Know Your Terrorist

Most of us are still reeling over the mass murders in Paris and in Mali this week. I'm upset by the Americans of all nationalities and religions and races wanting to close our borders and keeping anyone who is Muslim from entering especially refugees from Syria. But I don't think this forum is a place to get too political because we talk about mysteries and writing.
However, a friend of mine named Sharan Newman is a mystery writer who writes historical mysteries usually set in Medieval Times. She also writes non-fiction books. She researches her books meticulously and when I read anything she has written I feel I can understand and also trust her research is as true as possible. She has written several articles on Know Your Terrorist. One she had written this week caught my eye and I asked if I could use it for my blog. She agreed. Then in trying to locate that article, she found one she had written earlier and I think is more informative. So following is a wonderful article on the known terror groups who are in our immediate headlines and does a lot to explain who is who.

Know Your Terrorist

The recent tragic events in France have made it clear that most of us are a little vague on the different terrorist groups operating in the world today. Even the terrorists there weren’t sure who they were working for. When I realized that even they were confused, it seemed like a good idea to give a simplistic explanation of the major non-governmental terrorists so that the next time someone takes you hostage and says that they are from the Broccoli Liberation front, you can explain to them why they should kill you for another reason, rather than to free oppressed broccoli.

Here are the most active free-lance groups. In my next essay, I'll consider the governmental and corporate terrorist organizations that have created the more openly violent cadres.

BOKO HARAM

As the link below and all the news reports seem to agree, Boko Haram, operating in Northeastern Nigeria, is the most brutal and least comprehensible of the active terrorists. They love mayhem, murder and rape and don’t seem to be making any ideological demands apart from a fuzzy connection to Islam. Originally a non-violent group that protested oppression by the Nigerian government, it grew to oppose any form of what it considers Western influence. This is why even Muslim children are killed or kidnapped at western-style schools. They say they are Islamic but, as with another group, ISIS/DAESH, they are imagining a mythical Islamic past. Actually, I think they are also imagining a mythical Africa derived from western films seasoned with Lord of the Flies.

For connected topics see: Nigerian Army, Nigerian Government, International Oil Cartels, Koch Brothers. A more academic explanation is here:
http://ijpr.org/post/nigeria-boko-haram-continues-its-campaign-terror

AL-QAEDA

This is not the oldest group but one of the most visible. It began in the late 1980s in the wake of the years of Soviet occupation of Afghanistan. “With Soviet forces withdrawing …, the idea of a global jihad suddenly seems possible, and al Qaeda, literally “the Base,” is born. “We used to call the training camp al Qaeda,” bin Laden would later recall. “And the name stayed.”´ [sic] (http://foreignpolicy.com/2014/03/17/al-qaeda-core-a-short-history) Doesn’t that sound cozy?

Al-Qaeda was founded by Osama bin-Laden, born in 1957 to a Syrian mother and Yemeni father. The senior bin-Laden was a self-made millionaire contractor who became the major builder for the Saudi Arabian monarchy. PBS Frontline has posted a fascinating biography, written by one of bin-Laden’s followers, portraying him as a pious young man who was doing contracting in Afghanistan when the invasion of Kuwait began: “While he was expecting some call to mobilize his men and equipment he heard the news which transferred his life completely. The Americans are coming. He always describes that as a shocking moment. He felt depressed and thought that maneuvers had to change. Instead of writing to the king or approaching other members of the royal family, he started lobbying through religious scholars and Muslim activists.”  [sic]

(http://www.pbs.org/wgbh/pages/frontline/shows/binladen/who/bio.html)

Al-Qaeda was born because of the American support of the Saudis and vice-versa. Osama was considered a terrorist by the Saudis and, under him, A-Qaeda organized mutual support with the Taliban. “The leader of Taliban Mulla Omer was keen to meet Osama. He met him early 1997 after two TV interviews, Channel 4 and CNN.[!?] Mulla Omer expressed respect and admiration but requested him to have low profile…. Bin Laden noticed that the driving force in Taliban were Ulema (religious scholars). He made very good links with them and lobbied specifically for the subject of American forces in the Arabian Peninsula. He was able to extract a fatwah signed by some 40 scholars in Afghanistan sanctioning the use of all means to expel the American forces from the Peninsula. The issue of that fatwah was an asset to him inside Taliban domain. He felt that Ulema were at his back and he could go high profile after long silence.” (ibid)

“His relation with Taliban would best be understood if Taliban themselves are understood properly. First of all Taliban are not simply another Afghan faction supported by Pakistan. Taliban are sincere to their beliefs, a religiously committed group unspoiled by political tactics. They would never bargain with what they see as matters of principle. Bin Laden for them is a saint. He is a symbol of sacrifice for the sake of jihad. They see him as very rich Arab from the Holy Land who gave up his wealth and luxury to fight for the sake of his brother Muslims in Afghanistan.” (ibid)

I wish there were more such biographies.  It is essential for us to comprehend the rationale of the many people who support the terrorists. One problem we have is understanding why these terrorist leaders are so protected. If you read the whole article, it continues explaining why the Taliban and Osama were so revered. The author doesn’t mention bombings, murder, or the oppression of women and minorities, of course.

Even before Osama bin-Laden was killed, his grip on Al-Qaeda was slipping. Other groups in the Sudan, Nigeria and Syria, were not looking to them for leadership. Many, such as ISIS and Boko Haram, do not have a firm theological base other than, West and Jews = bad; our Islam = good.
See Taliban, George W. Bush, Oil Cartels

THE (so-called) ISLAMIC STATE

Of the Muslim-associated terrorist groups, this is the most interesting to me because, unlike the others, there is a medieval flavor about it. Sadly, as I mentioned above, they don’t seem to have any historians among them, so that the caliphate they plan is drawn from fantasy. They do appear to have some serious and competent Muslim scholars in their ranks, but they haven’t made it clear what school of Shari’a law they are working from. Of course, few people outside of fundamentalist Islam know that there is more than one branch. Have you ever noticed how many problems occur because no one thought to consult an expert in history?

ISIS grew from the Syrian al-Qaeda sector as a result of the Syrian civil war. The reasons for that war, beyond the Arab Spring, have been minutely dissected without any consensus. Suffice to say that ISIS is the richest and best-organized of the Islamist groups operating today. As with the first two groups, they succeeded because a dictator or other person in power was tormenting a minority group and they were able to come in and fill a vacuum. In this case, they began as rebels against the government of Bashir al Assad, which is not only dictatorial but heretical in their eyes. They state that they have set up is an Islamist Caliphate. The last Caliphate in the area was defeated by the Ottoman Empire over 600 years ago so the blueprint is rather old. Both the Abbasid and Umayyad Caliphates in the 8^th through 11^th centuries tended to be fairly easy going about minorities, even Islamic ones. I believe that, like Boko Haram, ISIS has been taken over by the psychopathic wing of the party. Their treatment of the Yazidi is an example of this. It’s not likely that their Caliphate will resemble the ancient ones.

Much has been made of the foreign volunteers coming to fight for ISIS. Some of these fighters arriving from other countries are devout Muslims who may be horrified by what they find. Indications are that others come in a spirit of adventure or from a feeling of failure at home. But too many recruits have come because they love having power and not having any rules of behavior. For historians out there, think French Revolution.

There are many other terrorist groups that have no religious attachments. Most of these are political or territorial. ETA, or Basque liberation, has been attempting to find a peaceful solution recently as has the socialist FARC, in Columbia. Greece has the far-right Golden Dawn; Ireland, the reformed Sinn Fein. All of these have used violence and terrorism in their quest to achieve their goals.
There have been many explanations for the success of the recent Islamist terrorists. Some say that it is a relic of European colonialism. Others that the terrorists are a reaction to oppressive governments and cultures of corruption and bribery at every level. Well, I don’t think any of these things helped. Certainly, many of the most violent groups are fighting against leaders who have ignored and oppressed sections of the society.

After much consideration, it seems to me that we and much of the media are looking at the problem from the wrong direction. We see the horrific actions of ISIS and Boko Haram, but these are distracting us from much more widespread and pernicious terrorism.

