06 November 2012

Election Day



    Whew! 

    What can make you long for an otherwise insufferable commercial hawking ginsu knives?  (But wait – call in the next ten minutes and we will double your order!  Operators are standing by!) The answer, at least in areas within and surrounding eight so-called “battleground states” in our fine (but now frayed) union is the political commercial.

    We live in Washington, D.C., safely Democratic.  And we are close to Maryland, also safely Democratic.  But our television channels broadcast south as well, across the Potomac River to decidedly purple Virginia.  So we have been bombarded with political hawking now for months, and that seems to the captive viewer like years. 

   Commercials grant politicians the license to be a bit freer with the truth than they are in person.  (“Freer with the truth” being a euphemism for “lying.”)  Actual in-person accusations of lying are rather infrequent now-a-days.  But this was not always the case.  Theodore Roosevelt once roared at a presidential opponent that he was “atrociously and wickedly lying.”  And good old Abraham Lincoln had this to say about Stephen Douglas during the famous Lincoln-Douglas debates:  “I don’t know what to call you except you are a liar.” 

    According to those keeping tabs on such things the current candidates to lead the country for the next four years have largely eschewed the use of the “L” word.  Instead of accusing each other of lies here is what we have instead by proxy (as collected in The Washington Post, October 24, 2012 at page A19):

    Mitt Romney: 
  • “I don’t concur with what the president said about my own record and the things that I’ve said. They don’t happen to be accurate.”
  • “You got that fact wrong.”
  • “Nothing could be further from the truth.”
  • “You’re wrong.”
President Obama:
  • “The math doesn’t work, but he continues to claim that he’s going to do it.”
  • “This has been probably the biggest whopper that’s been told during the course of this campaign. And every fact checker and every reporter who’s looked at it, Governor, has said this is not true.”
  • “And the fact is . . . ”
  • “Governor Romney, that’s not what you said . . . ”
  • “I think anybody out there can check the record. Governor Romney, you keep on trying to, you know, airbrush history here. . . . That wasn’t true."
    But the simple fact is, if you credibly don’t want to be called a liar the easiest approach is this:  Don’t lie.  The problem with the approach is, that like many simple solutions it doesn’t work.  Bending the truth has a long history of getting candidates elected in the United States.  But for one of the best solutions that honors telling only the truth while still maintaining the capacity to sway the unsuspecting electorate one can look back to 1950 and the fabled Florida senatorial race between Claude Pepper, a liberal New Dealer previously swept into the Senate for what turned out to be only one term, and George Smathers, who took Pepper’s seat and served as Florida’s senator through 1969. 

    Smather’s challenge, in attempting to unseat his fellow Democrat Pepper, (back then in Florida the Democratic primary was the election) was to sway the upstate (for want of a better phrase “educationally challenged”) Florida populace.  Recorded speeches were a rarity in 1950, particularly stump speeches, and what Smathers said and what he did not say in his Florida panhandle campaign addresses has been roundly debated for years.  But according to many reports his stump speech included a clever use of paronomasia, a form of word play that utilizes words that suggests two or more meanings and then relies upon the resulting confusion for rhetorical and persuasive effect.  In any event, here is what Time Magazine in its April 17, 1950 edition had to say about some of the things Smather’s north-Florida stump speech may or may not have contained:
Time, April 17, 1950
Smathers was capable of going to any length in campaigning, but he indignantly denied that he had gone as far as a story printed in northern newspapers. The story wouldn't die, nonetheless, and it deserved not to. According to the yarn, Smathers had a little speech for cracker voters, who were presumed not to know what the words meant except that they must be something bad. The speech went like this: "Are you aware that Claude Pepper is known all over Washington as a shameless extrovert? Not only that, but this man is reliably reported to practice nepotism with his sister-in-law, and he has a sister who was once a thespian in wicked New York. Worst of all, it is an established fact that Mr. Pepper before his marriage habitually practiced celibacy."

    It was also reported that Smathers bellowed to the crowds that in order to attend college Mr. Pepper was forced to matriculate.

    True or not, the story became one of which legends are made.  So much so that 20 years later Bill Garvin in issue 139 of Mad Magazine, December, 1970, offered up the following wonderful example of how to nail your opponent without stooping to lying:

Mad Magazine
Dec. 1970
    My fellow citizens, it is an honor and a pleasure to be here today.  My opponent has openly admitted he feels an affinity toward your city, but I happen to like this area. It might be a salubrious place to him, but to me it is one of the nation's most delightful garden spots.

