Showing posts with label Jan Grape. Show all posts
Showing posts with label Jan Grape. Show all posts

25 March 2019

Jan Grape's Found Dead in Texas:
Front Row Seat, part 2


Jan Grape
Yesterday, we brought you a treat, an Anthony Award-winning Best Short Story. That was Part 1; today we give you Part 2.

Crime family Jan Grape and her husband Elmer have enjoyed a long, varied, and storied career in the mystery business. Besides writing, besides winning awards, besides running a bookstore, besides getting away with murder, Jan knows everybody in the business… everybody.

This tale from Jan’s collection, Found Dead in Texas II, originally appeared in Vengeance is Hers (Signet 1997). Pour a cup of coffee and enjoy this, the second part.

— Velma

A Front Row Seat
Part 2

by Jan Grape

The next morning we drove to work separately in our respective vehicles. My partner is a morning person and her energy and excitement greeting a new day bugs the hell out of me. I needed time for my body to wake up slowly and the short drive without her helped.

Last night we’d checked all the emergency rooms without turning up the doctor. I’d called a friend, Jana Hefflin, who worked in Austin Police Department communications to see if her department had taken a call regarding a John Doe of anyone fitting Dr. Randazzo’s description. She checked with the 911 operators, the EMS operators and police dispatch, all at APD headquarters. It was a negative on our man.

Finally, I called Marta Randazzo to report that there was nothing to report. It was almost two a.m. when we made up the bed in the guest room for C.J. and called it a night.

The new day was filled with sunshine and blue skies - reminding me of why I love central Texas.

Austin’s built over the Balcones Fault, an ancient geological plate that eons ago rumbled and formed the hills, canyons and steep cliffs around west Austin. The land west of Austin is known as the Texas Hill Country. The city’s east side slopes into gentle rolling hills and fertile farm land. Our office is in the LaGrange building which sits on a small knoll in far west Austin near the Mo-Pac Freeway and from our fourth floor office there’s a fantastic view of limestone cliffs and small canyons to the west.

At the office, C.J. ran computer checks on the Davises. Ellen Davis had never sued anyone before and neither she nor her husband had a police record. She also ran three other names: Sonja and Hirum “Bernie” Bernard and Christopher Lansen.

Mr. Bernard had a DUI and a resisting arrest charge pending. He also had a couple of business lawsuits resulting in settlements. Sonja Bernard had called the police recently in regard to a domestic dispute. Dr. Lansen had one bad debt on his credit record and a couple of unpaid parking tickets. A bunch of ordinary people, nothing to set off any alarm bells.

C.J. learned from a friend on the computer network that Ellen and Herbert Davis had left three weeks ago on an extended vacation to Hawaii. “That lets them out as revenge seekers,” she said.

“You got that right,” I said, using one of her favorite sayings. I called Mrs. Randazzo to see if she’d heard anything. She hadn’t, and afterwards I made follow-up calls to the hospitals.

I told C.J. a trip to Dr. Randazzo’s office might be helpful. “Maybe the doctor has a girlfriend and someone from his office knows about it.”

“Maybe he even plays with someone from work.”

Having spent a few years around doctors myself, I knew the long hours of togetherness sometimes bred familiarity. “This whole thing just doesn’t make good sense to me. If Randazzo and his wife had an argument and he stormed out, why didn’t he go off in his Jag, not just head out on foot someplace?”

“Unless,” said C.J., “he wanted to stage a disappearance. That malpractice suit left him in bad shape financially except for those assets in his wife’s name.”

I liked it. “What if he has other assets, hidden ones, and worked out a scheme? What better way than just walk off? Leave everything. And if another woman is involved she could meet up with him later. Intriguing, huh?”

“Yeah, but what about someone trying to kill Marta? If the Davises are out spending their new found money, then who?”

“So,” I said, “Randazzo hired someone to scare Marta in order to throw suspicion off of his own plans.”

We couldn’t come up with any more ideas, so I left to talk to the doctor’s employees.

Randazzo’s office was in the Medical\Professional high-rise building next door to Set on Hospital on Thirty-eighth Street, a few miles north of downtown and only a fifteen minute drive from my office.

Years ago, I had worked at an X-ray clinic in this building. My husband, Tommy, used to pick me up for lunch and we’d go around the corner to eat chicken-fried steak. The restaurant went bust a while back and of course, Tommy was killed a couple of years ago. Nothing stays the same, I thought, as I pulled into an empty parking spot and got out.

Randazzo’s suite of offices were on the second floor. A typical doctor’s suite. Comfortable chairs in the waiting room, popular magazines scattered on tables and modernistic art prints hanging on the wall. A curly-top redheaded young woman, about eighteen, sat in the glassed-in cubicle.

Were receptionists getting younger or was I only getting older? After I explained who I was and what I wanted, I was asked to wait. Ms. Williams, the head nurse, would be with me in just a few minutes, I was told.

It was a good half-hour before Ms. Williams called me. Her office was small, more like a closet under the stairs, but there was a desk and secretary-type chair. A telephone and a computer sat on the desk and file folders covered all the remaining space. She was about my age of thirty-five and every year showed on her face today. I’d guess a missing boss could upset routines.

“Ms. Williams, I’m sorry to bother you but if you’ll answer a few questions, I’ll get out of your way.”

“Please call me Tiffany. Ms. Williams reminds me of my mother and I’d just as soon not think of her.”

“I hear that,” I said. “And I’m Jenny.” Even though she didn’t ask me to, I sat down.

“I don’t know if you’ve talked to Mrs. Randazzo today, but she’s hired my partner and me to try to find her husband.”

“Wow, I’ve never talked to a private detective before. It must be exciting.” Tiffany Williams ran her hand through her brown hair which was cut extremely short and was two shades lighter than my own chestnut color.

“It’s not exactly like it is on TV. Most of my work involves checking backgrounds on people. Nothing too exciting there.”

She looked disappointed. “Dr. Lansen told us Mrs. Randazzo had hired someone to try to locate Dr. Tony. How do you go about finding a missing person?”

“Pretty much like I’m doing now with you. You talk to friends, family and co-workers. See if they have any knowledge or ideas.”

“I don’t know where he’s gone. I just work here.”

“I understand. But sometimes co-workers overhear things and that chance remark might give a clue.” She nodded and I continued, “Tell me about Dr. Randazzo.”

“Tell you what?”

“What kind of boss is he? It helps if I can get some feel for the person. Did he seem unusually upset or worried about anything lately?”

“He’s always upset about something. He’s a very intense person. A control freak. He got upset whenever people wouldn’t do as he said.”

“You mean his patients?”

“Everyone. His wife, his employees, the hospital staff.” Tiffany Williams began chewing her fingernails. They looked red and ragged as if she’d already spent a lot of time gnawing. “Everyone is afraid of him and no one would knowingly cross him - about anything.”

“When I worked in X-ray I ran across doctors like that and I always called it the prima-donna syndrome. Some doctors let a little power go to their heads.” Tiffany was nodding in agreement after her initial surprise that I’d once worked in medicine.

 “Yes. And when a second doctor comes in and is so nice, you see how things could be.”

“You mean Dr. Lansen?”

“Yeah, he’s so easy-going, but a great doctor, too. The patients all love him and the employees, too.” She thought a moment, “I think everyone responds to his kindness but that didn’t go over with Dr. Tony.”

“I can imagine. Do you know how Marta Randazzo got along with Dr. Lansen?”

“I don’t know if I should say. It’s not professional.”

“I understand and I don’t blame you. Let me tell you what I’ve observed and see if you agree.”

She nodded and I said, “There’s an undercurrent of something between them. It goes deeper than an…”

“Very definitely,” she interrupted. “I think Chris hopes to get ahead by being attentive to Marta.”

“That doesn’t sound too smart or ethical.”

“I never said Chris is an angel. He has his faults. He wants a partnership with Dr. Tony and he wants to reach the top as quickly as possible.”

Okay, I thought, the young Dr. Lansen is ambitious. But was that enough to have caused Randazzo’s disappearance? “How did Tony feel about Chris’s ambitions?”

“Pleased as long as Chris kept Marta occupied.”

“Oh?”

“Our patients are mostly female and women find Dr. Tony’s bedside manner quite charming. If Marta’s attention was elsewhere then…” Realized she was saying too much, she stood. “I’ve got to get back to work. It’s gonna be one of those days.”

I stood also. “Okay, but one more question. Was there one lady Dr. Tony was especially close to lately?”

She walked to the door, looking as if she were a little girl who’d just tick-a-locked her mouth shut. She then sighed. “I probably shouldn’t, but you’ll find out anyway if you keep digging. Dr. Tony is having a relationship with a patient - or was. We all knew about it.”