As I was working on this, I began to realize that, while we are busy trying to stop murderers, rapists and torturers, the people who are really responsible for their actions are thousands of miles away, moving pieces on metaphorical chess boards.

I do think it's fantastic to know quite a number of mystery writers, especially when you know one who has already done the huge amount of research that you thought you were going to have to do.

Thank you, Sharan, for allowing me to use your hard work here. Sharan is off to spend a month is Paris, doing research and although some folks ask if she might rethink going to France now, she reminds everyone...if we stay home and hide, the terrorists win. We can't let them rule our lives.

Not a Cop

I'm not a cop but I write about one named Zoe Barrow who works with the Austin Police Department. Zoe first appeared in my mind while I was out at the Austin Police Academy while playing a cop. Let me explain. 

The Citizen Police Academy was established in January 1978 and over two thousand citizens have graduated in 85 classes. I was in the class in 1991. At that time it was a 12 week program held out at the Police Academy Training facility. It now is a 14 week program and is held at Austin Police Headquarters. The CPA's slogan is "Understanding Through Education." The goal is to provide enough information to the public to dispel misconceptions and to increase rapport between citizens and police officers.

The instruction is comprehensive and each week separate areas of the department is covered. Communication, patrol, canine, fraud, firearms, bomb squad, etc each gives a small view of what is taught and how that department works. It originally, for Austin, was to help people who were interested in becoming neighborhood watch captains in their neighborhoods. Since I was interested in writing mystery and at that time specifically private eye stories. My book characters also dealt with a police officer and I felt this would be very helpful to me. I applied for the program and was thrilled to be accepted.

One of the fun things I was able to be involved with was the CPA Alumni Association. I'm not involved with them anymore and don't even know if they still exists. But one thing we did as alumni was to go out to the academy when invited by the police academy and pretend to be bad guys during the cadets training program. There were specific scenarios set up and the cadets had to react to the situation.

For instance, several of us we asked to play a group of people in a nightclub situation. We weren't really drinking, we were sitting around talking with music playing on a radio. There was to be a gun on the table we sat around, it was a fake gun. Supposedly a call had been made to the police department stating there was a disturbance going on in the club.  The cadets were to come inside the club two at a time,  assess the situation and hope that one of them saw the gun and calls out "GUN" to the other. And one of them would take possession of the gun. All the cadets come into the situation and respond and then afterwards a training officer critiques them.

Another situation is a theft argument. One person says they have been robbed and another person says they didn't do it. The cadet is supposed to search the thief and discover the "jewels." Sometimes a thief has a weapon and it's up to the cadet to discover the weapon. But sometimes the weapon is missed. The training officer can really jump on a cadet if they miss the weapon. One time I had a derringer in my bra and it was missed more than once.

One was a driving scene where the driver is driving erratically, the cadet is to stop the vehicle (in reality we were stopped to keep thing moving along faster) and when the driver gives the officer a driver's license and calls it in, the dispatcher says there is a warrant out for that person. The cadet is to get the driver out of the car and handcuff her/him and put her/him in the squad car. The passenger is just to stay in the car and is okay.

The training officer asked me to really jump on one of the cadets as he wanted to see how she would react. So when she handcuffs me I begin cussing her out. And I complain loudly that the cuffs are too tight. So she loosens them one notch. She didn't react to my calling her names and cursing at her but when she put me in the squad car I was able to slip the cuffs off. After the training officer critiques and tells her to get me out of the squad car, I hand her the cuffs. The training officer jumped all over her. The cadets are not supposed to talk to each other and help each other but of course they do it anyway. All day the other drivers had no idea why their hand cuffs were put on so tight. When I do talks about writing to groups I usually tell this story and tell them that this is only time I was ever able to cuss out a cop and get away with it. It always gets a laugh.

It was during these civilians being bad guys that my character, Zoe Barrow began talking in my mind and became the main character in two novels. In DARK BLUE DEATH, the opening chapter is set at the police academy with Zoe being a training officer and that scene is almost word for word what happened the day I played that scene recorded there.

If you ever have a chance to attend a Citizen's Police Academy training program, I hope you will do so.

Trouble with a Capital T

I don't know why, but it gets more difficult for me to get to the SleuthSayers site or our Sandbox. What I get most of the time is a message that says that page is not available. or that site is not available. Or I get my name and it says I'm unknown, even though I'm signed in on google blog. It sometimes takes me 30 to 40 minutes just to figure out how to get here.

I'm still having to use my tablet as I couldn't  get on site at all with my laptop. I really got screwed up by downloading Windows 10. Do not do it until you have to unless you are a computer nerd or guru. This seems to be a more recent development. I used to have a hard time but finally found a easy path, but since you guys made it accessible to phones, etc. I've had this trouble. The first time I tried my regular way it wouldn't  work. Then I stumbled onto the secret. Then last night and today none of that worked. However, finally, a few minutes later I stumbled onto a new way. OK, enough whining. I don't even have any cheese to go with.

I suppose life is supposed to hand you lemons now and again. That somehow teaches us to learn how to make lemonade. But does it help in writing?  In many ways it does. I heard an author say once that he didn't trust a writer under forty-five. He did not think a writer had enough experience in living life to qualify as a good writer. 

Do you think that might be all wrong? Or does it make sense to you? I can agree in some way. Not only life experiences come into play, but I think your writing improves with age. That doesn't necessarily mean "your age."  I'm  also talking about writing maturity. I personally began to realize after I'd been writing for a few years that my writing changed about every six months or so. It got stronger, better as I learned the craft. As I learned how to develop stronger, more realistic characters. Also as I learned more natural sounding dialogue and how to create tension. You don't have to age chronologically, but your writing matures if you keep writing daily or at least every few days.

The chronological age can help also. Yet some people have life experiences at an age earlier than others. A loss of a parent or a sibling. A family's loss of a good job, changing the family 's economic standing. A young woman or young man dealing with abuse, emotional, physical or sexual can certainly make life experiences change. Sometimes the person has to grow up and learn to deal with life at an early age.

In that respect, I don't necessarily agree with the author who said, not to trust any writer under 45. I can also see a person's age can bring about a maturity of writing about life as in real life. 

In reality I don't  think you ever grow to full maturity with your writing. And some folks never grow up emotionally.  As a writer I think it is a lot of fun to keep growing and as an older adult I think being grown-up is much more trouble than it's  worth. I think I'll  just stay a kid a few more years.

Creative Plagiarism

Have you ever stolen a idea for a story or book from another writer? No. Of course not, that's plagiarism, you say. You are exactly right. However, we all know in reality there are only  thirty-six literary plots. Or maybe only twenty. Or perhaps only seven.

1. Wo/man v nature
2. Wo/man v wo/man
3. Wo/man v the environment 
4. Wo/man v machine/technology
5. Wo/man v the supernatural 
6. Wo/man v self
7. Wo/man v God/religion

I could continue with twenty master plots like quest, adventure, pursuit, escape, revenge, love, sacrifice… but you all get the idea. Maybe it is true but writers and even readers know that it's the shading, the ins and outs, the grays bleeding into the black and white that we all turn to as we write. We read something that we consider good book or story and when we finish the story or book we sometimes say to our self, I like that story idea or plot and then we wonder how we might have written it.

Soon we play the "what-if" game. What if John Doe had done this and Jane Doe had done that?  What if the storm had happened earlier? What if Mr. Smith had not been murdered but Mrs. Smith was the one killed?  And the next thing you know, a whole different story is taking place in your mind. And guess what you're not stealing, but you're likely doing what the gifted writer and teacher, Lawrence Block calls "Creative Plagiarism" in his book TELLING LIES FOR FUN AND PROFIT. And I've spoken those words, telling lies for fun and profit, many times and in classes or article writing give Mr. Block the credit although I have no idea if he was the first to coin the phrase.

