said Jolnes, lightly; “but the man you evidently refer to happens to be a very chivalrous and courteous gentleman from Old Virginia. He is spending a few days in New York with his wife and two daughters, and he leaves for the South to-night.”

“You know him, then?” I said, in amazement.

“I never saw him before we stepped on the car,” declared the detective, smilingly.

“By the gold tooth of the Witch of Endor!” I cried, “if you can construe all that from his appearance you are dealing in nothing else than black art.”

“The habit of observation -- nothing more,” said Jolnes. “If the old gentleman gets off the car before we do, I think I can demonstrate to you the accuracy of my deduction.”

Three blocks farther along the gentleman rose to leave the car. Jolnes addressed him at the door: “Pardon me, sir, but are you not Colonel Hunter, of Norfolk, Virginia?”

“No, suh,” was the extremely courteous answer. “My name, suh, is Ellison -- Major Winfield R. Ellison, from Fairfax County, in the same state. I know a good many people, suh, in Norfolk -- the Goodriches, the Tollivers, and the Crabtrees, suh, but I never had the pleasure of meeting yo’ friend, Colonel Hunter. I am happy to say, suh, that I am going back to Virginia to-night, after having spent a week in yo’ city with my wife and three daughters. I shall be in Norfolk in about ten days, and if you will give me yo’ name, suh, I will take pleasure in looking up Colonel Hunter and telling him that you inquired after him, suh.”

“Thank you,” said Jolnes; “tell him that Reynolds sent his regards, if you will be so kind.”

I glanced at the great New York detective and saw that a look of intense chagrin had come upon his clear-cut features. Failure in the slightest point always galled Shamrock Jolnes.

“Did you say your _three_ daughters?” he asked of the Virginia gentleman.

“Yes, suh, my three daughters, all as fine girls as there are in Fairfax County,” was the answer.

With that Major Ellison stopped the car and began to descend the step.

Shamrock Jolnes clutched his arm.

“One moment, sir,” he begged, in an urbane voice in which I alone detected the anxiety -- “am I not right in believing that one of the young ladies is an _adopted_ daughter?”

“You are, suh,” admitted the major, from the ground, “but how the devil you knew it, suh, is mo’ than I can tell.”

“And mo’ than I can tell, too,” I said, as the car went on.

Jolnes was restored to his calm, observant serenity by having wrested victory from his apparent failure; so after we got off the car he invited me into a cafe, promising to reveal the process of his latest wonderful feat.

“In the first place,” he began after we were comfortably seated, “I knew the gentleman was no New Yorker because he was flushed and uneasy and restless on account of the ladies that were standing, although he did not rise and give them his seat. I decided from his appearance that he was a Southerner rather than a Westerner.

“Next I began to figure out his reason for not relinquishing his seat to a lady when he evidently felt strongly, but not overpoweringly, impelled to do so. I very quickly decided upon that. I noticed that one of his eyes had received a severe jab in one corner, which was red and inflamed, and that all over his face were tiny round marks about the size of the end of an uncut lead pencil. Also upon both of his patent leather shoes were a number of deep imprints shaped like ovals cut off square at one end.

“Now, there is only one district in New York City where a man is bound to receive scars and wounds and indentations of that sort -- and that is along the sidewalks of Twenty-third Street and a portion of Sixth Avenue south of there. I knew from the imprints of trampling French heels on his feet and the marks of countless jabs in the face from umbrellas and parasols carried by women in the shopping district that he had been in conflict with the amazonian troops. And as he was a man of intelligent appearance, I knew he would not have braved such dangers unless he had been dragged thither by his own women folk. Therefore, when he got on the car his anger at the treatment he had received was sufficient to make him keep his seat in spite of his traditions of Southern chivalry.”

“That is all very well,” I said, “but why did you insist upon daughters -- and especially two daughters? Why couldn’t a wife alone have taken him shopping?”

“There had to be daughters,” said Jolnes, calmly. “If he had only a wife, and she near his own age, he could have bluffed her into going alone. If he had a young wife she would prefer to go alone. So there you are.”

“I’ll admit that,” I said; “but, now, why two daughters? And how, in the name of all the prophets, did you guess that one was adopted when he told you he had three?”

“Don’t say guess,” said Jolnes, with a touch of pride in his air; “there is no such word in the lexicon of ratiocination. In Major Ellison’s buttonhole there was a carnation and a rosebud backed by a geranium leaf. No woman ever combined a carnation and a rosebud into a boutonniere. Close your eyes, Whatsup, and give the logic of your imagination a chance. Cannot you see the lovely Adele fastening the carnation to the lapel so that papa may be gay upon the street? And then the romping Edith May dancing up with sisterly jealousy to add her rosebud to the adornment?”

“And then,” I cried, beginning to feel enthusiasm, “when he declared that he had three daughters” --

“I could see,” said Jolnes, “one in the background who added no flower; and I knew that she must be --”

“Adopted!” I broke in. “I give you every credit; but how did you know he was leaving for the South to-night?”

