In my SleuthSayers post last Saturday I mentioned that I'd read some good novels last year. I did, and some good collections and nonfiction too. Some books I've especially enjoyed in the past three months are Don't Let Go (Harlan Coben), The Midnight Line (Lee Child), Uncommon Type (Tom Hanks), Fierce Kingdom, (Gin Phillips), The Last Castle (Denise Kiernan), Goldeline (Jimmy Cajoleas), The Lost City of Z (David Gramm), Artemis (Andy Weir), Hank and Jim (Scott Eyman), The Cuban Affair (Nelson DeMille), Trigger Mortis (Anthony Horowitz), The Rooster Bar (John Grisham), and We'll Always Have Casablanca (Noah Isenberg).
And two more: Sleeping Beauties (Stephen King and Owen King) and Strange Weather (Joe Hill). It's those I want to focus on, today.
Owen King is of course Stephen's son, and so is Joe Hill. Before Sleeping Beauties, I had not read anything written or co-written by Owen before, but I own every novel, novella, short story, and nonfiction book his father has done, and every book by Joe Hill as well: The Fireman, NOS4A2, Horns, 20th-Century Ghosts, and Heart-Shaped Box. (I was especially impressed by The Fireman.)
These two latest books were as well written, I thought, as any of the King products in a long time. Sleeping Beauties is a novel, and a long one--720 pages--and features more than 70 named characters. It's otherworldly, of course, and is set in an Appalachian town (most likely in West Virginia, although it never says for sure) and its nearby women's prison. The premise is fascinating: something is causing all the women in town to go to sleep, and when they go to sleep they don't wake up. The villain isn't really the sleeping-sickness; the villains are the men--at least some of them--and all kinds of timely themes are explored here.
One more reason you can't go wrong with this book: Stephen King writes good prison fiction. His novel The Green Mile and novella Rita Hayworth and Shawshank Redemption (from Different Seasons) are among his best works. And I should also mention that I can't see much difference in the style of writing between King's other books and this collaboration with his son. I truly enjoyed it.
A quick overview: In the first of the four novellas, Snapshot, an overweight and outcast teenager is threatened by a tattooed killer with a supernatural Polaroid camera; Loaded is a dark story of gun mania and depression and violence in a small town; Aloft (the best of the four, I thought) features a first-time skydiver who falls into a cloud that turns out not to be a cloud at all; and Rain shows us what can happen when thunderstorms produce deadly falling hardware instead of water. Like Sleeping Beauties, these four tales manage to tackle a number of social concerns: racial prejudice, police brutality, gun control, bullying, LGBT issues, etc., etc.
I won't say more. Part of the fun of both these books, and all five of these adventures, is the constant surprises they offer to the reader. But I will say that I'm pleased to find that both of SK's sons seem to have inherited a rare gift. The literary apple didn't fall far from the tree.
Are any of you familiar with the work of either Joe Hill or Owen King--or of their mother Tabitha? If so, what do you think? And how many of you are fans of their father's fiction? At my own booksignings, the comments I receive about Stephen King are always either hot or cold, never lukewarm. It's either I don't read Stephen King at all or I absolutely love his books. I suspect that many of the naysayers have never bothered to read more than a few of his early works, and don't realize his range or his talent.
I've met the elder King only once, at the Edgars (he won, I lost), and I was so awestruck I did little more than shake his hand and babble. I think he's one of the best storytellers of our age, and as long as he keeps writing, I'll keep buying.
That goes for his sons as well.