12 December 2021

The Perplexing Patterns of Antisemitism


My daughter and I were discussing the rise of antisemitism during the pandemic. She asked, “Why? What they’re saying makes no sense at all. And there are so few Jews, so why them?”

So, this is an article for my daughter and everyone who is simply perplexed about what antisemites are saying - because it has a history and that’s why it makes no sense, continues to exist and is dangerous. 


During the plague outbreak in 1712, Hamburg forbade Jews from the city in an attempt to stop the plague and the cholera outbreak of the 19th century in Germany was also blamed on the Jews. 

To discourage smallpox vaccines, anti-Semitic propaganda leaflets were distributed blaming them for the vaccine. 

So, there’s a long history of both blaming Jews for diseases and blaming them for measures to stop diseases. We shouldn’t focus on the obvious lack of logic: it is the hatred evoked that matters.

Dr. Gavin Yamey has written poignantly on this issue, both in articles and on twitter. He has often outlined the perplexing mix of Jews both being blamed for the pandemic and for the vaccines and lockdowns.

In Australia, IKEA was, “defaced with the hateful words, “NO JEW JAB FOR OZ”  while other “antisemitic posts are flourishing on many Australian anti-vaccine networks, including outright finger-pointing at Jews for creating and unleashing the virus.” 

Like many students of psychology, I’ve studied the antisemitism of WW II, and there is a great deal of evidence tying authoritarian parenting and societies to antisemitism. However, this pandemic teaches us a crucial fact: the history of antisemitism, in all its lack of logic, is passed down in families and to others, so these patterns evoke emotions and make sense only to a twisted mind of an antisemite. 

Which brings me to my daughter’s point, “There are so few Jews.” 

Indeed there are.

In Canada, a country that prides itself on tolerance and lack of bigotry, “Jewish Canadians are the most targeted religious group for hate crimes…those numbers are particularly troubling since the Jewish community accounts for only 1% of the population and yet are the targets of 17% of police-reported hate crime.” 

"As of 2021, the world's "core" Jewish population (those identifying as Jews above all else) was estimated at 15.2 million, or 0.19% of the 7.89 billion worldwide population.” 

So why have so few shouldered so much hatred? The answer is complicated and certainly I would be remiss if I didn’t point out that there are excellent resources on the subject that discuss family and societal factors that we should all know. 

However, these strange patterns - such as being blamed for making a disease worse and also for any measures to make it better - are history being repeated, literally. They make no sense.  However, we should all learn these patterns so we can watch for them, know them and help in any way we can. We should also explain to our children the inexplicable: how the twisted minds of antisemites have passed these patterns down through centuries to place an immense burden of hate on such a small group. 

For us, these incoherent statements merely perplex us, while to the antisemite they evoke hatred. And that hatred often translates into action. 

An annual report by Tel Aviv University's researchers on anti-Semitism shows that online antisemitism has risen, as have desecrations of Jewish cemeteries, memorials and synagogues. They also warn that, while in person hate crimes have decreased as a result of the lockdowns, there is every indication that they will increase when lockdowns are reduced. 

For children who haven’t learned these patterns and have no hatred to muster against Jews, leaving them perplexed by incoherent and strange statements by antisemites isn’t enough. We should explain the history of these patterns and that, when they reemerge, it harkens a dangerous time for Jews. Our children need to know that and do everything they can to help, because when we are long gone, that will be their job.

11 December 2021

Shelf Inspirations


I'm not superstitious. Much. For example, if I stopped keeping mementos on certain shelves that may or may not increasingly qualify as shrines, no writing gods will descend to strip my creative powers. Maybe. Proof would require my not keeping those mementos, and that sounds rash.

Over my desk are two glass shelves, each with a mishmash of smile-bringers. Who is up there? Bigfoot. Got his sticker in Oregon one year. Isn’t a Bigfoot sticker on your shelf? 

There’s Bigfoot, Zoltar, a screaming goat. There's Hamish, a Highland bull we met near Loch Lochy. You gave Hamish a carrot, and he was your man. Once, driving through the Painted Desert, no other human in theory for miles, here comes the Oscar Meyer Weinermobile bound west for glory. Or at least Winslow. A mini Weinermobile abides on my shelf. I have Twain’s “The Million Pound Note,” Westlake, and pets who shared this space. 

And there are, I should mention, other shelves.

Behind me are twin bookcases with favorite authors and reference books. In a tight spot, and I get in those, it helps to re-read how a master handled a particular situation. Shakespeare is back there, as annotated. He splits a shelf with Colin Dexter and a Poirot smattering. There are past travel reminders, a Bond / Steve Zissou mash-up, and my Mysterious Shelf. It's vaguely foreboding after sundown. 