“Who?”

“Sonja Bernard, a neighbor of theirs. He did surgery on her and they got involved a few months ago. They were going hot and heavy and it was beginning to get sticky.”

“Did Marta know?”

She nodded. “Chris let it slip but I’m sure it wasn’t by accident. Chris always does things for a reason.” Tiffany went out into the hallway. “I really do have to get busy.”

“Okay and thanks.” I turned to leave, but remembered something she’d just said. “You said Dr. Tony and Sonja were going hot and heavy?”

“Yes, but they broke up last week. And remember you didn’t hear any of this from me.”

“My lips are sealed.”

On my way back to the office I wondered why Lansen had wanted Marta to know about Tony and Sonja. Somehow, that didn’t fit with my image of the young doctor on his way up. You can get fired for getting the boss’s wife upset.

I pulled onto the street behind the LaGrange and Jana Hefflin from APD communications rang my car phone.

“Jenny, I’ve been listening in on a call one of my 911 operators is working. Dr. Randazzo was located about an hour ago -he’s dead.”

“Damn. What happened?”

“He was shot. Body was in a deep ravine about a half-mile from his house. The police aren’t calling it homicide yet, they’re still investigating.”

“You’re sure it’s Randazzo?”

“Yep. He had identification. Sorry, Jenny.”

“Thanks, I appreciate it. I owe you one,” I said. I knew Jana had an abiding affection for chocolate-covered strawberries made by a local candy company - Lamme’s. I’d make sure she received a box the next time they were offered for sale.

When I got inside, I plopped in a customer chair in front of C.J.’s desk and told her our missing person had been found dead.

She was pulling apart sheets of computer paper as they came out of the printer. “Should we call Marta Randazzo?”

“We’ll wait. The police have to make their notifications.”

We discussed my conversations with Tiffany and when the printer’s clatter abruptly stopped, C.J. held up the pages. “I came up with more info about Mrs. Randazzo. She comes from an old West Texas ranching family. She inherited more money than you or I could ever imagine.

“I think,” she added, “Dr. Lansen changed horses in mid-stream. When he realized Randazzo was losing the lawsuit and the medical practice would go down the tubes, he figured Marta was his best bet. She’s got enough money to set up two or three practices.

“And personally, I think young Lansen is involved right up to his pretty blue eyes,” said C.J.

I thought about how Marta and Chris Lansen had acted when we were there. C.J. could be right. If Chris wanted to get ahead and if he felt Marta could help. But I didn’t think Marta was involved. She had seemed genuinely worried about Tony’s disappearance and, besides, I liked her. “No, I can’t buy it.”

“Why not?” C.J. prided herself on her judgement of people and she got a little huffy because I didn’t agree. “Look, he’s hot after the missus and he probably saw a quick and dirty way to take out the husband.”

She was working up her theory hoping to convince me. “He probably began stalking Marta to use as a cover for his real target…”

When I said I couldn’t buy it, I meant I couldn’t buy Marta’s involvement. I did have many doubts about Chris Lansen. “Possibly. He says he went out looking for Randazzo. Maybe he found him and killed him.”

“The stalking tale could have been just that, a tale.”

 “What about your ‘Good Buddy,’ Bernard?” I asked. “His wife’s infidelity could have sent him into a jealous rage. Or what about the woman scorned, Sonja Bernard?”

C.J. said, “Bernard might strike out in the heat of passion if he caught his wife with Tony. But he’s a drunk and I doubt he’d have the balls to plan anything sophisticated.

“And Mrs. Bernard is cut from the same mold as Randazzo. She’s played around for years, but she always goes back to her husband. He needs her.”

“Surely you didn’t find that out from your computer,” I said.

“No, I called Carolyn Martin, she filled me in on the Bernards.”

My friend, Carolyn, who’s hip-deep in society happenings, knew all about the skeletons in the jet-setters closets. If Carolyn said Sonja had the morals of a rock-star groupie, then it was true. “Okay, so where does that leave us?”

C.J. stared at me. “Back to Marta Randazzo. She’s one cool bitch.”

 “No, I think she’s putting on a front. Acting cool when she really isn’t.” The more I thought about it the more I felt I was right. “Marta couldn’t kill…”

“Listen to you, Jenny, listen to that nonsense coming from your mouth. The husband abused her regularly, he played around - even had an affair with a friend.” C.J.’s tone was curt.

 “Chris Lansen and Marta Randazzo together,” she said. “They have the best motive and Chris sure had the opportunity…”

 I thought about the vulnerability I had seen in Marta’s eyes and was determined to give her every benefit of the doubt. “If Chris did it he was acting alone.”

“No way. Marta is involved, believe me. She was fed up with her husband.” C.J. shook her finger at me and raised her voice. “Randazzo acted like a horse’s ass routinely. Now he’s lost his medical practice - suddenly, Marta and Chris both see a solution to all their problems.”

“Dammit, we don’t even know yet that it was murder. Maybe Randazzo killed himself. What do the police say?”

C.J. shrugged.

“Take it from me - if Randazzo was murdered Marta didn’t do it.” I stood and walked out of the reception area and into my inner office, slamming the door behind me.

Once inside I started cooling off immediately. I’ve always been that way. I can get angry enough to chew nails, spout off, then quickly my anger subsides. When C.J. began to get angry with me, I should’ve backed off. It was stupid and I knew it.

My partner can stay mad for hours - days even. The only way to head it off was to try and make her laugh. If I could get her to laugh things would smooth out quickly.

I stayed in my office for about five minutes, rehearsing what I would say to C.J., but when I went back out to her desk in reception - she was gone.

She’d left a note saying she’d gone to APD to see what she could find out from Larry Hays. Hoo-boy, I thought. When she’s too angry to tell me when she’s leaving, she’s really mad.

Lieutenant Hays worked in homicide and he’d been my late husband’s partner and best friend. After Tommy died Larry took on the role of my brother/protector. For a private investigator, having a friend on the force was a huge bonus. If Larry hadn’t worked on the Randazzo case, he’d know who had and would be able to give C.J. all the inside dope.

Talking to Larry was another good way for C.J. to get over her anger. If she could talk shop with him - she’d chill-out fast.

I tidied up my desk, set the answering machine and left.

But instead of going home, I found myself heading to the Randazzo’s. Something about Marta pushed my buttons and I had to see if I could find out why.



Marta Randazzo wasn’t particularly glad to see me, but she didn’t slam the door in my face. She just said, “Come in, if you like.” I followed her down the hall to the den.

Once again I had the feeling I’d been in this room before, the Indian colors and Kachina Dolls and arrowheads were so familiar it was spooky. I refused the drink she offered and sat down.

Marta certainly didn’t look like a woman who only a few hours ago had learned of her husband’s death. Her make-up was impec-cable. No red eyes or tears. Her whole demeanor was changed, she acted poised and self-assured. She picked up her glass and drank, standing regally by the fireplace, and then stared at me over the rim. “You expected tears?” Her tone was defiant.

“Everyone handles grief differently.”

“I can’t pretend grief when there’s nothing there. I can’t pretend when deep down I’m glad Tony’s dead.”

Suddenly, I was ten years old again and memories came flooding back. My mother and I were at my aunt’s house, in her living room decorated with Indian artifacts. Decorated much like this room was.

I could even hear my mother’s voice. It sounded tearful and sad. “Everyone handles grief differently.

I recalled Aunt Patsy saying, “I can’t pretend grief when deep down I’m glad Stoney is dead.”

My mother said, “But Patsy, I don’t understand. What did you do?”

Both of my aunt’s eyes were blackened and she had a plaster cast on her arm. I’d never seen anyone look so defiant. Aunt Patsy said, “I killed him. I got his pistol and I shot him. I just couldn’t take the beatings any more. Not with this baby coming.”

“Shhh,” said my mother turning to me. “Jenny, why don’t you go play outside. Aunt Patsy and I need to talk grown-up stuff.”

I could now remember everything I’d blocked out. My aunt being arrested, and there was a trial or something. Later, she was sent away, probably to a women’s prison. She didn’t even come to my mother’s funeral three years later. Maybe she couldn’t if she was in prison, but as a child I didn’t know that. I only knew how hurt I was because she wasn’t there. I’d been crazy about Aunt Patsy and I guess I couldn’t deal with all the emotional trauma and had buried it. Until I met Marta Randazzo.

I looked at Marta, “You killed him, didn’t you? You killed him because he beat you and cheated on you and you’d finally had enough. His affair with Sonja Bernard was the last straw.”

Marta began shaking her head no, but I continued. “You wanted a way out.”

