As I write this it is June 17th, Father's Day, however this won't be posted until the 18th which is the day after Father's Day. But I'd like to talk a bit about fathers. I had two. My dad and my step-dad. They both were decent, honorable men who did the best they could for me, helping me reach adulthood as a productive, considerate, educated woman. I lived with my mother and my step-father, Charlie Pierce. I only spent two or three weeks with my birth father or as I called him, my "real" dad, Tom Barrow. It was difficult as a child to only see my father for such a short amount of time each summer. When I returned back home to my mother's house, I usually cried for a week or two, knowing it would be another year before I saw my dad again. I didn't understand it at the time and the idea of joint custody or even more reasonable longer visitation was not an accepted idea. My father wasn't married the first few years when I visited with him. And I think I must have been nine or ten before we had those visitation weeks. My mother and father had divorced when I was around two years old and shortly after that my father went to China and India as an Army man during World War II.
I do remember him visiting me when I was six years old. I was living with my grandmother in Houston, TX at the time. My mother was working at an aircraft factory, Consolidated, in Fort Worth and it was very difficult to have and take care of a small child with the hours she worked. My grandmother and her husband lived ten miles from the city limits of Houston on a dirt road. One day, a yellow taxi drove up to our house and a tall, lean man in an Army uniform got out of the car. It was my dad. He was home on furlough and wanted to see me. I was just getting over chicken pox and I got so excited that my red-spots seemed to pop out again. Of course it was just the excitement.
My step-father has been gone since 1995 and I miss him a lot.. He and I had a lot of problems during my teen age years but I think that's fairly normal. Teenagers are an alien species as I have mentioned before. Charlie had a lot of little sayings, like "I ain't had so much fun since the hogs at my little brother." Don't ask me to explain that one. And the standard when I asked him for money was, "If money was germs, I'd be as sterile as St. Vincent's hospital." You get the picture. One saying he had that stayed with me all these years was "There are two things in this world that can't be beat. One is a good education and the other is a good reputation." Those are words to live by for sure. I miss you and love you, Daddy.
My dad has been gone for twenty-four years and I miss him almost daily. Immediately after I graduated from high school, I moved to Fort Worth to live with my dad and step-mother. I graduated from school on Friday night and started to X-ray school on Monday morning. And during all those year afterwards I spent a lot of time with them and we grew very close. We made up for all the years we had not been together. I'm very glad he got to know my late husband, Elmer. They were alike in many ways and they were close too.
My dad loved to read and he had scads of books, mostly mysteries. Mostly private-eye mysteries and from the time I was about 12 years old and visiting my dad in the summer, he was handing me books by Mickey Spillane and Richard S. Prather and Erle Stanley Gardner. I was in heaven reading their books. Of course they were hard-boiled and womanizers (well, Perry Mason wasn't but Donald Lam was) but I just loved the style of writing these guys wrote and enjoyed the mystery plots. I decided then and there if I ever did learn to write it would definitely be mysteries and mostly likely private-eye stories. And most of my short stories did feature my female PIs Jenny Gordon and C.J. Gunn.
One major thing my dad taught me was, to do what you love. And if you can make a living at that, you're ahead of the game. That's true. I loved being in the medical field, but my unspoken dream was to write and be published. I'm really glad my dad lived long enough to read many of my short stories. He died before my novels were published but I'm sure where ever he is, he's read them as I wrote them.
The other big thing my dad taught me is that you can't live in the past with regrets. And you just can't wallow in guilt about mistakes you made. And he didn't mean not to acknowledge your mistakes, but learn from them. Everyone fails at some things and that's the way you learn how to succeed. This is very true in writing too (you thought I never would get to the point about writing didn't you?).
The only way to ever learn to be a better writer is to keep writing. When someone who knows about writing and is willing to pay you for writing gives you a critique or suggestion about your writing, then pay attention and learn. Few people are born with enough talent to be a good writer. However, you can learn how to write and how to write very well, but you have to learn from your mistakes.
