Rogue Male

My sister sent me a book she picked up at the Blue Hill Library book sale, remarking that A) it had my name on it, and B) a woman she knew had written the introduction.  It’s a recent paperback edition of Geoffrey Household’s Rogue Male, a much celebrated and compelling yarn: think The Most Dangerous Game with Nazis thrown in. 

The first and best movie version is Fritz Lang’s Man Hunt, released in 1941 - Household’s novel came out in 1939 - once you get past Walter Pidgeon in the lead.  (I’ve never bought him in anything, which includes How Green Was My Valley.)  This stumbling block aside, Man Hunt has the hugely endearing Joan Bennett – considerably less sympathetically cast in Woman in the Window and Scarlet Street, two later pictures with Lang – and the impeccable George Sanders at very possibly his slimiest, outdoing even the blackmailing bottom-feeder Favell in Rebecca. 

Here’s the hook.  Pidgeon, a renowned big-game hunter, stalks Hitler in Berchtesgaden, and has him in his sights, but he’s caught before he pulls the trigger.  He’s tortured by the Gestapo to get the truth out of him.  Sanders, the most sophisticated and sadistic of the secret police detail, is convinced Pidgeon could only have been acting on instructions from British intelligence.  Pidgeon escapes, through dramatic contrivance, and gets back to England, but Sanders and his goons follow him home.  Enough spoilers.

The most significant difference between the book and the movie is that Household drops you in media res.  There’s no preamble, and no back story.  In fact, the hero, the country, and the target go unnamed – you can certainly infer that it’s Hitler, but he’s never specified.  The book opens with the guy already on the run, and the details get filled in as you go along.  All you know is that he’s being pursued by malevolent adversaries.

This is very much John Buchan territory, The Thirty-Nine Steps.  The paranoia, the noose tightening.  Which is also familiar to Fritz Lang.  Household uses a journey narrative on both the surface level and belowdecks, though.  There’s an atavistic bass note.  In the wild, paranoia is your ally, a sense of the immediate, fight or flight, whether the environment presents as hostile or tame.  Landscape can be psychic, or magicked, just as well as physical. 

This isn’t a new storyline, by any means.  Household is reinventing, or reimagining, a descent.  Beowulf goes into the cave, to face Grendel’s mom.  Orpheus challenges the god of the underworld.  When the guy in Rogue Male goes to earth, literally, like a badger or a bear, hiding in a hole in the ground, he becomes earthen, old, primal. 

Nor is this simply habit, or trope.  This is a theme, for Household.  Victoria Nelson, a Goddard scholar and the author of Gothicka and The Secret Life of Puppets, says in her introduction to this newer edition of the novel, that he’s walking back the clock.  That in order to survive against the primitive, primitive instinct has to resurface.  Old wine in new bottles, we might say.

For all that, it’s one hell of a good story. 

Building the Perfect Editor

A magazine issue, an anthology,
and a couple of collections
make for a pile of editing.

Over the years I’ve had several thousand pieces of writing accepted for publication, ranging from fillers, jokes, and anecdotes to essays and various forms of non-fiction, to short stories in a variety of genres, to a handful of novels. My work has appeared in anthologies, journals, magazines, newsletters, newspapers, webzines, and other types of publications. I have sold original work and reprints. I have written on assignment, on invitation, and on spec. I have been paid bupkis for some projects and have received payments in the low four figures for others. I have been paid promptly but often not, and too often promised payments never materialized. Through all of this, I have worked with many great editors and with a few who should die from a thousand paper cuts and be left on the side of the road for feral hogs to devour.

Because I have recently been doing more editing than ever before and because I don’t wish for my paper-cut-riddled body to be left on the side of the road, I’ve been pondering the attributes of the perfect editor.

For me, that editor responds promptly, pays promptly (and handsomely), publishes everything I submit, edits with a deft touch that puts a brilliant shine on my near-perfect prose, puts my name on the cover, sends numerous contributor copies, ensures that my work is seen by the most influential reviewers (all of whom recognize my brilliance), and ensures that my work is considered for every appropriate award and best-of-year anthology. No matter how much of an ass I am to work with, a great editor never badmouths me, my work, or my highly inflated ego, and always picks up the tab when we go for dinner and drinks.

CREATION

The reality is that no editor can meet my expectations. All are constrained by the budgets and policies of their publishers as well as by their own strengths and weaknesses.

Still, I can dream, and my dream is to play Dr. Frankenstein and build the perfect editor from the best parts of the editors with whom I’ve worked, all the while hoping my assistant doesn’t bring home the brain from “Abby Normal.”

