Odds and Ends

As usual on Sunday morning, afternoon and evening, I'm wracking (or is it racking or wrecking?) my brain for something cogent to write for my blog article. All you other Sleuthsayers, who have two or three articles already scheduled and two or three emergency articles online, are just too good for me. I envy you all. 

As I reject one thought after another it occurred to me that maybe I've just written all that my brain file cabinet holds. If it's true that each of us only have so many cells in our bodies before we die then perhaps my brain only has so many words, I've just used them all up already.

So I decided I'd share the odds and ends of thoughts that came to me today. None of which could possibly be a full length article. 

First I thought about cats and dogs. You can kill off any number of people in a book but heaven help you if you kill a dog or a cat. We are all a bit crazy about our pets. Some folks are total dog people. Others are total cat people. And a huge percent are equally in love with both canines and felines. Personally, I love both dogs and cats although I haven't had a dog is over twenty years. It's just easier for me to have  cats that I don't have to walk. I know it's good exercise but I don't live in a neighborhood with level ground or sidewalks. 

Another thought was reading about how several years ago when the color pink - especially the sickly pink of Pepto-Bismol made men feel weakened. Could this calm prisoners down? A couple of commanding Naval officers at a correctional facility in Seattle painted the holding cells a pink color. The name became Baker/Miller Pink, named after the commanding officers. For five months it did seem to work. 

Soon prisons, visiting teams locker rooms and even housing projects all over the country turned up pink. Did it really work?  Probably not. Maybe people just got ill from the color or decided they didn't like it but it soon disappeared. Have any of you ever used color as a calming effect on your bad guy in your book?

Another idea.  Marriages; is having an affair better than getting a divorce? There are divided thoughts on this from psychologist and psychiatrists. We mystery writers think murder is the quickest solution except the perpetrator must be caught. We all know you just can't GET AWAY with MURDER. 

Of course, you  get away with murder if you come up with a perfect murder plot in your book. I think a few writers have but then along comes, Agatha Christie, or Jack Reacher or Sam Spade who solves the crime.

Please let me know if y'all have any thoughts on these odd subjects. And my apologies to Time magazine for any ideas from their pages.

Happy Spooky Day

Plastic Fantastic Family Noir, Halloween edition

Taxidermied Trigger © Horse Nation

When I was a wee girl, my Grandfather Albert sat me on his knee and told me about singing cowboys. The famed Roy Rogers appeared in movies and television and restaurant chains. He owned a Jeep named Nelly Belle, a palomino named Trigger, a German shepherd named Bullet, and a wife named Dale. When his dog died, he had it stuffed by a taxidermist. When his horse Trigger died, he had it stuffed. When his wife died, I’m not sure if Roy had his woman taxidermied, but Grandfather would gaze fondly at Granny Crystal and say it made a beautifully sentimental story.

Then Granny Crystal died. She was a fine-looking woman with a trim figure and surprisingly perky C-cups. Grandfather started thinking about preserving his beloved. By then, technology had advanced. He considered Cryovac like the butcher uses for chickens in the market, but it was only a step up from Saran Wrap and subject to freezer burn even when double-wrapped.

About that time, Fox News ran a segment about Körperwelten, a German company that plasticizes human bodies for museums and exhibitions. Grandpa Albert got so excited, he took time out from Fox’s 134^th definitive investigation into Vince Foster and asked me to google human plastination. He was disappointed to learn the cost to preserve Granny in plastic was €122 000 plus shipping and tax, even after saving $52 in freight costs by labeling her ‘non-GMO export product’.

© Körperwelten Body Worlds

Then we found a Chinese company, Hoison Sun, which could fulfill his dream of keeping Granny forever for only $87. I expressed some skepticism about the low price, but he pointed out the vast difference between German engineering and Chinese sweatshop production.

“It’s guaranteed,” he said. “No cost of burial. No cost of cremation. Waste not, want not, I say. How could we go wrong?”