Actually all the great writers that I know were not "born" writers. They were just persistent and willing to learn the craft and then learn the business or lean on someone who could guide them to the right way to become published.
So today, I say, Happy Father's Day to my dad, Thomas Lee Barrow. I love you and I miss you.
18 June 2012
To Fathers, Step-fathers, Adopted Fathers & Foster Fathers
by Jan Grape
Labels:
Erle Stanley Gardner,
fathers,
Jan Grape,
Mickey Spillane,
mystery,
private eyes,
Richard S. Prather,
writing
Location:
Cottonwood Shores, TX, USA
17 June 2012
Boy, That's a Good Read!
by Leigh Lundin
by Leigh Lundin
What do boys read? In Criminal Brief, I complained that males don't read. Okay, they read sports scores and they might read page 3 in the UK, but men and boys seldom read. Women purchase more than 70% of books and closer to three quarters of fiction. They are the leading consumers of iPads, Kobos, Nooks, and Kindles.
On Friday, Dixon Hill wrote an illuminating article how to get boys to read. He went beyond complaining about the dearth of reading boys, he did something about it.

I stumbled upon Kate and Brett McKay's superlative list of 50 books for boys, most of them classics in one way or another. In case you think writing boys books is the sole bastion of manly men, some are written by women and at least one by a girl. The 4th author in the list, Dan Beard, was my distant relative and a founder of the Boy Scouts.
Then and Now
When I was a teen, kids who couldn't yet drive devoured the Hotrod novels by Henry Gregor Felsen, favorites of Stephen King. Many stories of that era moralized but Felsen shared lessons without seeming to lecture.
Are there lessons in Harry Potter? I'm not sure. But I think I'd like The Hunger Games… there's a morality tale.
That's part of the point– books don't have to feature boys for boys to enjoy them. Lewis Carroll's Alice stories and Frank Baum's Oz stories can delight anyone. The most famous bad boy in the English language, Peter Pan, is seen through the evolving eyes of Wendy Darling. To know something about the opposite sex, boys should read a bit of what girls read. Take a break from The Hardy Boys (written by male and female authors) and try a Nancy Drew (written by many of the same male and female authors).
As luck would have it, I have no sisters or daughters, but I did have parents who took reading– including their children's reading– seriously. Many of the following recommendations come directly from them.
Where do we start? I was raised on classics so naturally classics come to mind. Let's get cracking.
Adventure
Foremost, I think of Edgar Rice Burroughs, author of 26 Tarzan novels and another 50 exploration adventure stories, mostly interplanetary and 'lost world' series. Two other great authors in the exploration adventure genre are Arthur Conan Doyle and H. Rider Haggard, considered to have originated the modern 'lost world' genre.
I recommend several books by the popular and prolific Robert Louis Stevenson including Treasure Island, Kidnapped, Dr Jekyll and Mr Hyde, his short stories, and a book of poetry, A Child's Garden of Verses. (While Kidnapped is fiction, it was based upon a historical case.)
Mystery
Along with A. Conan Doyle, I add Agatha Christie, and the Lord Peter short stories by Dorothy L Sayers. As for American writers, we have Edgar Allan Poe and I recommend the Continental Op series by Dashiell Hammett.
Mystery Romance
Wait… don't flee in terror. Wilkie Collins, friend and colleague of Charles Dickens, is considered to have originated the modern English mystery novel. He combined romance in his most popular novels, creating a gothic genre furthered by Mary Roberts Rinehart, credited with the 'Had-I-but-known' school of mystery writing.
Science Fiction
If you want to grasp what science fiction is really about, read authors from the golden era of sci-fi, including Isaac Asimov, Ray Bradbury, Arthur C Clarke, Philip K Dick, Philip José Farmer, and Fritz Leiber. To that list, I add two more modern writers, John Brunner and Michael Crichton. While George Orwell's 1984 is too advanced for most youth, I highly recommend Animal Farm.