I would start by creating the environment in which the editor works: A well-funded publishing company that believes in treating content providers (writers, artists, photographers, and others) as important collaborators to be respected and not as necessary evils to be tolerated.

The editor would have an unlimited amount of time to accomplish tasks and would have stellar support staff, from editorial assistants to designers to contract managers to bookkeeping and accounting staff.

The editor would have all the necessary tools, from the latest hardware and software to appropriate reference materials to comfortable seating and favorite writing implements.

The editor would have the ability to focus on a single task when appropriate and the ability to juggle multiple tasks when necessary.

The editor would have a superior sense of story and the ability to pinpoint exactly where and why a story jumps the rails.

The editor would have superior copyediting skills or a trusted assistant editor with these skills.

The editor would have infinite patience to work with new writers and guide them through the publishing process as well as to answer the same questions ad nauseam.

The editor would have exemplary people skills and, perhaps more important, a sense of empathy that allows the editor to understand what writers experience when they sit at the keyboard to create or when they anxiously check email every thirty-seven seconds awaiting responses to queries, submissions, and revisions.

RELEASE

Alas, once I release the perfect editor into the world of publishing, the newly created creature, lovingly assembled from the best of every editor who has ever existed, is likely to become a jaded, foul-mouthed, chain-smoking, hard-drinking SOB whose days consist of rejecting the brilliant work of new writers, publishing the work of washed-up hacks, introducing errors during editing, complaining about the production department, lobbying for a raise (if on-staff) or a bigger advance (if freelance), and bemoaning its failed writing career.

Damn, I really need to quit staring in the mirror when I write these things.

DISCLAIMER: Nothing in this post is intended to resemble any actual editors, living or dead, except those devoured by feral hogs.

James A. Hearn and Michael Bracken
at the 2019 Shamus Awards Banquet
in Dallas.

“Blindsided,” co-authored with James A. Hearn and published in the September/October 2021 issue of Alfred Hitchcock’s Mystery Magazine, has been nominated for an Edgar Award.

Congratulations to fellow SleuthSayer R.T. Lawton, whose story “The Road to Hana” (AHMM, May/June 2021), was also nominated for an Edgar.

Seven Steps

Nancy Pickard is a U.S. crime novelist. She has won five Macavity Awards, four Agatha Awards, an Anthony Award, and a Shamus Award. She is the only author to win all four awards. She also served on the board of directors of the Mystery Writers of America.

I don't remember exactly when I met Nancy Picard, sometime in the early 90's is my guess. That was when I began to first be published and Elmer & I opened our mystery bookstore in Austin in 1990. I remember she & both were very early members of Sisters in Crime and Nancy is a past National President of S-in-C. I do know I've always admired her mystery novels. Reading Nancy's books are like peeling an onion back to  add to the story and destroy your early guesses. Naturally, you must keep turning pages and peeling layers until you get to the end & the solution. 

When I read this article about Nancy's book: Seven Steps on a Writer's Path, I knew I wanted to share this information with all of you. Her book is available in both Paperback & Kindle formats. Page numbers refer to the trade paperback edition.                                                                                                                — Jan Grape

As Nancy Pickard looked back over her own career and that of her many writer friends, she saw herself and most of them struggling through stages of unhappiness, of wanting, of commitment, of wavering, of letting go, of immersion, and of fulfillment. It looked very much like a path to her, and it felt true, in the way only actual lived experience does feel.

"And thus was born the Seven Steps on the Writer's Path. At first it was a workshop given   by me, then it was a retreat presented by Lynn, and now it is a book written by both of us." p. xii

SEVEN STEPS

by Nancy Pickard

Starting Out

"Writing is a path as full of darkness as it is of light, and so the way ahead is hard to see. There are so many ominous shadows, unpredictable gusts of wind, unexpected blinding shafts of sunlight. It’s easy to get lost, to trip over our own hidden roots, or plunge unaware into unexplored caverns in our psyche. As writers, we hardly ever know where we’re going. The only thing most of us know how to do is to keep putting one foot after the other in the darkness and trust that eventually we’ll get there." p. 1

When Lynn and I each started our own writing careers, we didn’t even know there was a path, much less that there are steps along it. We hope that knowing these things will give you an advantage that writers who came before you didn’t have.

Step One: Unhappiness

"Call this step in the creative process what you will, according to your own experience of it. Name it the 'creative urge,' if you like. Call it an 'itch' or 'creative tension' or 'restlessness' or 'discontent.' Regardless of what label any of us gives this step, it’s a common state and the first step for all of us.

