Showing posts with label Edgars. Show all posts
Showing posts with label Edgars. Show all posts

22 July 2019

When to Enter


Many moons ago, I discussed why I enter so few writing contests. If there is a hefty entry fee, I stay away. If I don't know the judges or feel comfortable with the criteria, ditto.
But sometimes, dumb luck gives you an advantage, and it's true of both contests and submissions to anthologies. If you're in the right place at the right time, there are ways to get an inside track.

Several years ago, I learned about the Black Orchid Novella Award. I had a short story that never sold, and I expanded it into a novella and won. Yes, writing a good story helps, but the Black Orchid Novella Award pays tribute to Rex Stout and his detectives Nero Wolfe and Archie Goodwin. My parents liked Stout, so I read many of his novels and novellas when I was young. We were both raised in the Midwest, so his voice and rhythm and characters influenced my own writing. In other words, writing a story that fit the contest's requirements was definitely in my skill set.

I've entered two stories in that contest, and won both times. Since it's an annual event, the submission dates are standard, which means I know when to have a story ready and have a whole year to come up with an idea (or not) and rewrite until it's worth sending. That means no rushing, important because I can't rush. I've written on demand, but it always takes me several revisions, which means lots of time.

My titles should tell you I like blues and rock and roll. Several years ago, I wrote a blog about plagiarism in rock music. Among other performers, I mentioned Led Zeppelin and their frequent "borrowing" from blues artists. That idea was fresh in my mind when the Mystery Writers of America posted a submission call for an anthology with the theme of "Vengeance," to be edited by Lee Child.

Well, Child's first novel is Killing Floor, a title taken from an old Howlin' Wolf blues classic. Led Zeppelin milked it dry for a song they called "The Lemon Song" on their second LP. Child has another novel called Bad Luck and Trouble, a line that appears in both "Born Under a Bad Sign" by William Bell and Albert King and "Double Trouble" by Otis Rush.

I figured Child was a fan of American Blues. What if I could write a story about a blues songwriter who stole a song and the results caught up with him? I called it "Hot Sugar Blues" and hoped the title would help the story get through the gatekeepers to Child himself. It appeared in the anthology and was later named a finalist for the Edgar Award.

Yes, I think it was a good story, but it still needed the right audience. You can help that happen.

Several years ago, I joined four other writers judging submissions for the Al Blanchard Story Award, sponsored by the New England Chapter of MWA. Let me share what that five-month stint taught me.

The submission time was three months, and we received 142 stories of 5000 words or less. Only a dozen came in during the first several weeks, and only 41 through the sixth week, so I read them all, Because I was used to reading lots of papers, I read EVERY story (even though I only had to read every fourth one) and took notes. (Some people have lives. I'm not one of them). I graded them all from 1 to 10 and made a spread sheet of my comments.

I didn't award any story a 9 or 10, but I gave NINETY-ONE stories a 1 or 2. That's right, nearly 2/3 of the entries earned that score, and for the same reason(s). They started with turgid--often unnecessary--backstory and most of them wallowed in description. They tended to tell rather than show, had little or poor dialogue, and a few had endings that came out of nowhere.

Don't do those things.

A whopping 41 stories came in the last day of the contest. Don't do that, either. By then, judges are in a hurry. They're looking for a reason to dump you and move on, so a typo, a badly-chosen name, or a cliche may be enough to knock you out on page one.

If a contest takes submissions for three months, I like to wait about six weeks. That gives readers time to go through enough entries to establish a personal standard of their own. They still have enough time to be flexible, though, so they'll give leeway to something a little different. When the time crush kicks in (the last two weeks), they may already have their personal favorites locked in and it's hard to dislodge them. Hit them when they're still comfortable.

Keep in mind that judging is ALWAYS subjective, no matter how specific the criteria, and no matter whether it's for a contest, an anthology, or a standard submission. Three of the five stories I rated the highest in the contest I judged didn't make anyone else's short list, but seventeen of the stories I rated a 1 or a 2 DID.