Sea Stories
Like Westerns, sea stories have fallen out of vogue, but I read dozens from undersea exploration to lost-at-sea adventures. Titles and authors have long since faded, but my mother was a major fan of C. S. Forester's Horatio Hornblower. I also highly recommend the non-fiction adventures of Richard Henry Dana, Jr. in his classic Two Years Before the Mast.
Westerns
Westerns are about morality and responsibility. There are many considered classic, but I'll leave this list to John Floyd, himself a writer of several Western stories.
Wildlife Adventure
The master of this genre is Jack London, but the world has largely forgotten James Oliver Curwood, who when he died in 1927, was the highest paid author in the world. He built his own castle in Michigan, where he secluded himself in a tower to write. I know him through two of his stories, Kazan the Wolf Dog and Baree, Son of Kazan.
In the fourth grade, I noticed friends Tina and Diane reading The Black Stallion (recommended by the McKays). Walter Farley's title character isn't exactly wildlife, but it is feral and Farley wrote 20 in the series as well as another half dozen books.
Forgotten Classics
Charles Major was an Indiana lawyer who started writing rigorously researched historical romances. His first novel, When Knighthood Was in Flower, proved so popular that it became a Broadway hit and Major gave up his law practice to write. Other historical romances proved popular, but he became known for children's stories, especially The Bears of Blue River set in pioneer times.
Booth Tarkington, another Indiana writer and two-time winner of the Pulitzer Prize for fiction, wrote collections of stories about Penrod, a boy some compared to Tom Sawyer, but who's similar to Dennis the Menace. The stories were turned into twenty-some movies and plays. The three books are Penrod, Penrod and Sam, and the 'notted detective' tale, Penrod Jashber.
And Finally
Mark Twain always entertains and sometimes manages to educate. Read anything by Twain.
The Distaff Staff
Okay, I understand Twilight, but without sisters or daughters, I'm otherwise clueless. What do you recommend for girls?
What do boys read? In Criminal Brief, I complained that males don't read. Okay, they read sports scores and they might read page 3 in the UK, but men and boys seldom read. Women purchase more than 70% of books and closer to three quarters of fiction. They are the leading consumers of iPads, Kobos, Nooks, and Kindles.
On Friday, Dixon Hill wrote an illuminating article how to get boys to read. He went beyond complaining about the dearth of reading boys, he did something about it.

I stumbled upon Kate and Brett McKay's superlative list of 50 books for boys, most of them classics in one way or another. In case you think writing boys books is the sole bastion of manly men, some are written by women and at least one by a girl. The 4th author in the list, Dan Beard, was my distant relative and a founder of the Boy Scouts.
Then and Now
When I was a teen, kids who couldn't yet drive devoured the Hotrod novels by Henry Gregor Felsen, favorites of Stephen King. Many stories of that era moralized but Felsen shared lessons without seeming to lecture.
Are there lessons in Harry Potter? I'm not sure. But I think I'd like The Hunger Games… there's a morality tale.
That's part of the point– books don't have to feature boys for boys to enjoy them. Lewis Carroll's Alice stories and Frank Baum's Oz stories can delight anyone. The most famous bad boy in the English language, Peter Pan, is seen through the evolving eyes of Wendy Darling. To know something about the opposite sex, boys should read a bit of what girls read. Take a break from The Hardy Boys (written by male and female authors) and try a Nancy Drew (written by many of the same male and female authors).
As luck would have it, I have no sisters or daughters, but I did have parents who took reading– including their children's reading– seriously. Many of the following recommendations come directly from them.
Where do we start? I was raised on classics so naturally classics come to mind. Let's get cracking.
Adventure
Foremost, I think of Edgar Rice Burroughs, author of 26 Tarzan novels and another 50 exploration adventure stories, mostly interplanetary and 'lost world' series. Two other great authors in the exploration adventure genre are Arthur Conan Doyle and H. Rider Haggard, considered to have originated the modern 'lost world' genre.
I recommend several books by the popular and prolific Robert Louis Stevenson including Treasure Island, Kidnapped, Dr Jekyll and Mr Hyde, his short stories, and a book of poetry, A Child's Garden of Verses. (While Kidnapped is fiction, it was based upon a historical case.)
