Showing posts with label Diane Chamberlain. Show all posts
Showing posts with label Diane Chamberlain. Show all posts

04 February 2015

My Brother, My Editor and The Silent Sister


Diane Chamberlain
Diane Chamberlain
      Today it is my pleasure to introduce someone I have known literally all my life.  Diane was the sibling closest in age to me (still is, come to think of it), which means I was the dopey little brother who drove her crazy by following her around.  I hope I've outgrown that.
       I remember the first time she got something published: an op-ed page piece in a major newspaper about being a social worker in a hospital emergency room.  It made a gripping read, I'll tell you.
       Since then we have spent many hours discussing our writing experiences.  Unlike me she had the guts to try it full-time, and that sometimes seemed like a dubious choice ("Are you SURE you want to be in this business?" she asked me more than once) but persistence and talent has produced more than twenty novels, and a ton of fans.  The novel she discusses below is currently #9 on the UK Bestseller List!
        We invited her to write about her new novel and she sent us this modification of a piece she wrote for She Reads back in October.  By the way, the story of mine she mentions, "Shooting at Firemen," is scheduled for the July/August issue of Alfred Hitchcock's Mystery Magazine.  
      And now, here's Diane.  Enjoy.
— Robert Lopresti


My Brother, My Editor and The Silent Sister
by Diane Chamberlain

            My younger brother, SleuthSayers blogger Robert Lopresti, was a writer before I was. We'd been very close as kids but lived on different coasts as adults. Back when I was a social worker, I would go to the gift shop in the hospital where I worked and look through the mystery magazines on the newsstand. I'd feel a little thrill every time I'd find one of Rob's stories inside them. Even though we lived 3,000 miles apart, seeing those magazines in the place where I worked made me feel close to him.

            Fast forward thirty years (yes, thirty!). Rob has published nearly sixty stories and a novel, and my twenty-third novel is about to be released. We've reversed coasts—he's in Washington State and I'm in North Carolina—but our writing still connects us and we commiserate frequently about the publishing world.

            Rob and I write very different types of stories. About a year ago, he sent me a short story he'd written that was set in our hometown. I loved it. In a subplot of the story, a brother laments the disappearance of his sister. I won't give away what happened to his sister, but I knew that in a Diane Chamberlain novel, something very different—not better or worse, just different--would happen. My imagination was off and running. I would write a brother/sister novel! I loved the idea that it was inspired by my own brother.

            Imaginations are fickle things, however. I'd wanted my protagonist to be a young man whose sister disappeared long ago, but whenever I tried to picture him, he turned into a woman. I finally gave in and created a twenty-two-year-old woman, Riley MacPherson, as my central character. Well, there went my brother/sister story! I did give Riley a brother, Danny, but he'd been killed in the Iraq war a few years earlier. That felt necessary because I wanted to isolate Riley to increase her need to find Lisa, the sister who disappeared and the only remaining member of her family.

Silent Sister
            This is where my editor steps into the picture. I'd written the entire book and typed 'The End' when she said, "Danny should be alive." In my early writing days, my initial reaction to such an extreme editorial suggestion would be, "Noooooo!" followed by twenty-four hours of soul searching at which time I would realize my editor was brilliant. I've now evolved to the point where I can often see the brilliance within minutes. That was the case when Jen Enderlin at St. Martin's suggested I bring Danny back to life. Together, Riley and Danny would search for their missing sister, each with a different motive … and very different plans for what they would do if they found her. Suddenly The Silent Sister was a richer story … and ironically, I once again had the brother/sister novel I'd wanted to write. So thank you, Jen, for the suggestion, and Rob, for the inspiration, and I hope we'll be sharing our stories for a long time to come.



Diane's publisher, St. Martin's Press, will give two lucky readers copies of The Silent Sister randomly selected by Diane among the comments. Check back here tomorrow for the winners and how to claim your prize.

04 December 2013

Loose Genes


This is not going to be as cohesive as (I hope) most of my pieces here are, because I have three vaguely related things I want to talk about.  And they have only a slight connection to crime or mystery.  The fact that I'm fighting a cold doesn't help.

So if you prefer to skip this and go check your email you won't hurt my feelings. If you're still with me, here goes.

A relative recently told us she had her genome tested and invited us to do the same.  This feat, which would have been the wildest science fiction a few decades ago, now costs about a hundred bucks and takes a couple of weeks.  You spit in a test tube, and wait to get an email.  Not exactly Doctor Who, is it?