Visible Woman © Revell

He studied the photos and videos. About that time he remembered those Revell plastic models of ‘Visible Man’ and ‘Visible Woman’ and decided that was the way to go, a clear body– after all, her name was Crystal– where you could see the muscles and organs.

At a yard sale, we bought a huge styrofoam chest with a 7-Eleven logo on the side. We packed it with Granny and lots of dry ice. The UPS man grunted at the weight and asked with a wink if we were shipping dead bodies to China, ha-ha. I kind of tee-heed and said that would be crazy.

The German competitor required a year to plasticize bodies, so it came as a surprise a month later when our doorbell rang and the FedEx man struggled up the steps with a wooden crate from Guangzhou in the Guangdong province.

Grandfather pried off the sides with a claw hammer and then stared in awe. There stood granny in all her shimmering glory, naked right down to her muscles and bones.

Right away, we noticed one of the Chinese shortcuts. I never knew breast implants accounted for Granny’s perky boobies.

“I didn’t think they’d preserve those,” said Grandfather.

Her right rib was imprinted with the LG logo and the words “中国制造 ©李 隆丁, Tech Support call 800-867-5309.”

“Do you want to request a return RMA from tech support? She must be under warranty.”

He decided to think about it. The other problem was a sort of Tupperware-food-in-the-microwave smell, which grew more noticeable as the day warmed up. We learned the answer when Fox News reported a class action suit against the Chinese company for cutting preservation corners and a shortcoming in the curing process. Fox recommended turning the thermostat down to 58°. Grandfather decided he could live with that.

My next concern was my 12-year-old son, Bobby Jr. He invited his friends over and they stood around inspecting her perfect breasts and saying, “Wow, your great-grandmother is hot. Well, cool but hot, too.” That probably ruined the boys for life, thinking women grow implants like that.

I worry Bobby Jr may never have a love life at all. The lifelike glass eyeballs in Granny’s skull tend to rattle him.

He worked up a little bravery.

“What’s that?” he asked.

“Uh… gall bladder, I guess. Come to think of it, your grandfather has a whole lot of gall.”

“And that?”

“That’s an ovary.”

“You mean where eggs come from?”

“Right.”

“And that?”

“That would be the womb and below that is where the cervix should be.”

Brigitte and Ginger

Bobby turned pale. I never knew he had a queasy stomach. His goth sister Louise chain-watches Ginger Snaps and Scream, and drenches her ice cream in cherry-chocolate syrup to look like blood.

“So a baby’s supposed to… You mean a baby fits… How’s that possible?”

“It’s not. That’s why God makes spinal epidural blocks, anesthesia, and 1.5-litres of Southern Comfort.”

“You’re not planning to, uh, preserve Great-Grandfather Albert, are you?”

Grandpa's adage of waste-not, want-not, crossed my mind. By now, Bobby had turned greenish-grey.

“I’m not sure. He’s got ulcers, a softball-size prostate and his liver drips like a Toyota oil pan. Bobby… Bobby, are you okay?”

Thinking it would help illustrate, I dragged out the Revell Visible Man to present a male rôle model perspective, so to speak.

“See, there’s the liver, the kidneys, the pancreas and the prostate. Your great-grandfather’s is about fourteen times that size. Bobby? Bobby?”

He cracked his head against the table as he fainted. “Prostrate from the prostate,” said Grandfather unhelpfully. Fortunately surrounded by medical models, I was able to palpate his skull plates back in place and saved the expense of an ambulance to the emergency room.

Grandfather warmed Granny’s side of the bed with a hot pad and gently laid her on it. That struck me as a bit Norman Bates, but snuggling gives him comfort at night, especially under his blanket fort when he lights up her insides with a flashlight. He smells a little plasticky in the morning, so I turn the thermostat down to 58° and insist he tub soaks before coming down to breakfast.

I’m okay with Granny now. Tech support removed the silicone breast prostheses and applied extra body sealant. You can see straight through her perky boobs and from the side, they make an amazing magnifying glass. Grandfather uses them all the time when reading Sport Fisherman.