Mystery
Along with A. Conan Doyle, I add Agatha Christie, and the Lord Peter short stories by Dorothy L Sayers. As for American writers, we have Edgar Allan Poe and I recommend the Continental Op series by Dashiell Hammett.
Mystery Romance
Wait… don't flee in terror. Wilkie Collins, friend and colleague of Charles Dickens, is considered to have originated the modern English mystery novel. He combined romance in his most popular novels, creating a gothic genre furthered by Mary Roberts Rinehart, credited with the 'Had-I-but-known' school of mystery writing.
Science Fiction
If you want to grasp what science fiction is really about, read authors from the golden era of sci-fi, including Isaac Asimov, Ray Bradbury, Arthur C Clarke, Philip K Dick, Philip José Farmer, and Fritz Leiber. To that list, I add two more modern writers, John Brunner and Michael Crichton. While George Orwell's 1984 is too advanced for most youth, I highly recommend Animal Farm.
Sea Stories
Like Westerns, sea stories have fallen out of vogue, but I read dozens from undersea exploration to lost-at-sea adventures. Titles and authors have long since faded, but my mother was a major fan of C. S. Forester's Horatio Hornblower. I also highly recommend the non-fiction adventures of Richard Henry Dana, Jr. in his classic Two Years Before the Mast.
Westerns
Westerns are about morality and responsibility. There are many considered classic, but I'll leave this list to John Floyd, himself a writer of several Western stories.
Wildlife Adventure
The master of this genre is Jack London, but the world has largely forgotten James Oliver Curwood, who when he died in 1927, was the highest paid author in the world. He built his own castle in Michigan, where he secluded himself in a tower to write. I know him through two of his stories, Kazan the Wolf Dog and Baree, Son of Kazan.
In the fourth grade, I noticed friends Tina and Diane reading The Black Stallion (recommended by the McKays). Walter Farley's title character isn't exactly wildlife, but it is feral and Farley wrote 20 in the series as well as another half dozen books.
Forgotten Classics
Charles Major was an Indiana lawyer who started writing rigorously researched historical romances. His first novel, When Knighthood Was in Flower, proved so popular that it became a Broadway hit and Major gave up his law practice to write. Other historical romances proved popular, but he became known for children's stories, especially The Bears of Blue River set in pioneer times.
Booth Tarkington, another Indiana writer and two-time winner of the Pulitzer Prize for fiction, wrote collections of stories about Penrod, a boy some compared to Tom Sawyer, but who's similar to Dennis the Menace. The stories were turned into twenty-some movies and plays. The three books are Penrod, Penrod and Sam, and the 'notted detective' tale, Penrod Jashber.
And Finally
Mark Twain always entertains and sometimes manages to educate. Read anything by Twain.
The Distaff Staff
Okay, I understand Twilight, but without sisters or daughters, I'm otherwise clueless. What do you recommend for girls?
Labels:
books,
boys,
Leigh Lundin
Location:
KwaZulu-Natal, South Africa
16 June 2012
Do books change over time, or is it me?
by Elizabeth Zelvin
The first series I ever fell in love with was Elswyth Thane’s Williamsburg series, which followed a family that was remarkably free of dysfunction through American history from the Revolutionary War to World War II. I took them out of the library over and over and over again as a kid. To this day, I could probably draw the family tree of the intertwined Day, Sprague, and Campion families from the Revolutionary War to World War II. The publication of the long-awaited seventh book signaled what was probably my first moment of awareness of the New York Times bestseller list. Evidently I was not alone.