"Unhappiness, to one degree or another, is where all creativity begins." p. 9

What a way to start a book, with unhappiness! But we had to, because that’s where the writing starts… or the drawing… or the music… or any other form of creativity. We discovered early on that the steps in this book apply to any creative person, not just to writers.

Step Two: Wanting

"It sounds so simple. All you have to do is want. But it must not be that simple in real life, or else why wouldn't more people be writing what, where, when, as much, and as well as they want to? Instead, they're still languishing in a state of unsatisfied desire. They're stuck back in step one, Unhappiness, and they can't seem to get out of it, no matter how bravely they face it or how honestly they acknowledge what they want from writing.

"The trouble may be that most of us tend to assume that wanting is only about feeling. Certainly, depth of desire is part of the answer, but what we're missing when we stop there is the second part of wanting, the action part…" pp. 38-39

This chapter required Lynn and me to be excruciatingly honest with ourselves and our readers about what we really want in our lives and our writing. It was good for us. It'll be good for you, too.

Step Three: Commitment

"Some people might joke that writers need to be committed, rather than to have commitment, and sometimes we feel as if we can only agree with them. It’s probably true that we're all at least a little bit crazy. But then, truly committed people usually look a little-or very–crazy to the outside world. If you don't look just a little bit nuts, you’re probably not committed enough. Writers like L. Frank Baum -- whose The Wonderful Wizard of Oz was rejected dozens of times -- who keep sending their manuscripts to publishers look like crazy fools to people who will be only too glad to tell them so." p. 70

Step Four: Wavering

"Wavering tends to arrive when it’s least expected and least welcome. Certainly, you'd never willingly invite it, but surprise, here it is. Such as when you're forty pages into a book and you thought it was going to be smooth sailing from here on out, but now you’re stuck. Or like when you’ve submitted your poems to magazines and you're feeling really good and hopeful about them–and the rejection letters start coming in. Or like when you've arranged to write for a couple of hours every day, and then other responsibilities crop up, just when you thought you had them beat down." p. 103

This is one of those steps where it's truly wonderful to know that you have lots of company. You're not alone. You're not the only crazy one. I'm there with you many days. So is Lynn. So is every writer we know and all of the ones we don’t know. We all waver. We all hate it. We all get through it, one way or another, and having each other's hands to hold is a big help and comfort.

Step Five: Letting Go

"Letting go is the magic moment when you step off into space, trusting that you won't fall on your face. As the philosopher Soren Kierkegaard said, when we make a leap of faith, it is the actual act of stepping out that creates a bridge to see us safely to the other side." p. 137

This is my favorite step of all. I adore this step. This is where miracles happen. This step sometimes terrifies me. A lot of times in my life I have wanted, oh how I have wanted, to take this step, but I just couldn’t do it. And then sometimes I do take it, and oh, the joy of that!

Step Six: Immersion

"… be loyal to your writing. Be just as loyal as you are to your dearest friend or loved one. If your friend or your child really needed your attention, would you let your attention wander? Or would you ignore the telephone, put everything else on hold, and turn fully toward him or her? Your writing deserves that kind of loyalty and attention, too. If you can't or won't manage to show as much loyalty to your writing as you show to your friends and family, we guarantee that while you may experience moments of writing bliss, you'll never experience the satisfaction of going all the way.

"Be loyal." p. 177

It's hard for a lot of people, some women especially, I think, to be loyal to their writing, or even to think of it in that way. They let everything and everybody pull them away from it, as if they couldn't care less. But they do care, we know they do, and they suffer for it. If only they knew, their writing wants their love and attention, too!

Step Seven: Fulfillment

"So we have to ask you: where’s your cart, and where’s your horse?

"Here are some telltale things that writers say that alert us to improper horse/cart placement. You'll have to pardon us if our answers sound a bit jaded; we've heard these more times than you'd care to know: 'Should I copyright it first?' (You should write it first.) 'What if I send a query to several publishers and they all want it?' (You should only have such problems. Just worry about writing it.) 'What if somebody steals my ideas?' (Just write the damned thing. If you're worried about burglars, get a gun.) 'I've written three chapters of a novel. Should I start sending it out to agents now?' (No, you should write Chapter 4 now.) 'I was thinking of sending my poems out now and waiting to do my rewriting after I hear what the editors have to say.' (We're thinking you should rewrite them now, or you will never hear from any editors.)" p. 208

Dare to dream big, we say in this chapter, but keep dreaming small at the same time. Go ahead and visualize your name on a best-seller list, but also visualize yourself writing that next sentence, paragraph, and page.