“No,” she said. And for the first time since I’d met her, she stood straight with her shoulders back. “He scarred Ellen Davis’s face, but he wasn’t sorry. He even laughed about it. Just like he laughed over what he did to me.” Marta pulled her sweater up and off her head in one fluid motion. She was braless and I winced at the misshapen breasts and the hideous-red-surgical-scar tissue.

“See! See what he did to me?” She was crying now and could barely speak. “I… I killed him…be-because I didn’t want him to get away with ruining another woman.”

“But he didn’t…”

“Y… you think giving Ellen Davis thousands of dollars could ever be enough? And it didn’t even faze him. He was going to disappear. Move to another state and start all over. Start butchering women again. I couldn’t let him. I-I had to stop him.”

“So, that’s why you had a blind spot about her. What did you do when she just up and confessed?” asked C.J.

“I told Marta I knew one of the best defense lawyers in Texas. I called Bulldog Porter. He came over and together they drove downtown to police headquarters.” I looked at C.J. “Thanks for not reminding me how right you were.”

She shrugged. “What about Marta being stalked?”

“Randazzo probably set that up for his disappearing act.”

“And Chris Lansen wasn’t involved?”

“Bulldog wouldn’t let Marta talk to me. I believe Chris dumped the body for her, but killing Tony was her own solitary act.” I thought about that Dinah Washington song, then. “Marta sure had a front row seat for her revenge.”



Many thanks to Jan and those who made this possible. If you enjoyed the story, let Jan know. We might make this a monthly feature.

24 March 2019

Jan Grape's Found Dead in Texas:
Front Row Seat, part 1


Jan Grape
Set in March, we bring you a rare treat, an Anthony Award-winning Best Short Story, also nominated for a Shamus Award. The first half runs today, the rest tomorrow.

Originally published in Vengeance is Hers (Signet 1997), this story also appears in Jan’s collection, Found Dead in Texas II. Pull up a chair, pour a glass of wine, and lean back. A fine Grape ages very well.

— Velma

A Front Row Seat
Part 1

by Jan Grape

I awoke on that cold wet March morning with a fierce sinus headache over my right eye. Things went downhill from there. I broke a fingernail and tore a run in my pantyhose. I had to dress twice because I snagged my sweater and had to change. When I walked out the front door I banged my little toe against the potted plant I’d inside brought for protection from the cold. “Damn Sam.” I limped out to my car and sank into the seat gratefully.

Some mornings should be outlawed I thought, but I managed to get to the office which I own and operate with my partner, Cinnamon Jemima Gunn, at eight-thirty a.m. on the dot. C.J., as she’s know to all except a few close friends, would have killed me if I’d opened up late. With the way things were going, death didn’t sound half bad.

At nine a man pushed opened the door with its distinct sign, G & G Investigations. He stopped cold in the middle of the reception area and looked around as if searching for someone.

He wasn’t handsome. His nose was too long and it hooked at the end, ruining his overall attractiveness. Dark, blue-black hair waved across his head and curled down over the tips of his ears. His eyes were blue-gray and crinkle lines radiated outward from the corners. He was probably no taller than five feet ten with a rounded abdomen and torso, like he’d rather sit in front of the tube and veg-out than work-out. I’d guess his age around fifty.

“May I help you?” I asked.

His navy suit looked expensive, but off-the-rack, and he added a floral print tie to spiff up his white shirt. He wore a black London-Fog-style raincoat, open and unbelted and a perplexed look.

“Do you need an investigator?” I asked when he didn’t answer my first question.

“Is Mr. Gunn here?” His voice was husky, like he had a cold.

“There is no Mr. Gunn. Only C.J., but she’s in court…

“She? I don’t understand. I want to talk to Mr. C. J. Gunn.” His annoyance was obvious in his derisive tone.

“C.J. isn’t a Mister. C.J.’s a woman.”

“I’ll speak to your boss, then.”

“I’m it,” I smiled. “I mean, I own this agency. Well, C.J. and I are co-owners actually. I’m Jenny Gordon.”

“You mean this detective agency is run by a bunch of damn women?”

“That’s about it, sir.”

“Well, shit.” He turned, walked out and slammed the door.

“Up yours, fella,” I said to his retreating footsteps.

I didn’t waste time wondering about him. It happened occasionally - some macho pea-brain unable to hire a female private eye because of his own ego. I shrugged and turned back to the computer terminal.

Electronic technology baffles me. I think I’m a little intimidated to think a machine is smarter than I am. But C.J., who’s a computer whiz, had set up a program for our business invoices and all I had to do was fill in the blanks, save, and print. I could handle that much.

G & G’s bank account was dangerously low and unless we collected on some delinquent accounts or came up with a rich client or two, we were in deep do-do.

We’d worked too hard for that, but it meant sending out timely statements and following up with telephone calls. Our biggest headaches were large insurance companies who always seemed to run sixty to ninety days past due.

I got all the blank spaces filled on the next account and saved the file, but before I could push the button to print, the telephone rang.

“Ms. Gordon, this is Dr. Anthony Randazzo.” The husky voice was familiar. “I want to apologize for the way I acted a few minutes ago.”

So, the piggy chauvinist was a doctor. His name rang a bell in my head, but I couldn’t connect it. My first impulse was to hang up in his ear, but he kept talking fast - as if he could read my mind.

“Ms. Gordon, I’ve been under a lot of stress…” He laughed, sounding nervous not jovial. “Boy, does that sound trite or what?”

I waited, unsure if he expected an answer.

“I honestly am sorry for storming out of your office. I acted like some idiot with a cave-man mentality. I need an investigator and your firm was highly recommended.”

I’m not a die-hard feminist, but the emotional side of my brain was yelling hang up on this bastard while the practical left brain was reminding me we needed a paying client and the doctor could be one. I wondered who was wicked enough to send this clown in our direction. “May I ask who recommended you?”

“My niece works as a receptionist for Will Martin’s law firm.”

Oh, hell. Will and Carolyn Martin were counted among my closest friends. Good friends aren’t supposed to send the jerks of the world to you.

“I’ve never met Mr. Martin,” he continued, “but my niece thinks highly of him.”

Whew! That explained it. When asked, Will automatically would have said, “G & G.” Knowing this guy wasn’t a client of Will’s made me feel better. “Dr. Randazzo, perhaps I should refer…”

“Please, Ms. Gordon, don’t judge me too quickly. My wife and I desperately need help. It’s a matter of life or death.”

Now that he was contrite he was much easier to take, but I still wasn’t sure I wanted to work with him. “I’m not…”

“Please don’t say no yet, let me explain briefly. Two months ago, I was involved in a malpractice suit. You probably heard about it.”

The bell in the back of the old brain pinged. Anyone old enough to read or watch television had heard. Because of the high costs of health care nowadays which the medical profession tried to blame on things like malpractice suits, the media had talked of nothing else. Randazzo was a plastic surgeon. A woman had sued him for ruining her face. She hadn’t looked too bad on TV, but the jury awarded her a huge amount. Mostly for pain and anguish, as I recalled. The doctor had lost and lost big.

“Yes, I recall,” I said, wondering why he needed a P.I. now. “But the lawsuit’s over, isn’t it?”

“Yes. Except for working out the payment schedule.” He cleared his throat, “But I think our problem has a definite connection. I’m really worried and will be happy to pay a consulting fee for your time.”

“I, uhm.mm…”

“Would five hundred be appropriate?”

He got my attention. Five big ones would certainly help our bank account. I could probably work for Attila the Hun for five hundred dollars. Okay, so I can be bought. “Would you like to make an appointment?”

“If you’re free this evening, my wife and I are having a few friends over for drinks and hors d’oeuvres. If you and Ms. Gunn could join us - whatever you decide to do afterwards is entirely up to you, but the five hundred is yours either way.”

“What time?”

“Seven, and thanks for not hanging up on me.”

Dr. Randazzo gave me directions to his house and we hung up.

I had the invoices ready to mail by the time C.J. returned.

 She remembered the Randazzo lawsuit. “Five hundred dollars just to talk?”

“That’s what the man said.”

“Are you sure he’s not kinky?” A knowing look was on her cola-nut colored face and her dark eyes gleamed wickedly.

“Maybe. But he said his wife and other people would be there. It didn’t sound too kinky.”

“Hummm. Guess the lawsuit didn’t bankrupt him if he’s got five C notes to throw around.” C.J. worked her fingers across the computer keyboard.

“He probably has hefty malpractice insurance,” I said.

