Showing posts with label Julia Spencer-Fleming. Show all posts
Showing posts with label Julia Spencer-Fleming. Show all posts

11 April 2017

The Curse of 2013

By Barb Goffman

Like poor Rose at the end of Titanic, clinging to a piece of wood in the frozen Atlantic Ocean, using the last of her strength to blow a whistle to attract rescuers who've missed her, then weakly, hoarsely yelling, "Come back! Come back," I find myself wishing some people would come back too.

Well, my wishes are about fictional characters, but they feel like real people to me. And they've all been missing since 2013.

With less than two weeks until Malice Domestic (a wonderful fan convention held every spring in Bethesda, Maryland, honoring the traditional mystery), I find myself thinking about mystery characters I wish would come back. I'm not talking about characters created by authors who have died--there's no way they're coming back, not in their original author's form, anyway. And I'm not talking about characters whose authors regularly put out a new book every year or so. This column is devoted to characters whose authors seem to have moved on or are taking too long of a break (in this devoted reader's perspective).

With respect and love, I wish the following authors would get a move on:

Stephanie Jaye Evans

I'm starting with you, Stephanie, because you're scheduled to attend Malice Domestic, and I want you to be prepared. I am going to hound you at the convention, begging and pleading for more stories in the Sugar Land Mystery Series about family man and Texas minister Bear Wells, who becomes a sleuth. Here's what one reviewer said of Stephanie's wonderful first book, Faithful Unto Death:

“Praise be! A new series with a soul, a heart, and a down-home Texas twang. Preacher Bear Wells is an entirely original sleuth and author Stephanie Jaye Evans is that real rarity: a debut writer with dead-on dialogue, winning characters, and—mirabile dictu! —nimble plotting.”   — Susan Wittig Albert, national bestselling author of the China Bayles mysteries

Faithful Unto Death, was a finalist for the 2012 Agatha Award for Best First Novel. Stephanie has a great second book in the series, Safe From Harm, which came out in 2013. For four long years I've been waiting oh so patiently, hoping for more. Please, Stephanie, may I have some more?

Chris Grabenstein

Chris, I know your heart--and your time--belong to middle-grade readers. Between writing books with James Patterson (how can I get in on that gig?) and writing your own extremely successful books for kids, you don't have time anymore for your mysteries for grown-ups. (I was going to write that you didn't have time for your adult mysteries, but that has a completely different connotation.) But I wish we could add more hours to the day because I miss your John Ceepak mysteries. Oh, heck. Let's be honest, I long for them. Yes, I admit it: I have a crush on your character John Ceepak, and given how long it's been going on, I feel comfortable saying it's not going away.

Ahhh. Ceepak. A cop with a moral code. A decent, generous, wonderful man. If I can't have this romance in real life, come on, Chris, let me have it on paper. Please! I long to return to Sea Haven, New Jersey, and investigate more cases with John and his partner, Danny Boyle. Sure, I could re-read the eight books in your Anthony Award-winning series, starting with 2005's Tilt-A-Whirl and ending in 2013's Free Fall. But it's been four years since the last book. I need more. Please, Chris. Just give me a little more.

Sara J. Henry

Sara, Your first novel, 2011's Learning to Swim, was nominated for a gazillion awards (and won the Anthony and Agatha awards for best first novel as well as the Mary Higgins Clark Award). It deserved every bit of praise. I loved Learning to Swim so much that I told practically everyone I knew in 2011 about it. I gushed, Sara. Gushed. It was disgusting. So you can imagine how happy I was to read the 2013 follow-up, A Cold and Lonely Place. I love watching your main character, reporter Troy Chance, as she struggles to right (and write) wrongs. Your books have been described as "compulsively readable," and I agree wholeheartedly. I long to be compulsive again. On behalf of your fans, give us more Troy books, Sara. Please please please.


Julia Spencer-Fleming

Unlike a lot of authors, you usually have a new book come out every two years instead of annually. And that's okay. When someone writes books as good as yours, you can take any reasonable amount of time you need between books. But come on, Julia. We're both nonpracticing lawyers here, so we know there are limitations to how far you can stretch the meaning of the word reasonable, and I think we've hit the limit. It's been four agonizing years. I need more Clare. I need more Russ. I need more murder in the Adirondacks.

I remember how taken I was with the small town of Millers Kill, New York, when I came upon your first book, In the Bleak Midwinter. It has one of the best opening lines ever and a hell of an engaging plot. My love for the town grew over the series' eight books. Despite all the murders, it seems like a lovely place to live. I know others agree with me. Your books have won practically every award out there. Your latest book, 2013's Through the Evil Days, can't be the end of the series. I need to know what happens with Clare and Russ and ... Well, I'm not going to ruin it for people who haven't read the book yet. But you know what I'm talking about, Julia. Come on. Please don't leave me hanging. I need more.