I've tried to remember when a story inspired me so that I used some "creative plagiarism" to write a story.  I can only remember one instance although I imagine there could be more. The only similarity came when I read  a Bill Pronzini short story in an anthology. I can't tell you the story's name or the anthology or collection the story was in. I only remember there was a hit and run accident. And a hit and run accident was the only thing I used in my short story "The Man In The Red Flannel Suit."  That was a Christmas story published in an anthology titled SANTA CLUES. I do remember at the time my story idea was more or less going along with Bill's story, but by the time I got that idea inkling off the back burner it was entirely different from what I originally thought. The only thing left was the hit and run and that accident was altogether a different animal.

The only two other "creative plagiarism" stories came from songs. One song written and sung by Kenny Rogers called "Scarlett" and was about a young man falling in love with an exotic dancer. One night he goes into the club and Scarlett is gone. It breaks his heart because his fantasy was that she loved him. The nightclub people can't tell him where Scarlett has gone because dancers come and go, always looking for brighter lights. 

I couldn't get the song out of mind, well, I couldn't get Scarlett out of my mind. What happened to her? Did she leave and move to Houston? Dallas? Las Vegas? Was she kidnapped?  Was she murdered? 

Scarlett rattled around in my brain for two or three years and one day popped up as a short story, titled "Scarlett Fever" in the DEADLY ALLIES anthology. It's  still one of my favorite short stories. The other story inspired by a song is titled "The Confession." It was published in the MURDER HERE, MURDER THERE anthology. Since I personally knew the singer/songwriter, Thomas Michael Riley, he gave me permission to use as much or as little of the song as I wanted. It was a great "what if" idea.

If any if you have used any "Creative Plagiarism" ideas you may confess them to me. I won't tell anyone, I promise. 

With a Little Help From My Friends

When I'm writing fiction, I don't outline because I'm a seat-of-the-pants style writer. I also hate writing synopses. Recently, I had to write a synopsis for a Short Story. Now I'm having trouble writing the story. Any of y'all have a suggestion on how to unblock my muse?

I posted this statement yesterday on my author page and on my home page, tagging several published writers that I thought might have some idea for me. The responses were fantastic and I thought it would be a good idea to share.

Jan Burke: Next time use the old Nora Roberts trick--write the story, then the synopsis. (She did this book after book to make her editor happy. When the editor realized what was going on, she told Nora to stop bothering with the synopses.) For this one, tell yourself the truth--you don't have to follow the synopsis at all. It has nothing to do with you anymore. I promise you, if the story is good, no editor worth his or her salt will turn it down.

Nancy Pickard: Amen. Why did you "have" to write the synopsis, Jan? You don't have to say, I'm just nosy.

Alafair Burke: ^^^^Jan Burke is smart.

Billie Sue Mosiman: Jan Burke has the best advice possible.

Will Thornton: Always do it your way, Jan Grape. We don't do this for our sole income and living. It's therapy and very personal.

Ron Tatar: Sometimes I just let it sit, and when I come back to it I see things I missed. Once I looked at a scene I had written on a script, and realized that in ONE line of dialogue I had three key characters that hadn't been key before. Two got into the main character's goal and the other one the reason he was doing what he was doing. I was thrilled that what I missed was already there and I just had to find it.

Paul D. Marks: I agree with Jan (Burke), write the story first. I hate doing synopses or treatments. I have a lot of little tricks I do, take drives, listen to music, walk. Once when I was having trouble with something, I went down to Palm Desert and hung by the pool all day, wrote all night. But the real key for me anyway, is to just sit at the keyboard and write. Just let your characters talk and walk and it doesn't matter if you end up using any or all or none of it. You're getting to know them and see them in action. Eventually you'll break through--(I just happened to do a blog post for the Criminal Minds a few weeks ago if you want to check it out.)

Brendan DuBois: It seems like the act of writing the synopsis tossed you off--so I'd put the synopsis in the shredder, start fresh and just do it.

Robert Lopresti: I was going to say what Brendan said, but I also point out the piece Brendan wrote in the latest issue of The Third Degree, if you receive that. Some helpful hints there.

Les Roberts: Jan Grape and Jan Burke - as you both know, I've been good friends with Robert Crais for twenty-five years. One night, back in the day, we were talking over drinks and he said he always writes at least a sixty-page outline before he begins writing his book. I told him my "outline" is approximately two paragraphs about the plot, which I then put into a drawer and never read again. I told him while he was writing his sixty-page outline and or synopsis I was busy writing the first sixty pages of my book. I dunno - he's a GREAT writer and I really respect what he does - but for me, outlining just doesn't work.

Kathy Waller: Trying to outline makes me nervous. Tony Hillerman didn't outline. Said he couldn't. Good enough for me.

Jill D'Aubery: The one and only time I ever attempted to outline or synopsis a story and then write the thing I got as far as five pages into the actual writing when the characters took over and what was  going to be a humorous spy story with a ghost spy from the 19th century helping a modern day spy became a full-on unamusing, rather violent thriller with no ghosts at all. No suggestions. Just get the synopsis out of your head and ask the characters what's going on with the story. Then do what you always do - by the seat of your pants.

Louise Stone: Relax in a comfortable room, with a tape recorder, close your eyes; take deep breaths to fully relax, and let your mind wander on the subject of the story. Something will come.

Jan Grape: All these suggestions/ideas were excellent. And I did actually get to the bottom of y problem, thanks to something Nancy said, "Why did you HAVE to write the synopsis?"
As I thought about that I discovered what I think had happened. This was a new editor and I suppose the editor thought I needed to show that I was capable of writing a decent short story since I'd never done a story for this editor before. I think that by thinking the editor might not think I was capable somehow got stuck in my subconscious. My inner self was doubtful that I was capable. Silly me, I know. I know I'm capable. I won an Anthony Award for Best Short Story for goodness sake. Other stories I've written have been chosen for more than one anthology. I've been nominated and won other awards. I know I can do it. Thanks, Nancy, for asking that question and thanks, Jan and Brendan for reminding me I don't have to follow that synopsis. And thanks to Everyone for great ideas and suggestions. And for my friends, Amber, who said on my author page that I could smoke pot or have a glass of wine to help. To Jeff Baker, who wished he could do a "half-asshat synopsis. And to my sister, Sharla, who reminded me that somehow to just go back to my story idea before I was rudely interrupted by writing the synopsis and go for it.
And to my friend Les Roberts, who reminded me of his four word advice to aspiring writers: Shut Up and Write. Good advice for all of us. Now back to my story which is moving along nicely.

You 

A Bunch of Grapes

Okay, so there's no mystery here unless you are mildly curious about a bunch of grapes. It's also not about wine making or the wrath of the grapes or even the hilarious Lucy episode of stomping grapes.

This is about the every three years gathering of folks who were born and named Grape or married to or adopted by someone named Grape. And there is really no writing classroom work this week either.

The Grapes

In 1975, my late husband, Elmer Grape, attended the funeral of his mother Leah Gertrude Love Grape, out in CA. All of his brothers and sisters attended except for his sister Ina who was in the hospital. With the siblings all together it was decided that it seemed like a dumb idea on only get together for funerals. Each sibling lived on the East coast or the West coast except for Elmer and I. We at that time, lived in Memphis, TN. Elmer, who never had trouble making serious decisions said, "let's have a family reunion, next year, at my house in Memphis." This was without any consultation with me, but he knew I would have no objections. So our first reunion was planned, for the first two weeks in August, 1976. That time frame was chosen because one brother worked where the company closed down and everyone employed there had to take their vacation the first two weeks of August, no exceptions.

The Grapes of our side originated in Sweden although the first Grape in Sweden was Arendt Reinhold Grape who came from northern Germany where the name in German means "Iron Pot." He had an iron ore smeltering business and settled in northern Sweden, moving to Stockholm later and becoming a Burghermeister (Mayor) of that city. We have met several of our cousins when visiting Sweden and some have attended the reunions. But that first year in 1976 in Memphis, John Stebbins  from CA attended. Uncle John was 94 and he was related to the mother of  the family Leah Love Grape. We were excited to have him attend and he had a wonderful time.