Bobby finds it extremely disturbing his friends play hacky-sack with the retired implants. Waste not, want not, I say.

Uses for a Kindle (from a book addict) (Okay, Bad Girl)

by Melodie Campbell

Kath: Have you got a Kindle?

Me: Of course I have a Kindle!

Kath: Do you like it?

Me: It’s very pretty. It has a pink cover. And it makes a great paperweight.

Kath: But do you actually use it?

Me: I used it once as a flashlight during a power outage. Everyone should have one.

Kath: Why not get a flashlight for that?

Me: Flashlights make lousy paperweights. They roll off the table.

I am a Dinosaurette. In spite of that, I have a Kindle. It wasn’t my idea. People keep foisting them on me at Christmas. It’s the 21^st century version of fruitcake.

Not only that, they multiply. The first died within months, probably from neglect (I didn’t kill it – honest.) The second was a prize from my publisher for top sales. I also have a Kobo. It was a Christmas present. It’s around here somewhere.

As you can see, I am not addicted to my Kindle. In fact, it is my opinion you have to be barking to be emotionally attached to a slab of machinery that displays words. That would be like being addicted to a printing press.

But Lord Thunderin’ Jesus, how I am addicted to books! Real books, that is. I see a pile of books on my bedside table, and I get excited. (Men, take note.)

Oh, the delight of holding a real book in your hand. The tactile feel of the paper, the visual lure of the cover… And the smell of the glue that binds each little paper together…(minty is best)

Bliss.

The trouble with an eReader is that every story you are reading on it looks and feels exactly the same. And that changes the experience for me.

I realize that a lot of people love to read on Kindles. I might even like some of them (people. Not Kindles.) But I highly suspect they are the same sort of people who actually like salad.

Thankfully, there are alternate uses for eReaders. (If you like salad, stop reading NOW.)

BAD GIRL’S USES FOR A KINDLE:

1. Kindling. (okay, not really, despite the similar sounding name. Probably not the best way to start a fire. A Samsung phone is much better.)
2. Murder weapon. (Whack the cheating bastard over the head with it. Continue whacking and alternately reading from 50 Shades. That should do it.)
3. Frisbee. (see Murder weapon above.)
4. Hockey puck (I live in Canada, eh.)
5. Dog Toy (leatherette covers works best for this.)
6. Fly-swatter (editor’s note: works great on spiders)
7. Plus all the obvious uses: flashlight, paperweight, hot pad, furniture shim, bookmark, ruler, rolling pin, cutting board, door stop.

Finally, I would like to point out that you can’t decorate with Kindles. “Oh look at that beautiful bookcase of Kindles, Gladys!” said no one, ever.

Melodie Campbell got her start writing standup. People usually sit down to read her funny books. Sometimes they fall down. The latest:

In The Zone

by
O'Neil De Noux

Writing while working full time was difficult, involving fitful nights for years and spurts of binge writing. Did it for so long I didn't realize when I was in the zone until I wrote an epic (320,000 word historical novel). For two years I lived in 1814 and 1815, wrote every evening after supper into the night, 8 to 10 hours a day through weekends and holidays. I did manage to spend a little time with my family.

Driving to and from my day job gave me time to think about the book and it was while doing this I realized I had been doing this since my first book. Zoning in and out of the story but letting it stay up front in my mind. Playing out scenes, watching and listening to the characters.

Retired now, I write every day and every night, even in the middle of the night when a character wakes me and starts doing things I have to write down or forget in the morning. Booting up the computer at 3 a.m. is no problem when you don't have to get up at 6 a.m. and head to a 10-hour work day. I recommend retirement.

Home Office

Home Office with helper

The Zone. It's sort of a Twilight Zone, sort of a separate existence, sort of daydreaming while doing other things. Weird. My wife will ask, "Where are you?" and sometimes, "When are you?" Sometimes she likes it when I'm there but not there.