    When I embarked upon this political campaign, I hoped that it could be conducted on a high level and that my opponent would be willing to stick to the issues. Unfortunately, he has decided to be tractable instead -- to indulge in unequivocal language, to eschew the use of outright lies in his speeches, and even to make repeated veracious statements about me.

    At first I tried to ignore these scrupulous, unvarnished fidelities. Now I will do so no longer. If my opponent wants a fight, he's going to get one!

       It might be instructive to start with his background. My friends, have you ever accidentally dislodged a rock on the ground and seen what was underneath? Well, exploring my opponent's background is dissimilar. All the slime and filth and corruption you can possibly imagine, even in your wildest dreams, are glaringly nonexistent in this man's life. And even in his childhood!

       Let us take a very quick look at that childhood: It is a known fact that, on a number of occasions, he emulated older boys at a certain playground. It is also known that his parents not only permitted him to masticate in their presence, but even urged him to do so. Most explicable of all, this man who poses as a paragon of virtue exacerbated his own sister when they were both teenagers!

       I ask you, my fellow Americans: is this the kind of person we want in public office to set an example for our youth?

       Of course, it's not surprising that he should have such a typically pristine background -- no, not when you consider the other members of his family:

       His female relatives put on a constant pose of purity and innocence, and claim they are inscrutable, yet every one of them has taken part in hortatory activities.

       The men in the family are likewise completely amenable to moral suasion.

       My opponent's uncle was a flagrant heterosexual.

       His sister, who has always been obsessed by sects, once worked as a proselyte outside a church.

       His father was secretly chagrined at least a dozen times by matters of a pecuniary nature.

       His youngest brother wrote an essay extolling the virtues of being a homo sapien.

       His great-aunt expired from a degenerative disease.

       His nephew subscribes to a phonographic magazine.

       His wife was a thespian before their marriage and even performed the act in front of paying customers.

       And his own mother had to resign from a women's organization in her later years because she was an admitted sexagenarian.

       Now what shall we say about the man himself?

       I can tell you in solemn truth that he is the very antithesis of political radicalism, economic irresponsibility and personal depravity. His own record proves that he has frequently discountenanced treasonable, un-American philosophies and has perpetrated many overt acts as well.

       He perambulated his infant on the street.

       He practiced nepotism with his uncle and first cousin.

       He attempted to interest a 13-year-old girl in philately.

       He participated in a seance at a private residence where, among other odd goings-on, there was incense.

       He has declared himself in favor of more homogeneity on college campuses.

       He has advocated social intercourse in mixed company - and has taken part in such gatherings himself.

       He has been deliberately averse to crime in our city streets.

       He has urged our Protestant and Jewish citizens to develop more catholic tastes.

       Last summer he committed a piscatorial act on a boat that was flying the U.S. flag.

       Finally, at a time when we must be on our guard against all foreign isms, he has cooly announced his belief in altruism - and his fervent hope that some day this entire nation will be altruistic!

       I beg you, my friends, to oppose this man whose life and work and ideas are so openly and avowedly compatible with our American way of life. A vote for him would be a vote for the perpetuation of everything we hold dear.

       The facts are clear; the record speaks for itself. Do your duty.
    Well, enough of this.  Be sure you vote today.  Unless you are voting for that other guy.  In which case,  stay home.

05 November 2012

November Already


Jan GrapeSPECIAL ANNOUNCEMENT!  Congratulations to Elizabeth Dearborn, the winner of our first monthly contest at SleuthSayers.  She will receive a copy of David Dean's exciting new novel THE THIRTEENTH CHILD as soon as we learn her snail-mail address.  Stay tuned later this month for another giveaway!  Back to Jan...

I can't believe it's November already. We had that silly time change this morning at 2 AM. Did you get to church an hour early or get to the football game early. Oh yeah, I guess if you got to the Pro game early that was a good thing.

I can't believe it's November already. It's only hours until we will have a final vote and tally for a President. All I will say here is PLEASE vote. I voted early the other day which is the best way to do it. No line and it only took a few minutes. Thank goodness it's almost over, I'm sick of politics. I'm definitely sick of the negativity, the vitriolic words and the racist overtones from some people.

I can't believe it's November already and it's only two and a half weeks until Thanksgiving. Have you bought your turkey yet? Made out your menu? Invited all your in-laws and out-laws? Gosh, I haven't even taken down my Halloween decorations. And before I can turn around twice it will be time to put up the yuletide items.

