Showing posts with label Bogart. Show all posts
Showing posts with label Bogart. Show all posts

21 August 2018

Casting Call


by Paul D. Marks

When I write a story or novel, I picture it as a movie in my head, as I’m sure many of you do. In fact, I don’t outline per se but I often write the first draft as a screenplay—more on this in a future blog. But today I want to talk about casting my stories. And since Broken Windows, the sequel to my Shamus-winning White Heat is coming out on 9/10, I’ll start with that.

Jack Nicholson
I’m an “old movie” guy, so I often think of classic movie stars for parts. But since Humphrey Bogart is at that great cafĂ© in the sky I don’t think he’s the ideal actor for the lead right now. But there was a time when I would often either picture Bogart or Jack Nicholson for many of my leading male characters. When I’d write the characters I’d hear their voices in my head. Once, while working on a script with a producer he suggested Harrison Ford and Michelle Pfeiffer for the leads and who was I to argue with that, especially since he’d worked with them and it was a real possibility. Ultimately, that didn’t get made. But it was nice while it lasted.

So in my mind I might visualize Jack Nicholson or Humphrey Bogart delivering a line of dialog but I can't write that in my novel. I have to convey that feeling, the essence of that character without writing "now imagine Jack Nicholson saying this line." But it does help to have that visual image in my mind as I write dialogue  and description and describe the actions.

Now to my perfect casting:

Broken Windows is set mostly in Los Angeles in 1994, during the fight over California’s notorious anti-illegal alien Proposition 187—a precursor to the immigration fights going on in the country today. While the storm rages over Prop 187, a young woman climbs to the top of the famous Hollywood sign—and jumps to her death. An undocumented day laborer is murdered. And a disbarred and desperate lawyer in Venice Beach places an ad in a local paper that says: “Will Do Anything For Money.”—Private Investigator Duke Rogers, and his very unPC partner, Jack, must figure out what ties together these seemingly unrelated incidents.

Ryan Gosling
So, who would I cast in the main parts? Of course this changes as time slips by. My ideal casting for Jack would have been Nick Nolte in his prime. But these days, I’m thinking John Cena or maybe Michael Fassbinder or Christian Bale. And for Duke, Mark Wahlberg or Ryan Gosling. Maybe Jeremy Renner, as Duke’s not a big dude. For Eric, the disbarred lawyer, Amy suggested Robert Downey, Jr., and he would be perfect. Maybe a little older than the character, but those things often change from book to movie. Eric’s girlfriend, Lindsay, AnnaSophia Robb.

AnnaSophia Robb
For the mysterious Miguel, who responds to the lawyer’s ad to do anything for money, maybe Antonio Banderas. Possibly Edward James Olmos or Andy Garcia. And for Marisol, who sets the plot in motion when she asks Duke to investigate the murder of her brother, Catalina Sandino Moreno. For Myra Chandler (guess who that’s an homage to), an LAPD detective that Duke and Jack run into in both Broken Windows and White Heat, and who’s a bit more sympathetic to them than her partner, Haskell, I’m thinking Jennifer Aniston. Why not? It’s my fantasy. And for Susan Karubian, the woman who jumps from the Hollywood sign, I picture Mila Kunis, although I would hate to kill her off so early in the film….

Catalina Sandino Moreno

Jennifer Aniston

Jesse L. Martin
Ghosts of Bunker Hill series: A series of short stories that have appeared in Ellery Queen. Howard Hamm is the lead detective in this series of stories that take place in the Bunker Hill and Angelino Heights areas (as well as other neighborhoods) of L.A. Howard “inherits” a lovingly restored Bunker Hill Victorian that’s been moved to Angelino Heights when its owner and his best friend is murdered. He’s a modern, high tech guy who, initially lives in a high rise condo on Bunker Hill. In fact, maybe where his current house formerly lived before being moved. There’s only one person I ever thought of when writing this part: Jesse L. Martin of Law & Order fame. When I’m writing Howard, I’m thinking Jesse. There’s a female cop that Howard comes across on cases—and off—Detective Erin Bowen. I think Natalie Portman, with darker hair, would be perfect for her.




