19 December 2020

The Second Time Around



  

I'm a writer who's been fortunate enough to publish a fair number of short stories. And one of the best things about that is something that never occurred to me until after I'd been doing this for a while: a lot of published stories means a lot of opportunities for reprints.

Unlike novels, short stories can be sold over and over again, if you take the time and trouble to find places receptive to previously published work. There aren't a huge number of those, but there are probably more than you might think.

It's easy to understand why some publications are interested in reprints. After all, "used," in this context, doesn't mean damaged or substandard. The words in stories remain the same--although they do occasionally show their age. And some of the best stories I've read are those that I wouldn't have seen at all if they hadn't been discovered by others and republished in another place. Sure, I enjoy opening up an issue of AHMM or EQMM or The Strand and reading a story that's never been seen before. I think everyone does. But I also like finding and reading anthologies of previously-published tales, some of those written by authors I know and some not. I've even met a few folks who say they prefer to read that kind of book because they know an editor considered those stories good enough to republish and redistribute.


Reborn identities

On the marketing side, authors are aware that they usually can't sell a reprint as easily as an original story, or= expect to be paid as much when they do. But that's not always the case, and when you do sell one and get paid for it, you can certainly look at it as found money. How much were you making from it while it sat forgotten and aging like tobacco leaves on your hard drive? And even if you don't get paid again, you might consider it worthwhile just to get the extra exposure a reprint provides. Different writers have different opinions, on that.

As for publication rights, if the only rights a market has bought to your story is "first rights"--sometimes specified as FNASR (First North American Serial Rights)--then you automatically own and keep the reprint rights. I've also heard reprint rights referred to as "second rights," even though I understand that term also applies to its third or fourth or fifth reprint as well. I've had several of my short stories published more than half a dozen times after their original appearances, and every time that happened, my contracts stated that the publication was acquiring one-time "reprint rights."

Info from the sales manual

The usual way to sell reprints is to find possible markets, decide whether your already-pubbed stories might be a good match, and submit them for consideration. Some of these markets are magazines--especially online zines receptive to stories previously published in print only--and some are anthologies for which your story might fit the theme. Sometimes there's no way to know whether a market--mag OR antho--will consider reprints, but their policy on this is usually indicated in their guidelines. They might say "unpublished stories only," "original stories only," "no previously published work," "reprints considered," "reprints encouraged," etc. Strangely enough, most of the places to which I've sold reprints don't seem to care whether the original story appeared in a high-profile market or a lesser-known market. I suppose the assumption is, most people will not have seen the story, period, and if they did they probably won't remember it. In any case, if you submit a reprint you must be sure to include in your cover letter the fact that your story was previously published, and when and where. I usually include these two sentences: "This story was originally published in the July 1998 issue of Gone & Forgotten Magazine. Since they acquired first rights only, I hope you'll want to use it in a future issue of Here & Now Magazine."

One of the best ways to get a story reprinted, of course, is to have it chosen for inclusion in one of the annual "best-of" anthologies. That's something you can't control, but when it happens it's dancing-in-the-street time, and it's great in several ways: (1) It often gets your story wider exposure than the first time around, (2) it often earns you more money than you were paid for the original, and (3) it requires no effort on your part. But those out-of-the-blue bonanzas don't happen that often. When they do, you thank your lucky stars and hope it'll happen again someday.

Old or new?

One question that was usually asked by those in my writing classes was How much do you have to change in a story to make it an original story instead of a reprint? Opinions vary on this, but I'm pretty strict about it. I think you have to do far more than just change a title and character names and place names, etc., to call an already published story a "new" story. I think the plot, as well as those other things I mentioned, must be substantially different in order for it to be considered a new and original story. In fact I have never even attempted to change an already-published story to the extent that I could call it an original. I once tried changing the names of all the male characters in a published YA story about a bunch of boys to names of female characters so I could market it as an adventure story for girls, and changed some things about the plot as well--but I still called it a reprint, and presented it that way. In my cover letter I said something like "A modified version of this story first appeared in . . ." To do otherwise would be unethical, if not dishonest, and I suspect that if you're ever caught doing it, you will have peed in your Post Toasties when it comes to future dealings with editors. In other words, don't do it. Write a truly new story instead.
 

For what it's worth, I've recently found several links that will consider reprints, and these have resulted in the sale of quite a few of my older stories. The first link is a bit outdated but still useful and the second is current. Both are good resources. I also occasionally find reprint markets merely by googling "short story reprint markets," "calls for reprint submissions," and so forth.

One more thing. I regularly visit the ralan.com site when I'm looking for reprint markets. (It's geared to SF/fantasy stories but also includes info on AHMM, EQMM, and other mystery markets.) After choosing one of the categories at the top of the page (pro, semipro, anthology), I type the word "reprints" into the search field so it'll highlight that part of every publication's guidelines as I click through the entries. They'll say either REPRINTS: NO or REPRINTS: YES.


