If you read this space regularly you may be aware that I am a fan (is that the right word?) of mythology, especially the Greco-Roman variety. I think I was probably six or seven when I discovered d'Aulaire's book of Greek myths and switched from drawing dinosaurs to gorgons and Pegasus.
But what does that have to do with mystery fiction? Well, there are, of course, gazillion mysteries set in the classical period. More importantly, it is easy to argue that Sophocles' play Oedipus Rex is the first mystery, beating Poe to the post by a couple of millennium. It contains: a murder, a detective, a Watson, the interrogation of suspects, and the "least likely" murderer.
Our first trip to Greece a few years ago inspired me to write a fantasy-crime story called "The Gate of Hades," which involved the legendary cave through which Theseus, Orpheus, and Heracles all snuck into the underworld It appeared in the late lamented Mystery Magazine two years ago.
More recently I began thinking about Charon, the ferryman who takes souls across the river Styx. Specifically I pondered one question I had always had about the gentleman. I wrote a story in which my question got answered but several fantasy magazines turned it down.
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| Gate of Hades |
Hmm. My forte has always been mysteries so could I somehow move the story into that genre?
I did. I actually left the beginning and end of the story almost untouched but in the middle Charon helps one of the passengers solve his own murder. The result is "The Crossing," which appears in Crime Before Our Time, which was published yesterday.
But I have a complaint. I've made three trips to Greece but have only gotten two stories out of it so far, which doesn't seem fair. And none for the trip to Egypt! Perhaps I need to make a sacrifice or two to some deities. Where did I leave that ceremonial ax?