Look, both Peter Pan and hard science would back me on my shelves. Psychologists have shown that centering rituals improve related task performance—if you believe it enough. 

The Mysterious Shelf

Consider: Baseball hitters go through a whole scratch, sniff and soft shoe routine before they step into the box. Keith Richards--that Keith, of the eternal high-energy run--reportedly threatens not to take the stage unless he’s had the first slice of a fresh shepherd’s pie. Picasso wouldn't throw out his trimmed fingernails. He swore the clipping yet held his essence. Artists, pilots, sailors, religious ceremonies, yoga, if people have doing it long enough, people have rituals to get themselves feeling empowered and connected to the job. 

Why would creative writing be any different? 

Writing can be editing drudgery or unruly ideas or heartbreak when a manuscript doesn’t sell. Any list of now-revered authors also says who navigated a snootful of frustration while producing that revered fiction. The troughs are unavoidable. I need reminding the high points are worth the lows.

Rituals can be discarded when their purpose is served. I've done it, but I've kept three and recommend them however they might work for you. First, pre-session exercise, whatever you can do. Holding and fashioning ideas requires brain sharpness and surprising endurance. I need treadmill time or a brisk walk before writing, along with whatever music I associate with the work. This gets both my circulation and intentionality firing before I hit the chair. Even stretches can do pre-session me a solid. 

Hamish
Second, a success celebration. After any first draft is hauled forth, I go about adopting it into the files, introducing it around, giving it a row on my Excel tracker. I sip on a nice wine that night. Writing a complete story, any story, is a big deal. If that story ever sells, a huge deal. I descend into a flurry of refiling and list-checking and much rejoicing that another one got over the line. 

Which brings me back to my third keeper ritual: the arguable shelf-shrines. Wins need celebrating for a long time, not just on rare days. My shelves have writing milestones and covers from AHMMs that ran a piece of mine. Past sales tell me, “Look, you’ve done it before.” Past sales tell me, “Listen, man. Don’t let us down.” The shelves know if I'm phoning it in. They totally know. Quality control is also why Stadler and Waldorf are up there stage left. Grade A heckling like theirs ensures my head only balloons so much. 

There it is. I have a shelf ritual. It helps me care about the process, about seeking my best mindset. To smile when the going is hard. When the trick works, I’m a better and more dedicated writer. 

Is there risk in putting this much writing faith in Bigfoot and a fainting goat? Hey, it’s my ritual, and I'm sticking with it. 

Not that I’m superstitious or anything.

Patterson-Gimlin, via the CBC

10 December 2021

A Serious Case of Libations


There’s a moment I loved at the beginning of all the Dr. Sam Hawthorne short stories written by the great Edward D. Hoch. Before Dr. Sam launches into another tale of an impossible case he cracked back in the day, he generously inquires if his visitor cares for a libation.

Spotted in an airport.

I love that word and enjoy seeing it pop up here and there. The Latin means pouring out a liquid as an offering, or as part of a ritual. That’s worth calling to mind that next time you see a studious mixologist mixing up a beverage using hand-crafted ingredients.

This used to be a time of year when we humans gathered together in rooms to shut out the cold. We lifted glasses to each other. We ate happily. We laughed. We even breathed freely and shamelessly in each other’s presence.

A Harry Potter text, by one Libatius Borage.

I feel sure those days will come again. Perhaps they are already here in your neck of the woods. But even if you are not gathering in such a manner this season, you might enjoy knowing about these handful of books that I keep on a special cocktail/entertaining shelf.



Mixed Up: Cocktail Recipes (and Flash Fiction) for the Discerning Drinker (and Reader), edited by Nick Mamatas and Molly Tanzer (Skyhorse Publishing, 2017)
I’ll start with the one mostly closely aligned with short stories. Mamatas and Tanzer have pulled together a lovely collection of 17 short pieces by writers working in various genres. Each story references a cocktail or two, whose recipes are then shared after the story, 25 recipes in all. You’ll find plenty of classics here—the Old fashioned, martinis, the negroni, etc.—but also fashionable overexposed beverages such as the Moscow mule. This time of year, you might want to check out their recipe for a smoking bishop—the beverage reformed Scrooge promises his man, Cratchit, at the end of the Dickens tale. Before this book came along, I tried to recreate that beverage years ago, and bungled it, mostly because many of the traditional ingredients do not have easy modern substitutes. This recipe, accompanied by Robert Swartwood’s hilarious tale, goes down easy. This is a small, attractive volume suitable for gift giving.