Not long ago, an editor turned down my submission because he liked the story but didn't like the golf that was essential to the plot. He never explained why. I sold the story elsewhere in two weeks. Maybe if I'd used tennis or Jai alai, it would have sold the first time out.

You never know. But some guesses are better than others.

04 January 2016

It Was The Best of Times, It Was The Worst of Times


I claim it was 1998, but it really all started in 1997.  I was lucky.  I'd been around for quite a few years by then, and still had an intact family.  Two parents, still married to each other, a big brother, his wife and two sons, and a little brother and his wife.  I was most fortunate to have a husband to whom I'd been happily  married since 1972 and a beautiful teenaged daughter. As a family we were blessed.
My big brother's name was Frank Rogers.  He was three years my senior and had been my hero as long as I could remember.  He had two webbed toes and eventually grew to be six foot, fix inches.  He saved me from death (or a slight concussion) when I almost fell off the porch into a pile of bricks our dad was saving for a patio he might (or might not) build.  He benignly blackmailed me for multiple decades for an indiscretion when I was seven years old.  He missed me so much when our family went on vacation without him that, upon my return, he took me to downtown Dallas to see a Troy Donahue movie -- and he didn't even like Troy Donahue.  He introduced me to the Kingston Trio, the Smothers Brothers, and Alan Sherman.  He made fun of me for a week when I cried while watching an episode of "Wagon Train."

As adults we became scattered as jobs took us to different parts of the country, but we seemed to manage to all get together at least once a year, and quite often on Thanksgiving.  As the years progressed we started a Thanksgiving tradition:  tequila shots before dinner.  Our parents didn't partake, but the three siblings and our spouses certainly did (and even some of the kids when we weren't watching closely enough).  It was silly, but, hey, it was tradition!

Then in 1997, Frank got sick.  He was in the hospital and I called him as I had been doing on a daily basis since he'd been in there.  But something was wrong.  My big brother was crying.  And I could hear my sister-in-law sobbing in the background.  Never, in all those years, had I ever known my big brother to cry.  The doctor was in his room.  The doctor just told him he had terminal cancer.  The doctor just told him he had a year to live.  To my knowledge, Frank never cried again.  He yelled, got drunk, and laughed a lot, but never cried.

The whole family was staggered by this.  We were blessed.  Things like this didn't happen to us.  Our family members only died when they were in their eighties or nineties.  Not like this.  He was only fifty-four.  One child left in college.  Things like this didn't happen in our family.  We were blessed.

We learned that what Frank had was cancer of the common bile duct -- a very rare cancer that no one was studying.  He could try chemo and radiation, but the results wouldn't amount to much, if anything at all.  He opted not to bother.  He and Rosella, his wife, took leaves of absence from their respective jobs and decided to spend the year he had left doing whatever they wanted and, as he told me, he had no intention "of suffering fools gladly."

In those last months of 1997, my sister-in-law and I conspired to save him.  It was a real reach, but one does what one can.  There was a Mexican bodega my husband and I frequented when we wanted ingredients we were unable to find in the regular grocery store.  But this bodega had more than mere spices and strange fruits; it had talismans and cancer cures.  Frank and Rosella lived in Baltimore, and I lived in Austin, but I found a way to send a talisman and cancer-curing tea to my sister-in-law.  Both of us knowing Frank would laugh at such an attempt, she hid the talisman deep in his wallet (the lady at the bodega said he must always have it on him for it to work - duh), and slipped the tea into Frank's morning coffee.  And then Rosella prayed and I kept my fingers crossed.  One does what one can.