***

Casting is a strange thing and truly an art. If you’ve ever seen different actors in the same part you know what I mean. One person brings something that the other doesn’t. Sometimes it’s better and sometimes not. And sometimes it’s just that we’re used to someone in a part, so if someone else takes it over it’s not that they’re better or worse, just different. At the same time, a good or bad—or just the right—actor in a part can make all the difference for a character.

Who would you cast for your tales, and why?

~.~.~

And now for the usual BSP:

Broken Windows releases on September 10th and is available for pre-order now at Amazon, Barnes & Noble and Down & Out Books.


Please join me on Facebook: www.facebook.com/paul.d.marks and check out my website www.PaulDMarks.com

30 August 2012

My Favorite Characters, Part I


by Eve Fisher

Since I live in a small town and write about a small town, there are some people who claim that they recognize every character as a local.  They're wrong.  Most of my characters - and I assume most of yours, dear readers, as well - are a mixture of people I've met, people I know, people I've seen, people I've read about, people I've invented, and, of course, myself.  Some characters grow on me more than others.  Some I use more than others.  And some I like more than others.



Martha Jane Stark, better known in Laskin, South Dakota, as Matt Stark, is a sixty-something woman with a bad past. The first line I ever wrote about her was that "when she was 16, she ran off with the lion tamer from the circus, and he finally met his match."  The first story I ever wrote with her in it, she had just returned to retire in Laskin, after about a 20 year absence, and got into a huge fight with a former lover.  Since at the time of their affair she'd been in her 40s and he'd been in his late teens, now that she was in her 60s and he was in his 30s, he really didn't want to be reminded of the old days when they couldn't get enough of each other in the back booth of the Norseman's Bar.  Things happened.  I haven't sold that story yet, and I am beginning to suspect that it isn't that good - time to take it out for a rewrite, perhaps.  I figure the world must be ready for a hard living, hard drinking, unrepentant, bad-tempered woman in her 60's:  Think Bogart with sagging breasts...



Today, Matt still drinks, still smokes, still gambles (a bit), but has given up men.  Instead, she sticks with dogs, who she admits she likes better than people.  She is mostly honest, and she is loyal.  She drives her brother Harold - a dyspeptic accountant - absolutely nuts, but then he plays life very safe.  For very good reasons.  He is an accountant, and years ago, their father robbed the Laskin bank, and his mother turned into the town hermit.  Harold's been trying to live down his whole family for years.



My source material for Matt is two-fold.  Calamity Jane (whose name was Martha Jane Canary) is a definite inspiration, but even more than that colorful woman is my Aunt Katt, who never married, loved dogs, and lived wild.  Aunt Katt was the one who, while living in Chicago, woke up late one night to find someone either had killed or was killing her dogs.  Whichever it was, she got up and, dressed only in her nightgown and a hatchet, went out to find the dog-slayer and have vengeance.  I'm not sure what the outcome was, but in our family the story always ended with "and everyone got out of her way."

Matt Stark is one of my favorite characters, because she is who she is.  She is my truth teller:

Matt about the victim in "Death of a Good Man":  "He was the type that leaves everything behind.  Walks away clean.  Or so he thinks."  And of one of the victim's lovers, "Maria can't believe a man loves her unless he sleeps with her."

Matt on two juvenile delinquents she tends for a while in "School Days":  “They’re okay.  They kept stealing stuff at first, but I nailed them on it.  Now they know they can have toilet paper for the asking, they can eat anything I got, and I turn a blind eye when they snitch a smoke.  Anything else, there’s hell to pay.”

Matt when Carl Jacobsen shoots Jack Olson in self-defense in "Rights":  “Look, a lot of people think you got to take sides.  Cause if Carl made a mistake, then Jack’s dead for nothing, and that just pisses everybody off.  And if Carl’s wrong, that messes with being able to defend yourself.  So Jack must’ve done something, because otherwise Carl wouldn’t have shot him, so Jack’s a son of a bitch, and all’s well with the world.” 


I use her sparingly, but I always enjoy it when she shows up, usually having a red beer at the Norseman's Bar, playing euchre at Mellette's, or walking her last remaining dog, Whisper, down the street.  She will do something outrageous, and then she'll say what no one else will.  And order another beer.  And light another cigarette.  And walk her dog.  As long as I'm writing her, she'll never change.