We didn't have a large house, 11,500 sq feet but we had a huge back yard. And we also had a school bus which Elmer had converted onto a camping RV. And we had some nice next-door neighbor who were going to be moving and their house would be vacant. They offered two bathrooms and empty floor space. We rented some army cots and made arrangements to have some type of sleeping space for everyone who would come. Some folks from PA and VA came in their own camping trailers. One brother, the oldest sibling, Harry flew in from Seattle WA bringing his sleeping bag, and he slept on the floor in the den. We had wall to wall cots in the living room after moving all the furniture against the wall.

Without getting too sugary about it, this was the first time some family members had been together in years and really talked to each other and many fences were mended. Four girls and three boys who grew up during the depression, sometimes having little or nothing to eat but defying all odds had survived and had good jobs and families. Two sisters lived in CA, one in VA one sister in NJ. There were nieces and nephews from NY, MD, PA, VA, and NJ. Elmer built a picnic table for the back yard and put it up against the kitchen window so food and drink could be passed through easily.

Sisters took turns cooking evening meals and one nephew cooked an Italian specialty one night. One sister was an expert at packing a fridge and we took turns cleaning up dishes. We all went down to the Mississippi River and took a trip on the Memphis Queen paddle boat and the Captain announced there were 52 members of the Grape Family on board. The cousins all had a night out going to a club and dancing the night away. Some of the family could only stay a week but the best thing of all was that there were no arguments or disagreements.

This family reunion is still going on, we meet every three years, meeting over the fourth of July for several years now and different family members host the event. Elmer and I hosted three more times: In 1979-Fairfax, Virginia, 1982-Corry, Pa, 1985-Houston TX, our house again and this time we had a wedding. Adopted sister Jeannie planned it all from CA and it was beautiful. In 1988-Austin, TX we hosted again and niece Dona who lived in the house behind me helped. We had a Swedish cousin come from Sweden, Reinhold Grape that year. 1991-Hyde Park, NY, 1994-Council Bluffs, IA, 1997-Bergen, NY, 2000-Nashville, TN, hosted by my daughter Karla, 2003-Inks Lake, TX niece Dona hosted. 2006-near Disney World, FL, is the only year I didn't go. 2009-Sacramento, CA, 2012-Little Falls, NJ

This year once again in TN just outside of Memphis, hosted by nephew David and his wife, Karen O. Grape. Each year there are sightseeing jaunts, going especially to parts of the USA where we've never been before and fun things for young and old. One sister, Esther, who is the only surviving sister at age 92, used to make t-shirts for everyone. She's in CA and didn't get to attend this year but we're a bit high tech and skyped with her. Esther drew a bunch of grapes and put the current year on one grape each time. We finally got smart, began having the shirts made letting each host design their own. The one surviving brother is Roger, age 85 and still lives in Corry, PA and he attended this year. David is his son. Upcoming in 2018 we will once again be in Austin with my son Roger and his husband hosting.

We have lost family but we also have gained through marriage and children born and it's exciting and gratifying to meet and talk to everyone. There is lots of great food and drinks both alcoholic and non-alcoholic, and cakes and pies and cookies. We only stay a week now and most stay in nearby hotels because the host family can generally reserve a block of rooms at a reasonable price. We only had thirty-two attending as the California branches didn't make it. Sometimes there are new jobs or immediate family crises or even weddings that crop up and mess up reunion plans.

The major thing for me is we can all be together for a week without a disagreement although some conversations can get a bit heated. We somehow manage to have a week feeling love and a connection that we'd never have otherwise. A week with a bunch of Grapes just works for me.

Next Time: writing, mystery, intrigue, I promise.

What Goes On In Your Town?

 by Jan Grape

1960s AUSTIN GANGSTERS Organized Crime That Rocked the Capital by Jesse Sublett. The History Press 2015

I may have mentioned this book before, not sure, but I just finished it this week and am still intrigued. Mainly, I guess because I was in and around Austin, TX during the 1960s. No, I didn't moved to Austin until the last 60s and then only for about 16 months. I moved here for twelve years beginning in 1987. My Dad and Bonus Mom moved to Austin in 1957. They both worked at the State Offices of the State Employment Commission (now known as Texas Workforce Commission.) And because my family lived in Austin, I visited often. I'm sure I knew like most people that Austin had a certain criminal element, but Organized Crime?

Mr. Sublett's true crime book is outstanding for the history buff and for the crime writing gang. Okay, the Austin mobs weren't exactly like the old Italian mobs I've read about in crime stories and saw in movies like The Godfather. But the elements of crime were organized even if it could be considered a rather loose organization. Mr. Sublett says it was called a White Trash mafia.

Two high school football players, Tim Overton of Austin TX had every thing a young footballer could ever hope or dream for and yet threw it all away for a life of crime. Tim Overton a youngster from the wrong side of town whose mother died from a brain tumor when he was a senior in high School was a big offensive guard and Mike Cotton,a running back. from the more affluent side of town both received athletic scholarships from the new head coach Darrel Royal. Mike Cotton stayed out of the crime business, but Tim was drawn deeper and deeper into that world.

Tim Overton didn't just go nuts after his mother died, although some people thought he was really never the same. He did go on to college and was making decent grades that first year. After his first problems with the police, Coach Royal helped Tim and gave him more than one opportunity. Overton idolized Coach Royal and felt the coach turned his back on him. Probably harder on the coach than Tim Overton ever realized.

Before long, Tim and his associates or crew were driving Cadillacs, wearing diamond pinkie rings and running roughshod over prostitutes, pimps, banks and small businesses. Tim was involved with crooked lawyers, pimps and used car dealers. Smuggling and prostitution rings were high on the White Trash Mafia's plans and crimes. Murder often came into play and trying to outsmart the police was a big order of the day.

 Mr. Sublett has done fantastic research, with court transcripts, police files, Austin History Center files, talking to people who were around then and knew the players. He was able to also come up with photos of the players, their families, their victims and suddenly you realize while you're reading that you are totally involved with this story. Not to romanticize these criminals, but to be interested in the history of a town you've been in and around for over fifty year and a history you actually weren't aware of and in a way surprised about it.

If you have a chance and are interested in the history a small time frame of the capitol of Texas, I strongly advise you to pick up a copy of 1960s Austin Gangsters by Jesse Sublett.

A little personal note: Here's a photo of the beautiful Sage Award that was presented to me on May 17th from the Barbara Burnett Smith Aspiring Writers Foundation. It's  lucite and has a silver colored star on top and is engraved. My picture wasn't  the best but I think you can get a sense of it.

All I Need To Know

This past week I was thinking about how things learned at a very early age can form us in a way that we really don't understand. Thinking about that reminded me of the book title, All I Really Need To Know I Learned In Kindergarten. Have any of you read that book? I never read it but I did read Mr. Fulghum's original essay on the subject. If you haven't read the book or the essay here are some highlights:

• Play Fair.
• Don't Hit People.
• Put Things Back Where They Belong and Clean Up Your Own Mess.
• Wash Your Hands Before You Eat And Don't Forget To Flush.
• Take a Nap Every Afternoon.

Pretty good examples of how to live a pretty good life, right? And we did learn this in kindergarten or if you didn't go to kindergarten, you learned it in first grade. A couple more things were mentioned but I didn't want to get into copyright problems. And the major point I was thinking about was how this all can relate to your characters as you write. Definitely to your main character and to your villain as well.

My late husband, Elmer, had a somewhat traumatic experience when he was five years old. In fact, it was on this fifth birthday. He was playing outside and although he knew he wasn't feeling too well, he kept running and playing and one of his older sisters who was in the house watching him out the window didn't see him fall. He just fell unconscious. No injury, no reason. If she saw him at any point, I'm sure she just thought he was playing dead or whatever little five year old boys do.

A nearby neighbor saw him and called for an ambulance. The ambulance took him to the hospital where he was diagnosed with pneumonia. A short time later, his mother who had returned home and found out her child was in the hospital raced to the medical center. Mama began having a screaming fit because this was a Catholic Hospital. She had been taught in her church that Catholic churches were evil and that all nuns, even nurses worked for the devil. She came into the children's ward, right to her son's bed yelling about how they were going to kill her baby and that she absolutely had to take him out of this Satan's Den of Evil before he died.