That last Thanksgiving, 1997, before our tequila shots, we had a meeting at my younger brother's house in Dallas and decided we were going to take a vacation together -- something we hadn't done since we were kids.  So we made plans.  It was to be eight days at a rental house on St. John in the U.S. Virgin Islands, and I started saving for the trip we'd take in March.  But in February of 1998, I got a call from my agent in New York.  I'd been nominated for an Edgar Award for Best Paperback Novel of 1997.  After telling my husband, who was in the room at the time, the first person I called was Frank.  He was elated, I was elated, everybody was elated.  And I wanted to win it for him.

In March of 1998 we left for St. John.  It was a wonderful eight days of conch fritters, rum, and too much Jimmy Buffett on the CD player.  We saw giant turtles, beautiful white beaches, and pigs walking along the roads.  We learned to drive on the wrong side of the street and found that a pint of Ben and Jerry's cost over eight dollars.  And we discovered my daughter and Frank's youngest son had "found" a bottle of champagne and had taken that and a bottle of orange juice out to the pool late one night and were making "mouth mimosas."  And it was all over way too soon.

In April I left for New York and the Edgar banquet.  My friend Jan Grape had also been nominated that year for Best Non-Fiction and we were able to rent a small apartment on the east side and spent a wonderful week up there.  I had strict orders to call Frank the minute I won.  He never said anything about my not winning.  Needless to say, I didn't win, and it was the hardest phone call of my life.  I called my husband first and he was stoic about it, but then I had to call Frank.  Somehow in my mind I'd confused my winning that Edgar with my brother living.  I'm sure my winning would have worked as well as the talisman in his wallet and the tea in his coffee; i.e., not at all.

In early October I went to Bouchercon in Philadelphia, just a train ride from Baltimore.  Frank was once again a guest at Johns-Hopkins, and I took the train down to see him.  He was excited.  He and his doctor had just seen Carl Ripkin, Jr., in the halls of the oncology ward.  The two of them, on seeing Mr. Ripkin, Jr., going down the stairs, followed him, my brother carrying his IV pole and clutching the back of his hospital gown.  Frank's doctor told me the son was there to see his father, Carl Ripkin, Sr.  I found the mental picture of my brother chasing the baseball star down the stairs amusing and shared this later that evening, back in Philadelphia, with my dinner companions.  I forgot that one of them was a reporter for the Baltimore Sun.  The headline in the next day's paper?  Carl Ripkin, Sr., hospitalized in cancer ward at Johns-Hopkins.  For a short while, my family referred to me as "deep throat."

It was only a few short weeks later that I got a call from Frank.  "I need to tell you something," he said.  His voice was ragged.  "Anything," I said.  "I'm sorry I blackmailed you," he said.  "That's okay," I said.  "It's what brothers do."  And he told me he loved me and I told him I loved him.  Two days later he died.

We buried my brother's ashes on Halloween on a beautiful hill in the Maryland countryside.  My sister-in-law stuck one of Frank's favorite cigars in the hole with his ashes, then we went to her home, got drunk, and all smoked the rest of his cigars.

And our family was no longer blessed.  I lost both my parents in 2001 -- Dad in January, Mom in April.  Five years later my beloved husband, Don Cooper, had his fourth heart attack and was unable to come back from that one.  He was sixty-one.

To this day, my sister-in-law, my daughter and nephews all call each other on Thanksgiving and give a tequila toast to Frank.  After a few years, we added Don's name to the toast.

But I'll always remember the year 1998 as the best and the worst.  An Edgar nomination, a trip to St. John, a week in New York -- and the death of my hero.  My big brother.

11 May 2015

Shameless Self Promotion


Just a quick note on this Mother's Day to clue everyone in on what a fantastic and versatile group of writers who keep this site going each day. I knew there are award nominees and winners here and I thought it might be high time we tooted our own horns. So in no particular order, check out these your daily SleuthSayers.

Eve Fisher:
Her short story, "A Time to Mourn" was shortlisted for Otto Penzler's 2011 Best American Short Stories.