I watched as she punched keys and letters appeared on the monitor in front of her eyes. C.J. can find out the most illuminating information about people in only a matter of minutes. With my technology phobia I don’t understand modems, networks and E-mail and have no idea what it is that she does. I’ve also decided I really don’t want to know any details.

“Let’s just check on his finances. I’m sure he has investments, stocks and bonds, real estate and what have you. Never knew a doctor who didn’t.” A few minutes later she muttered an “Ah-ha. Looks like Randazzo was shrewd enough to put a nice nest egg into his wife’s name, but his medical practice is close to bankruptcy.” She printed some up figures, stuck the papers in a folder, and we closed the office and left.

Since my apartment is only a few blocks from our office and her place is half-way across town, C.J. keeps a few clothes and essentials there for convenience. We took turns showering and dressing.

C.J. wanted to drive. Since she liked to change cars about every six months she’d recently leased a Dodge Dakota SE pick-up truck. As roomy and as comfortable as a car. But what she was proudest of was a fancy sound system, tape deck and CD player. She popped a CD in and turned up the volume.

A woman sang, “I wanna be around to pick up the pieces, when somebody breaks your heart.”

“All riiight.” I laughed and she raised an eyebrow. I picked up the box and read about the songs and the artists. These were golden oldies by: Peggy Lee, Nancy Wilson, Sarah Vaughn, Judy Garland and others. It wasn’t her usual type of music.

“That’s Dinah Washington,” she said. “I knew you were gonna get a kick out of this one.”

I’d been hooked on country music forever but a couple years ago I discovered Linda Ronstadt singing ballads from the 30s and 40s. And the funny thing is, I remember my parents playing records and dancing to music like this. It’s an early memory and a rare one with my parents having fun. Somehow my mother’s long unsuc-cessful battle with cancer had wiped out too many good memories.

I listened to Dinah singing about her old love getting his comeuppance, and how sweet revenge is as she’s sitting and applauding from a front row seat.

“Cripes,” I said. “That really knocks me out. I’ve gotta have a copy.”

“I’ll give you this one, Girl, after I’ve listened to it.”

The Randazzo’s house was located in the hills above Lake Travis, west of Austin. After a couple of wrong turns we found the brick pillars which flanked the entrance of the long drive. The black-top curved into the front of the house and ended in a concrete parking area. C.J. pulled up between a dark green Jaguar and a tan Volvo.

The Spanish-modern house was large and rambling, made of tan brick with a burnt-sienna tile roof and built onto the side of a hill. The arched windows were outlined in the same color tile as the roof and black wrought-iron bars covered the bottom halves. The Saint Augustine grass was a dun-muckle brown with little shoots of green poking out - normal for this time of year.

We got out, walked up to the ornately carved double doors and I pushed the oval lighted button beside the facing.

“Some joint,” C.J. said, as we waited.

A young man dressed in a cable-knit sweater with a Nordic design and charcoal gray slacks opened the door. Late twenties, blond and blue eyed with a Kevin Costner smile. He was so handsome my breath caught in my throat to look at him.

When I said Dr. Randazzo expected us he frowned, but stepped back and said, “Come in.”

We were in an entry hall which ran across most of the width of the front and was open ended on both sides. I couldn’t recall ever seeing a house where you entered into a width-wise hallway.

We were directly in front of and looking into a large square atrium. Behind the glass wall was a jungle of green plants, shrubs and trees, with a spray of water misting one side. The darkening sky was visible through the roof and I saw a couple of small green birds flitting back and forth between some trees.

The scene was exquisite and several moments passed before I could find my voice, “I… I’m Jenny Gordon and this is C.J. Gunn. We were to see Dr. Randazzo at seven.”

 “I’m Christopher Lansen and I work with Tony Randazzo.” His voice was nasal and high-pitched and it sure didn’t go with his looks. “And I’m sorry, Tony isn’t here at the moment.”

“Oh?” I asked, “A medical emergency?”

“I don’t think so. I mean, I don’t know exactly.”

“I’m sure Tony will be back shortly, please come in,” said a woman coming into the hall from the right side. Her voice was soft and there was no trace of a Texas accent. She sounded as if she’d had elocution lessons and had graduated at the top of the class.

She was dressed in a soft blue silk shirtwaist dress, belted with a gold chain, and wore gold hoop gypsy ear rings. She was tall and willowy with dark hair pulled severely back into a bun. She would have looked elegant except she hunched her shoulders instead of standing straight.

She had high cheek-bones and almond-shaped dark eyes. There was a hint of Spanish or American Indian in her tight, unlined and unblemished face. Her age could have been anywhere from thirty to sixty. Probably has had a face-lift, I thought.

“I’m Marta Randazzo. Are you the investigators my husband hired?”

“Uh, . .yes,” I said. “And please call me Jenny. My partner is C.J.”

The young man put his hand on her arm. “Marta, why don’t you go back inside and I’ll talk…”

“No, Chris. I, I want to speak to them now.” Her voice sounded tentative, as if she hated to contradict him. She turned abruptly and walked down the hallway towards the left, leaving us no choice except to follow.

 “Mrs. Randazzo,” said C.J., who was walking directly behind the woman. “I should clarify something. Your husband asked us over for a consultation only. He hasn’t actually hired us.”

Marta Randazzo entered a huge den/family room. At least half of my apartment could fit into this one room, but maybe it seemed bigger because of the glass wall of the atrium. Another wall was taken up by a fireplace large enough to roast a side of beef. The room’s decor was in Southwestern Indian colors. Navajo rugs and wall hangings, Kachina dolls, framed arrowhead and spear points, Zuni pottery, turquoise and silver jewelry knickknacks were everywhere. In a small alcove to one side of the fireplace was a wet bar. A sofa, love seat and three chairs were covered in Indian-design fabrics.

It felt like deja vu until I remembered I’d once been in a living room decorated with Indian things. Inexplicably, I couldn’t remember when or where. “It’s a lovely room,” I told her. “I like it.”

“Thank you.” She motioned for us to sit, indicating the sofa and she sat on a chair to our right. Christopher Lansen took a spot standing near the fireplace.

“I believe Chris told you Tony isn’t here at the moment,” Marta said. “He should be back soon.”

But she didn’t sound too certain, “I’m sure…I, uh, know he didn’t forget you were coming…”

Chris Lansen said, “Marta, I don’t think…”

“Chris?” Marta Randazzo stiffened. “Let me finish, please.”

Lansen turned away and walked to the window staring out into the darkness. His body language indicated he didn’t like something she’d said or was about to say.

“Tony mentioned you were coming.” Marta got up, walked to the mantle, ignoring Lansen, and took a piece of paper out from under a Zuni bowl. “He had me write out a check for you.” She walked over and held it out to me.

I automatically reached for the paper and looked at her. I glimpsed a flicker of something in her eyes just before she turned and sat down, but then it was gone. Fear maybe? Or despair. I couldn’t be sure.

The check was made out to G & G Investigations for five hundred dollars and signed by Marta Randazzo.

“Mrs. Randazzo,” said C.J. “Perhaps we should wait until your husband returns and we can talk to him.”

“I agree,” said Chris. He looked at Marta with a stern expression. Some battle of wills was going on between the two of them. “He’ll be back soon.” Lansen’s tone was emphatic. “He and I planned to talk about the surgery I’m doing on Mrs. Franklin tomorrow. He wouldn’t forget about that.”

“Oh, you’re a doctor, too?” I asked, hoping to ease the tension. He and Marta were definitely uptight.

“Yes. I’m an associate of Tony’s. A junior partner.”

“We could wait a little while for him if it won’t inconven-ience you, Mrs. Randazzo.” I tried to hand the check back to her. She ignored it, so I placed it on the end table next to me.

“Please, call me Marta,” she said. She jutted her chin slightly. “That check means you are working for me, doesn’t it?”

“We’re here on consult. That was my agreement with Dr. Randazzo.”

“Then, in that case I’m consulting you. It must be obvious to you both…I should explain.”

Chris Lansen cleared his throat and Marta Randazzo looked at him, her face creased with a frown. Her chin jutted out again briefly before she relaxed. “Jenny, C.J.? Would you like something to drink? Coffee or something stronger?”

“Coffee would be fine,” said C.J. and I agreed.

“Chris? Would you go make coffee for my guests?” Her tone sounded like an order, but she didn’t raise her voice.

He gave her a look as if she’d just asked him to wash the windows or something equally distasteful, but he left the room without speaking.

“Jenny, my husband has disappeared,” she said when Lansen was gone. “I was taking a shower. After I dressed and came out here, Tony was gone. I assumed he gone for a walk, but that was at five o’clock and he still isn’t back yet.”

“Have you looked for him?” I asked. She reminded me of someone, but I didn’t know who.