Fortunately, the medicine that had been given Elmer had broken his fever and since the family didn't have any insurance or money, they sent him home with his mother and medicine. For the rest of his life, every time Elmer had to go to the hospital and he had a number of surgeries after we were married, he always had a bad experience. There were times he called me to come get him, he felt they were doing him more harm than good. I had heard his childhood story but never connected the dots of the child's traumas with the man's bad experiences. Often because there were little things that had gone wrong, like pain meds making him sick or a bad nurse, or machine failures.

The mother of a good friend of ours died when he was five years old. He actually doesn't remember much of the next couple of years although his father remarried and his new mother was kind and loving to him and his three older brothers. His parent's had four other boys and all were happy and healthy. It wasn't until he wrote his memoirs when he was in his seventies that he recalled the devastation he felt. It also explained his fear of separation from his wife and children even though they were only going on a short trip to visit her mother two hundred miles away.

These little stories made me think of how things that could have happened to your main character when they were four or five or six can shape the life of a hero/heroine or the life of your villain or even secondary characters.

I even read that psychologist say that even if a young person goes bad and maybe commits crimes and seems to hate everyone and everything, love can save him.  If that person knew and felt love when he was a baby up to age five or six, that he will return to return that love. I have no idea how this relates to career criminals but it might redeem some bad person you're writing about it you know their life story.

I'm writing this on Memorial Day and I want to say thank you to all those who are serving in the military, those who have served through all the years, and those who have to wait. May all come back home safely. Including my father, my bonus dad and my husband who did come home safely.

Shameless Self Promotion

Just a quick note on this Mother's Day to clue everyone in on what a fantastic and versatile group of writers who keep this site going each day. I knew there are award nominees and winners here and I thought it might be high time we tooted our own horns. So in no particular order, check out these your daily SleuthSayers.

Eve Fisher:

Her short story, "A Time to Mourn" was shortlisted for Otto Penzler's 2011 Best American Short Stories.

John Floyd:

Won a 2007 Derringer Award for short Story"Four for Dinner."
Nominated three times for the Pushcart Prize "Creativity" 1999 for Short Story
"The Messenger 2001 for Short Story and for a poem "Literary vs Genre" 2005
Shortlisted three times for Otto Penzler's Best American Mystery Stories, "The Proposal," (2000), "The Powder Room," (2010), "Turnabout" (2012), and "Molly's Plan" was published in 2015 Best American Short Stories.
Nominated for an EDGAR AWARD for the short story "200 Feet" 2015.

Janice Trecker:

Nominated for an EDGAR AWARD for Best First Novel years ago, a Lambda award for Best Gay Mystery Novel for one of the Bacon Books a year ago and a nomination for Best Local Mystery book on the History of Hampton, CT, now her home town.

Dale Andrews:

His first Ellery Queen Pastiche, "The Book Case," won second place in the EQMM 2007 Reader's Choice and was also nominated for the Barry Award for Best Short Story that year.

Leigh Lundin:

Won the Ellery Queen 2007 Reader's Choice award for his story “Swamped”.

Rob Lopresti:

Fnalist for the Derringer three times, winning twice. Won the Black Orchid Novella Award. I was nominated for the Anthony Award.

Paul D. Marks:

Won the SHAMUS AWARD for White Heat. Nominated this year for an ANTHONY AWARD for Best Short Story for "Howling at the Moon."

David Dean:

His short stories have appeared regularly in Ellery Queen Mystery Magazine, as well as a number of Anthologies since 1990. His stories have been nominated for SHAMUS, Barry, and Derringer Awards and "Ibraham's Eyes" was the Reader's Choice Award for 2007. His story "Tomorrow's Dead" was a finalist for the EDGAR AWARD for Best Short Story of 2011.

David Edgerley Gates:

Nominated for the SHAMUS, the EDGAR (twice) and the International Thriller Writers Award.

Melissa Yuan-Innes:

Derringer Award Finalist 2015 for "Because" Best Mystery Short Fiction in the English Language, Roswell Award for Short Fiction Finalist 2015 for "Cardiopulmonary Arrest."
Won the Aurora Award 2011 Best English related Work and her story " Dancers With Red Shoes" is featured in Dragons and Stars edited by Derwin Mak and Edwin Choi. Her story "Indian Time was named one of the best short mysteries of 2010 by criminalbrief.com
Year's Best Science Fiction, Honorable Mentions for "Iron Mask," "Growing up Sam," and "Waiting for Jenny Rex."
CBS Radio Noon Romance Writing Contest- Runner-up. Melissa has also won Creative Writing contests and Best First Chapter of a Novel in 2008 and second place for Writers of the Future and won McMaster University "Unearthly Love Affair" writing contest.

Melodie Campbell:

Winner of nine awards: 2014 ARTHUR ELLIS award for (novella) The Goddaughter's Revenge. which also won the 2014 Derringer.
Finalist for 2014 ARTHUR ELLIS award for "Hook, Line and Sinker" and this story also won the Northwest Journal short story.
Finalist for 2013 ARTHUR ELLIS award for "Life Without George." which took second prize in Arts Hamilton national short fiction.
Finalist 2012 ARTHUR ELLIS award for "The Perfect Mark" which also won the Derringer award.
Winner 2011 Holiday Short Story Contest for "Blue Satin and Love."
Finalist for 2008 Arts Hamilton award for national short fiction for "Santa Baby."
Third Prize 2006 Bony Pete Short Story contest "School for Burgulars"
Winner 1991 Murder and Mayhem and the Macabre, "City of Mississauga, 2 categories
Third Prize 1989 Canadian Living Magazine, Romance Story "Jive Talk."
Finalist for the Arthur Ellis Award for best short story for 2015 which will be announced on May 28th.

Robert 'RT' Lawton:

Nominated for the Derringer Award for "The Right Track" in 2010.
Nominated for the Derringer Award for "The Little Nogai Boy" in 2011.

Jan Grape:

Nominated along with co-editor, Dr. Dean James, for an Edgar and an Agatha Award for Deadly Women for Best Biographical/Critical Non-Fiction. 1998.
Won McCavity award along with co-editor Dr. Dean James for Deadly Women for Best Non-fiction.
Won Anthony Award for Best Short Story, 1998 for "A Front-Row Seat" in Vengeance is Hers anthology.
Nominated for Anthony for Best First Novel, 2001 for Austin City Blue.
Jan will receive the Sage Award from the Barbara Burnet Smith Aspiring Writers Foundation on May 17. This award is for mentoring aspiring writers.

We all have to admit, our SleuthSayers authors are a multi-talented group.

On this Mother's Day, one little personal note, my mother, PeeWee Pierce and my bonus mom, Ann T. Barrow, both taught me to be a strong, independent, caring woman and I was blessed to have them in my life and I still miss them. Both were able to read some of my published work and I'm glad they were.

Happy Mother's Day, everyone.

Helping Hands

Mentor - my google dictionary says :

noun

1. a wise and trusted counselor or teacher
2. an influential senior sponsor or supporter

As much as I'd like to say that first definition is me, I really fit the second definition better. At least once a month or so, when someone finds out that I'm a published author I hear these words.

• "I've written a five hundred page memoir and now I need to know what to do."
• "I'm working on a children's book. Everyone in my family think it's great. Do you think you could take a look at it and tell me what you think."
• "I have a great idea for a thriller. If you write it we could split the money."
• "I'm working on a mystery and would you like to look at it and let me know if it can be published.

I always try very hard to be nice to questioners… they are potential book buyers after all. So for the questioners asking about the memoir and children's books. I compliment them on their work so far.

I explain that I honestly know nothing about writing memoirs or children's books. I tell them about the Writers League of Texas, which is located in Austin. Tell them it's an International Organization and they have great information so just go to their website and see what you can find that will help you.

The person who wants you to write the book and split the money. Explain that you have a folder full of ideas and your writing schedule is currently full. Then laugh and say that writing the book is 99.5 percent of the work so that's likely what the split would be. Also tell them this is their story and they should be the one to write it. I again refer them to Writers League. Also tell them that there is an International Thrillers organization and think it would be worth it to check with that group.