The Imbible: A Cocktail Guide for Beginning and Home Bartenders, by Micah LeMon (University of Virginia Press, 2017).
The book is so beautiful that you will probably not want to keep it on your bar while you are mixing your beverages. It’s a standard-sized hardcover with a coffee table feel. Lavish photographs on glossy paper throughout. In the intro, LeMon tells us that he was raised in an Evangelical and Pentecostal Christian family. So of course for one of his first jobs he ends up behind a bar, where he has no idea what he’s doing. “I thought God might strike me dead with lightning, give me leprosy, or inflict some equally biblical punishment just for touching the stuff,” he says. Luckily for us, he studies the craft and distills every great cocktail to three critical ingredients: a spirit, something sweet, and something bitter or sour. Using this as his template, he then marches us through a multitude of classic drinks, showing us how you can easily mix and match to arrive at something delightfully quaffable. If you’re ever in Charlottesville, Virginia, you’ll find him tending bar at The Alley Light.


To Have and Have Another: A Hemingway Cocktail Companion, by Philip Greene (TarcherPerigee, 2017). Boy howdy, that Ernest Hemingway fellow sure liked to drink, huh? I like this book because it doesn’t just talk about Hemingway’s prose, and the beverages that crop up in his writing. Along the way, we also get stories about the actors and production anecdotes associated with the movies that were made out of his books. There are plenty of movie posters, artwork of long-gone nightclubs and bars, and candids of Bogie and other actors to spice up the mix. And yes, absolutely, you will find a ton of recipes to fortify yourself before you step into the ring with a bull.


What’s a Hostess to Do? 313 Ideas and Inspirations for Effortless Entertaining, Including 121 Recipes for Spectacular Party Food, by Susan Spungen (Artisan, 2013).
Not a drink book, per se, but absolutely indispensable for those of use who want to throw a party but whose imagination fails them just as they depart the tortilla-chips-and-salsa aisle. Spungen walks us through five very different entertaining scenarios—the cocktail hour, the buffet, the dinner party, holiday entertaining, and outdoor parties—and proceeds to blow your mind with her food editor brain. She presents two cocktail menus side by side, asking: “What’s wrong with this [first] menu?” Complicated cocktail party menus force guests to juggle too many things: napkin, silverware, plate, and drink. The best snacks for these sorts of parties can be eaten with one hand. Duh, but I’d never think to drill down on that. This is a fine paperback for hostesses (and hosts!) alike.


If all else fails, you could just throw caution to the wind and treat yourself to this little bag of Mixology Dice. Toss ‘em, assemble the ingredients, and Good Luck quaffing the hand fate dealt you.

I wish you all the best this season, however and whenever you choose to raise your glass.

* * * 

See you in three weeks!

Joe

09 December 2021

My Gift to You


You know how you read a new book or watch a new TV show, or see a new movie, and you want to tell your friends all about it, but struggle to set the hook without giving too much away?

How about if every recommendation came with a pithy summary sentence, about the same length as one of those infamous "elevator pitches" we are hear about so often in this industry?

Well look no further! Here it is, my holiday gift to you: my take on some of the most recent movies/TV series currently available on a number of streaming platforms!

See below for the good, the bad, the essentials, and the hard passes, all in no particular order. Let's get started!


15. Ted LassoRecently rewatched both seasons of this Apple TV series about an American football coach (Jason Sudeikis) as a fish-out-of-water coaching an English premiere league football team. 

Pitch: "Believe the hype."



14. The Wheel of Time: Expensive epic fantasy series that appears to be Amazon's calculated attempt to capture the Game of Thrones audience.

Pitch: "'Wheel of Time'? 'Wheel of Waiting-For-Something-To Happen,' more like!"




13. Manhunt, Season 2: Martin Clunes (of Doc Martin fame) heads a formidable cast in a based-on-a-true-story procedural about police tracking a serial rapist known as the Night Stalker.

Pitch: "The best stories don't require gore or extended action sequences to render them compelling. Manhunt is one of these stories."



12. The Cleaner: British comedian Greg Davies stars as a state-certified crime scene cleaner in this comedy-drama with Helena Bonham Carter guesting in the pilot.

Pitch: "Greg Davies has managed to clean all of the laughs out of this one. Absurdist humor you want to laugh at, but just can't seem to. Scrub this one!"




11. Mr. and Mrs. Murder: This 2013 Australian series accomplishes what The Cleaner can't. Husband and wife crime scene cleaners solving the crimes they're hired to clean.

Pitch: "Imagine The Cleaner, only with twice the cleaners, and three times the laughs!"


10. Father Brown: Mark Williams (Harry Potter series) stars as G.K. Chesterton's crime-solving cleric.

Pitch: "'Father Bore' would be more accurate. A real plodder!"



9. The Kid Detective: Adam Brody (The O.C.) stars as a child prodigy crime solver still solving the same small-time crimes twenty years later.

Pitch: "Imagine Encyclopedia Brown all grown up and with his own detective agency. And a never-ending hangover."