John Floyd:
Won a 2007 Derringer Award for short Story"Four for Dinner."
Nominated three times for the Pushcart Prize "Creativity" 1999 for Short Story
"The Messenger 2001 for Short Story and for a poem "Literary vs Genre" 2005
Shortlisted three times for Otto Penzler's Best American Mystery Stories, "The Proposal," (2000), "The Powder Room," (2010), "Turnabout" (2012), and "Molly's Plan" was published in 2015 Best American Short Stories.
Nominated for an EDGAR AWARD for the short story "200 Feet" 2015.

Janice Trecker:
Nominated for an EDGAR AWARD for Best First Novel years ago, a Lambda award for Best Gay Mystery Novel for one of the Bacon Books a year ago and a nomination for Best Local Mystery book on the History of Hampton, CT, now her home town.

Dale Andrews:
His first Ellery Queen Pastiche, "The Book Case," won second place in the EQMM 2007 Reader's Choice and was also nominated for the Barry Award for Best Short Story that year.

Leigh Lundin:
Won the Ellery Queen 2007 Reader's Choice award for his story “Swamped”.

Rob Lopresti:
Fnalist for the Derringer three times, winning twice. Won the Black Orchid Novella Award. I was nominated for the Anthony Award.

Paul D. Marks:
Won the SHAMUS AWARD for White Heat. Nominated this year for an ANTHONY AWARD for Best Short Story for "Howling at the Moon."

David Dean:
His short stories have appeared regularly in Ellery Queen Mystery Magazine, as well as a number of Anthologies since 1990. His stories have been nominated for SHAMUS, Barry, and Derringer Awards and "Ibraham's Eyes" was the Reader's Choice Award for 2007. His story "Tomorrow's Dead" was a finalist for the EDGAR AWARD for Best Short Story of 2011.

David Edgerley Gates:
Nominated for the SHAMUS, the EDGAR (twice) and the International Thriller Writers Award.

Melissa Yuan-Innes:
Derringer Award Finalist 2015 for "Because" Best Mystery Short Fiction in the English Language, Roswell Award for Short Fiction Finalist 2015 for "Cardiopulmonary Arrest."
Won the Aurora Award 2011 Best English related Work and her story " Dancers With Red Shoes" is featured in Dragons and Stars edited by Derwin Mak and Edwin Choi. Her story "Indian Time was named one of the best short mysteries of 2010 by criminalbrief.com
Year's Best Science Fiction, Honorable Mentions for "Iron Mask," "Growing up Sam," and "Waiting for Jenny Rex."
CBS Radio Noon Romance Writing Contest- Runner-up. Melissa has also won Creative Writing contests and Best First Chapter of a Novel in 2008 and second place for Writers of the Future and won McMaster University "Unearthly Love Affair" writing contest.

Melodie Campbell:
Winner of nine awards: 2014 ARTHUR ELLIS award for (novella) The Goddaughter's Revenge. which also won the 2014 Derringer.
Finalist for 2014 ARTHUR ELLIS award for "Hook, Line and Sinker" and this story also won the Northwest Journal short story.
Finalist for 2013 ARTHUR ELLIS award for "Life Without George." which took second prize in Arts Hamilton national short fiction.
Finalist 2012 ARTHUR ELLIS award for "The Perfect Mark" which also won the Derringer award.
Winner 2011 Holiday Short Story Contest for "Blue Satin and Love."
Finalist for 2008 Arts Hamilton award for national short fiction for "Santa Baby."
Third Prize 2006 Bony Pete Short Story contest "School for Burgulars"
Winner 1991 Murder and Mayhem and the Macabre, "City of Mississauga, 2 categories
Third Prize 1989 Canadian Living Magazine, Romance Story "Jive Talk."
Finalist for the Arthur Ellis Award for best short story for 2015 which will be announced on May 28th.

Robert 'RT' Lawton:
Nominated for the Derringer Award for "The Right Track" in 2010.
Nominated for the Derringer Award for "The Little Nogai Boy" in 2011.