What do YOU think?

So . . . If you're a writer, what's your advice and what are your observations on this subject? Do you actively seek out targets for your previously published stories? Do you know of some publications that regularly feature reprints? Are there websites you visit regularly that can help you find reprint opportunities? Have you had any good or bad experiences when getting your stories reprinted in other publications? Have you had many stories selected for renewed life in "year's-best" anthologies? Let me know.


And that's that. Main thing is, don't just let those stories you've worked hard on sit idle after publication and become one-hit wonders. When the exclusivity period in your contract runs out--it's rarely longer than six months--get those stories back out there and into circulation.

Remember: short fiction is 100% recyclable.

20 comments:

  1. As always, full of useful advice. Good wishes for the holidays.

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  2. Thank you, Janice. Good wishes to you, too. Be safe!

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  3. Yes, sound advice. I've had a number of stories reprinted. "A modified version of this story first appeared in ..." - excellent advice. Haven't retooled any of my mysteries after print but I did it a lot with the erotic stories I sold in the 1990s. Some mags wanted male POV and others female POV, so I rewrote them from a different POV. Thanks for putting up the links. Hope you and yours have a good and safe holiday season.

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  4. Hi O'Neil -- Yes, I knew you'd resold some of your stories. Switching the POV and reselling is a good move. And I've often sold reprints with no changes at all. A lot depends on how much reader overlap there is between the markets involved.

    Thanks for the well wishes. Hope you guys have a great holiday too. Stay safe (and warm)!

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  5. Thank you so much for the links! I am going to check them out. Meanwhile, Happy holidays to all!

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  6. Hope you'll find some places there to submit to, Eve. Happy holidays to you, too!

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  7. John, thanks for sharing. I've also found that networking with fellow writers will sometimes turn up new reprint markets.

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  8. RT, I hope you'll find some possibilities, in the links. In a few cases I've found that places that don't ordinarily consider reprints will sometimes consider them (especially anthologies). If they don't specifically say in their guidelines--or in the submission call--that they want original stories, I just query first to ask that, and if they say they might consider a previously published story, I'll submit it.

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  9. I kind of fell into the lists behind your links, John, and I found them fascinating, though not necessarily as potential paying reprint markets for my mysteries. I did note a few poetry markets and one Jewish journal (not thick on the ground). Bottom line: there's a zine for everyone. Expats, New York underwater...

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    1. Liz -- You're right, some of them don't fit, but I've found a few that do. And hey, you're also right that there's a zine for just about everybody. I sold something once to a magazine called Volcano Quarterly.

      Keep at it!

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  10. Always informative, John. I've never really thought about reprints before, but now I will check out the links and broaden my mind.

    Safe holiday to one and all.

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    1. Do check it out, Steve. Can't hurt!

      Safe holiday to you too. And thanks!

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  11. Two of my flash stories were reprinted in an anthology & a third was accepted for the second volume of the same anthology, but that project was cancelled. What would you call that, an un-acceptance?! 🤔

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    1. I call that terrible luck. I too have had some sales that never happened.

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  12. Thanks for reminding us about Ralan!

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    1. It's come in handy several times for me, Jeff, though it is mostly an SF/fantasy site. A good many of the anthologies they list will consider reprints. Good luck!

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  13. For years, Ed Hoch made the bulk of his living as a full-time writer of short stories by selling reprint rights to the stories for which he'd sold FNASR to EQMM.

    One additional tip. Once a year or so, I do a Google search on my name, and I almost always find some non-American book or magazine that's reprinted one of my stories without asking me for (or paying me for) permission to do so. I write them a polite email to point out their piracy, and they usually quickly apologize and offer to pay me more than they would have had to pay me if they'd taken the simple step of contacting me pre-publication.

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    1. Glad you pointed that out, Josh, about Ed Hoch. I've heard Jack Ritchie did the same, and it's hard to pick up an anthology of long-ago mystery stories that doesn't have one of his, and Hoch's, included.

      As for regularly doing a Google search on your name, that's another good point. I too have found several of my stories improperly recycled, and I too usually just send a note and it's resolved.

      Thanks for the thoughts!

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  14. Hi John,

    I've sold a number of reprints over the years. Several times I received more money for the reprint than the original publication. It's always good to check. I also like ralan.com.

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  15. Hi Jacquie! Thanks for the note. Unfortunately, my reprints usually earn me less than the first go-round, unless they're those that are chosen for end-of-the-year, best-of anthologies, which is almost always a good paycheck. But, as you said, some of these reprint markets will surprise you. I once re-sold a story that appeared originally in a literary magazine, which paid me very little, and the reprint got me five times as much. As you said, its good to check and see--the opportunities are often out there and waiting.

    Thanks as always for stopping in at SS!

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