“Yes. Chris came over about six and when I mentioned I was getting worried about Tony, Chris got into his car and drove around looking. He didn’t find Tony.”

“Your husband walks regularly?” C.J. asked.

“Yes, if something is bothering him. It’s his way of reliev-ing stress. But he’s usually back after about twenty to thirty minutes.”

“Could his disappearance have something to do with why he wanted to hire us?” I noticed out of the corner of my eye that C. J. was poised on the edge of her seat.

C.J. got up, muttering something about going to help with the coffee and went in the same direction Chris had gone. I knew she was using the old divide-and-question-separately technique.

“Maybe,” said Marta.

“Do you know why he…”

“Yes,” said Marta. “Someone’s trying to kill me.”

“What makes you think someone is trying to kill you?”

“Someone followed me all last week. The same man I think, I’m sure it was the same car.” She began twisting the hem of her skirt as she talked and I noticed bruises on her inner thigh near her left knee.

“After I became aware of this man,” she continued, “I realized he’d probably followed me even before that. Then night before last that same car tried to run my car off the road. You drove up here and saw those treacherous curves. And the cliffs are pretty steep. I almost went over the edge It scared me silly.”

“Why would anyone want you dead?”

“I don’t know, uh…maybe it’s someone from the Davis family - wanting to get back at Tony.”

“The Davis family?”

“The people who sued my husband.”

“But why? They won their case.”

C.J. and Chris came back into the room. He was carrying a silver serving tray with four china cups sitting in saucers.

Chris said, “My thoughts exactly. Why would anyone from the Davis family…”

“Money might not be enough,” said C.J.

“What?” asked Marta.

“Revenge can be sweeter than money.” C.J. sat on the sofa where she’d been before while Chris placed the tray on the coffee table. “Mrs. Davis feels she has suffered,” she said. “And now it’s Mrs. Randazzo who must suffer.”

Chris carefully handed a saucered cup of coffee to each of us and then took his and returned to the fireplace. “That’s what Tony thought,” he said placing his coffee on the mantle. “But I think it’s all hogwash.”

“I know what you think, Chris. You’ve been vocal enough about it.” Marta’s voice got lower and that made her words sound more ominous. “You think I’m imagining all this, but you don’t know. You just don’t know.” Marta began stirring her coffee, banging the spoon against the cup. “Tony believed me. And now something has happened to him.”

“Oh, Marta,” said Chris with a there, there, little lady tone. “Tony’s only been gone a couple of hours. He’s gotten sidetracked, that’s all.”

“Maybe he twisted his ankle and fell into one of the canyons,” I said. “He could even be unconscious.”

“I looked in all the likely places,” said Chris.

“Maybe you should call the search and rescue squad,” I said.

“Law enforcement won’t be inclined to do anything until he’s been missing for twenty-four hours or so,” said C.J.

“I want to hire you to find my husband and find out who…”

The doorbell rang and Chris, without asking Marta, left to answer it. He acted as if this were his house not hers.

“Will you try to find Tony?” Marta asked, ignoring the interruption.

C.J. and I glanced at each other and I saw her imperceptible nod of agreement.

“Okay, Mrs. Randazzo,” I said. “You’ve just hired us.” I picked up the check. “Consider this a retainer for two days.”

My partner, who believes in being prepared said, “I have a contract with me.” She pulled papers out of her shoulder bag, handed a page to Marta Randazzo who scanned it quickly, and took the pen C.J. offered, and signed it.

“Marta?” I asked. “Does one of the cars out front belong to your husband?”

“The Jag is his. My Caddy is in the garage.”

“And the Volvo belongs to Chris?”

Marta nodded.

Chris walked in with a man and woman trailing behind. The man was stocky, about fifty with heavy dark eyebrows and a hairline that receded back past his ears. The strands left on top were plastered to his reddish scalp. He was dressed in a three piece suit and looked as if he’d rather be anyplace else except here. He walked straight to the bar without speaking and poured a drink.

The woman came over to where Marta now stood. “Chris told us Tony is missing.”

She was short with a voluptuous figure and blonde Farrah Fawcett hair. “Oh, Marta, you poor dear.” The woman put her arms around Marta and kissed the air near Marta’s cheek.

“I’m fine, Sonja.” Marta recoiled from the woman’s touch, but forced a smile. “I’m sorry, the party is canceled. Chris was supposed to call you.”

“Oh, he came by about six-thirty. Said he was looking for Tony,” said the woman. “He called back later and left a cancellation message on the infernal machine. I just thought we’d drop by on our way out to eat.”

The woman noticed C.J. and I for the first time. She looked at Marta and said in a stage whisper as if we weren’t there, “Are they from the police?”

“No, uh, Sonja Bernard, “ she nodded, and we stood. This is Jenny Gordon and C.J. Gunn. They’re private investigators.”

The man who’d come in swayed over, a double shot of amber liquid in a glass. I assumed he was Sonja Bernard’s husband.

 “Private dicks, huh?” He said and laughed uproariously at his unfunny joke. From his slurred words it was obvious this drink was not his first. “Don’t think I’ve ever met a female dick before, black or white. How do?”

He took a big swallow and said, “Tough gals, huh? Do you carry guns? Which one is the dyke? I’ll bet it’s the black one.”

“Bernie, don’t be crude,” said Sonja. “Their sexual preference is none of your damn business.”

Marta’s face turned red. “I apologize…”

I hated it too, because I knew C.J.’s sharp tongue would slash and trash Bernie before he could stagger another step. And that was if she decided to only chew him up instead of knocking him on his can. My partner’s an ex-police woman, six feet tall and trained in Tukong Martial Arts. She could put him down and out.

I felt her body tense and spoke quickly, “C.J.? We probably should go.” But I wasn’t quite fast enough.

“He doesn’t bother me, Mrs. Randazzo,” said C.J. She smiled sweetly at the man, and then back at Marta. “His whiskey-soaked minuscule brain is ruled by his own penile inadequacy.” Her next words were directed to me and spoken through clenched teeth.

“You’re right, Jenny. We must be on our way, but perhaps Marta will show us out. I have a couple more questions.”

“What did she say?” asked Bernie. “Did she just insult me?”

“Of course, Bernie,” said Chris, who walked over and took the man’s arm. “But turnabout’s fair play, wouldn’t you say? Let’s refresh your drink.” Chris took the man’s arm and turned him towards the bar.

The man needed another drink like a cowboy needed a burr under his saddle, but the maneuver had moved him out of C.J.’s reach.

The man followed, muttering something about how he’d bet a hundred dollars Tony was shacked up with a blonde someplace.

“I’m terribly embarrassed…” said Sonja.

“And I’m terribly sorry for you,” I said to her.

Marta Randazzo looked as if she’d like to climb into a hole someplace, but she walked out of the room instead.

C.J. and I followed. Marta veered off into a small sitting room where we stood and asked our questions.

C.J. made notes as Marta gave us descriptions of the car and the man who had followed her. She hadn’t seen the license number. She said the people who sued her husband were Ellen and Herbert Davis.

“First,” said C.J. “we’ll check the local hospitals and emergency clinics, in case Dr. Randazzo has been brought in unconscious. And we’ll try to check-up on who’s been following you. It won’t be easy without that plate number.”

“Will you call? No matter how late?” Marta asked. “I mean even if the news is…”

“Yes,” I said. “We’ll call if we hear anything.” She gave us a recent photo of her husband.

“This could turn into an all night job,” I said as we got into the truck and headed to town.

“Did you catch that last remark from old Bernie?” I asked.

“No, I was having too much trouble trying to keep from decking the guy.”

“I figured. Bernie mumbled something about Tony being shacked up someplace.”

“Which is why the police are reluctant to get involved in domestic squabbles,” said C.J. “The missing usually turn up the next day looking sheepish.”

“Did you learn anything from Chris?”

“Only that he knew his way around the kitchen.”

“You think the Randazzo’s quarreled?”

“Didn’t you see the bruises on Marta’s neck?”

“No, I missed those, but I saw bruises on her leg. That muddies up the waters a bit, doesn’t it?”




See you tomorrow for Part 2!

28 January 2019

Questions, I Get Questions


Introducing the author who needs no introduction, guest star SJ Rozan

SJ Rozan
SJ Rozan
January 2019, I'm baaacckkk. Okay, only partially back. I pleaded, bribed, blackma… Really, I begged SJ Rozan if she would write something for me and she graciously agreed. Then I forgot to remind her and she forgot, but then I remembered to remind her and she promised she would and she did.

