One of the first places I went to, after I moved to Santa Fe, was Los Alamos, and as it happens, Fuller Lodge was open to visitors. Fuller Lodge, for those of you who don't know, was essentially the social center for the people working on the Manhattan Project. Some dancing to 78's on an old turntable, quite a few martinis, a lot of cigarettes. An opportunity to let your hair down. Fuller Lodge anchored what was know as Bathtub Row, back in the day - what was left of the original buildings from the boys' boarding school that was the only fixture on the mesa before the Army Corps of Engineers came. The other barracks and housing were prefabs and Quonset huts, knocked together quick and dirty for incoming personnel.
Going up to the Hilltop, as Los Alamos is known, locally, isn't any different from driving into any other town of about 12,000 people. The national lab is the biggest employer, admittedly, and Los Alamos county has the highest per capita income of any county in New Mexico, but there are supermarkets and coffee shops and laundromats and chain stores, which gives it an air of generic normalcy, like Belmont, Massachusetts, or Ashland, Oregon. The difference being that Los Alamos is a complete invention, sprung full blown from the brow of Zeus, or more accurately, from the imagination of Gen. Leslie Groves, the guy who built the Pentagon. Los Alamos was designed for one purpose only, to beat Hitler to the atom bomb.
I was fascinated by the place. Under that placid surface, its air of normalcy, and hiding in plain sight, there was a huge and dangerous secret. I picked up a book called ATOMIC SPACES, which wasn't so much about the Manhattan Project per se as it was about the day-to-day, the homely and domestic - the wives and kids, the local Hispanics recruited as maids or gardeners, the segregated black units off on the periphery - the detail that falls through the cracks of history. And the first story I wrote, in New Mexico, was about that stuff. It was called "The Navarro Sisters," and it introduced Rio Arriba sheriff Benny Salvador. Groves himself was a character, too - he shows up as a cameo in a later Benny story, "Old Man Gloom" - and the story hinged in part on the gaps in his security.
Groves was obsessed with keeping the whole thing under wraps,
and for good reason. Werner Heisenberg, in Berlin, was researching the same physics, and nobody knew how close he was. (It turned out later that Heisenberg might well have been dragging his feet, but that's a tale for another time.) Groves, in fact, wanted the separate disciplines compartmentalized, so his science guys couldn't compare notes. He even suggested they be commissioned as officers, and subject to military punishment if they broke silence.
Groves had brought Robert Oppenheimer on board to run the program, and Oppenheimer said no. That's not how it works. They need to rub up against each other, they need to set off sparks, like static electricity. The whole is greater than the sum of its parts. You could perhaps see this as a larger metaphor. The bomb was greater than the sum of its parts. And what Oppenheimer understood was that success depended on cross-fertilization. The metallurgists and the physicists, the mathematicians and the engineers, they couldn't operate in isolation, or opposition. They weren't competing. It was all about comparing notes.
Like any good partnership, the tensions between Groves and Oppenheimer produced the result, in the end. A fission device. They set up the test shot. Waiting in the bunker, Edward Teller was taking bets they might set the entire atmosphere on fire. They pulled the trigger, and the bomb lit up the pre-dawn horizon over White Sands. The ground beneath it was fused into glass. Oppenheimer was overheard to say, "I am become Death."
He opposed the actual use of the bomb, against Japan. It was too terrible a weapon. Could they demonstrate it, instead? He was shrugged off. Military necessity. An invasion of the Home Islands would cost a million American lives. They had the means to end the war. It was the only possible choice.
Groves and Teller both later turned against Oppenheimer, each for their own reasons. He was stripped of his security clearance by the Red-hunters, and sidelined. It was a shabby business, all around. Oppenheimer wasn't Faust. He didn't trade his soul for knowledge, or offer to burn his books. He never expressed regret for his part in building the bomb. Morally and practically, it was a necessary effort. He may have flirted with Communism, when he was younger. (His wife Kitty did more than flirt - she was an acknowledged member of the Party.) It's too easy to lose sight of the climate of the 1930's, and the war, the coming of the Red Scare afterwards. Desperate times, desperate measures. Oppenheimer was a product of that age, greater than the sum of his parts. He was both the New Adam, and the Old, with a foot in each camp. He became the destroyer of worlds.