Jan Grape:
Nominated along with co-editor, Dr. Dean James, for an Edgar and an Agatha Award for Deadly Women for Best Biographical/Critical Non-Fiction. 1998.
Won McCavity award along with co-editor Dr. Dean James for Deadly Women for Best Non-fiction.
Won Anthony Award for Best Short Story, 1998 for "A Front-Row Seat" in Vengeance is Hers anthology.
Nominated for Anthony for Best First Novel, 2001 for Austin City Blue.
Jan will receive the Sage Award from the Barbara Burnet Smith Aspiring Writers Foundation on May 17. This award is for mentoring aspiring writers.
We all have to admit, our SleuthSayers authors are a multi-talented group.

On this Mother's Day, one little personal note, my mother, PeeWee Pierce and my bonus mom, Ann T. Barrow, both taught me to be a strong, independent, caring woman and I was blessed to have them in my life and I still miss them. Both were able to read some of my published work and I'm glad they were.

Happy Mother's Day, everyone.

18 August 2014

Troubled Minds


Jan Grape This has been an awful week for me personally. After hearing about the death of always creative and funny icon Robin Williams and all that sadness entailed, we hear about the death of the beautiful Lauren Bacall. Of course, there was a big difference.  Age for one thing, Betty Bacall was eighty-nine years old and had lived a full and I imagine a reasonably happy life. Her great love was Humphrey Bogart and by all accounts their marriage was happy and fulfilling. Although it was cut short by his early death.

Robin Williams was only sixty-six, and I say only because I have long since past my sixties and that seems reason enough to say "only." But we discover that he was a man who has fought depression for a number of years. But he had given up his addictive drugs and seemed to be on a fairly good path. Problem is, we just never know. Little things can send a troubled mind off into the abyss and into that awful land of suicide. His television show had been cancelled and he recently had been diagnosed with Parkinson's Disease according to his wife. Those two things are enough to slam even the hardiest of us right into the gut, but to someone who deals with clinical depression and someone who perhaps is bi-polar it can be devastating. No one except a person who has dealt with such depression can begin to understand.

Jeremiah Healy
Jerry Healy
On Friday, I learned along with many others in the writing game, Jeremiah Francis Healy the lll had also died.  He had completed suicide on Thursday evening. Jerry Healy aka Terry Devane was only sixty-eight years old. This was the hardest blow for me to take as I've known Jerry for years and years and been around him, bar-hopping, playing poker, eating meals, laughing and talking about writing for hour upon hour. There was a time when I went to at least two mystery conferences a year, the main one being Bouchercon. And it was at these fan and writer outings that I spent time with Jerry, along with a cadre of mystery writers. Jerry was a graduate of Rutgers College and Harvard Law School and was a Professor at the New England School of Law for eighteen years. We always teased him about his preppy look. But he could carry it off if anyone could. Probably that big smile of his made us forgive him.

He was a member of Private Eye Writers, a Shamus Award winner and nominee and was the President of PWA. For several years I was the editor of their newsletter, Reflections in a Private Eye and because of that Jerry and I spoke on the phone occasionally but, more often we e-mailed back and forth. Jerry wrote over thirteen novels featuring John Francis Cuddy, Private Eye Series and two short story collections with Cuddy. Fifteen have been either nominated or won the Shamus award given by the Private Eye Writers of America. In 2001, began the legal thrillers featuring Mariead O'Clare, written under the name of Terry Devane. The third, A Stain Upon The Rose was optioned for a feature film. He was also a President of the International Association of Crime Writers and traveled extensively in Europe.

I personally never would have guessed that Jerry suffered chronic depression, however, I do know that it seems to be a regular visitor to creative people. I imagine all the times I was around Jerry, he was in his element, being with fans and writers and discussing writing projects and the writing biz. At those times the depression was at bay.

