First, sincere congratulations to all the 2026 Derringer Award winners, especially to Adam Meyer, Alan Orloff, and Michael Bracken--and special congrats to Golden Derringer recipient David Dean. I'm also thrilled that Dave Zeltserman has won the Edgar for Best Short Story. Well done and well deserved, my friends!
Now, to less important matters . . .
I'm a couple of days past April, here, but this is a quick look at the stories I published last month. And I should begin by saying, yes, these are mystery/crime stories even though I mentioned a few weeks ago that I've started producing stories in other genres lately. I'm hoping that in several months some of the science fiction/fantasy stories I've been writing since then will pop up someplace. We'll see.
Anyhow, here are my three stories that popped up in April.
"Creativity," published on April 3 at Curated by Costuic, a market I discovered via one of my friends on the Short Mystery Fiction Society list. This 1100-word story consists almost entirely of dialogue between two characters, both of them businesswomen who meet on a flight from Lost Angeles to Dallas. As I've said before at this blog, stories that are heavy on dialogue are always among the easiest and the most fun for me to write, and I remember this one coming together pretty fast. It was published many years ago and was lucky enough to be a Pushcart Prize nominee. If anyone feels the urge to read a quick little crime story, it's posted here. Many thanks once again to editor Nikita Costuic.
Speaking of SMFS, the second one of my April stories was "On the Road with Mary Jo," published April 7 in the anthology Hot Shots: Celebrating Thirty Years of the Short Mystery Fiction Society. For those of you who don't already know, this anthology features 28 stories that won the Derringer Award--one story for each year between 1998 and 2025--and editor Josh Pachter did a great job of putting it together. My story in the book was a winner for Best Short Story in 2020, and had previously appeared in Ellery Queen's Mystery Magazine's Jan/Feb 2019 issue. Like "Creativity," this story is mostly dialogue but is quite a bit longer, at 2700 words. As I said this past Thursday night in the Zoom meeting about the anthology, I was surprised when "On the Road with Mary Jo" was accepted at EQMM because it's mainly humor, and therefore different from any of my other EQ stories. Quick summary: It's a weird story about two nitwits who carjack a self-driving vehicle and use it as a getaway car in a bank heist. Yes, I said it was weird . . .
The last of these three stories was "Lewis and Clark," first published in Alfred Hitchcock's Mystery Magazine's May 2012 issue and reprinted on April 16 in The Ranger's Almanac, Vol 1. As the publication's title suggests, this market wants forest/park-based stories; mine was a 2200-word tale of two young Boy Scouts who get lost on a hike in the woods and stumble upon a couple of bank robbers on the run. It's more a YA adventure story than anything else, and marks one of those times when a previously published story that's sitting around doing nothing happened to exactly fit the submission guidelines of a new (to me, at least) publication. Before I forget, I owe a big thank-you to Ranger's Almanac editors Andrew Akers and Adam Geer. Check this market out here.
I think the only unusual thing about these April stories is that none of them were in publications that I'd been in before (one, of course, was a one-time anniversary anthology) and that two out of the three were sold to paying markets I didn't even know about until fairly recently. The editors of both of those were great, and were prompt in their responses to my submissions. "Creativity" wa submitted to Curated by Costuic on 11/4/25 and accepted later that same day, and "Lewis and Clark" was submitted to The Ranger's Almanac on 1/14/26 and accepted on 1/18/26. (These were breaths of fresh air in a world where we writers often wait for many months to hear back from a submission.)
So, here are my questions for the week, to any fellow short-fiction writers out there. Are you, in answer to our recent downturn in the number of available mystery markets, finding new places to send your work? Where are you looking, in order to do that? The Internet? The SMFS market list? (You can find it under "files" at the SMFS forum site.) Are you sending any stories to existing markets that you haven't tried in a while? Are you continuing to submit to those who have regularly published you in the past? Do any of you have, as I do, submissions queued up at those markets? Are any of them already accepted and waiting to be published? Are you, like me, writing and submitting some non-mystery or cross-genre stories, and getting any relief from that corner? Please update me in the comments.
And then get back to writing.
See you in two weeks.
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