I've known SJ for close to thirty years. I had read her first published short story with Lydia Chin and Bill Smith in a little magazine, the name escapes me now. PI Magazine, maybe? Then her first book came along and I was blown away again. She not only writes a Lydia Chin book, then a Bill Smith book, she also writes stand-alone thrillers. Her books are as different as Lydia and Bill are, yet you know when you pick one up you are likely going to stay up all night reading.

In case you didn't know the "J" in her name stands for Jan (kidding) which is why we get along so well. Almost forgot she's a big basketball fan and she plays pick-up games every week. And she has a beautiful cat named, "Bella." Another reason we get along so well.

SJ Rozan has won Edgar, Shamus, Anthony, Nero, Japanese Maltese Falcon, and the Private Eye Writers of America Life Achievement Award. Her new, highly anticipated book comes out in time for summertime reading.
— Jan Grape

Questions, I Get Questions

by S.J. Rozan

I have a book coming out this summer.

This is a sentence I've said fairly often; this book is, after all, my 16th. I've never quite gotten used to it, though. Every now and then I look at my shelf and think, Good grief, who wrote those? The other thing I've never quite gotten used to is the experience of writing.

People – non-writers and new writers alike – tend to assume two things at once. The first is, as someone once put it to me in the form of a question, "Do you figure everything out in advance, or do you sit down and it just flows?" Er, neither.

I don't outline, except in the vaguest of terms. In SHANGHAI MOON, for example, I knew what and where the jewel was, and that the situation went back to the Jewish Ghetto in Shanghai during World War II. Those two things were the foundation of my interest in creating the world of SHANGHAI MOON. What I didn't know was the nature of the person who had the jewel, or anything else about the actual story that became, in the end, the book. I had to write the book to find all that out.

On the other hand, it certainly doesn't just flow. Oh, no, it doesn't. My process – and I believe this is true for many, many writers – is start-and-stop. When E.L. Doctorow famously said that when you're driving at night you can only see to the end of your headlights but you can get all the way across the country that way, he didn't mention how sometimes in a heavy fog you can't see anything at all and you have to stop and wait for it to clear. Or that you can take a totally wrong turn and find yourself at the edge of the swamp, and then you have to U-turn and go look for the road again.

But that's me: I'm a headlights-at-night writer. The way I deal with it is to have something in mind – say, the truth about the jewel, and what that means to the people around it – that glows through the fog and the dark like a neon sign up ahead. I aim for it.

The second thing non-and new writers tend to assume that it gets easier. Come on, the book I'm working on now is my 17th. It's called Paper Son, and it's in my Lydia Chin/Bill Smith series, of which it's the 12th, and though the publisher Pegasus Books, is new to me, I've worked with four previous publishers, so even this new-publisher thing is something I'm having to get used to. Each book is as hard as the first one. You just have to work through it.

Think of it this way: if you insist, as I do, upon driving across the country at night again and again, why would any trip be easier than the one before it? There's still the fog. There are still the wrong turns and the swamps. There's still each mile to be covered, no shortcuts – the distance doesn't change, nor the hills nor the blizzards, just because you've done it before.

But here's what has happened: I've learned not to panic. As bad as the weather, the road, or the wrong turn is, I've made this trip before. I can't get in any trouble I haven't been in already, lions and tigers and bears oh my, and somehow I've always managed to get out. Whatever the wall I've just hit (and in fact I've hit more than one in this book) there's a way over, around, or under it – or it'll dissolve when the fog lifts. That's what I've learned, and it's the most encouragement I can offer new writers: There's always a way. You just have to find it.

11 June 2018

Motivation or Get Outta That Rut?


Jan Grape and daughter Karla J. Lee
I think all writers sometimes feel in a rut. 

I think all creative people sometimes feel in a rut.

Maybe even a lot of people sometimes feel they're in a rut.

My daughter and I were having this conversation the other night.

She works eight or nine hours a day in an office, spending a lot of time staring at a computer screen. Then there's the 20-30-40 minute drive home depending on  the traffic. By the time she walks into her house and put on her comfortable shorts and T-shirt, pours a glass of wine and walks outside to her deck overlooking a river, all she wants to do is chillax. She makes a quick dinner and vegges out in front of the TV until bedtime.

She's a songwriter but has trouble getting motivated to pick up her  ukulele and creating a song. "I think I'm in a rut," she says.

Do y'all know that ukuleles are very popular again? When I was a young girl I would go visit my dad and bonus mom in the summer. I would beg my dad to play his uke and sing. And he would often agree. He played songs like "Five Foot Two Eyes of Blue" or "I Wanna Go Back To My Little Grass Shack" or "Lazy Bones." I love it. Now there are little pockets of uke players all over the country. Think I even saw a singer/player on THE VOICE tv show. (but I digress.) 

I understand being in a rut. I'm retired and have time to write, but I've often listened to my lazy self and after doing a few chores or trying to get my allergies or arthritis pain under control, I wind up vegging in front of the TV and never manage to get a word written on my next story. It seems that I'm in a rut.

It's all about motivation.

 How do you get motivated? What works for me may not work for you but I have to sit myself down and realize that I am in a rut with my life and decide to do something about it. 

Calling a good friend I haven't seen in months and inviting she and her daughter to meet me at a new Tex-Mex restaurant I've been wanting to try. 

Signing up for Yoga class. Signing up to volunteer someplace: meals on wheels, local library, visiting a children's hospital or nursing home each week, helping out at a soup kitchen. Just something to make it out of that rut.  Take a daily walk, learn to quilt or paint or to play piano. You can fill your days with something different.

If you're retired like I am, when you get up in the morning, fix your hair and make up if you're female, shave if male and dress if going to an office. Check your day planner then go to your writing work space.

Several years ago I was at a Bouchercon and Sue Grafton was giving a talk to four or five hundred people and she said if you have sat down at your computer and your writing time is three hours, stay there for three hours. Even if you stare at the computer screen and only write the word THE. Sit there for the full three hours.  Write something, anything and once you do this, hopefully, only one time of three hours with a blank screen, your creative muse will kick in. Because who wants to sit writing nothing for more than one day?  

If you are still working, it's a little different. And you are the only one who can decide what works best for you. Get up an hour earlier to write each day or three days a week. Or set your goal to write four hours a day on Saturday and four hours a day on Sunday. Whatever works for you. 

Just do something during the week that gets you out of your rut. Pack a sack lunch and go outside to eat in the park. Buy a ticket to a concert on a Friday night. Spend Sunday afternoon in a museum. 

You can decide to make your own happiness and to get out of your rut, JUST DO IT. 





21 May 2018

Sticking It Out


Guest starring Brendan DuBois
Jan Grape invited a guest whom we are honored to have with us today. Brendan DuBois is the award-winning author of more than twenty novels and nearly 160 short stories. His latest mystery novel, HARD AGROUND, was published this past April by Pegasus Books. His next novel, THE NEGOTIATOR, is set to be published this August by Midnight Ink. He's currently working on a series of works with bestselling novelist James Patterson, with publications set for early 2019.

Brendan's short fiction has appeared in Playboy, The Saturday Evening Post, Analog, Asimov's Science Fiction Magazine, Ellery Queen's Mystery Magazine, Alfred Hitchcock's Mystery Magazine, The Magazine of Fantasy and Science Fiction, and numerous anthologies including THE BEST AMERICAN MYSTERY STORIES OF THE CENTURY, published in 2000, as well as THE BEST AMERICAN NOIR OF THE CENTURY, published in 2010.
His stories have thrice won him the Shamus Award from the Private Eye Writers of America, two Barry Awards, a Derringer Award, and have also earned him three Edgar Allan Poe Award nominations from the Mystery Writers of America.

Brendan is also a Jeopardy! game show champion.
— Jan Grape and Rob Lopresti


Sticking It Out
by Brendan DuBois


Last month I had the fun and privilege of going to Manhattan for the Edgar Allan Poe Awards ---- or as we call them in our house, Passover (hah-hah-hah) --- and had a fabulous time. The best part of Edgars week is catching up with old friends and making new ones, hobnobbing with agents and editors and other writers, and reinvigorating ones sense of being part a great writing community.

On one afternoon, I attended a wonderful reception at Dell Magazines --- publishers of Ellery Queen’s Mystery Magazine and Alfred Hitchcock’s Mystery Magazine --- and among the attendees were two old friends of mine, writers Doug Allyn and S.J. Rozan.

As we talked, laughed and gossiped with editors Janet Hutchings and Linda Landrigan, assistant editor Jackie Sherbow, and authors Jeffrey Deaver and Peter Lovesey, it was a just reminder of how far I’ve come in publishing. When I was just a kid, writing short fiction at the age of twelve, I dreamed about coming to Manhattan and hanging out in publishing offices.