2013

And that leaves me with wondering what the heck was going on in 2013 that made all these wonderful authors hit the brakes. Could it be a coincidence that all of them haven't had a new book out since then (or, for Chris, an adult book)? We mystery writers don't believe in coincidence. So there must be a reason. Are you all working on a big book together?! No. That would be too much to hope for. Is there a curse going on? No, I don't believe in curses either. ... Well, I'm out of ideas. So I'll just have to end this blog with my plea one more time. Get plotting, get typing, and get publishing, people. In the immortal words of Oliver Twist: Please, sir (and ma'ams), I want some more.

PLEASE.

*****

While I have your attention, in case you missed earlier posts: the Agatha Award will be given out in six categories during the Malice Domestic convention at the end of this month. I have a short story, "The Best-Laid Plans," short-listed in the short-story category. The competition is pretty fierce. Fellow SleuthSayers B.K. Stevens and Art Taylor are up for the award, as well as authors Gretchen Archer and Edith Maxwell. You can read about all five of the nominated stories by clicking here, and you'll also be able to click through to read the stories themselves. I hope you'll check them all out and read before you vote. (I'm also blogging today at B.K. Stevens's blog, analyzing my thought process behind the first two pages of "The Best-Laid Plans." I hope you'll stop by there too. You can read that post here.)
  
Once you finish reading, it's time to start packing. I'm looking forward to seeing so many of you at Malice Domestic in two weeks. (Stephanie Jaye Evans, this means you!)

22 March 2016

Dynamic Duos - Part Two

by Barb Goffman and Sherry Harris

Songwriter Paul Simon may be an island, but for many authors we know, writing works better when people work together. Whether it comes from an editor or a critique group, feedback and brainstorming can be a hugely important part of writing. They also can be an important part of sleuthing. Characters usually need feedback as they try to figure out whodunit, which is one reason why the sidekick character is so prevalent in crime fiction.

Yesterday on the Wicked Cozy Authors blog, author Sherry Harris and I discussed dynamic duos in the writing process and how we've worked together. We also talked about dynamic duos in fiction, including my character Job and his unusual sidekick, God, from my story "The Lord is My Shamus" (available in my collection, Don't Get Mad, Get Even). Sound interesting? Pop on over to the other blog by clicking here. But then come back, because now we're going to wade into Sherry's fictional duos and then discuss some of our personal favorites by other authors.


Sherry, in your books, your main character, amateur sleuth Sarah Winston, has two friends who serve as her partner, but they both play very different roles. Can you talk a little about Carol and Stella?

Sherry: Sarah has known Carol for twenty years. They met right after Sarah met her now ex-husband, and they bonded as military wives. Fast forward to the present, and they've ended up living in the same town, Ellington, Massachusetts. Carol is invested in Sarah and her complicated relationship with her ex. She likes going to yard sales with Sarah, and Sarah knows that Carol will always be on her side. It's this long-time friendship that has prompted Sarah to step in when Carol is accused of murder (The Longest Yard Sale), and it's why the two work so well together when Sarah needs to think things through. And Carol's the kind of friend who tosses her car keys to Sarah without hesitation when Sarah's running away in All Murders Final! (coming out from Kensington on April 26th).

Stella is a new friend and Sarah's landlady. She isn't judgmental, listens, and is thoughtful with her answers. Since Stella is also single, she's usually up for a last-minute adventure, whether it's going to a karaoke bar or heading out in the middle of a blizzard. Because Stella is a new friend, Sarah sometimes feels more comfortable doing things with her that she'd never do with Carol, simply because their friendship is built on different interests. As you pointed out recently, Barb, the three of them have never hung out together--that might be something for a future book.

Do you have a favorite duo in a series, Barb?

Barb: There are so many great ones, but a duo that jumps immediately to mind is Stephanie Plum and her friend Lula in Janet Evanovich's seminal series about a New Jersey bounty hunter. Lula is always up for anything (especially going through the drive-through at Cluck-in-a-Bucket). If
The book that started it all
Stephanie needs to go on a stakeout, Lula's there to serve as a second pair of eyes. If Stephanie needs to find and capture someone who skipped court, Lula's there to help with the takedown. And if Stephanie needs to eat a snack, Lula is definitely there to eat the leftovers, and then some. Having a fearless friend when you're a bounty hunter is awesome. And having a friend who's a hoot is great when you're the star of your own series--readers love humor. What about you, Sherry? Is there a duo that stands out to you?