8. The Madame Blanc Mysteries: An antique dealer's husband dies under mysterious circumstances in a small town in the South of France, so she packs up and moves there to try to solve his murder.

Pitch: "This cozy mystery series actually manages to make the South of France less interesting."


7. Dalgliesh: New spin on the classic PD James police inspector, starring Bertie Carvel and set during the 1970s.

Pitch: "Strong writing, solid plot and unforgettable performances make this series a must-see for any fan of classic British procedural mysteries. Bertie Carvel is a revelation."



6. Professor T: Based on a Belgian series of the same name, Professor T is set in Cambridge and features an obsessive-compulsive criminal procedure professor with a complicated relationship with his free spirit artist mother, who is dragooned into the local police as a consultant.

Pitch: "The scenes between mother (Frances de la Tour) and son (Ben Miller) alone are worth giving this series a look."


5. Bosch: The final season of the highly acclaimed series based on Michael Connelly's best-selling series of novels (Connelly also serves as a series producer).

Pitch: "Titus Welliver is one of those actor's actors one could easily enjoy watching read the phone book. Instead, you get to watch him in one of the best police procedural series ever filmed. And L.A. has rarely been given a better or more balanced treatment."


4. What We Do in the Shadows: A spiritual descendant of the New Zealand film of the same name about modern-day vampires Down Under. This FX series (streamed on HULU and produced by Jermaine Clement and Taika Waititi, the minds behind the original film) moves the setting to Staten Island.

Pitch: "As if the talents of British comedians Matt Berry, Kayvan Novack and Natasia Demetriou weren't enough, you get the hilarious Mark Probst (The Office) as an "energy vampire": a day-walking soul sucker who drains energy from humans by boring them into a stupor (picture that guy in your workplace. The one who goes into excruciating detail about mind-numbing topics such as his sock collection). You'll find this show anything but boring!"



3. Free Guy: Ryan Reynolds plays a non-player character in a popular first-person shooter game who suddenly becomes self-aware.

Pitch: "Come for Ryan Reynolds, stay for 'Dude.' Both are hilarious."






2. Jack Irish: Guy Pearce is probably best known in the States as "that guy who always plays the bad guy and makes him interesting." In his home country of Australia though, he plays "Jack Irish," the hero of a series of incredible crime novels by the great (and underrated) Peter Temple. This is the final season, and it's both grim and compelling.

Pitch: "Come for Guy Pearce actually getting to play a good (well, mostly good) guy for once. Stay for the plot that grinds inexorably to a shocking finish, with plenty of emotional prisoners taken along the way, and for the stellar supporting cast, especially the unforgettable Aaron Pederson, who plays an aborigine enforcer and right-hander man to a horse-race fixer friend of Jack's."


1. Shetland (Seasons 1 through 6): Douglas Henshall heads an all-Scottish cast in this procedural set in the titular Scottish islands. Based on a series of novels by British super-author Ann Cleeves.

Pitch: "Don't let the title fool you: there's nothing small about the pay-off from watching this superb series, a near-perfect balance of light and dark, compassion and vengeance, humanity and violence. Start with Season One, but make sure you've got plenty of time available to you. This one's a binger's dream!"

*******

And that's it for me this go-round. 

See you in two weeks!



08 December 2021

What Remains


I’m not always a fan of a dead writer’s unfinished work being ghostwritten by somebody else; in fact, very seldom.

Islands in the Stream, maybe.  And that was only lightly edited, not actually reimagined.  (Pastiche is a different animal: Sherlock Holmes, Jane Austen and vampires.)  That being said, I’m going to immediately contradict myself, and declare for The Dark Remains.

Back story.

  William McIlvanney wrote three Laidlaw books, along with a bunch of other stuff, before his death in 2015.  He left behind notes and a rough draft for a fourth Laidlaw, and Ian Rankin was invited to try his hand.  McIlvanney is widely considered the eminence grise behind Tartan noir, Rankin the most visible brand name, and Rankin has cited McIlvanney as a prime influence. 

You could, I suppose, make a case for

Tartan noir going back to Macbeth, but for our purposes, let’s set the benchmark at Robert Louis Stevenson.  One of the Rebus books is titled Resurrection Men, which conjures up Burke and Hare, of course, but also Stevenson’s meditation on the anatomist murders, Dr. Jekyll and Mr. Hyde

Stevenson is as much a model for style as material.

  His tone is always reasonable, never hysterical, and the most hair-raising incidents and adventures are served up with a dash of the convincingly commonplace.  Jim Hawkins in the apple barrel.  You hear the echoes in McIlvanney, the flat affect of tone, the undercurrent of violence.  It might remind you, too, of Ted Lewis, a Manchester boy who wrote Jack’s Return Home, the novel Get Carter was based on.  The harmonic below decks is the periphery of despair.