At some point, some of us realized that three of us --- Doug, S.J., and myself --- had all gotten published by either Ellery Queen or Alfred Hitchcock within a year or so of each other back in 1986. I think the three of us looked at each other and all thought the same thing: thirty years! And look how good we all looked! And we are still getting published in both magazines, as well as novels and other works.

Later that week, I joined up with S.J. and Doug at the Dell Magazines table during the Edgars banquet, and as part of the ceremony, there’s a slide show depicting past Edgar winners, and when it came to the 1980s and 1990s, the three of us commented on fellow short story authors who had won Edgars, had published for a few years, and then… disappeared.


What happened?

The three of us discussed this a bit, talking about these past friends and co-authors, and while a couple of them had died over this time period, what of the others?

I don’t know about Doug or S.J., but I felt a slight shudder pass through me. I’ve always wanted to be a writer, and to be a published author back in 1986 was one of my greatest accomplishments. How could someone just… stop? Give up? Never return again to writing?

And what could someone do to prevent this from happening?

What are the keys to having a lengthy writing career?

Some thoughts:

You have to possess something more than just talent. You need drive. Something inside of you pushing you. Many years ago, when I was in college, a good friend of mine had submitted a short story to The New Yorker magazine. It was rejected, but it was a personal rejection, a typewritten note from an editor, encouraging her to submit again. And what did she do? Nothing! She just shrugged and went on with her life, finding joy and satisfaction in something else.

I’m still gobsmacked that she had done that. But you know what? Her life, her decision.

You have to have a thick skin. Rhinoceros skin? Try two rhino skins. Writing is a hard, tough, and lonely business. Here’s a news flash: nobody cares if you write or not. Nobody. It’s all up to you… and you have to realize that in the outset, you’re going to get rejected. Lots of times. Rejected in creative ways you never knew possible.

And some of those rejections will be harsh and deeply personal. And you have to smile, shrug it off, and keep on writing.

Then… you get published! Yay!

And then you really need a thick skin… maybe three rhino skins. The reviews will come in, and some will be great, and some will be awful. And as humans do, you’ll tend to ignore the good reviews and obsess on the negative ones.

Don’t.

As someone once said, opinions (and reviews) are like certain bodily orifices. Everybody has one. There are a number of fine, dedicated and thoughtful reviewers out there, but alas, it’s the mean ones that stick in your mind.


My trick is this: good reviews come from reviewers who know exactly what I was trying to do in a piece of writing. And bad reviews come from ignoramuses who missed the whole point of my story.

Still, again, you need a thick skin. Maybe even four rhino skins!

You have to be willing to stretch yourself, try different things, different approaches. My first published short stories were of a kind, following certain tropes and approaches. But as months and years went by, I decided to experiment.

You can’t keep plowing and re-plowing the old fictional fields. Editors and readers then get bored. So I wrote first person. Third person. Even a couple of second persons. Then I wrote from the point of a view of a woman. A young boy. A… dog! Yes, a dog.

You need to be trying new things, new ways of telling a story. Sure, there’ll be rejections, but in the end, you’ll be your stretching your talent.

You have to seek out new markets, new opportunities. Back in the days when I first started writing short stories, I used a typewriter. Found my markets via Writer’s Digest Guide to Markets. Sent out my stories in a nine-by-twelve manila envelope, with an SASE contained within. And I’d walk up to my mailbox, shooing away the baby dinosaurs as I did so.

Now it’s all electronic. And there are lots of new markets out there, lots of new publishing opportunities. When I first started out, self-publishing was considered icky, the sign of a loser. Now? I self publish novels that I’ve retained the rights to, and have self-published a number of original anthologies of my own short fiction.

Opportunities had changed, and so had I.

And, lastly, you still have to love it.

Not to mention that there aren’t setbacks, or disappointments, or career plans that founder on the shoals of reality and publishing.

But still, I can’t go without a day without writing.

More than it’s what I do, it’s what I am.

My friend Doug mentioned this at another ceremony during Edgars Week, where Ellery Queen’s Mystery Magazine gave out the Reader’s Choice Award. He said something to the effect that decades later, he still loved being in the writing game, that he still loved it.

And so do I.

09 April 2018

Parker – Under the Influence


Jan Grape
I’ve been binge re-reading books by Robert B. Parker, the Spenser books. I’ve enjoyed them a lot this time around. It had been so many years, I had forgotten the plots. But Hawk and Susan and Spenser remain quite vivid. Of course, the television show did add to those three.

Parker was excellent at character description. Even a minor character, we learned how they were dressed in detail.
“He had on a light gray overcoat with black velvet lapels and he was wearing a homburg. The hair that showed around the hat was gray. The shirt that showed above the lapels of the overcoat was white, with a pin collar and a rep tie tied in a big Windsor knot.”
The Spenser early books were excellent. The last few… not as good.

THE WIDENING GYRE wasn’t the first Parker book I read but, it was the one I bought in Houston at Murder By The Book and got him to sign. He was one of the first Best Selling authors I met. I vaguely remember saying something about how I was writing and he mumbled something like “Good luck, kid,” or maybe “Forget it, lady.”

By 1983, I had finished my first novel and was shopping it around. It came close to being published three times but either the editor pushing it left or the publisher folded. I’m glad it was never published because it wasn’t ready and never would be. However in the hands of a good editor, maybe…

From that first novel though, came Jenny Gordon and C.J. Gunn, my female private eyes. I eventually wrote maybe a dozen short stories about their adventures. Jenny was white and Cinnamon Jemimah Gunn was African American, but back then everyone said ‘black’. Jenny usually described C.J. as looking a lot like Nichelle Nichols who played Uhuru on STAR TREK. She also could look like Nefritti when she took on a haughty look.

My dearest friend during those days was Choicie Green who was black. She and I had worked together in a small hospital in Ft. Worth. Choicie was my x-ray student and co-worker and I was the chief technician. We showed how two females of different cultures and backgrounds could be close friends. She and I remained close for many years. Choicie was the one who gave C.J. her full name of Cinnamon Jemimah.

Spenser and Hawk were a big influence. I didn't want C.J. to be as tough as Hawk, but I made her an ex-policewoman. Six feet tall, slender and beautiful, she’d modeled in her teens and early 20s.

These were some of my thoughts last night as I read THREE WEEKS IN SPRING by Parker and his wife Joan about her finding a lump in her breast and having a mastectomy. I could relate. He seemed to lose his way for a while. Heard he and wife had problems but still lived together. That could have been merely a rumor.

One thing I’ve remembered that I sometimes quote but give him credit. Once on a radio call in show the caller asked “Why don't you write your books faster?” And Robert said, “You’re  supposed to read them the way I write them… Five pages a day.”

I love that.

12 March 2018

Viva la difference


by Jan Grape

Jan Grape
As a female writing about a female character I feel it is all natural because I am a woman. I can put my head into the mind of a young woman or an older woman.

I also think I can write a fairly good representation of a male character. Mainly because I had two boys and I had a husband for almost 40 years who was a great teacher about men and how they think.

Of course, I'm not an expert because I have never been a man. I did mention good maybe not great.

However, through the years of reading I have run across writers who I think are able to write strong and excellent characters who happen to be of the opposite sex.

Susan Rogers Cooper has a male character, Milt Kovack, who is a sheriff. He is such a realistic male character that Susan has even relieved a fan letter chiding her for publishing under a woman's name. The fan swore she had to be a man.

I have to agree in part because I know Susan is a woman, but she does write a very realistic male.

On the other side, John Lutz writes very realistic women characters. They are strong, independent and certainly never depend on a male to rescue them.

Robert B. Parker also wrote strong women. He often got into philosophical discussions with women leaving them surprised.

Best-selling author Michael Connelly has written a new book, THE LATE SHOW, featuring  Detective Renee Ballard. This is a female character he fully intends to be a series character.

In the back of the book is an interview. The question is asked if he can describe Renee with one word. He has described Harry Bosch as "relentless." Michael says he knows a real-life homicide Detective Roberts that Renee is loosely based on and he would describe Roberts as "fierce," which is close to relentless.

A woman detective working in a job that is predominately male has to be better than her male co-workers in order to gain respect. She must be fierce.

I think this is true and yet to make a female character more realistic she should show a little vulnerability. Unless your plan is to have her be a bitch. Personally, I think Connelly has done a fine job with Detective Ballard.

Viva la difference.