To the mystery writer I try to encourage them to check into Mystery Writers of America. That they have wonderful information that can help all along the way. Again, I refer them to Writers League of Texas or Sisters-in-Crime.

If I can determine from their conversation they are serious, I might suggest they go to their library and look up books on writing a novel or writing children's or mystery/thrillers. That there is so much information available in books, e-books, or online. If they live anywhere a community college is located to check and see if there is a writing program offered.

Then there is the person you know and like and actually might want to help. This is the time when I want to "pay it forward." I had so much personal free help when I was starting out. I often felt guilty because I could never repay them.

One day I was having a conversation with my good friend, Jerimiah Healy (now deceased) and we were talking about all the help we had received along this journey to publication. And I made the statement that I could never repay these mentors.

Jerry told me about having this same conversation with none other than Mary Higgins Clark after his first book was published. Mary said you pay it forward. Jerry told me to do the same. I had already been doing that because I had learned many years ago when you find you're having some success in any field that you will be happier when you reach back and help someone climbing the ladder behind you. That was priceless advice and I've tried to keep it in mind.

I doubt that I am influential helper or mentor, but I am senior and I am a supporter of anyone who is writing, especially if they are writing mysteries.

My Father and Cousin Clyde

At the end of this article, you'll find a poem written by Bonnie Parker. Someone posted this poem on Facebook and it reminded me of my father, Thomas Lee Barrow.  My father often told of how we were probably related to Clyde Barrow. I'm done a little bit of genealogy but never attempted to prove our connection to the notorious Mr, Clyde Barrow. It seemed more fun to just "say" we are related and leave it at that. But is it possible the criminal gene is what prompted me to write fictional crime stories? Who knows?

My father had a wonderful but, perhaps a bit strange, sense of humor and told stories of how he exploited the connection to Clyde Barrow. Let me explain, my father was born in Beaumont, TX in 1911 and was in his early twenties when Clyde and Bonnie were running around North Texas. Dad actually lived in Fort Worth, Texas then. A young man twenty-two or twenty-three in the early 1930s was like most young men of the day, prone to practical jokes.

Dad thought it was funny to walk into the First National Bank and write a counter check for ten or twenty dollars, sign his name, T. L, Barrow, walk over and hand the check to the teller. I know most of you would have trouble understanding but in those years, people didn't  have scads of personal checks like we have nowadays. You mostly went to your bank, pick up a printed check form located at the bank's signature island table, wrote out the amount you wanted, gave it to a teller and got the amount you had asked for on the counter check.

Quite often the teller would look either scared or extra hard at my dad, sometimes nod to the bank manager, or ask for identification from my dad. They'd go ahead and give dad his ten or twenty dollars and breathe a sigh of relief that someone with the name of Barrow did nothing more than cash a check. The Fort Worth and Dallas newspapers had almost daily stories of the bad mob known as the Barrow gang. That name was familiar to everyone in the banking business.

A little more involved act of fun happened when two young men got together and took advantage of the Barrow name. Dad and his best friend, Ken Owens, used to go into bars and play their joke. Once inside the bar, my dad would walk down to the far end of the bar and sit on a stool there. His friend, Ken would park himself on a stool near the front door and get the bartender's attention. When the bar man walked up to him, Ken would say, "You see that man down there?" he'd nod towards my father, Tom Barrow. The barman would say "Yes."

Ken would then say, "That's Clyde Barrow's brother and he expects a free drink." The barman would nod and give a free drink to both my dad and Ken Owens. The two young men would drink their free drink and soon they'd leave, leaving the bartender wiping sweat off his brow, thankful that Clyde Barrow's brother had left his establishment. The two pranksters would then head down the street and around the corner to another bar and work it for another free drink.

Like I said earlier, I'm not totally sure of our connection to Clyde Barrow. I do know however, that my father, Thomas Lee Barrow, had a strong influence on my life. My love of mysteries because he gave me my first mystery paperbacks to read, Mike Hammer, Private Eye books written by Mickey Spillane, and Private Eye Shell Scott written by Richard Prather. I think, my mother and father were both quick with funny quips and they passed that gene along. I have a grandson, Riley Fox who lives in Portland, OR who is a stand-up comic. I don't have any bank robbing family members like Cousin Clyde and that's a good thing. I'd much rather write about mysteries and crime that to worry about a sheriff's posse  or the FBI coming after me.

And although, Bonnie Parker and Clyde Barrow never had any children she definitely had a gift for writing poetry, and maybe that writing gene was passed to me through osmosis. Besides the poem listed here she wrote several poems which were published in the Dallas newspapers and there was a little notebook of her poems written while she was in jail.

I'll admit that I've always had a strong desire to claim a connection to Mr. Clyde Barrow. Wonder if I can get a free drink or two out of that?

You've read the story of Jesse James of how he lived and died. If you're still in need; of something to read, here's the story of Bonnie and Clyde. Now Bonnie and Clyde are the Barrow gang I'm sure you all have read. how they rob and steal; and those who squeal, are usually found dying or dead. There's lots of untruths to these write-ups; they're not as ruthless as that. their nature is raw; they hate all the law, the stool pigeons, spotters and rats. They call them cold-blooded killers they say they are heartless and mean. But I say this with pride that I once knew Clyde, when he was honest and upright and clean. But the law fooled around; kept taking him down, and locking him up in a cell. Till he said to me; "I'll never be free, so I'll meet a few of them in hell" The road was so dimly lighted there were no highway signs to guide. But they made up their minds; if all roads were blind, they wouldn't give up till they died. If a policeman is killed in Dallas and they have no clue or guide. If they can't find a fiend, they just wipe their slate clean and hang it on Bonnie and Clyde. There's two crimes committed in America not accredited to the Barrow mob. They had no hand; in the kidnap demand, nor the Kansas City Depot job. If they try to act like citizens and rent them a nice little flat. About the third night; they're invited to fight, by a sub-gun's rat-tat-tat. They don't think they're too smart or desperate they know that the law always wins. They've been shot at before; but they do not ignore, that death is the wages of sin. Some day they'll go down together they'll bury them side by side. To few it'll be grief, to the law a relief but it's death for Bonnie and Clyde.

Organize and Join

There are many mystery writer organizations around.

Here’re a few to keep in mind.


Mystery Writers of America aka MWA

The oldest American organization formed in 1945 is  most the well-known and in many eyes the most prestigious. Membership is open to published authors in the mystery field, including fiction, and fact books and stories, magazines and motion pictures. An associate membership, includes editors, agents, directors, booksellers and fans, all known as friends of mystery. Later the memberships were reclassified as “Active” for published writers. “Associate” for non-writers in the mystery field for editors, agents, booksellers, etc. and “Afilliate” for fans and unpublished writers.  MWA gives the Edgar Award each year and the nominees and recipients are chosen by a committee of peers and given at the annual Awards Banquet in New York each spring, usually in April. MWA has chapters all around the country. More information and how to join may be found at www.mysterywriters.org

Private Eye Writers of America aka PWA

Began by Private Eye author and Executive Director: Robert J. Randisi in 1982. Their purpose was defined to identify, promote, recognize and honor the writers who write books and stories featuring a private eye as the main character. PWA gives an award known as the Shamus and is given out each year at the PWA banquet during the Bouchercon event in the fall. The nominees and winners are chosen by a committee of peers. There are no chapters located around the country, all members belong to the National organization as either “Active” or “Associate” members. More information and how to join may be found at www.privateeyewriters.com

Sisters-In-Crime aka S-in-C

In 1986-87 this organization was discussed and organized by several women who had discovered women mystery writers were not reviewed as often or as well as their male counterpoints. Sara Paretsky was the major driving force, aided by Dorothy Salisbury Davis, Charlotte MacLeod, Nancy Pickard, and Susan Dunlap. The main goal of Sisters was to combat discrimination against women in the field of mystery, educate publishers and the public at large about the inequalities in the treatment of female authors. Along with that goal was to raise the awareness of the role of women writers and their contribution to the whole mystery genre. Many have asked why just for women? Actually, S-in-C has many talented men who are also members. In many ways the whole genre needed to be recognized as serious writing. People still today when they hear or know a woman is a mystery writer are asked “When are you going to write a “REAL book?”