It’s fair to say that if Stevenson wrote romances, then McIlvanney and Rankin are writing

anti-romances.  Laidlaw and Rebus aren’t romantics, in the sense that Chandler’s Marlowe is, nor are they nihilists, like the gang chieftains they so often rub the wrong way.  Not two sides of the same coin.  And not, in other words, a literary convention.  What they bring to the table is something more specific and grave, less of a fashion or a fancy.

This is grounded, as well, in language.

  They lean away from the lyric, not into it.  I don’t mean that their writing is leaden, or pedestrian, far from it, but that it has an earthbound density.  Words have weight.  They’re not to be squandered, but counted out like coin.

Talking about

Glasgow:

“It’s a small town.”
“You could paint it in a day.”

Or:

“Not so much a city as a hangover.”

Why a woman left her husband:

“He bored me to my back teeth.”

And this:

“Ach, he’s somebody’s rearing.” 

“You’re telling me even arseholes have their good side and deserve some sort of justice?”

“The law’s not about justice.  It’s a system we’ve put in place because we can’t have justice.”

This last is the closest you get to any kind of social commentary.

  Curious, because both McIlvanney and Rankin clearly have opinions, but choose to express them through character and circumstance.  A lot of these people, if not in dead-ends, are headed down one-way streets, or locked into a fated embrace.  There’s something more than a little Manichean about it, with choice playing no part. 

Can you tell where McIlvanney leaves off, and Rankin picks up a dropped stitch?

  Nope.  The voice is consistent.  I think that’s a testament to Rankin.  He doesn’t impose.  It’s still McIlvanney’s story, and feels of a piece, breast to back. 

‘Remains,’ in the title, is used as a verb, not a noun.

  It comes up as a line of dialogue, late in the book: darkness is what we’re left with, when all is said and done.  But you could be forgiven for hearing it differently.  I’m sure McIlvanney and Rankin enjoy having it both ways.

07 December 2021

So what?


Following up on something Michael Bracken said recently, editors see lots of things that they hate having to fix. Me too! So, I'm going to address a little thing to keep in mind while you're polishing your work.

Do you put a comma before the word "so" in the middle of a sentence if it is separating two independent clauses? We've all learned that "so" is a conjunction, so some people apparently think the answer is always yes, you do. But that is wrong! Whether you put a comma before "so" depends on whether the word "that" is implied after it. 

The rule  

If "that" is not implied after the word "so": put a comma before it.

If "that" is implied after the word "so": don't put a comma before it.

Examples (I love examples):

  • I am having surgery on Thursday (this past Thursday as you read this), so I am writing my blog post in advance. 

I used a comma before "so" in the prior sentence because "that" wasn't implied after "so." Try to read the sentence with the word "that" after "so," and it won't make sense.

In contrast:

  • I am having surgery on Thursday so I don't scream anymore when I stand up and sit down. 

The word "that" was implied after "so." Therefore, I didn't use a comma before "so."

Wrapping up

There you go. Short and sweet. Sometimes you just need one good tip.

Note: Because of the surgery, I probably won't be around today to respond to comments, so let me just say (see what I did there?), thanks in advance for your feedback.

06 December 2021

No Longer the Golden (Age) Standard...


A few days ago, I read the newest issue of Black Cat Mystery Magazine and realized something I've been aware of for some time but never thought through. 

Few of those stories met the old Golden Age definition of a "mystery." Yes, there was a crime, which Otto Penzler cites as the crucial requirement for a mystery, but few of the stories provided clues to help the reader solve the puzzle. A lot of the "detecting" happened off-stage. and some stories showed the "bad guy" getting away with something in the name of "real" justice.

I've always had trouble writing a mystery puzzle as they existed in the time of Van Dine, Christie, Sayers, Gardner, and the other "Golden Age" writers. I have been told that my right brain is more active than my left, which means that my conscious thought process recognizes patterns or similarities more easily than it does a linear "logical" patter. Clues involve deduction, and I could do it for plane geometry, but not so much in real life. 

That's the major difference between modern mysteries and the Golden age. The older plots were complex as rocket science, but many of the characters were chess pieces moved around a generic landscape in the name of the puzzle. Newer mysteries tend to examine character more deeply. The needs and foibles of people with more depth drive the story.

With that in mind, I looked at my own published work. Only two of my novels involve following clues that appear along the way to lead to the final solution. Both of those were early books, too. None of the Woody Guthrie novels work like that.

Roller Derby Book 1

When I turned to my published short stories, only a dozen fit that "Golden Age" template. Two of those were novellas, and I worked hard planning those out, which I seldom do with a short story now. I used to plan them out carefully, but it felt like overkill, especially with my right-brain running things.