Company Town, Part 2

Last week we peeked in on a Florida spy town and a couple of planned utopian communities. Today we’ll visit a few other curious ‘company towns’.

Celebration
No Mickey Mouse Operation

Walt Disney World is the only corporation I know that’s also a government entity greater than a township, for most purposes a Florida county, the Reedy Creek Control District. Its handpicked residents comprise a few Disney loyalists who ‘vote’ whatever needs voting on. RCCD provides the government-friendly structure for WDW and Disney controls RCCD.

Disney also built the town of Celebration. While retaining critical properties and office buildings, Disney sold houses and apartments to those who could pay, guided with an invisible three-fingered hand through its homeowners association.

Nothing is nefarious. Buyers either agree to ultra-strict rules involving their property or they buy somewhere else without an HOA.

But once upon a time, a trouble-making scofflaw was afoot. In the dark of night, a wicked, subversive rebel crept through Celebration’s oak and cypress. He ducked under well-groomed hanging moss, and planted pink plastic flamingos on neighbors manicured lawns. Plastic pink flamingos (PPF) were strictly forbidden.

The community was outraged! Worse, the PPFs seemed to breed and multiply. These crimes had to be stopped before society collapsed.

The sheriff’s department investigated. Security Officer Obie took 8x10 glossy photographs and fingerprinted the PPFs. Twice they almost captured the miserable miscreant, but the perpetrator faded into the shadows before police could turn their cars around. Terrified residents claimed a chilling voice laughed with abandon, “Mwah-ha-ha-hah.”

Early one morning the tables turned. Authorities caught the bad guy pink-handed, populating neighbors’ lawns with PPF.

Except he was also a good guy. A local minister on a mission, a pastor with a passion for challenging authority whilst having fun.

But fun is precisely how evil takes root. Prosecutors proposed a fine and the PPF reign of terror came to an end.

Holiday tip: Evenings in Celebration are a fun place to visit during the Christmas season with caroling and Disney ‘snow’. (The flakes are made from a soapy substance.)

Gibsonton
The Circus Comes to Town

In years past, baseball teams, carnivals, and circuses liked to winter in Florida. Ringling Bros and Barnum & Bailey favored the Gulf Coast. In 1927, Ringling bought property in Sarasota and the influx of circus residents influenced the look and feel of the town.

Forty-some miles distant, the ‘The World’s Strangest Couple’, 8½-feet tall Al Tomaini and his 2½-foot tall wife, Jeanie, built a camp at the hamlet of Gibsonton. They established a fire department and police department. The fledgling town became popular with so-called carney ‘freaks’ and sideshow denizens. It became a home where folks couldn’t be judged by outsiders. It developed a carnival ambiance with bright lights and tents, and a sense that residents awaited a call to the big top.

Ringling Bros and Barnum & Bailey combined shows, buying up additional land in Florida, including Haines City, where entrepreneurs built Circus World and later Boardwalk and Baseball.

Circuses no longer bore the cachet of turn-of-the-century traveling entertainment extravaganzas. Perhaps Circus World’s park was too close to Disney or too far, but various owners struggled to make a profit. Visitors can sense theme park desperation, and the Haines City projects were doomed.

Meanwhile, tourists were welcomed to visit Ringling’s Sarasota estate with its museums and entertainment venues. Perhaps the most fascinating was an extensive diorama explaining the complex operation of a traveling circus, from the advance man who visited towns arranging for an empty field, permits, water, feed, food, and other servicing, to the clean-up crew that followed the circus. It portrayed the kitchens, medical staff, the vets, the accountants and bookkeepers, housing, administration, and security. Little wonder running off to join the circus fascinated little boys.

Cassadaga
I Foresee a Town…

The town of Cassadaga calls itself the Psychic Capital of the World. The village isn’t what I expected. I don’t understand: It has road signs. Residents listen to weather reports. Posters advertise clairvoyant meetings. Hey, shouldn’t psychic citizens simply know?

Seers have no shortage of prophecies and prognostications when it comes to criminal cases. Invariably, predictions prove wrong.

In 1979, St. Cloud, Florida police relied upon Cassadaga fortune tellers rather than criminal science to assist in the homicide of a preacher's wife. They failed miserably.

In 2008, nearly ninety psychics weighed in on the search for little Caylee Anthony. Having pointed police in wrong directions, they failed miserably.