Since Friday, I have learned one thing that I did already know but learned much more about, was how many upcoming writers that Jerry helped. He shared stories and ideas and encouraged them especially new writers coming up. He helped me quite a lot and blurbed my first book. And I do have a bit of insight into why Jerry was always helping.

One early morning after an all night poker game at Bob Randisi's headquarters (our usual game room) Jerry insisted in walking me back to my hotel room. It was only across the street as I recall but being the gentleman he was, he didn't want me out on the street alone at four in the morning. We were strolling along, in no particular hurry, talking about receiving help from other more advanced writers. I remember saying something like, I can never repay the writers who have helped me along the way. Jerry said, something like, you can't even begin to repay them.  But let me tell you what Mary Higgins Clark told me.

Right after Jerry's first book was published, he attended the Edgars meeting in NYC. Since he lived in Boston, this was not a big deal for him. However, a few people knew he had recently published his first book. Somehow, Ms Clark found him and invited him to a party at her apartment.  Seems everyone who was everyone was going. Jerry went still not knowing how Mary Higgins Clark knew who he was and during the evening he found himself talking to Ms Clark and two or three others and he said to her. I've been lucky in that I've had so many other mystery writers who have helped and encouraged me along the way. I'll never be able to pay them back for all they've done. Without missing a beat, Mary said, "Don't even try it. You'll never be able to make up. But what you can do is pay it forward. You can help others who are coming along and in that way you are giving back to all the ones who helped you."

Jerry took that to heart and I read over and over from a large number of FB people how Jerry had helped and encouraged them in their writing. He also helped when he learned they might be having a personal crises. Jerry would pull them aside and give them encouragement. And each person said what a genuine, warm and kind person he was.

If I thought for a while I could come up with story after story of Jerry and some of the funny things he did. Or the gentlemanly things he did. But thinking too hard about those stories are a bit to difficult to think of right now. My heart is too full of our loss. But two stories did come to mind.

Once a group of us had a joint signing at a mystery bookstore, maybe in Bethesda. After the signing, everyone was trying to get a taxi to go back to the hotel. I got back with a group of writers and I saw three or four older ladies getting out of a taxi with Jerry Healy. The ladies had huge smiles on their faces and I thought to myself, Jerry just made the day for those fans. They will never forget his taking the time to visit with them and what a gentleman he was.

The other story is one that I hope will give you a smile.  A number of private eye writers play poker in Randisi's room. The game is by invitation only and I had the honor of being the first female who was asked to play. For several times, I was on the "B" team, meaning I could only play after one of the "A" gave up or was wiped out for the evening. One Saturday night at Bouchercon, after the banquet a group of us met up in the hotel lobby to head for the poker game. There were four or five of us and we walk in the hotel room to find Jeremiah Healy, all alone in the room, sitting alone at one of the tables reading a book. We were taken aback. What in the world was he reading? How To Win At Poker. Needlessly to say, we all fell out laughing.

Goodbye, my friend, I love you and miss you. Much love to Sandy. the family and all the many, many friends who also loved and will miss Jeremiah Healy III. RIP

At the Healy's cabin in Maine in 2003. I stayed there while attending an author day event at Five Star Publishing. Jerry demonstrating an electric bug zapper which looks like a tennis racket, the stuffed animal is the victim. Note the evil grin on Healy's face.

10 September 2012

Short Stories or Novels?


Sometimes people ask me why it took so long for me to write a novel? I was writing and selling short stories. Well, the honest answer is, I was writing novels they just weren't selling. I wrote two or three novels that didn't sell. One came really close about three times to being published but the editor left or the publishing house went out of business or the novel buyer at the publishing house who was supposed to recommend my book got sick and died. Yep, that all happened. All with one novel. I think it's called being snake bit.

But in stead of giving up, I kept plodding along and because I was selling short stories, I found a editor who liked my work. That person was Ed Gorman and at that time he and the late Marty Greenberg were selling anthologies right and left and actually both of them liked my short stories, interviews, articles, reviews, etc. I was writing a regular column for Mystery Scene magazine.