“In his breast pocket,” said the great detective, “something large and oval made a protuberance. Good liquor is scarce on trains, and it is a long journey from New York to Fairfax County.”

“Again, I must bow to you,” I said. “And tell me this, so that my last shred of doubt will be cleared away; why did you decide that he was from Virginia?”

“It was very faint, I admit,” answered Shamrock Jolnes, “but no trained observer could have failed to detect the odour of mint in the car.”



Coming next week, another painful classic.

15 February 2015

100 in the Dark


Lawrenceville Stories
For your enjoyment, here are links to the full versions of 100 in the Dark’ (radio broadcast) and 100 in the Dark’(short story). Notice how the author enhances characterization through sly observation and dialogue.
Also try the audio versions of 'Murder through the Looking Glass' and 'The Cave of Ali Baba'.
Murder in any Degree
A Mystery Story and Lesson in One

I enjoy articles that give good value and today SleuthSayers offers you not merely one, but three short stories for your enjoyment, capped with a tiny bit of the philosophy and psychology in the art of the mystery.

Whether reading or writing, my strange brain takes peripatetic perambulations (a polite way of saying it wanders). Today’s article started as a side comment by Steve Steinbock who drew my attention to a 1943 classic short story, 'Murder Through The Looking Glass'. He went on to mention it had been part of that wonderful, long-lived radio series, Suspense.

The program enjoyed an amazingly long run. Many of the early stories were written by the famed mystery writer John Dickson Carr who appears to have been part of the broadcast team.

I found the story, listened to it, and followed that with other Suspense tales. One turned out to be a chilling Lord Peter Wimsey adventure I don’t recall previously encountering, ‘The Cave of Ali Baba.’ The drama brought to mind scenes in Eyes Wide Shut. (See side bar.)

Listening in the Dark

I moved on to 30 September 1942, a story with an intriguing title ‘100 in the Dark’. The author was Owen Johnson, apparently a playwright. As might be expected, "Owen Johnson" is one of those glaring holes in Wikipedia where anything older than its editors’ limited realm of knowledge fades from flimsy prior to 1990 to almost entirely forgotten antiquity by 1950, where history becomes suspect or even disdained. So I dug further and identified Johnson as Owen McMahon Johnson, author of the once popular Lawrenceville Dink Stover prep school hijinks series.

Owen wrote plays and short stories, and ‘100 in the Dark’ occurs as both with minor differences between the two. This parable appears in the book Murder in Any Degree. ‘Murder’ in this case is allegorical, not the usual interest of mystery readers. The book is a collection of literary stories mostly set in a Manhattan club around the turn of the previous century. By Jove, the members speak like acquaintances of Lord Peter Wimsey, old Top. It’s a window into 1900s New York – New England society such as Edith Wharton might have written about. Like Wharton’s agonizing 1905 novel The House of Mirth, Johnson’s stories present an insightful peek both into the human psyche and a forgotten window of that time and era, but if you’re looking for the crime genre, only ‘100 in the Dark’ fills the bill.

I enjoy stories-within-a-story and included a small one about a little thief in my own '8 Across' in Alfred Hitchcock. Today, I’ll give you not only a small dissertation about detective fiction, I present Dark’s embedded mystery, which is curious in its own way: The riddle isn’t so much who stole the coin, but why did the stranger refuse to empty his pockets?

Ladies and gentlemen, I offer you …
The Vanishing Coin

“There are only half a dozen stories in the world. Like everything that’s true, it isn’t true.” He waved his long, gouty fingers in the direction of Steingall, who, having been silenced, was regarding him with a look of sleepy indifference. “What is more to the point, is the small number of human relations that are so simple and yet so fundamental that they can be eternally played upon, redressed, and reinterpreted in every language, in every age, and yet remain inexhaustible in the possibility of variations.”

“By George, that is so,” said Steingall, waking up. “Every art does go back to three or four notes. In composition it is the same thing. Nothing new, nothing new since a thousand years. We invent nothing, nothing!”

“I’ll cite an ordinary one that happens to come to my mind,” said Rankin. “In a group of seven or eight, such as we are here, a theft takes place; one man is the thief– which one? It certainly is an original theme, at the bottom of a whole literature.”

“Detective stories, bah!”

“Oh, I say, Rankin, that’s literary melodrama.”

“I shall take up your contention,” said Quinny without pause for breath. “Admit at once that the whole art of a detective story consists in the statement of the problem. It appeals to our curiosity, yes, but deeper to a sort of intellectual vanity. Here are six matches, arrange them to make four squares; five men present, a theft takes place: who’s the thief? Who will guess it first? Whose brain will show its superior cleverness, see? That’s all; that’s all there is to it.”

“Out of all of which,” said De Gollyer, “the interesting thing is that Rankin has supplied the reason why the supply of detective fiction is inexhaustible. It all comes down to the simplest terms. Seven possibilities, one answer. It is a formula, ludicrously simple, mechanical, and yet we will always pursue it to the end. The marvel is that writers should seek for any other formula when here is one so safe that can never fail. By George, I could start up a factory on it.”