Perhaps most embarrassing was a 2001 case of missing Lillian Martin and her grandson, Joshua Bryant. Cassadaga mediums claimed…

• A trucker abducted them.
• The grandmother killed the grandson.
• The parents killed both the grandmother and the boy.

Wrong. The body of Joshua would be found three years later  virtually on Cassadaga’s doorstep, the victim of a confessed killer.

The FBI and the National Center for Missing and Exploited Children maintain that to their knowledge, psychic detectives have never solved a single missing-person case, not one, not ever.

Clearwater
Imagine a secretive organization…

• infiltrating more than a hundred US government agencies, embassies, and foreign powers using 5000 or more spies and agents.
• engaging through its intelligence arm in kidnappings, burglaries, wiretapping, false imprisonment, covert surveillance, and attempted assassinations.
• declaring war on the FBI and IRS, and breaking into federal courthouses, DoJ and IRS offices.
• plotting bombings.
• framing a reporter for murder.
• framing the mayor of a Florida city for sexual impropriety and reckless/drunken driving.
• infiltrating newspapers critical of the organization.
• disappearing the wife of its beloved leader, David Miscavige.
• taking over a Florida city at the same time it declares itself a victim of persecution.

Now imagine this is no foreign power, no insidious 007 SMERSH, but instead a cult/church/corporation/criminal enterprise called Scientology. We’re talking the religion founded on a bet amongst science fiction writers, a bet gone horribly wrong.

Scientology’s internal Guardian’s Office operates as an intelligence bureau to investigate Scientology’s ‘enemies’. The FBI uncovered an astonishingly lengthy list of clandestine operations. While posing as a religion, Scientology regards its tenets and teachings as trade secrets, its symbols trademarked properties, and, unlike a real church, doesn’t hesitate to take opponents to court. The Church of Scientology (CoS) has not hesitated to use illicit and illegal means to silence its critics.

Scientology fought a ‘war’ with the IRS for recognition as a real religion, eventually overwhelming the agency with unceasing political and legal pressure, as well as infiltrating the IRS and other government bodies.

Shelly Miscavige, wife of current CEO David Miscavige has not been seen since 2006, notwithstanding a reported sighting by the National Enquirer. Former members believe she is held captive at the Church’s compound outside San Bernardino. Although not claiming to have seen her face to face, Los Angeles police believe they spoke with her by telephone.

For the past half century, Scientologists have attempted to surreptitiously take over the city and government of Clearwater. Around 2000, the ‘church’ doubled its land holdings via a thousand secret purchases through shell companies. They've bought up much of the city's waterfront. In a downtown sale of a lot, the seller chose to sell it to the city at a third of the price the 'Church' had offered. Unsurprisingly, the Church sued, claiming religious discrimination. In an attempted coup d’état, Scientologists plotted smear campaigns against the mayor in an attempt to remove him from office.

To me, the most compelling crimes inflicted by the cult of Scientology were against author Paulette Cooper. At the height (or depth) of the plots against her, Scientologists attempted to sue her and her father into bankruptcy, defame her with false accusations about pedophilia and other rumors, and ultimately frame her for bomb plots. At one point they planned to attack her (and according to one report assassinate her) outside Clearwater.

Exciting times. Rather than leave upon a sour note, Let’s visit a couple of company towns outside Florida.

Hershey, Pennsylvania

Mmm, chocolate. It’s a tasteful company town, for sure. Milton Hershey founded the town in 1903 for company workers and their families. Hershey-built homes provided the most modern amenities of the era, including electricity, indoor plumbing, and central heating. The town maintained a public trolley, free schools including a vocational school to train orphans and the underprivileged. In later years, Hershey built parks, golf courses, a community center, a sports center, a zoo, and an amusement park.

When I visited as a teenager, I took the factory tour, but the part that stuck in my mind was the street lamps– they were shaped like Hershey Kisses, some silvery with the tag of paper in the foil, some just chocolate as shown in the photograph.

Naked City’s Sundial

Naked City, Indiana

An hour south of Chicago, a pair of nudist resorts outside of Roselawn, Indiana saw the 1930s launch of a different kind of company town. At one time, the village hosted the Mister and Miss Nude pageants. The state brought obscenity charges against Naked City, which included the showing of an X-rated film, and brought about the resort’s demise. It is now called Sun Aura, which seems to have retained the famous leggy sundial sculpture (at right).

Hoosiers need not worry. Indiana has other nudist camps and colonies, including Our Haven Nature Sanctuary in the town of French Lick, which…

Hey Janice! Stop giggling. Eve! Decorum, you two. Stop it! Ladies! Behave!