Sometimes it's almost a trance. But always, ALWAYS, I have to get it down right away. I started with a tape recorder, moved to a digital recorder, moved to a smart phone and the wonderful Voice Memo application. Pen and paper still works when you're with company.

"Are you taking notes of what I say?"
This in a restaurant over dinner.
"Nope. I'm in 1951 at the moment and Lucien and Alizée won't stop talking."
Better when I smile and say, "Naw. Just figured out how I'm gonna kill a guy."

Gotta love the zone. Gotta love creating my own worlds and living in them through a book, sometimes a short story. How anyone writes without a vigorous imagination is beyond me.

That's all for now. I'm in the middle of a novel and Lucifer's hanging to a balcony by his fingertips.

www.oneildenoux.com

The North Forty

With any luck, my husband and I just got back from a much-needed vacation, so here's an update from my friend Linda Thompson. She wrote this letter to a mutual friend of ours who lives in New York City, who likes to keep informed about life in Laskin, South Dakota... 
...Every summer as you know, a friend of mine goes on a dig with a group of archaeologists.  I've suggested that he could find really interesting things by staying in town and excavating my garden, but he just laughs.  He has no idea what can get buried in a small town.  Remember when Mary Olson killed her husband?  That asparagus bed's still pretty lush...  (I know, I know, it was never proven he was ever buried there, but you can re-read all about that here in "The Asparagus Bed".)

But the truth of the matter is, my friend only interested in dinosaurs.



Of course, America's been dinosaur-happy for a long time.  I was, too, once, but I got over it when I learned that birds were direct descendants of dinosaurs, which sounds sillier in a book than it does watching a flock of pelicans.  Pelicans are 30 million years old.  Pelicans are sharks with wings.  In flight they look like large albino pterodactyls, and I'll bet they'd whip the pants off of any leather-winged pterosaur stupid enough to not be extinct.  On the water, they patrol the lake with the same carefree approach of prison search-lights on a moonless night with bloodhounds baying in the background.  If I were a fish, they'd give me a heart attack.  As it is, they just give me the willies.



Of course, once you start observing things like that, you can't stop.  At least, I can't.  I started watching the crows and flickers stalking my yard, head cocked, one eye staring cold and unblinking down at the ground until they spot their prey.  Maybe I saw "The Birds" too young, along with "Psycho" and "Marlin Perkins' Wild America", but I believe birds spook more people than me:  why else would carry-out fried chicken be available in every convenience store in America?  It's our way of reassuring ourselves of our place on the food chain.



The reason I'm able to make all these observations is that my yard is the neighborhood wildlife sanctuary.  Besides the birds, a tribe of rabbits comes and frolics on my lawn every night.  This isn't because I leave out little nubbins of carrots and pretend that I'm Beatrix Potter.  It's because I have the only chemical-free lawn on my block, full of dandelions, clover, and creeping charlie.  (You can imagine how popular I am with my neighbors.)  The rabbits love it.  They eat and gambol and do all the things that rabbits do.  They must stay up all night doing it, too, because morning always finds a couple of them sprawled out on the grass like limp cats.  Sometimes a cat is sprawled out like a limp rabbit, not five feet away.  Who's imitating whom, I don't know.  All I know is that they're all too tuckered to move.

Now I don't mind the rabbits eating all the clover they can hold.  I'm certainly not going to eat it.  Nor do I mind them fraternizing with cats, although I think it proves the truth of the phrase "hare-brained".  What I mind is this Roman-orgy atmosphere they give the place.  The way some of them look, I expect to see little togas and vine-wreaths lying under the marigolds and zucchini.

And there's the problem.  You see, my garden is in my front yard because it's the only place that gets enough sun to grow anything but moss.  In any major urban center - say 12,000 and up - I would have been run out of town on a rail for plowing up perfectly good sod to grow vegetables.