When I discovered Amazon, I found the Williamsburg novels in a reprint hardcover edition. I was delighted to meet Thane’s characters again. The only problem was that I remembered the books too well. The publisher had bowdlerized a few details for the library audience, and the discrepancy between the page and my memory irritated tremendously. In This Was Tomorrow, set mostly in London in World War II, the American Stephen Sprague falls in love with his British cousin Evadne, who is innocent and passionate and given to Causes. There’s a scene where Stephen offers Evadne her first drink of champagne and she defies the repressed Hermione (who has drawn her into the Oxford Group and is really jealous because she’s in love with Stephen) to drink it. In the original, Evadne snatches the glass and stutters, “Give me that champagne!” The library edition renders it, “Give me that wine!” Lead balloon. I guess the publishers agreed with Thane that champagne represents all that is daring and sinful, too daring and sinful for the reprint house back in—well, the book was first published in 1980 and the new publishing house was founded in 1997. I really can’t explain it.
I recently bought the first in the series, Dawn’s Early Light, for my Kindle to replace a paperback edition that I had read literally to pieces. The paper had defeated the rubber band holding together pages from which all trace of glue had long vanished by becoming so brittle it crumbled away when touched. This time around, I discovered new anomalies. I remembered that Thane was an apologist for slavery. Yes, I know that characters’ opinions are not necessarily the author’s, but she’s so darn comfortable with this particular point of view, returning frequently to how childlike and happy the slaves are in civilized Virginia and how bereft they would feel if freed. (“Who gwine take care ob me now?”) One of the main characters says:
“We have had a rise in the slave trade lately. And with slave labor increasing, it is difficult for a bondservant who has worked out his time to find work to live by. That is the real evil of slavery, Mr. Day, and not man’s inhumanity to man.” Huh? The real evil of black bondage is that it takes jobs away from white workers? Tell that to, hmm, President Obama. Is that the real reason his enemies don’t like him? He took the job away from a white man? What perplexes me is that this aspect of the book didn’t bother me more when I was younger. I didn’t condone it, but I read it uncritically, intent on the story.
Thomas Jefferson is one of several historical figures who play secondary roles. When the protagonist enlists Jefferson’s aid in helping his young protegée, he reasons that Jefferson is a father, he has children and so will understand the need to get Tibby a doll and enable her to go to school. There’s no mention of the children Jefferson was willing to leave in slavery, two of them until his death. (For a discussion of the current evidence, including DNA, regarding Jefferson’s relationship with Sally Hemings and the paternity of her children, see http://www.monticello.org/site/plantation-and-slavery/thomas-jefferson-and-sally-hemings-brief-account ).
The other aspect of the Williamsburg novels that I read with a different attitude today is Thane’s penchant for giving her love stories very young heroines. Tibby is ten when she falls in love with the twenty-one-year-old Julian Day, though he doesn’t realize he’s in love with her too until she’s almost seventeen, a marriageable age in the 18th century. In the third book, Ever After, Bracken falls in love with fifteen-year-old Dinah at first sight, although he chivalrously makes sure she’s unaware of it until she’s free of the austere British upper-class nursery and “out” in society. In This Was Tomorrow, ten-year-old Mab is presented as a reincarnation of Tibby, immediately falling for twenty-one-year-old Jeff, who feels a strange attraction to her in spite of his love for his cousin Sylvia. (Sylvia conveniently dies in the Blitz in Homing.)
This recurrent scenario did not come out of nowhere. Thane married naturalist William Beebe, after having “idolized [him] for years,” according to Wikipedia, when she was twenty-seven and he was fifty, an age difference of twenty-three years. None of the romances in Thane’s books are overtly sexual, nor does any sex happen outside of marriage—although according to Wikipedia, Thane and Beebe had a non-monogamous “open marriage”. I didn’t question the propriety of these May-December romances when I read about them as a kid. But I'm not sure a 21st-century novelist could get away with them.
The first series I ever fell in love with was Elswyth Thane’s Williamsburg series, which followed a family that was remarkably free of dysfunction through American history from the Revolutionary War to World War II. I took them out of the library over and over and over again as a kid. To this day, I could probably draw the family tree of the intertwined Day, Sprague, and Campion families from the Revolutionary War to World War II. The publication of the long-awaited seventh book signaled what was probably my first moment of awareness of the New York Times bestseller list. Evidently I was not alone.