Wanna be a Paperback Writer? Ten things you didn't know

Alternate title… Perils of Publishing…
How to keep sane while traversing a career in the wilds of publishing.

Hello there!  Melodie here, with more shop talk about the perils of publishing.  Oh, how I miss those writer gabfests in the bar at the Drake Hotel where we did what authors like to do best when they get together. Which is, bitch about the industry.

There are many steps to becoming a published author with a traditional house, and each one is a milestone.  First, you finish that book (pass the scotch.)  Then, you bag an agent if you're lucky (more than a wee dram for that.)  Then, you get a contract for your first book (break out the champagne.)

You make it through that fiendish obstacle course, and people think you've got it made.  Hell, YOU think you've got it made.  All you need to do now is write!  Other people will take care of all the rest of it.  But believe me, everything is not clear sailing from there.

Strange things happen in publishing.  Things that not even a clairvoyant with a crystal ball could predict. 

You may say, "Oh, she's being so far-fetched.  That'll never happen."  But let me tell you, every one of these things have happened to me.

And guess what?  I'm still standing.  (okay, sitting in a comfy chair while typing this)  Still writing.  And still getting published.

Welcome to the insane, inane world of publishing.

1.  Your agent - the one from New York who finally agreed to represent you after months of negotiation...the one who was negotiating a deal with Ace Fantasy in England and Berkley Paranormal at home, will kick the bucket before cementing a deal (no disrespect meant.  He was a class guy.)  Worse, no one in his office will let you know for two months.  Worse, you didn't think to question the length of time between emails, because he was so lousy at getting back to you in the first place.

2.  The ad campaign that was carefully planned and paid for by your publisher will feature an ad where the title of your book is misspelled in such a way that not even Saturday Night Live could have come up with it.  Or saved it.

Rowena and the Dark Lard may be a great name for a cookbook. But it is unfortunately not the sort of thing to entice readers of epic fantasy to part with their money.  (real name of book:  Rowena and the Dark Lord)

3.  The book that was an outlier (Sci-fi) that your publisher loved, that your pals thought was your best, that got so many good reviews on Amazon...will go nowhere.

4.   The publisher that took a chance on you, believed in you, applauded when your book was featured on USA today and helped to bring your book series to bestseller status, will go out of business.

5.   You can't get the rights back for the covers of those books because the artist who worked for the house has disappeared off the face of the earth.

6.   Your next publisher - the one with the world-wide reputation and selling legs - will decide to close the line your series is in, even though your books are bestsellers for them.

7.  And the unfunny one - Someone closest to you will die the week your 15th book comes out, such that the book receives no attention at all for the year-plus you are in heavy grief.

8.  Back to funny - Your 16th book will come out the first month of a world-wide Pandemic, and all promotion events will be canceled for at least two years.

9.  More pandemic humour - You will be asked to emcee a prestigious book award event, which will be cancelled due to the pandemic.

10.  And More - Your 17th book will be held up in production at least 6 months due to a paper shortage worldwide.

I used to tell my writing classes that you need three things to become a writer:  You need talent.  You need to learn the craft.  And you need passion.

I've now decided that the most important thing you need to continue to be a writer is a healthy sense of humour! (and a big supply of scotch)

So raise a toast to all the authors out there who continue to write and publish, while continually having to face loopy hurdles like the above.

How about you?  Would love to hear more Perils of Publishing stories in the comments below.

Melodie Campbell continues to write books and short stories south of Toronto, in spite of the perils. You can find her books in all the usual suspects.

For the Love of Enola

For a guy who likes to think he’s up on children’s literature, I’m ashamed to confess that I had not known of the writing of Nancy Springer, an American writer based in Florida. She has one of the longest (and possibly the most poignant) author profile I’ve ever seen on Amazon’s site. (Read it here.)

Trailer to Enola Holmes

Suffice to say, Springer has been through the emotional wringer, and her life has given her insight into how women might have fared in earlier eras. Writing, she says, saved her mind and soul. In this powerful essay, she writes that she is especially interested in books that focus thematically on “the lost who are alive.” Springer has written about fifty books for middle grade and young adult readers, largely in the science fiction fantasy and mystery genres. A practitioner of what she calls “murderless mysteries,” she is a four-time Edgar finalist, and a two-time winner in the Edgars’ juvenile and young adult categories.

She didn’t come across my radar until last January, when the robot brain of my Netflix queue started insisting that I watch a film called Enola Holmes, based on a series of books by Springer.