And the results, I have to say, are pretty cool.  My background, as far as I know, is one-half Italian, three-eighth English, and one-eighth Irish.  The computers spotted 10% Italian, 3% British/Irish, 2% French/German, and the rest is mostly vaguely European.  There is a tantalizing 0.2% Sub-Saharan African, which I assume comes from my Italian ancestors.  (To paraphrase Pete Seeger, where do you think those Roman emperors got their curly hair?)  Oh, and I am 2.8% Neanderthal.

But more interesting, the same service tells you if you have inherited health risks that are greater or lower than average.  And that is why the Food and Drug Administration just sent them an order to cease their business.  Because, says the FDA, they were giving out medical advice, which is illegal.  I look forward to seeing how it turns out in court, but I will say this: I have a higher-than-average level of one chemical and my doctor has been trying for years to figure out why.  The computer gurus (knowing nothing about my medical test results) were able to tell me that that higher level runs in my genome.

If you want to know more about the controversy, read this and this.

Now, on to the second topic.  I am reading a fascinating and infuriating non-fiction book by Rebecca Skloot entitled THE IMMORTAL LIFE OF HENRIETTA LACKS.     Ms.  Lacks suffered from bad luck nine ways from Sunday.  She was an African-American woman born in poverty in the rural south in the early-twentieth century.  (I am not saying it is bad luck to be born African-American.  But there have been better times and places for it.)  She died of cervical cancer in 1951 at age 31.

But before she died scientists took samples of her tumor, possibly with her permission (the phrase "informed consent" hadn't even entered the medical vocabulary by that point).  Scientists had been trying for years to grow cells in test tubes, but the cells always died after a few generations.  Not so the HeLa cells (named for their original source).  They were "immortal," and could be cultured, multiplied, sent through the mail, experimented on, etc.

And so cells that began in this poor, hard-luck woman, were used to develop polio vaccines, were sent into space, and became essential parts of thousands of other studies.  (The name of that genome company I was talking about is 23andme, which refers to the 23 chromosomes in the human genome. Guess whose cells were used in figuring out that number?)  Ms. Lacks' cells were so potent that years later many other colonies of cells that were growing around the world were discovered to be contaminated with HeLa cells - even though none had been used in that laboratory. They could sneak in on a dirty test tube, or a scientist's coat.

The book, which I highly recommend, also discusses the baffled horror of Ms. Lacks' family as they discovered, decades after the fact, what had been done to parts of her body without their knowledge or permission. The conflict between the scientists and the family takes on the inevitability of Greek tragedy: there was simply no common ground for communication.  You find yourself expecting the next unintentional outrage.  When it becomes necessary to explain the concept of "genetic markers" to Ms. Lacks's widower, a man with four years of schooling, of course the scientists had it done over the phone by a researcher with a thick Chinese accent and imperfect English.  How could it have been otherwise?

Reasonable people can disagree about whether persons whose cells are used in research deserve any control or compensation. (There are more than 17,000 patents based on HeLa cells.)  But it boggles the mind that  some scientists in the early fifties thought it acceptable to secretly inject HeLa cells (highly  active cancer cells, remember) into surgery patients just to see what would happen. This went on until some physicians refused to participate, pointing out that eight doctors were hanged at Nuremberg for that sort of research.

And on that cheerful note, let's move on to my third topic.  I just finished reading NECESSARY
LIES, the most recent novel by my sister, Diane Chamberlain.  You can certainly accuse me of nepotism for bringing it up here, but I think you will see the connection.  Diane's excellent book is fiction, of course, but it is firmly rooted in the Eugenics Sterilization Program, under which North Carolina sterilized 7,000 people between 1929 and 1975.  They focused on "mentally defective" epilectics, and people on welfare.  Most states with such programs gave them up after World War II (the shadow of Nuremberg, again), but the Tarheel State actually boosted theirs.

Diane's novel is set in 1960 when a brand-new social worker (after three whole days of training!) is given the job of preparing the sterilization request for a pregnant fifteen-year-old.  The idea is that the girl will wake up after giving birth with an "appendectomy scar" and never be told  she has been sterilized.

The book is not a mystery.  It is not a melodrama either: there are no cackling villains.  Everyone thinks they are doing the right thing (just like the scientists who used the HeLa cells).  And Diane is careful to include one woman who is thrilled to get the operation, since birth control was not easily available.

There are crimes and punishments in the book, but whether the crimes are what gets punished is open to interpretation.

Well, I'm going back to my sickbed.  I hope I gave you a few things to think about, anyway.