When I discovered Amazon, I found the Williamsburg novels in a reprint hardcover edition. I was delighted to meet Thane’s characters again. The only problem was that I remembered the books too well. The publisher had bowdlerized a few details for the library audience, and the discrepancy between the page and my memory irritated tremendously. In This Was Tomorrow, set mostly in London in World War II, the American Stephen Sprague falls in love with his British cousin Evadne, who is innocent and passionate and given to Causes. There’s a scene where Stephen offers Evadne her first drink of champagne and she defies the repressed Hermione (who has drawn her into the Oxford Group and is really jealous because she’s in love with Stephen) to drink it. In the original, Evadne snatches the glass and stutters, “Give me that champagne!” The library edition renders it, “Give me that wine!” Lead balloon. I guess the publishers agreed with Thane that champagne represents all that is daring and sinful, too daring and sinful for the reprint house back in—well, the book was first published in 1980 and the new publishing house was founded in 1997. I really can’t explain it.
I recently bought the first in the series, Dawn’s Early Light, for my Kindle to replace a paperback edition that I had read literally to pieces. The paper had defeated the rubber band holding together pages from which all trace of glue had long vanished by becoming so brittle it crumbled away when touched. This time around, I discovered new anomalies. I remembered that Thane was an apologist for slavery. Yes, I know that characters’ opinions are not necessarily the author’s, but she’s so darn comfortable with this particular point of view, returning frequently to how childlike and happy the slaves are in civilized Virginia and how bereft they would feel if freed. (“Who gwine take care ob me now?”) One of the main characters says:
“We have had a rise in the slave trade lately. And with slave labor increasing, it is difficult for a bondservant who has worked out his time to find work to live by. That is the real evil of slavery, Mr. Day, and not man’s inhumanity to man.” Huh? The real evil of black bondage is that it takes jobs away from white workers? Tell that to, hmm, President Obama. Is that the real reason his enemies don’t like him? He took the job away from a white man? What perplexes me is that this aspect of the book didn’t bother me more when I was younger. I didn’t condone it, but I read it uncritically, intent on the story.
Thomas Jefferson is one of several historical figures who play secondary roles. When the protagonist enlists Jefferson’s aid in helping his young protegée, he reasons that Jefferson is a father, he has children and so will understand the need to get Tibby a doll and enable her to go to school. There’s no mention of the children Jefferson was willing to leave in slavery, two of them until his death. (For a discussion of the current evidence, including DNA, regarding Jefferson’s relationship with Sally Hemings and the paternity of her children, see http://www.monticello.org/site/plantation-and-slavery/thomas-jefferson-and-sally-hemings-brief-account ).
The other aspect of the Williamsburg novels that I read with a different attitude today is Thane’s penchant for giving her love stories very young heroines. Tibby is ten when she falls in love with the twenty-one-year-old Julian Day, though he doesn’t realize he’s in love with her too until she’s almost seventeen, a marriageable age in the 18th century. In the third book, Ever After, Bracken falls in love with fifteen-year-old Dinah at first sight, although he chivalrously makes sure she’s unaware of it until she’s free of the austere British upper-class nursery and “out” in society. In This Was Tomorrow, ten-year-old Mab is presented as a reincarnation of Tibby, immediately falling for twenty-one-year-old Jeff, who feels a strange attraction to her in spite of his love for his cousin Sylvia. (Sylvia conveniently dies in the Blitz in Homing.)
This recurrent scenario did not come out of nowhere. Thane married naturalist William Beebe, after having “idolized [him] for years,” according to Wikipedia, when she was twenty-seven and he was fifty, an age difference of twenty-three years. None of the romances in Thane’s books are overtly sexual, nor does any sex happen outside of marriage—although according to Wikipedia, Thane and Beebe had a non-monogamous “open marriage”. I didn’t question the propriety of these May-December romances when I read about them as a kid. But I'm not sure a 21st-century novelist could get away with them.
Subscribe to:
Posts (Atom)