More than twice as many of my short stories show someone getting away with a crime for one reason or another, and some of those are my very favorites. Plots are difficult for me because I care less about them than I do about the characters. 

Originally, I had no idea what The Whammer Jammers would be about except that it would involve roller derby. My daughter captained the Queen City Cherry Bombs in Nashua, New Hampshire, and she helped me develop a questionaire to send out to skaters online. But my main source of information was interviews with local skaters, coaches, referees, announcers, and spectators, usually the women's partners. Those gave me different perspectives that book "research" never would have shown me. I understood the people more deeply.

The interviews constantly resonated with the idea that the women loved the sport because they found it empowering. They gained a sense of self-worth and found supportive comrades. The confidence carried over into their work or personal relationships, and they felt more complete. That idea became the foundation of the book, both the main plot and the subplots.

Roller Derby Book 2

That's still the way I work. I usually start with a character who wants or needs something, and the plot develops around the obstacles he or she faces. This shows me why the person is doing something and, more importantly, it shows me why it matters, which means why I (and readers) should care. 

If I can't figure out why a reader should care, I stop right there.

I'm not sure what to call the Post Golden Age (Bronze? Aluminum? Digital?), but it's how I plot.

Which matters more to you? The story or the people living it?



05 December 2021

Lost in the 80s tonight


1980s big hair
Don't ask me.
I didn't get the 80s then or now.

Readers, writers, and viewers find anachronisms in novels, movies, and television shows vexing. TV shows and films have deployed LEDs in the 1950s. A novel set in the antebellum Deep South described slaves eating and drinking from bean cans. I annoyed an editing client by explaining his plot could not hinge upon a cell phone call in the early 1970s.

"Are you sure? Maybe you've forgotten."

Tarantino's Django Unchained contained so many time-warp errors, I gave up counting. My number was well into the dozens. And then Tarantino bragged about his research. Next time Quentin should hire an historian. Like one of my SleuthSayers colleagues.

Friends Sharon and Cate forwarded an article about words and phrases that came out of the 1980s. The 80s churned out some great music, but I didn't get leggings, Uggs, or television motorcycle cops sporting carefully coiffed big hair.

Following is a summary of the article with a few comments. Be sure to read the original.

1980 1981 1982 1983 1984 1985 1986 1987 1988 1989

Gordon Matthews invented the voice mail system in 1979 and formed the company VMX (voice message express). By 1980, the phrase and new technology had made its way into the English language.

The comb-over is a bald spot covering hairstyle. Since the 1980s, the comb-over has declined in popularity.

Topoisomerase is an enzyme which alters the supercoiled form of a DNA molecule, first discovered by James C. Wang. Topoisomerase breaks down and rebuilds strands of DNA molecule.

Yuppie is a slang term referring to young, educated adults with well-paying jobs. Mirroring the word hippie, the word is said to be a combination of the words young, urban, and professional coined by Dan Rottenberg.

1980 1981 1982 1983 1984 1985 1986 1987 1988 1989

A type of snow that has acidic properties due to environmental pollutants, used in a 1981 New York Times article chronicling acid snow.

A drug thought to lead people to abuse harder, more serious drugs, which may or may not be accurate.

A term describing the large (and often undeserved in the opinion of some) severance packages given to executives being terminated.

Sleazeball describes a dishonest or sleazy person. Other slang terms with the suffix "-ball" conceived in the 1980s and 1990s include goofball, oddball, and dirtball.

Spreadsheets are used extensively in office and lab environments. Students Dan Bricklin and Bob Frankston invented the world's first electronic spreadsheet on the Apple II.

1980 1981 1982 1983 1984 1985 1986 1987 1988 1989

The CDC defined the disease acquired immunodeficiency syndrome, also known as AIDS, as "moderately predictive of a defect in cell-mediated immunity, occurring in a person with no known cause for diminished resistance to that disease."

Barista is an Italian word for a bartender, now used to describe someone who makes coffee or espresso drinks.

Complementary medicine includes alternative treatments like homeopathy and chiropractic medicine used alongside mainstream medicine.

After globalization and industrialization moved manufacturing overseas, the region in the US spanning New York through Michigan and Illinois became known for deteriorating, abandoned factories.

Like the term Valley girl began in the 1980s to denote girls from California's San Fernando Valley, but it later morphed into a stereotype used to describe people who go Valley talk.

1980 1981 1982 1983 1984 1985 1986 1987 1988 1989

Belgian mathematician Lambert Adolphe Jacques Quetelet conceived the equation for body mass index in the 1800s, but not until the 1980s did BMI become the standard for measuring fat.

The first mobile, hand-held phone was created in 1973, but commercial use didn't become viable until Motorola made available cellular phones to Americans in 1983.