One major project for S-in-C has been to contact newspapers and magazines and ask them to publish more reviews of women authors. Progress has been made, but it’s still a man’s world. Sisters has also worked to assure that women authors are judged for mystery awards the same as men are. Sisters strive to be more educational that anything political. There are chapters all around the country and even international chapters. The national organization has published book guides to selling, to promotions and specifically for author signings. Sisters national organization generally meets at Malice Domestic in May and at Bouchercon in the fall.

More information and how to join may be found at www.sistersincrime.org

Other Organizations include: Thriller Writers of America and American Crime Writers League.

Me and the Derringers. (Maybe.)

At the end of my emergency room shift, I got a Twitter message that looked like this:

Quoi? Dr_sassy and the Derringers? That's never happened before. Sounds like a good band title, though.

My first thought was, Did someone tag me by accident? As in, they want me to know about the Derringer Award, which honours the best short mystery fiction published in the English language?

But another tag-ee, Britni Patterson, was already celebrating, so my heart kicked into high gear, just wondering if I was a chosen one.

And if so, which story was it? I had two eligible tales. “Because,” a biting tale of 490 words published in Fiction River: Crime, and “Gone Fishing,” a 12,000-word serialized Hope Sze novella commissioned by Kobo and kindly mentioned by Sleuthsayers last year.

I clicked on the link and found this Derringer short list:

For Best Flash (Up to 1,000 words)

• Joseph D’Agnese, “How Lil Jimmy Beat the Big C” (Shotgun Honey, May 12, 2014)
• Rob Hart, “Foodies” (Shotgun Honey, May 2, 2014)
• Jed Power, “Sweet Smells” (Shotgun Honey, July 28, 2014)
• Eryk Pruitt, “Knockout” (Out of the Gutter Online, August 31, 2014)
• Travis Richardson, “Because” (Out of the Gutter Online, May 15, 2014)*
• Melissa Yuan-Innes, “Because” (Fiction River: Crime, March 2014)*

Ah. Because.

I do love that story.

Warning: it’s extremely noir. I don’t find it scary, but then I face blood, guts, vomit and potentially Ebola every day in the emergency room. I’ve already alerted the SleuthSayers powers that be that I’m not especially cozy. I’ve written what I consider cozies, and I love Precious Ramotswe and Agatha Raisin, but I also regularly stare into the darkness and take notes. When I attended the Writers of the Future winners’ workshop in 2000 and turned in a pitiless story about werewolves, the Grand Prize winner, Gary Murphy, stared at me and said, “I can’t believe that such a sweet-looking woman wrote this!"

I laughed. I adore werewolves. And good stories of any stripe.

But Cozy Monday may need a new name. Any suggestions? Cozy or Not; Cozy and Noir; Alternatively Cozy Mondays (because I’ll bet Jan Grape can stick to one genre better than literary sluts like Fran Rizer and Melodie Campbell and me); Cozy and Crazy…hmm.

Back to the Derringer. Until now, I never really understood why awards have a short list. Well, I understood whittling down the list so that celebrity judges don’t need to plow through a mountain of stories.

But now I get the glory of the finalist. I’ve won other prizes in a binary announcement. Either I win the award or I don’t. But right now, the uncertainty makes it all the more treacherous and exciting!

If you're curious, I’ve published “Because” for free on my website for the next week only. You can download it to your friendly neighbourhood Kindle, Kobo, iBooks device, Smashwords, or any format for a whopping 99 cents. That price will triple in a week. Please admire the cover photo by 28-year-old French photographer Olivier Potet. The non-cropped version is even better.

If Because tickled your fancy, you can also download Code Blues, the first Hope Sze novel, for free, as part of a bundle on Vuze, until March 16th.

And please tune in on March 23^rd, when I plan to write about how medicine trains your mind for detective work. Watson, anyone?

Rain and Snow and Driving

One thing that might seem strange to people who live in the Northeast or Northern states is how a quarter inch of ice or a half inch of snow causes such a mess in TX. There is one simple answer. We DO NOT know how to drive on ice or snow. We don't even know how to drive in the rain.

Tonight, I was returning home from having dinner with my sister and brother-in-law, in Austin, (a forty-five mile one way trip) and it was misty, rainy and foggy, not cold enough to freeze, but just messy with iffy visibility. Most of the way home, it was still daylight although the sky and the light was steely gray. I was driving five to eight miles under the speed limit and trying my best to keep a safe distance from the car in front of me. Cars were screaming past me going ten, fifteen miles faster (this was in either a 60 or 70 mph area) and some cars tried to stay on my bumper. I was driving slowly enough that they soon zipped around me. But as soon as they cleared my front-end they cut back in my lane in front of me.

Happy birthday to Jan from SleuthSayers

Okay, I'll admit tonight I was driving like the proverbial "little old lady," but I did have a birthday yesterday and turned sixty-sixteen, so I'm allowed on occasion. More importantly, the idea of a car wreck is not my idea of Sunday night fun. When it's sunny and daylight or even at night, I do drive somewhat like a bat out of hell. I trust myself, my tires, and my brakes.

Sadly if a little rain, or ice or snow falls in Texas, it's as if a neon sign turns on inside too many brains, "go fast, we've got to get home NOW." Drivers turn into guys from Talladega Nights. We also have no snow tires or chains or snow plows. About the best our towns and counties and cities can do is dump sand on our bridges and overpasses. And even a small amount of rain can get dangerous because the oily residue on the streets and highways gets slippery when mixed with a misty rain.

Fortunately, I made it home safely and my car and body thanks me. One badly broken right humerus bone requiring surgery, a steel plate and ten screws is enough injury for me. Even though it was in 2007, when it's cold, it reminds me I'd just as soon not break another bone ever.

We even let our schools out early and send children home. Mainly because with even a small amount of snow or ice and no snow plows, a large number of kids live in suburban or even country areas and it's too dangerous to take a chance with a bus load of kids.

So everyone laughs at us but we're just not equipped to handle it and besides all that, we freeze to death when the temperatures get below fifty. Our blood is way too thin for those temperatures. However, it's not unusual to see a female in short shorts, a sweatshirt hoodie and cowboy boots heading into the bank or the grocery store. Yesterday, it was 35 degrees and windy and I saw a man with walking shorts on. I imagine these folks are transplanted from Minnesota or New Hampshire or Alaska and 35° just is a nice cool day for them. Bless their little hearts.

Sorry my report isn't very long today. I have a sore typing finger. I got a nasty cut on the knuckle of my right index finger and it's much better but typing is aggravating it. But, you say, I saw you posting on Facebook, Jan, what's with that? When I use my phone or my tablet, I use a stylus and it doesn't hurt my fingers. This blog note has to be written on my laptop and that entrails typing.

Did anyone pick up my malapropism in that last sentence? I always thought malapropisms came directly from Mrs. Malaprop in the Broadway play "The Rivals." I suppose that play happened to make malapropisms more widely known but Mark Twain used them and even William Shakespeare wrote a few in his plays. I have no idea where that bit of trivia came from but malapropisms have been on my mind today. Go figure.

Okay, class, off to soak my right index finger in ice.

Me and Elvis Presley

While searching my brain for something to write about I read a note posted on FB about a couple of comics doing Elvis Impersonations. I watched first Jim Carey, then Andy Kaufman and both were good and funny. Andy's even more so because his normal talking voice was so high-pitched and strange, but when he sang and spoke "Elvis," he somehow got down into that low register that was more along the lines of the voice of Elvis.

That plus an incident which happened a couple weeks back, while listening to live music, someone requested one of the singers to sing an Elvis song. These musicians don't often sing cover songs but if requested and someone can do a version and the tip is reasonable then someone will try. The song was "Blue Suede Shoes." I immediately was reminded of my first and only time I saw Elvis in person.