How well the robots know us! The film is wholesome as heck. Solid family entertainment. Enola, the daughter of a late British squire, awakes on the morning of her 16th birthday to discover that her mother has disappeared from their country estate. After a short investigation, Enola (whose name spells you-know-what backwards) wires her brothers in London for help, and rides out on her bicycle to meet them at the station.

When the two chaps disembark, we are shocked to discover that Enola’s elder siblings are none other than Mycroft and Sherlock Holmes! Of course, they are the most strapping, youthful, and ridiculously handsome versions of themselves that have ever been committed to film. Mycroft is shocked, shocked, to find their ancestral home is an overgrown shambles. Where are the gardeners and servants and governess he has been so generously paying for?

Well, obvs, dude, Mother (played delightfully by Helena Bonham Carter) has been pocketing the money for some mysterious purpose. She has stuck around long enough to tutor her only daughter in such valuable subjects as physical fitness, chemistry, physics, art, natural history, chess, anagrams, cryptology, and the power of original thinking. You see, Mother values personal freedom above all else; she just has never been able to seize it for herself. “There are two paths you can choose, Enola,” Mother says at one point. “Yours, or the path others choose for you.” Her work seemingly done, Mother vanishes! A scandal in Bohemia, indeed.

Mycroft, stubbornly determined to reenact the family drama that no doubt led to mother’s disenchantment, enrolls Enola in a stuffy finishing school so that she can become a Proper British Lady and be transformed into suitable marriage material. A childhood marked by Mother’s afternoon lessons in archery, tennis, fencing, and the womanly arts of pugilism and jiu-jitsu have spoiled Enola on the merits of learning how a lady sips soup. 

The game is afoot, after all. Enola runs off to find Mother, and becomes embroiled with a dishy teenaged Marquess who is running away from his own family scandal. A scandal, I might add, that might well shake the Empire to its very core! Bwahahaha…

What’s not to like? The actors are wonderful to watch. Millie Bobby Brown as Enola. Henry Cavill as Sherlock. Sam Claflin as a very uncanonical Mycroft. The costumes and sets are appropriately atmospheric to the period. Enola breaks the fourth wall throughout the film to elaborate on her deductions. And the producers stuck close enough to Springer’s first book—The Case of the Missing Marquess—to win my approval. I found the film great fun, and have since been urging my neighbors to get their preteen daughters to watch it. (Especially the kid who keeps telling me she loves mysteries!)

For some reason, my neighbors haven’t yet done so. I can live with that. But clearly someone likes the film. Warner Brothers originally acquired the rights to Springer’s series and shot the film, intending to release it in theaters. When Covid lay waste to the land, WB palmed the project off on Netflix, which unveiled it as a streaming release in September 2020. Enola Holmes has since become one of the most highly watched Netflix “originals” in the streamer’s history, with 76 million homes watching the film during its first four weeks of release.

You know what that means. Just this month, the squealing of fans nearly broke the Internet when it was announced that preliminary shooting of the sequel—based on the second Springer book, The Case of the Left-Handed Lady—had wrapped. I assure you that you can find countless freaking YouTube videos of fans dissecting the minutiae of the photos and trailers that have already been released. Some impatient fans have even cut their own Enola 2 trailers, using footage from the first film.

As of this writing the sequel will be released in late summer 2022. I expect to watch it the way I watched the first one—on my phone, at a bar, drink in hand, while my wife screams her lungs out watching a Roma soccer game. I hope sweet Lord Omicron will allow this fantasy to happen.

Springer has written seven Enola books. The most recent installment, Enola Holmes and the Black Barouche, pubbed in August 2021, with a new publisher and cover artist. I admire the author, the series, and this film franchise, if only because they all stared down a lawsuit from the Doyle estate, which quibbled with the producers’ portrayal of Holmes. The central complaint? The production gave Holmes too many feelings. (The suit was dismissed, probably due to a settlement.)

I’m not saying I absolutely dig this Sherlock and Mycroft. In my mind’s eye, I will always see Paget’s Holmes, or Jeremy Brett’s. But it’s fun and necessary to reinvent Holmes for each new generation. In recent years, we’ve had Cumberbatch, Miller, and Downey, Jr. If we don’t continue to mix up the characters and canon, how will they survive the brave new world that awaits them in the public domain?

It’s interesting to contemplate how Sherlock might have treated a younger female sibling who shared his gifts. I enjoyed the scenes between Cavill and Brown. They felt authentic in a way I had not anticipated. Holmes is present, feeling, and yet still somewhat distant. You can tell he loves his sister, but the expression of that love will always come as a celebration of, and the nurturing of, her intellect. There’s a marvelous moment when Sherlock realizes that Enola has beaten him. I won’t give it away, but his reaction is perfectly Sherlockian. I can’t imagine Rathbone or Brett selling it better.