But here in Laskin, it's a tourist attraction. Every walker in town stops at my chicken-wire fence and comments freely about the condition of my soil.  My neighbors bring their out-of-town visitors over for the afternoon, which tells you something about the entertainment options of Laskin.  I stepped outside one day and found a dozen people, none of whom I knew from Adam's off-ox, standing around wondering why I put the beans there, why my peppers weren't blooming, and what in the world was THAT?  (Eggplant.)

No my North Forty is good clean family fun.  It's also a lot of hard work.  Note to Martha Stewart:  the real key to a perfect garden is to put it in the front yard, where every weed becomes public knowledge.  God knows that after years of this, my character has been thoroughly shredded, and what I should do is just quit, but that would start even more rumors...

I need an excuse, a reason, like an excavation.  I believe there's something under the potato patch.  We just haven't looked properly.  I need professional archaeologists.  After all there are dinosaurs on the property already, and it's not my fault if they've evolved to the point where they have feathers...

Collaborators

French actress Danielle Darrieux died this past week. She was 100, her career beginning in 1931 and lasting until 2016. Her death notices all remark the fact that she stayed on in Paris after WWII broke out, and kept making pictures during the German occupation. Some of the obits go so far as to call her a Nazi collaborator. I'm guessing the story admits of rather a few more complications.

Let's begin with the fiction that French resistance to the Germans was fierce and widespread. Don't kid yourself. This was a wartime convenience, for Allied propaganda, and for French domestic political purposes after the war. De Gaulle insisted on it. It lifts us on angels' wings above the black market of hypocrisy, corruption, and grievance that characterized the Occupation. The pre-war climate in France echoed the America First movement in the States, a strong dose of appeasement and anti-Semitism, and there were more than a few French admirers of Hitler's scorched earth Jewish policies. And as for the Resistance, the Maquis itself was never organized into any unified chain of command, it was bitterly factionalized and fragmented, the Communists, the Free French, fugitives and draft dodgers and deserters. Lines of authority were disputed, one partisan group was as likely to rat out rival operations to the Vichy milice or the Wehrmacht military police as not.

How do you accommodate your occupier? Good question. We can look at Alan Furst's novels about wartime Paris and get a flavor of what it might be like, daily life in a captive capital. The World at Night, as it happens, is about the French movie biz, even, during the war, and how it was subject to German censorship. More accurately, pictures that didn't fit the bill simply weren't approved - were never greenlighted - so censorship, in that sense, before the fact. What do we make of the real-life example of Danielle Darrieux? When the Germans took Paris, in June of 1940, she'd just turned twenty-three, and her 30th film had been released, Battement de Coeur. I'm not making excuses for her, but twenty-three? In the movies since she was thirteen? Maybe she was a sheltered princess. We suspect, though, that she was a pretty savvy gal. She'd gone to Hollywood the year before, and made The Rage of Paris with Douglas Fairbanks, Jr. She was a bankable star, and the German movie industry understood both market value and how useful pictures were in the climate of opinion. Alfred Greven, the Nazi film czar in France, supposedly offered Darrieux a deal. She'd stay and make movies, they wouldn't send her brother to Germany as slave labor.

Blackmail puts a sifgnificantly different complexion on things. You give in the once, you're on the hook for more. The hole only gets deeper. Danielle divorces her husband Henri Decoin, who directed her in half a dozen pictures, and falls for the Dominican playboy Porfirio Rubirosa. (Army officer, diplomat, bag man, race car driver, and polo player, a favorite of the dictator Rafael Trujillo, he's usually characterized as the 'notorious' Porfirio Rubirosa - and the model for Dax Xenos, in Harold Robbins' novel The Adventurers. A whole other story, there.) Rubirosa fell foul of the Occupation authorities because he made no secret of his anti-Nazi sympathies, and they put him under house arrest in Germany. Danielle gets him sprung by agreeing to a publicity tour in Berlin. When next heard of, the two of them have managed to get to Switzerland, and they spend the rest of the war there.