FLOTUS stands for First Lady of the United States. POTUS, the acronym for the president, first appeared in 1895 as a shortcut for telegraph operators. FLOTUS came nearly a century later, possibly a code name for Nancy Reagan.

In 1983, the TTAPS study coined the term nuclear winter to describe the extreme cold, high radiation levels, and devastating effects a nuclear war could theoretically cause.

Seasonal affective disorder is defined as a condition often associated with lack of sunlight, particularly due to shorter daylight hours during fall and winter months.

1980 1981 1982 1983 1984 1985 1986 1987 1988 1989

The Eggs Benedict recipe had been a staple of American brunch since the 1970s, but wasn't named as such until 1984.

Streptokinase was first used to break down blood clots in the 1930s, but it wasn't until half a century later that it was used to halt the damaging effects of heart attacks and strokes.

In September 1984, Alec Jeffreys accidentally stumbled on DNA fingerprinting while studying how illnesses transfer through families. DNA fingerprinting has revolutionized crime scene investigations.

Power walking involves walking at a fast pace, often while carrying weights.

The name sriracha is derived from Si Racha, a Thai province where the hot sauce is thought to have originated.

1980 1981 1982 1983 1984 1985 1986 1987 1988 1989

Frankly, I'm surprised this hi-tech language made the list. Its predecessor, the C compiler was developed in universities and at Bell Labs in the 1970s. Bjarne Stroustrup developed an object-oriented version described in the first C++ programming guide. The name is a pun, a reference to the C language ++ operator.

Cosmeceutical combines the words cosmetic and pharmaceutical, informally used to refer to beauty products with supposed medicinal benefits.

The idiom 'elephant in the room' refers to major problems people are unwilling to address.

Premenstrual dysphoric disorder (PMDD) is a severe health condition that can cause depression and anxiety before a woman's menstrual cycle. Causes of PMDD remain unclear.

Tankinis combine bikini bottoms and a tank top.

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The sport of bungee jumping gained popularity when AJ Hackett bungee jumped off the Greenhithe Bridge in Auckland, New Zealand.

Crackhead is a slang term used to describe a habitual user of crack cocaine, in the same vein as acidhead and methhead.

The slang word modifies the verb cringe into an adjective by adding the suffix -y. The word denotes something that causes one to feel uncomfortable or embarrassed.

A planogram is a visual floor plan used in office and store space management to optimize floor usage.

Sport-utility vehicles, large conveyances often built on truck chassis, replaced station wagons (estate wagons) popular from the 1950s through the 1970s.

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The term describes the effect of alcohol making potential sexual partners more appealing. It was first used in the January 1987 edition of Playboy magazine.

An emoticon, similar to an emoji, combines the words emotion and icon. Carnegie Mellon Professor Dr. Scott Fahlman is credited with developing the first emoticons.

Off-label drugs are used to treat conditions not officially approved by the FDA, sometimes in experimental circumstances.

Shy bladder refers to a social anxiety that makes urinating in public places difficult. Other names for this condition include paruresis and bashful bladder syndrome.

Detroit electronic dance music, made with fast digital rhythms and synthesizers, became popular with U.S. electro-beats becoming a mainstay in European raves.

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Boomerang children is a term used to describe young adults who return home after college or work experience to live with their family, often for financial reasons.

Emo music, short for emotional, merges rock and punk rock genres known for its emotional lyrics.

The Kuiper Belt is a region of celestial bodies in the solar system beyond the orbit of Neptune, named after Dutch-born astronomer Gerald A. Kuiper. Astronomers first discovered a Kuiper Belt object in 1930; it took another 62 years to discover the second.

A microloan is a small loan given to impoverished people or groups of people to fund entrepreneurial projects, often attributed to Mohammed Yunus.

Road rage is violent anger directed at the actions of other motorists.

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Spy magazine and Science Magazine are credited with using the term air quotes, a gesture to signify the following words in quotation marks. It is said air quotes eliminate responsibility for one's actions.

Generation X members were born in the 1960s and 1970s after baby boomers and before the millennials.

HTML, or hypertext markup language, was developed by Tim Berners-Lee and Jean-François Groff in the 1980s and 1990s. While working at CERN in 1989, Berners-Lee sent a memo advocating for the use of a "hypertext system," and Groff sent a sample to colleagues in the US for comment.

Kimberlé Crenshaw, black feminist author and scholar, invented the word intersectionality in 1989 to describe the intersection of different types of discrimination including race, class, and gender discrimination.

Nightclub singer Rommy Revson invented and patented the scrunchie in the 1980s to contain her hair. The product was initially called "Scunci" before the name was changed to scrunchie.