I REALLY can't believe it's November already and it's only fifty-two days until Christmas. Yikes! Have you got any shopping done? I haven't but I'm not worried about it, I give money. One size fits all and the color is always right.

One thing I can admit is I love holidays and I hate holidays. I love seeing family and enjoying good food. But I hate trying to travel any distance and all the hoop-la that the stores and television bombard us with. I saw on facebook the other day that Nordstrom's say they won't put up any Christmas decorations until AFTER Thanksgiving. Way to go, Nordstrom's. Wish other stores would follow that example. I actually heard X-mas music in a store the other day and I thought, NOOOO! Not ready for X-mas music yet. Not even ready for November yet, but here it is. Rolling along.

I do want to bring a blog and interview to your attention. The Maine Crime Writers had a blog today that's an interview with an expert, Jayne Hitchcock, on cyberstalking and cyberbullying. This is a must read for all of us who use social media as much as we do and importantly it's important for our children and grandchildren. This is fantastic information. So head to www.mainecrimewriters.com

I don't know if any of our writers or readers were in the path of the storm. I hope if so, then hope that you are safe and warm. I do have writer friends who were without power for several days but are now electrified and warm and safe.

This is about all I know to write about today. Real life seems to take up a lot of my day...like vegging out on the sofa and watching Texas Longhorns yesterday and tonight Dallas Cowboys.

Take care all and keep writing and reading.

04 November 2012

faceless



facebook button
facebook— People have a love-hate relationship with facebook. I have a hate-hate thing going. It doesn't like me and I don't like it.

Although I maintain a professional profile on LinkedIn and CrimeSpace, some of us aren't particularly geared toward social media. The phrase "my life is an open book" isn't my cup of tea; I value privacy too much.

But authors must reach out to fans, right? 'Yes' is the obvious answer and John Floyd advised me to give facebook a try. That… didn't… work out so well.

I signed up. It asked for my address book and I refused– I always refuse to allow programs access to my address book– too many ways trust can be misused and facebook is notorious for abusing trust. It has one of the worst reputations when it comes to privacy and security of information. It frowned at that.

Next thing it wanted me to join 'apps', things like the Birthday Book and Farmville. I carefully read the fine print which gave them and the 'app makers' rights to do pretty much what they want with my personal information. Not cool; I refused. The face of facebook glared at me.
block

I started looking for people– family members, friends, Criminal Briefers, SleuthSayers… I found a few. facebook looked at those people and offered me 'friends' of friends. So sure, I knew Margery Flax, James Lincoln Warren, Lee Goldberg, and I sort of knew J.A. Konrath.

face to faceless

So I picked out dozens of authors I'd met at through MWA and Bouchercon and blithely clicked them as they popped up. Then I clicked on Rhys Bowen. It asked "Are you sure you know this person?"

Well, yes. I hadn't danced with her or been there during childbirth, but I sat next to her at a conference and we chatted. I'd made her acquaintance, hadn't I?

I clicked 'yes'. Moments later facebook sent a message it was banishing me for claiming friends I don't know.
shattered

Uh-oh. They offered her as a suggestion, and now they took her away?  Maybe it had been a trick question. Did I know she was English but lived in California? Did I know her real name is Janet Quin-Harkin? Did I know about the mole above her third rib? But they didn't ask me.

Not for a moment do I think Rhys Bowen hovered over her keyboard waiting to pounce when I clicked her name: "There's that damn Leigh stalking me again, first at conferences and now facebook. I'll show him, ha ha!" *poof*

faceless Bureaucracy

I'd heard stories of facebook booting people off for little or no reason. The problem of such one-size-fits-all software is it has no 'heuristics', no sense of judgment, no way to fit square pegs into round holes. I don't take well to being told what to do and a peremptory decision by a software program galled me. It felt like a parental smack by an arbitrarily awful parent.

thumbs down
But okay, I'd try one more time with a different eMail address. I set up again but it must have picked up cookies from my previous attempt. It asked me if I knew my own niece. I clicked yes, and this time found myself terminated.

My niece! A facebook page said I could appeal but they don't have to give a reason for their decision, and they didn't. At least I didn't have crops spoiling in Farmville. Do people pay for that game? Does anyone pay for things they can't access when barred, banned, or terminated?

Well, fu2

Months went by and someone suggested I try facebook again. I tried to log in and there was that page saying I could appeal, but I'd already appealed and arrived nowhere.

But Velma could join! And so she did. She experimented and learned about using facebook. She's flip-lip, funnier and more gregarious than I am and she built a solid circle of friends. A few times a week new people clasp her to their bosom in digital friendship.