In other words, we've definitely got some missing pieces along the way. Maybe it was all very ordinary, or maybe it was one hair's-breadth escape after another. Again, a nod to Alan Furst. I'm thinking Mission to Paris. But the story reminds me even more strongly of the Andre Cayyate movie Passage du Rhin - released in the U.S. in 1960 as Tomorrow Is My Turn, a truly cheesy title. (Cayatte directed Darrieux in 1942's La Fausse Maitresse, made under the German film industry's wartime sponsorship.)

Cayatte's picture is about two French soldiers, taken prisoner by the Wehrmacht at the beginning of the war and sent to work on a German farm. One of them (Georges Riviere) seduces the farmer's daughter and escapes to France. The other one (Charles Aznavour) stays at the farm. Back home, Georges takes up sabotage work with the Resistance, but he's eventually sold out to the Germans. A last-minute reprieve saves him from the firing squad, and then Paris is liberated. Charles is repatriated, and takes up where he left off, working as a baker, bullied by his wife. Charles goes to Georges and confesses he's miserable, Georges agrees to take Charles back to the German border. Charles crosses the bridge over the Rhine, stepping into an uncertain future, and meanwhile, the clouded past catches up with Georges. His girlfriend was sleeping with a high-ranking German officer during the Occupation, and he kept Georges from being shot. When the truth comes out, Georges' record as a war hero will be ridiculed, his girlfriend a German whore. She has to leave him. Fade-out on the two men at the Rhine bridge.

Okay, the summary makes it sound stupid, but it's not. It's about loyalties, and betrayals, and compromise, honor and shame, love and deceit, the whole nine yards, and the kind of thing French pictures are really good at. For our purposes, it's a late-breaking discussion (fifteen years after the fact) of questions the French preferred to turn a blind eye to, wartime derelictions. There's no denying some people showed incredible bravery, and some people were utterly contemptible, but a fair number were probably just trying to get by. It's a variation, or the obverse, of the Good German. 

I don't know what the moral is, or even if there is one. I suspect people play the hand they're dealt, and some of us rise to the occasion better than others. Darrieux didn't embarrass herself. Maurice Chevalier, Jean Cocteau, Sacha Guitry? A little less honorable. Arletty, whose acting career flourished during the Occupation, most famously Les Enfants du Paradis, got jail time for sleeping with the enemy. ("My heart is French, but my ass is international," she later remarked.) Sartre, who wrote for the underground paper Combat, says, "Everything we did was equivocal." Not to put too fine a point on it, pretty much everything they did was self-serving.

David Bell, reviewing Alan Riding's book about Paris during the Occupation, And the Show Went On, reminds us that the French basically lucked out, compared to what was going on in, say, Poland. French artists and intellectuals suffered chaos, and scarcities, and many dangers. But more than a few prospered. And most of them survived to argue about it another day. [The New Republic, 03-03-2011]

It's instructive, I guess, that I'm still raking over the coals myself. We simply don't know how we'd react in a claustrophobic climate of fear, which makes it harder to judge what they did. When you hear the tumbrels passing in the street, you don't want them stopping at your door.

Not Named

by Fran Rizer                                                                


"To Kill or Not to Kill" was the intended title of this column. The topic was how to end a series since I'd just launched the eighth Callie Parrish mystery. thinking it might be Callie's final adventure.

Ring Around the Rosie, A SKULL FULL
OF POSIES is the eighth Callie Parrish
mystery, and I planned it to be the last.
Guests each received a new bookmark,
modeled on the right by a reader at the
the book signing.

I took the long way home from the launch and something happened that changed my mind about what to write.  I passed a familiar house.

This house was flipped back in 2010, but it's changed hands frequently since then. How much do the current residents know about the place?  Property values are based on more than location and physical condition. Real estate can be stigmatized by such things as phenomena stigma, public stigma, and murder/suicide stigma. This house would be classified as stigmatized.