19 February 2018

Why Sara Writes


Sara Paretsky
Sara Paretsky
© Steven Gross
Introducing Sara Paretsky
In 1986, I read the first V I Warshawski private eye book, Indemnity Only. I also was writing a female P.I. novel when I learned women mystery writers at Bouchercon were meeting and forming a group called Sisters In Crime. One major objective of SinC was to raise publishing and public awareness of women mystery writers. This organization was the brainchild of V I Warshawski’s author, Sara Paretsky.

In 1988, I attended my first Edgars and Bouchercon. I quickly learned Sara was passionate about women writers getting a fair shake.

In 1990, my husband and I opened a mystery bookstore in Austin. Three years later, we hosted a mystery convention, Southwest Mystery Con. A small group of Austin mystery women formed a chapter we named Heart of Texas Sisters in Crime. Through that, Sara and I became friends. I’m proud our H•O•T chapter of SinC still meets monthly. I’m proud that Sara still fights for women mystery writers. And I’m honored to introduce Sara as today’s guest writer.

Sara Paretsky and her acclaimed P I, V I Warshawski, transformed the role of women in contemporary crime fiction, beginning with the publication of her first novel, Indemnity Only, in 1982. Sisters-in-Crime, the advocacy organization she founded in 1986, has helped a new generation of crime writers and fighters to thrive.

Among other awards, Paretsky holds the Cartier Diamond Dagger, MWA's Grand Master, and Ms. Magazine's Woman of the Year. Her PhD dissertation on 19th-Century US Intellectual History was recently published by the University of Chicago Press. Her most recent novel is Fallout, Harper-Collins 2017. Visit her at SaraParetsky.com

— Jan Grape

Why I Write
by Sara Paretsky

    Years ago, when I was in my twenties, I heard an interview with the composer Aaron Copland. The interviewer asked why it had been over a decade since Copland's last completed composition. I thought the question was insensitive but Copland's answer frightened me: "Songs stopped coming to me," he said.

I wasn't a published writer at the time, but I was a lifelong writer of stories and poems. These were a private exploration of an interior landscape. My earliest memories include the stories that came to me when I was a small child. The thought that these might stop ("as if someone turned off a faucet," Copland also said) seems as terrifying to me today as it did all fifty years back.

I write because stories come to me. I love language, I love playing with words and rewriting and reworking, trying to polish, trying to explore new narrative strategies, but I write stories, not words. Many times the stories I tell in my head aren't things I ever actually put onto a page. Instead, I'm rehearsing dramas that help me understand myself, why I act the way I do, whether it's even possible for me to do things differently. Where some people turn to abstract philosophy or religion to answer such questions, for me it's narrative, it's fiction, that helps sort out moral or personal issues.

At night, I often tell myself a bedtime story- not a good activity for a chronic insomniac, by the way: the emotions become too intense for rest. When I was a child and an adolescent, the bedtime stories were versions of my wishes. They usually depicted safe and magical places. I was never a hero in my adventures; I was someone escaping into safety.

As a young adult, I imagined myself as a published writer. For many years, the story I told myself was of becoming a writer. Over a period of eight years, that imagined scenario slowly made me strong enough to try to write for publication. After V I Warshawski came into my life, my private narratives changed again. I don't lie in bed thinking about V I; I'm imagining other kinds of drama, but these often form the subtext of the V I narratives.

I'm always running three or four storylines: the private ones, and the ones I'm trying to turn into novels. I need both kinds going side by side to keep me writing.

Paretsky – Fallout
Storylines are suggested by many things- people I meet, books I'm reading, news stories I'm following- but the stories themselves come from a place whose location I don't really know. I imagine it as an aquifer, some inky underground reservoir that feeds writers and painters and musicians and anyone else doing creative work. It's a lake so deep that no one who drinks from it, not even Shakespeare, not Mozart or Archimedes, ever gets to the bottom.

There have been times when, in Copland's phrase, the faucet's been turned off; my entry to the aquifer has been shut down. No stories arrive and I panic, wondering if this is it, the last story I'll ever get, as Copland found himself with the last song. If that ever happens permanently, I don't know what I'll do.

So far, each time, the spigot has miraculously been turned on again; the stories come back, I start writing once more. Each time it happens, though, I return to work with an awareness that I've been given a gift that can vanish like a lake in a drought.

05 February 2018

Shades of Gray


John Lutz
John Lutz
featuring John Lutz
When I read the Baltimore Bouchercon guest list, one attendee caught my eye, the primary person I’d like to tip my hat to. Big-name authors find themselves inundated with clutching fans, leaving one to wonder– When does adulation grow old? I relegated myself to someone pointing out John Lutz across the room.

Then James Lincoln Warren arranged a dinner party (the same JLW who notes I write excessive introductions). I knew all the attendees except one couple. I introduced myself.

I almost spilled my drink. I wasn’t sure I heard right. The John Lutz and wife Barbara? Ever play the fantasy dinner guest list game? He’s the Victorian era’s equivalent of inviting Arthur Conan Doyle, La Belle Epoque’s homologue of Agatha Christie. John Lutz is my favorite author of my era.

After I gabbled or blabbled, I settled down at dinner, thoroughly charmed. James’ dinner became my Bouchercon highlight. So, when Jan Grape suggested recruiting John Lutz for an article, I nearly fell off my perch.

Credit for today’s article goes to Jan who is experiencing computer woes, else she would be writing this introduction mentioning Edgar and Shamus and movie awards. Unfortunately, she left me the onerous task of introducing John’s article.

So without further yammer and blather, Jan and I take pleasure introducing Mr John Lutz as he talks about his new spy novel.

— Jan Grape, Leigh Lundin



The Honorable Traitors
by John Lutz

How did I come up with the idea for my new series hero, secret agent Thomas Laker? You might assume that since I’ve written books in every other genre of mystery and suspense fiction, it was logical and predictable that I’d turn to espionage. But there’s nothing logical or predictable about coming up with ideas.

Here’s how it happened: I was reading a World War II history book, which set me musing that spies are our modern Cassandras, doomed to prophecy truly and not be believed. German agents found out where the Allied invasion of France was going to happen, and the generals dismissed their report. Soviet agents found out when the German invasion of Russia was going to happen, and Stalin blew them off. 

Not being believed must be a standard frustration of the spy business. I thought: What if there was a small, super-secret agency that operated in a more freewheeling fashion? Its agents, though of course unknown to the public, would be people with high reputations in the espionage fraternity. When employees of the CIA and FBI were being frustrated by bureaucrats and politicians, they’d turn to the people in my agency.

Honourable Traitors
Knowing that when agents of The Gray Outfit receive ‘actionable’ intelligence, they act.

That was the name that came to me for my agency. I decided to call its top agent Thomas Laker.

As my readers know, I like a hero who’s his own man, and does things his own way. My earlier series characters were private eyes in one-man agencies and retired cops who were so good the NYPD had to call them back to work on their own terms.

Laker’s like that, too– though he does have to report to his tough-as-nails boss Sam Mason, head of The Gray Outfit. Luckily Mason has as much disdain for routine methods as Laker.

My readers will also know that my series characters don’t work entirely alone.  Soon enough they meet up with a woman who gets under their skin.

In Laker’s case, it’s a beautiful and brainy NSA codebreaker named Ava North. The secret she brings him that is too hot for anyone else to handle concerns not her work but her family. The Norths have been Washington insiders for generations. The beginnings of the story of The Honorable Traitors go all the way back to World War II, but its unimaginably violent final act will take place in the future… the very near future.

25 December 2017

Christmas Miracle Movies


Trying to come up with a post for Christmas wasn’t easy. It's such a joyful time for a huge population. You know, pushing and shoving to reach the Filene’s gift that is just perfect for your Uncle Billy Bob or for your Grandmother Ella Daye. For some people, including myself, Christmas can be somewhat depressing. Bah. Humbug.
However, I didn’t want to post a somber or sad article for this December 25th, 2017. Instead, I turned to two storie from childhood, The Littlest Angel by Charles Tazewell and The Little Match Girl by Hans Christian Anderson. I found both on YouTube in Animation and Leigh helped me posted them.

It seems the early versions of The Littlest Angel weren’t well preserved. Either the pictures faded or the sound track deteriorated, or both. This one seems the least damaged.


The Little Match Girl has even more editions, a few as early as 1902, 1914, 1928, and 1937. I first saw the 1954 version, one of the least faithful to the original story, although the narrator sounds like Vincent Price. There are beautiful versions from many countries, politically slanted versions, a peculiar Legos WW-II stop-action and a Disney release. Disney’s ending is cleverly shaped so that it seems uplifting to children, but an aware adult can read it differently.

Look at the sublime special effects of the 1902 version. Charming!


Leigh selected this beautiful Vietnamese rendition.


Please everyone have a Merry and a Happy and prosperous 2018.