In 1998 one of my short stories, "A Front Row Seat," published in the Vengeance is Hers anthology edited by Mickey Spillane and Max Allan Collins was nominated and won the Anthony Award for Best Short Story.

A project came along that Ed and Marty had working. It was to be a coffee table style book about women mystery writers. There were to be interviews, articles and articles, by, about, and written by women mystery authors. They asked me to co-edit with Ellen Nehr and the book was titled Deadly Women. Unfortunately, Ellen got sick and passed away when we were about half-way into the project. Dean James took over in Ellen's slot and we continued the project. We were fortunate enough to be nominated for an Edgar for Best-Non Fiction and at Bouchercon we won a mccavity Award.

About then is when Ed and Marty formed a company, Tekno, and began working out a package deal with Five Star Mysteries. They would find the book for Five Star to buy, and once Five Star editor read and liked the book, Tekno would get the contract and get it signed, get the book copy-edited, get a cover, the blurbs, jacket copy,and whatever else was needed to get the book ready to be published.

Eventually, I had a chance to send my book, Austin City Blue, featuring my Austin policewoman, Zoe Barrow to Mr. Gorman and he recommended to Five Star they buy it. Five Star liked it and as they say, the rest is history. Soon I also had a contract for Five Star to publish a collection of my short stories, Found Dead In Texas. And soon after a contract for the second novel, Dark Blue Death, in my Zoe Barrow series.

In the meantime, I kept writing short stories and getting those published. Yet shortly after my husband passed away, and I began having health problems. I had a really rough four years. I had one novel I had written earlier which had never been published, I dusted it off, did some rewrite and in 2010 Five Star published, What Doesn't Kill You, a non-series or stand alone as some people call them. I certainly didn't do much other writing. My creative muse was trying to reassert itself I guess.

About four years ago, the American Crime Writers League, of which I was President, decided we needed to help get our name out a bit more and also wanted to earn a little money to go into our treasury. We came up with the idea of an anthology of original stories, all written by our ACWL members. I volunteered to co-edit and my co-editor was R. Barri Flowers. Barri was the one who had suggested the anthology. His agent sold the project to Twilight Times and our title was ACWL Presents: Murder Past, Murder Present. It was published in 2009. I wrote a short story for it, titled, "The Crimes of Miss Abigail Armstrong."

In May of this year, ACWLs second anthology, Murder Here, Murder There was published by Twilight Times. Again the anthology was co-edited by R. Barri Flowers and myself. My short story this time was, "The Confession." The story featured my long-time female Private-Eye characters from several short stories, Jenny Gordon and C.J. Gunn. It was a lot of fun to visit with the PIs from G & G Investigations once again.

So most of my writing career has been both short stories and novels. In some ways I like short stories better because you can usually write one in a very short time. I've had ideas and written a story in a day and the longest only took about a week. However, because you do only have a short frame work to write in you have to be more precise, more determined to have characters who seem real and you have to be ready to work and rework until the story is finally finished. It helps to have a great or even a twisted, you never saw that coming ending.

With a novel you have more room to develop your plot and sub-plots as well as develop your characters. There are many more characters and more scenes and it definitely takes much more time to write a novel. It takes me a year or so. But it's so satisfying when you get that book complete and polished and you send it out. There are more chances to make better money (at least that's what I've heard.) More chances for people to believe you are a "real" writer if you have a novel published.

I actually enjoy doing both and since my writing career first began with short stories I love doing them. But I also love that feeling you get when you go into a book store and see your novel on the shelf. Your own...the book your wrote.

I guess it's all how you feel about it. I remember an author telling me years ago, that he didn't write short stories because he only had one idea a year and didn't want to waste that idea. He felt he needed to spend his time on a novel. I can understand but I'd hate to give up either one.

How do you feel? Writers? Bloggers?