It was in 1955, in Lubbock Texas and Elvis was traveling with The Louisiana Hayride. I was sixteen years old, a senior in high school and was not especially a big Elvis fan. I had heard of him, everyone in my part of TX had heard of the Rockabilly Kid. You all realize, of course, this was a few months before the "Ed Sullivan Show," and a few months before this young singer from Tupelo, MS and Memphis, TN became 'THE KING."

I don't remember the other girls I went with to Lubbock. Been too many years. I do remember we had seats rather far back in the auditorium. I think the premise back then was first in line got to rush down to the front rows. And if I'm not mistaken the tickets cost something like $2.50 There were other entertainers on the show but we came to see Elvis.

The bad thing for me, I broke my glasses that day. One of the lenses popped out and I only had that one pair of glasses. I remember looking through and being able to see really well with my right eye and everything kinda blurry with my left eye. And part of the time I covered my left eye and just looked with my right eye so I didn't have that blurry spot. I remember being upset over breaking my glasses. Such a bum deal to go to a concert and you can't see very well.

The news had gone around the country that when this Elvis guy sang that girls screamed and some swooned. My mother told me that it was like that when Frank Sinatra first started singing. Girls screamed to the top of their lungs, "Ohhhh Frankie," and some girls fainted. I thought the whole idea was one of the silliest things I'd ever heard. Screaming over some guy up on stage singing a song and I swore that I was not going to scream. And I didn't.

You believe that don't you? Honestly, I didn't scream at first, but after a little while, I discovered myself screaming, too. A whole coliseum full of mostly young teenage girls yelling and screaming is contagious. At first, I thought I was crazy, but then I realized it was mob hysteria. You know when the crowd outside the jail want the sheriff to send the prisoner out so the crowd can string him up. The whole town is yelling and shouting and carrying on and getting bolder and louder. Then when the good guy sheriff stands up to the crowd and fires his gun in the air that shuts up the menfolk and he tells them to get on back home. The crown quietens down, looks at each other sheepishly and leaves. That's mob hysteria. But we didn't look at each other sheepishly, we just looked at each other and screamed some more.

When Elvis came out on stage and the initial screaming quieted down to a dull roar, he said, something along these lines, "I'm going to sing a song written by a really good friend of mine. A good friend for many years." Then he turned to his lead guitar player and asked "What was that fellow's name?" "Carl Perkins," said the guitar man. "Oh yeah, Carl Perkins," said Elvis and he started singing "Blue Suede Shoes."

I'm not totally sure what else he sang, seems like he said That's All Right, Mama and Jailhouse Rock but I wouldn't swear to it. It was fun and I had a good time but I never became a huge, big Elvis fan. Not exactly sure why. I liked most of his songs, but I liked Johnny Cash, Conway Twitty and Hank Williams Sr better. Maybe because they seemed real to me and Elvis didn't.

Years later, we moved to Memphis, TN. It was 1972 and Elvis was living in Memphis at Graceland. My late husband, Elmer built Germantown Mall while we lived there. One of the stores in the mall was a wonderful jewelry store, owned by two brothers. One brother, Lowell, ran a store in downtown Memphis and the other brother, Les, ran the store in the mall. Elvis was friendly with Lowell but Les was the artist jeweler.

So Elvis came out to the Germantown store, after the mall was closed, fairly often to buy jewelry for his playmate of the month. However, Les could never tell anyone when he was going to come out because if he told and fans came out, the store would lose his business. Les couldn't even tell his wife. By then I would have enjoyed meeting Elvis because he was a big star and I just thought it would be cool to meet him and shake his hand and tell him I had seen him back in Lubbock all those years ago. But it never happened. Never got to meet him.

Les did tell us that he could always tell how serious he was about a woman by the jewelry he bought. The $10,000 to $30,000 was just an okay lady and the $40,000 and up range was a special woman. Les designed the TCB pins that Elvis gave to his band and male pals meaning ‘Taking Care of Business’ and the TLC pins given to female pals that meant ‘Tender Loving Care’. Les designed most of the jewelry Elvis wore.

One of those rumors that went around our high school was that Elvis had played at a dance hall in Lubbock called the Cotton Club. And the story went that a young lady with cantaloupe sized bazooms came up next to the stage, wearing her little tank top and asked Elvis to autograph her body. Supposedly he wrote Elvis on the right one and Presley on the left one, but I wouldn't ask Polifacts to check it because that most likely was one of those urban legends.

Even though we lived in Memphis when Elvis died and for a few years afterwards, I never visited Graceland. However, our Grape Family Reunion will be in Memphis this summer and I've joined in the family group to visit the home of the King. May he RIP.

Wanted Mystery Readers

by Jan Grape

Mystery readers are a varied and particular group. The majority of them want what they like to read best and all you have to do is point them to their favorites are.
And exactly what are their favorites? Cozy, Private Eye, Legal, Medical, Historical, Soft boiled, Hard boiled, Noir, Police Procedural, Who Dunnit, Woman in Jeopardy Thriller, Paranormal Cat Mysteries, Dog Mysteries, Comic Capers? And what about True Crime?

Did you realize there are so many different divisions in Mystery? Only when I owned a bookstore did I really realize that there is a huge variety under the mystery umbrella. What's funny to me is many people say, "Oh, I never read mysteries." But when you ask who do they read, they say, "Oh, I read James Patterson, Michael Connelly, Lee Child, Charlaine Harris, Stephen King, Sara Paretsky, Sue Grafton, Janet Evanovich, Kathy Reichs, Tony Hillerman, Mary Higgins Clark, Jonathan or Faye Kellerman."

Okay, I guess these authors write what is considered suspense, not mystery. I personally would say all of those authors write mysteries. I don't understand why people don't consider these best selling books are mysteries. Are they ashamed and don't want too admit they read mysteries. Do they think mystery is low-brow. Or maybe they think if a book is on the New York Times Best Seller List it's not a mystery? Often when a writer says they are published and they write mysteries, someone invariably will ask (usually one of your off-side relatives) when are you going to write a REAL book. That's when I want to run away screaming.

What about Harlan Coben's books? They are usually high suspense but they also are mysteries. A crime is committed, usually someone is murdered and a man (or a woman) is caught up in a situation they have no knowledge of or how to solve the mystery. Sometimes they or their loved one is in jeopardy and the main character has to use everything they've ever learned or known to save the loved one or themselves.

Back to my original question, what do mystery readers want? I can only say what I want in a book. I want a character that I like and like to root for, although I don't have to have a perfect character. In fact, it's much better if the main character has vices or flaws. However, it's nice if you see the main character in one place and, by the end of the book, the main character is in another place, perhaps changed a bit. Becoming a better person, maybe or at least has a different outlook on life.

I like reading about a location that's new to me like Alaska or Iceland, Hawaii or Florida. Places where I can learn about a state or country, their customs, foods, peoples.

I feel that way about someone who has an occupation I'm not familiar with, like Fran Rizer's character who works in a funeral home. Her character is also from South Carolina and I've never been there so I enjoy reading about the coastal area of the Atlantic side of our continent.

I also enjoy reading about a place when I have been there and see a few things in the story that I've seen. Like reading The Girl With The Dragon Tattoo, set in Sweden. I had two short trips in Sweden, but I had been to Stockholm and several of the other locations mentioned. That made the book more fun and interesting to me.

I enjoy reading good stories wherever they're set or the people who populate the mystery story. I like a story that begins with some action. I'll go along with perhaps fifty pages but something better be happening by then or forget it. It doesn't have to be a bloody murder; the murder can have taken place off scene, but I want to see the main character doing something to move the story forward. If you're a writer, write the best most intriguing book you can. Don't forget that if you are bored with the story then your readers most likely will be bored, too.

If you're a reader, proudly admit that you like mysteries. Some of the best writing is being done under the mystery/suspense umbrella. Trust me. Mystery writers cover the major issues of the day. And in about 98% of mystery books, the bad guy is caught and justice prevails, which doesn't happen in the real world often enough.

That's my opinion, what do you think, class?