Why shouldn’t we consider the possibility that Sherlock and Mycroft acquired their remarkable gifts from their mother? And why shouldn’t we spin a series that has historically appealed to young boys as one predominantly aimed at girls and young women?

At the end of the film, Enola observes:

“To be a Holmes, you have to find your own path... I am a detective. I am a decipherer, and a finder of lost souls. My life is my own. And the future is up to us.”

Quite so, I thought. Indubitably. Elementary. Thank God Holmes lives, and lives forever.

***

See you in three weeks!

Joe

josephdagnese.com

Note: If the above trailer doesn't play, you can view it directly on YouTube here.

Bloody Scotland

 My dad's reaction to genealogy ranged between dismissal and fantasy. When I was quite small, I remember asking him about our more distant relatives. "Horse and cattle thieves," he said promptly. That, with the addition of the detail that three of his four grandparents had lived into their nineties, was the sum total of his genealogical information until, years later, assisting our son with a school project, he invented Don Alonzo Law, surviver of the Spanish Armada, to account for the "Iberian Influence" in Scotland and for our dark hair and eyes.

Well, a grain of truth in both cases, as there was a prehistoric connection with the Iberian peninsula, and the Laws were lowland people originally and probably engaged in one way or the other with the long unrest between Scotland and England. 

Whether or not Dad's throwaway remark was a sign of my future career in literary crime, I was certainly not surprised when Scandinavian Noir was followed a few years later with the recognition of what wags called " Tartan Noir." Far from being a late comer to the mystery game, Scotland had long played an important role in the development of our favorite genre.

Consider that the world's most famous detective, Sherlock Holmes, was not only written by Edinburgh-born and bred Arthur Conan Doyle, but was inspired by one of Doyle's medical school professors, Joseph Bell. Add Robert Louis Stevenson, who, besides historical thrillers, wrote the greatest of all supernatural mysteries, Dr. Jekyll and Mr. Hyde. His slightly later countryman, John Buchan, helped create the modern thriller with The thirty-nine Steps, while working in government service, including a stint as Governor General of Canada.

All three have had important successors. Ian Rankin and Val McDermid are probably best known to Tartan Noir fans, but they are not alone on the evidence of Bloody Scotland, a recent anthology edited by James Crawford, publisher at Historic Environment Scotland, a heritage organization in charge of some 300 sites and buildings. The anthology presents an interesting group of mystery writers, Scots and a few of what my Aberdonian relatives would call Sassanachs: English who write about or in Scotland. 

Most of the usual suspects are included with the exceptions of Rankin, Kate Atkinson and Alexander McCall Smith. Each writer has taken one of the organization's properties, ranging from pre-historic Mousa Broch in the Shetlands (Anne Cleeves naturally) to The Forth Bridge (Doug Johnstone) and Edinburgh Castle (Denise Mina – a truly terrifying story). 

Because the structuring device of the anthology is architectural and archeological rather than thematic, Bloody Scotland gives an unusual range of styles and types of stories.

We do have a revenge tale and a rather unusual serial killer, but we also get a glimpse of Viking life, a contemporary fellow coming undone, a frighteningly feral child, a murder at an early textile plant, and what is probably the closest one can come to a comic hostage taking.

As a result the mood ranges from gruesome to understated with plenty of stylistic variety. Historic Environment Scotland probably conceived this volume as a fundraiser, and there is certainly a story for just about every taste. Including the frankly antiquarian. 

It will not spoil Craig Robertson's "The Twa Corbies of Cardross" to say it references a work in one of Scotland's earlier claims to literature: the famous border ballads. Sir Walter Scott collected many of these and published them in The Minstrelsy of the Scottish Border, first edition 1802. That puts "Twa Corbies" (Two Ravens), an account of a murder in a handful of stanzas, a few centuries ahead of Poe's "The Murders in the Rue Morgue"

Robertson updates this stark little ditty and recasts it in prose but he keeps the two ravens, big carrion-feeding corvids for the non-birder, showing that in our genre, at least, there's always a place for a good plot and good detectives.

My Madame Selina mystery stories about a post Civil War spiritualist medium in New York City have been issued as an ebook on Kindle. Ten mysteries and a novella featuring Madame Selina and her useful young assistant Nip Thompkins are available on Amazon.