Phenomena stigma refers to property "known to be haunted."  One famous case about this is Stambovsky v. Ackley.  Stambovsky sued Ackley because he bought property without knowing it had been featured in magazines as haunted.  He claimed this decreased the value and made the sale fraudulent.  The final decision in that case didn't determine the validity of the haunting, but the court did void the contract and refund Stambovsky's down payment.

749 15th Street, Boulder, Colorado, was 755 until 2001 when
owners requested a change of address from how it was known
when Jon Bonet Ramsey died there in 1996. The house has
changed hands frequently since the six-year-old's murder.

Murder/suicide stigma refers to property with decreased value because a murder or suicide has occurred there.  Milliken v. Jacono dealt with Milliken paying full value to Jacono for a house Jacono had bought far below market value because it had been the scene of a gruesome murder/suicide.  Randall Bell, a consultant on this case, had been involved in marketing the condo where Nicole Brown Simpson and Ronald Goldman were killed as well as the Ramsey home where Jon Bonet died.

Jacono claimed Milliken should have researched the property before he bought it.  Milliken claimed he'd been cheated.  The court determined it would be impossible to determine the degree of loss of value from a murder or suicide in a home. Would it be greater based on the degree of violence of the murder? Would an ax killing decrease value more than a poisoning? They ruled in favor of Jacono. essentially "buyer beware." Perhaps prospective buyers should have structures inspected for termites and call Ghost Busters. Since then, many states now have laws requiring sellers to reveal murder/suicide property stigmas.

Known as the "Amityville Horror" house, the street number of
this house was also changed by new owners, but the place is
too well known for a different address to matter. It also goes
up for sale frequently.

To me, the house on Long Island where a man killed his parents and four siblings claiming "voices in the house" told him to do it, would be a case of both phenomena stigma and murder stigma, but when the situation is so well-known, there's a special name for it: public stigma.  Made famous as the Amityville Horror, this house is the perfect example of public stigmatized property in which the stigma is widely known. Another example is the home of the Menendez brothers.

In The Invention of Murder, Judith Flanders says, "Crime, especially murder, is very pleasant to think about in the abstract . . . to know that murder is possible, just not here." Flanders spends 555 pages telling how people in the 1800s satisfied their fascination with murder through serialized handbills, tours of murder sites (both real and simulated), and stage plays. That fascination remains.  It's evidenced in books, movies, and television shows from Murder She Wrote through How it Really Happened to Forensic Files (where insomniacs can watch murder after murder all night long.)

I've been reading murder mysteries since childhood, but in 2009 my lifelong best friend was brutally beaten to death during an in-home invasion.  Her death brought the harsh, painful realization that murder in reality is far different from fiction or even true crime books. I was asked after her death if I would write about her homicide. The answer was and remains an emphatic "NO!" When I discussed this SleuthSayers column with a friend, he asked, "Would you live in a stigmatized home?"

10050 Cielo Drive in Benedict Canyon near Beverly Hills,California, was so
stigmatized by the murders of Sharon Tate and four others by the Manson Family
in 1969 that it was completely demolished in 1994. Years later, David Oman
bought adjacent land and built a new house 150 feet from where this one had
been. He claimed the Manson victims haunted his new house and made a
movie about it in 2011.   

After my friend's death, I helped her daughter with the house.  That's when I learned that law enforcement officers don't tidy up after themselves.  I cleaned the black fingerprint powder off my friend's headboard and other furniture. Could I live in her house?  I wouldn't want to because it would be a constant reminder of the sadness of her loss.  Would I live in another stigmatized home?  I don't really know.

Thoughts of stigmatized property rose from passing my friend's house on the way home from my most recent launch.  Suddenly Callie popped into my mind with an idea for a ninth Callie Parrish mystery. It will involve stigmatized property but will not be about my friend or her home. I'll probably be back in a year or so to tell you about it.

How about you?  Would you live in a stigmatized house?

Until we meet again, please take care of … YOU!