Sherry: I love Stephanie and Lula too. Another interesting duo is in Chris Grabenstein's John Ceepak mysteries. (Chris, if you are out there, please, I'm begging you, write more!) (Barb here: Me too!) The duo in this series is John Ceepak and Danny Boyle. John is a West Point grad and military
The first John Ceepak mystery
veteran with a strict moral code that he won't deviate from. Danny is a part-time cop, part-time party boy. Their relationship starts out with John as the mentor, and Danny idolizes him. But Danny brings something to the relationship too--smarts and a zest for life. They both approach the world very differently, but ultimately they learn from each other.

Barb and I both love the relationship in Julia Spencer-Fleming's Clare Fergusson and Russ Van Alstyne mysteries. Here is a completely different way to approach a duo from our first two examples. Barb, what makes them work?

Barb: Chemistry. It's one of those rare things that's hard to teach how to do, but wow, does Julia Spencer-Fleming do it well. These two characters are so wonderful together. They start out as friends, a sexual tension grows over the series, and then as their lives change, their relationship changes and grows. (I'm being vague because I don't want to ruin things for anyone who hasn't read the series yet. Go forth and buy all the books right now. You won't be disappointed.) Russ is the local police chief. Clare is an Episcopal priest. They're fun characters to spend time with--not
We love this book!
preachy. They both care about people and their town and are willing to stick their necks out for others, and for each other.

Sherry, am I missing anything?

Sherry: I love that Clare was an army helicopter pilot before she became a priest. It adds another layer of depth to her character. Also that Russ is married--that dynamic--priest and married police chief--is brilliant. I wish I could think of something as interesting and pull it off like Julia does. The first book in the series, In the Bleak Midwinter, has one of the best opening lines ever written.

It's amazing to us how different each of these examples are, yet how well they all work. Readers, do you have a favorite fictional duo?

09 February 2016

No, Please Don't Go ... When Series End

by Barb Goffman

While I love a good stand-alone novel, like many people, I adore a good series. I love finding characters who come to feel like family, a town that feels like home. I love the comfort of returning year after year to a new book in the series (though sometimes the books come more or less frequently--Julia Spencer Fleming, write faster!).

Alas, with every good series, readers are forced to face The End. Sometimes authors die. Sometimes series end because the author has decided she's written those characters' final tale. Sometimes an author is willing to write more books in the series, but her publisher has pulled the plug.

I am not good with facing The End. And that is why, if you look at  my bookcases filled with yet-to-be-read novels, you will find the final book or final series book by several authors. I love each series, and I long to read these books, but I can't bear to read them knowing that would be it. The End. There would be no more. I would rather have the books sit unread, a promise of delight waiting for me, even though I may not ever crack open the spines. It's like knowing old friends are still out there.
Just some of my unread books


But now, thanks to the rise of self-publishing, my dilemma may partly be solved. Once upon a time, if a publisher dropped an author or series, that was it. It was rare another publisher would pick up the series. But now, those authors can write new books, hire an independent editor, a graphic artist, a proofreader, and get those new books out to their adoring fans. Like Sleeping Beauty once kissed, those series rise from dormancy, alive once more!

You might think the same possibility wouldn't exist for authors who have actually died, but you'd be wrong. Today several series originally written by authors who have passed on are continuing, written by a family member or authors chosen by the deceased's family to continue the legacy. John Clement is continuing the pet-sitter series that his mother, Blaize, began. Felix Francis is continuing the horse-racing series that his father, Dick, created. Reed Farrel Coleman is continuing the Jesse Stone series begun by the late Robert Parker. And there are lots more examples. Do the new books capture the same feeling, the same essence, as the ones written by the original author? Is reading these new books still like going home? Each reader has to decide for himself. But it's a chance for each series to continue, and that's wonderful.

So maybe one day I will crack the spine of Blood Knot, the third novel in S.W. Hubbard's Adirondack-based mystery series. The author has self-published a fourth book comprised of three short stories in the series. Is there another novel on the horizon, too? I hope so.

And maybe one day I'll read the final few books by author Barbara Parker. But maybe not. The author died in 2009, and it doesn't appear her family will have her series continued. So I will let those books sit on my shelf, particularly Suspicion of Rage, the final book in Parker's Suspicion series featuring attorney Gail Connor. I like knowing the character still has a chance to live on in another tale I haven't read, that a promise of delight still awaits me.

Do you have favorite series that have ended? I'd love to hear about them. If the authors are living, maybe we can persuade them to bring those characters back to life.