“Of course, of course, my dear gentlemen,” said Quinny impatiently, for he had been silent too long. “Now quite the most remarkable turn of the complexities that can be developed is, of course, the well-known instance of the visitor at a club and the rare coin. Of course every one knows that? What?”

Rankin smiled in a bored, superior way, but the others protested their ignorance.

“A distinguished visitor is brought into a club where a dozen men sit down to dinner at a long table. Conversation finally veers around to curiosities and relics. One of the members present takes from his pocket what he announces as one of the rarest coins in existence. He passes it around the table. Coin travels back and forth, every one examining it as the conversation goes to another topic, say the influence of the automobile on domestic infelicity, or some other such asininely intellectual club topic you know? All at once the owner calls for his coin.

“The coin is nowhere to be found. Every one looks at every one else. First they suspect a joke. Then it becomes serious: the coin, immensely valuable, is missing. Who has taken it?

“The owner is a gentleman, does the gentlemanly idiotic thing, of course, laughs, says he knows some one is playing a practical joke on him and that the coin will be returned to-morrow. The others refuse to leave the situation so. One man proposes that they all submit to a search. Every one gives his assent until it comes to the stranger. He refuses, curtly, roughly, without giving any reason. Uncomfortable silence… the man is a guest. No one knows him particularly well but still he is a guest. One member tries to make him understand that no offense is offered, that the suggestion was simply to clear the atmosphere and all that sort of ballyrot, you know.

“‘I refuse to allow my person to be searched,’ says the stranger, very firm, very proud, very English, you know, ‘and I refuse to give my reason for my action.’

“Another silence. The men eye him and then glance at one another. What’s to be done? Nothing. There is etiquette, that magnificent inflated balloon. The visitor evidently has the coin but he is their guest and etiquette protects him. Nice situation, eh?

“The table is cleared. A waiter removes a dish of fruit and there, under the ledge of the plate where it had been inadvertently pushed, is the coin. Banal explanation, eh? Of course. Solutions always should be. At once everyone’s in profuse apologies! Whereupon the visitor rises and says:

“‘Now I can give you the reason for my refusal to be searched. There are only two known specimens of the coin in existence, and the second happens to be here in my waistcoat pocket.’”

09 February 2014

Bieber Shot


Music is almost as important to SleuthSayers as mystery. I like classical, blues, dark, smokey songs, and so-called progressive rock before alt and acid became respectable. And I listen to other rock, even pop, like Coldplay’s dysphoric Viva La Vida and Imagine Dragons’ foreboding Demons. Meanwhile my cockatoo, Valentine, likes to dance to Lorde’s Royals.

It should come as no surprise I know next to nothing about Justin Bieber. Justin Beiber? Wait, don't leave. There's a flash fiction payoff at the end.

Sure, I’m aware he’s a teenager, at least for the next three weeks. It’s difficult not to have heard his name, thanks to true Beliebers. I well remember adults despised our rock ‘n’ roll, so I'm not too judgmental and he's probably harmless.

I’m not familiar with his songs and couldn’t identify his voice if I heard it, but he’s played at the Apollo and appeared on CSI where he was, er, gunned down. Of course there were those disappointed that happened in fiction.
Bieber

Bieber

My impression is fame and fortune outstripped his ability to handle celebrity, but that’s happened to many supposedly far more mature. But he has a positive side.

In my blog records, I noted a tear-jerking article about ‘Mrs. Bieber’, a six-year-old with a fascination for the boy. She ‘married’ him in a ceremony shortly before her death from a fast-growing cancer. Even if his publicist made the arrangements, Justin gets high marks for classiness and sensitivity.

Like a lot of teens but on a worldwide scale, Bieber’s been getting in trouble recently with graffiti, vandalism, reckless driving, assault, and… $21,000 egg-throwing hijinks. Although Bieber wasn’t present, police in Sweden and the US found marijuana and apparently other drugs in his home and tour buses. On a flight from Canada to the US, Daddy Bieber, Justin, and their entourage of ten smoked so much dope on board and refused to stop despite repeated requests, the crew wore oxygen masks so they wouldn't test positive for THC. Whew! Talk about getting a mile high!

This tarnish on his image has prompted jokes:
“Police found drugs but less than an ounce of talent.”

Mother hears “Baby, baby, baby, oooooo…” from her daughter’s bedroom. “What are you doing?” “Having sex.” “Oh, thank goodness. I thought you were listening to Justin Bieber.”

Conan O’Brien said, “The police report described [Bieber] as 5’9 and 140 pounds – or as his cellmate put it, just right.” Which brings us to today’s flash story, inspired by a quip from a friend who went on to add, “The teacher in me finds this wickedly funny.”


Justin Goes to Jail
by Leigh Lundin

Police arrest Justin Bieber and send him to lockup. Dismayed but not disheartened, Bieber writes “Free JB!” on the walls in protest.

That’s when he learns his cellmate is dyslexic.