19 July 2019

Dubious Attractions


by Janice Law

I am sure I am not the only writer to be attracted to subjects or genres that I’d be better to leave alone. I write books and stories heavier on character and atmosphere than clever plotting, and my favorite protagonists share a humorous skepticism and a propensity to chat.

Rex Stout
The rational puzzle mystery in not my natural terrain. Sure, I know enough to avoid the locked room. I know my limitations. But just the same I have twice been seduced by the siren song of the Black Orchid Society’s contest. And this, despite the fact that I’m not even terribly fond of Nero Wolfe, however much I may admire Rex Stout’s ingenuity.

Both times, however, I was convinced I had worked out the format. My first attempt, A Taste of Murder, set immediately after WW I in Providence, RI, did have a great logical mind and various errands and investigations that had to be carried out. Just like Wolfe and Archie, right?

AHMM illustration for Taste of Murder
Or not quite. My detectives, and I realize now I had never intended to give one priority, were Professor Hodgkins, a good-natured and erudite history professor with an interest in historical mysteries, and his Aberdonian housekeeper, Jean Galloway. Widowed during the war, Jean has much less education than her employer but a much tougher and more logical mind.

She is a bow to the domestic servants I grew up among, many, like her, women whose men – or potential men – had been lost in the Great War. Hardworking and clever, they were underpaid “help” who, in fact, had all the skills necessary to run the equivalent of a boutique hotel with a demanding set of residents. Put together, Jean and her professor have the Nero Wolfe mind and, depending on the errand, either separately or together fulfill Archie’s evidence- gathering function.

Probably you can already see why A Taste of Murder did for fit the contest requirements, although it turned up in Alfred Hitchcock later. A Fine Nest of Rascals, my next attempt at one of the classic forms, met a similar fate, although I am happy to say it is the cover story of the current July/August issue of  AHMM.

July/August 2019 issue
This time, I believed that I was a closer to the mark, employing my series characters Madame Selina and her apprentice Nip Tompkins in what I’d decided would be their final outing. Readers like to know what happens to characters, and this was a way of showing the resourceful Nip thriving as a cub reporter on the New York Herald and Madame contemplating retirement in the face of the vulgarities of the Gilded Age.

Madame would be the Nero Wolfe character, the brains of the operation, and Nip, who narrates, would run errands for her just as he used to do back when he was operating the bellows and creating the “ectoplasm” that enhanced her seances. I had the lines of authority and command down this time with no subversive ideas about class or gender.

Alas, I had ignored two little difficulties: Nip’s initiative – especially evident with a young woman as charming as Lucy Devereux in jeopardy – and Madame’s signature resource, the seance with Augustus, her pipeline to the afterlife. However intelligent Madame Selina, however careful her ( and Nip’s) researches, a Madame Selina story has to dim the lights and summon the Roman emperor. I can hear Nero Wolfe snort!

Oddly enough I did not see any problems at the time, showing that writers can be blind when an idea is upon them. In both cases, I congratulated myself on constructing a big reveal scene before the assembled suspects and in a variety of small ways developing plots without the chases and action that I usually find so helpful in fleshing out a story.

In retrospect I have to admit that my Professor and Madame Selina, Jean Galloway and Nip Tompkins are maybe best described as Stout-ish characters. They’re doing their best but they are not really suitable for a traditional form relying strictly on logical deduction and, I suspect, most comfortable with clear social hierarchies.

8 comments:

  1. Janice, I too loved Stout's writing but found Wolfe irritating.

    I'll be talking about the Black Orchid in my next post, too, because I've also entered twice.

    One of my biggest complaints about the Wolfe stories was the number of plot solutions that depended on inductive instead of deductive reasoning. Instead of taking all the clues and building them into a solution, Wolfe would start with the assumption that X Was the culprit and then find the information to support it. It sounds more prosecution like than investigator.

    What you point out is that the relationship between the major characters in Stout's work is crucial. Many people appear to miss that.

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  2. Best of luck with your next try at the orchid- fatal flower!

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  3. Janice, regardless of why you wrote the Nip and Madame Selina stories, I have always enjoyed the series. And yes, even though we may have the best of intentions, sometimes we authors may have blind spots about some of our stories, not realizing or seeing these spots until the story comes back. Good persistence on your part to still get the story published..

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  4. Janice, I am a big fan of Nip and Madame Selina and was delighted to see how they turned out, so to speak, in this one. Like you, I find characters and premise easy and plot (especially fair play clues) difficult. Doesn't mean we can't try?

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  5. Janice, I love Madame Selina and Nip. And I too prefer strong characters over super-strong plots.

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  6. Thanks so much. I did find them a lot of fun to write.

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  7. No more Nip and Selena? Nooooooooooooo…

    Reading your article, it dawns on me that the Hetty Wainthropp / Geoffrey Shawcross series follows your Selena / Nip pattern as well as Wolfe and Archie.

    But nooooooooooooooo…

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  8. I only know Hetty from TV but you are correct. No seances for Hetty, though.

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