04 December 2021

The Z-Files


  

We've seen a lot of recent posts at this blog about mystery short-story markets--their editors, content, guidelines, response times, pay rates, preferences, etc.

Today I'd like to talk about preferences again, and specifically about a story of mine that was accepted by Alfred Hitchcock's Mystery Magazine earlier this week. It's a 6000-word story called "The Zeller Files," one I wrote and submitted to them just over a year ago. It includes a crime that's essential to the plot--all mystery submissions should have that--but it's not your usual mystery/crime/suspense story. In fact it's as much science fiction as mystery, which as the months passed led me to suspect it might not stand much of a chance. But it also features something else that I thought made it an even bigger longshot, for publication: It's set during the pandemic.

I don't just mean it was written during the pandemic, although it was. I mean it includes references to the wearing of masks, social distancing, and other things most of us never even thought about until early last year. Some of that ties into the crime itself, which in this story is a bank robbery and its aftermath.

The plot

Here's what happens: Software engineer Eddie Zeller and his wife Lisa find out from their local newspaper's gossip-column that a couple named Fairmont from another part of the country are moving to their small town. The problem is, Andrew Fairmont and his wife were once famous because of their highly publicized report of being kidnapped and observed by aliens many years ago--and so was Eddie Zeller. (Lisa jokingly refers to Eddie's story as The Z-Files.) He and Lisa also know that the number of self-professed alien-abduction-survivors in the U.S. is tiny, and Eddie suspects that the federal government keeps a file and a close eye on all these victims and their activities. So, what are the odds that not one but two of these people would wind up in the same town as a third who already lives there? Could the Feds--or even the victims' otherworldly kidnappers--somehow be trying to gather all of them together for some reason? If so, why? 

Eventually the Zellers, who are unemployed and struggling because of the impact of Covid on their careers, resort to extreme and criminal measures to try to get the funds they'd need to get out of town, possibly even out of the country, to avoid whatever disaster Eddie is now convinced is being planned for them. During all that, they of course run into the Fairmont family, who have their own mysterious agenda, and Eddie soon comes to understand that it's not only the government who's been tracking them, all these years. 

Concerns and conclusions

My point is, this story has two liabilities. It is (1) mixed-genre and (2) set during the pandemic. The first oddity, since what I mixed in was science fiction, would automatically make the story unsuitable for mystery markets like EQMM, Black Cat Mystery Magazine, the Strand, and others, and I was afraid the woo-woo element would make acceptance doubtful even for places like AHMM, which is a little more receptive to the occasional western, humor, fantasy, or SF story. Mostly, though, I was worried that the second odd thing--the Covid angle--might prevent it from being accepted anywhere.

Let me explain that. Since the pandemic began, I've written several mystery stories featuring the virus and the restrictions and requirements it presents. (After all, that's been the reality of our world for the past two years--and besides, how could a crime writer resist using a situation where everybody's already running around with masks covering their faces?) But alas, no matter how much I liked those stories and how much fun I had writing them, all were rejected soon after I'd submitted them. Some of them were rejected immediately, and some more than once. 

Since Mama didn't raise no fools, I finally got the message and started changing those stories by removing any and all references to the pandemic (enter Dr. Watson, exit Dr. Fauci)--and when I did that and submitted them again, every one of those stories sold. All, that is, except one. I had submitted "The Zeller Files" to AHMM almost fourteen months ago, on 10/6/20, so that particular story had not yet been changed. It had also not yet been rejected, since the jury was still out--and then, lo and behold, it was accepted by AH this past week. Say Hallelujah.

Here's what I learned from this: Never say never, with regard to questionable or controversial story content. If you believe it works, and if the guidelines for the market(s) you're targeting don't specifically say no, give it a try. The odds of success might be less, but--and I truly believe this--if a story seems to the writer to be good enough, it probably is good enough, and will eventually find a respectable home. As for "The Zeller Files," if you happen to see it when it comes out, I hope you'll have half as much fun reading it as I had writing it.

Questions for the class

Now . . . what's your opinion on writing pandemic-based or pandemic-setting stories or novels? Have any of you tried it? Have you even wanted to try? I've heard some writers say it would be too depressing, for both the reader and the writer. And if you have written those stories, have you seen any success at placing them in a magazine or anthology? If you've created a novel containing pandemic references, have you been able to find a publisher for it? 

How about mixed-genre short stories? I feel sure you've written those, but have you submitted any of them to mystery markets? Any successes, there? What about stories that include both a different genre AND a dose of the virus?

In summary, I can certainly understand if the only masked characters you choose to put into your fiction are either committing a crime, skiing in Aspen, trick-or-treating, or riding a white stallion to the tune of "The William Tell Overture." But I'm here to tell you, you might want to try writing a Covid story now and then, and see what happens.

Sometimes it works.