Naked Animosity

Vicariously, I followed Velma's exploits. Because anyone could say anything, odd conversations took place. For example, a woman berated an art page blathering on how offensive it was and that children were present. She complained about a mix of monochrome art prints, pin-ups, and romantic pics with less skin than Vero Beach.
art erotica

A couple of things struck me. When she first 'Liked' the page, what did she expect? It reminded me of the woman who said, "But officers, if you climb on the chair and peer over the hedge with binoculars, you can see he's stark naked!"

Frankly, hysteria more than nudity will damage kids, but I grew up in a family where art was understood and appreciated. If children were present, why wasn't the woman supervising them? Initially she claimed she'd lined up 600 people to complain to facebook then later said she'd formed a petition with 389 names to ban the page.

Okay, facebook was started for college students, but sometimes adults like to have adult discussions. For reasons beyond me, that woman didn't agree. I would come to remember that incident…
'F's

face-2-face

These days, facebook boils with election tirades. My eMail inbox overflows with political rants that when scratched, turn out to be falsehoods, dozens upon dozens. I hate lies but some people buy into them.

I find it equally offensive when people claim either candidate is a liar. While their facts might be a bit wobbly, a difference of opinion doesn't make a candidate a liar. If we wrongly over-use a word, the word become meaningless.

Upon rare occasions, a message crops up where Velma can't keep her mouth shut. Most are good things: How can you not applaud Margery Flax volunteering to help others in need? How can you not appreciate the Hair Plus Day Spa in Hillsborough, New Jersey offering free shampoos and showers? How can you not like a Republican governor and a Democrat president working together?

In Your face

But not everyone likes the positive. From crime writing, I developed a nose sensitive to bullshit. Thus it came to pass, a picture popped up that offended sensibilities. The photo from an account called 'Tax Payer' purported to show Muslims rioting in Michigan with comments ranting about freedom versus satanism and the usual tripe that the liberal or libertarian press is covering up this important story. A familiar alarm went off: another lie, photographic hate speech.
Dearborn fake

It took only a few minutes to discover the photograph was not taken in Dearborn, Michigan but from news agency file footage shot three to eight years earlier in Afghanistan. In fact, there's a recent Radio Free Europe Afghanistan story using that same file photo.

Velma posted a single comment, one and only one: "This is hokum. The photo is real, but taken more than 3 years go in Afghanistan, not the USA. Check your photo source, you may be in copyright violation."

Before they deleted that comment, one guy actually wrote back: "It may not be accurate but it represents truth."

What? How can compounded lies reveal truth?

thumbs down
Velma's comment was quickly eradicated as I suspect were others inconsistent with the lie, deleted and barred from further commenting.

And then a funny thing happened. A facebook message popped up saying due to complaints about spamming, Velma was barred from sending messages and contacting people she didn't know.

Okaaay. That punishment thing again, for what? Daily messages about colleagues surely didn't imply spam. One single message to 'Tax Payer' didn't constitute spam, did it?

face-off

But I remembered an article about author Deborah MacGillivray and her coven who manipulated Amazon with 'clickies', negative reports of abuse they used to ban critics. facebook has a similar 'click abuse' button. I recalled the woman who claimed she'd gathered 389 people to take down the art page. Had 'Tax Payer' and his sycophantic cronies ganged up and clicked the abuse button to silence the truth?

Due to facebook's lack of transparency I'll never know for sure, but the site certainly doesn't treat people like adults, especially those who act adult. It's ironic that the teens facebook was created for are fleeing to other social networking sites where they can converse out of the shadow of parents while we're stuck on a site with rules for children.
facebook

face down

I sometimes see messages like "I'm back from my most recent 30 day ban." This raises at least three questions: Why were they banned? Why did they return? Why do I suspect they're going to be quickly banned again?

SleuthSayers readers are fine, upstanding citizens but have you faced facebook problems? What is your experience? Tell us face-to-face.

03 November 2012

Not Being Preachy



by Elizabeth Zelvin

The theme of my mystery series is recovery from alcoholism, other addictions, and codependency—a lot harder sell than, say, man against nature or puppies and kittens. Over the years, I’ve been asked to participate in panels with other authors whose crime fiction tackles various social issues, from the environment to human rights violations to animal rights.
(I also had the memorable experience of being assigned to “the booze panel” at Bouchercon, but that’s another story. Suffice it to say I declined to do it a second time.) The one point on which all such authors agree is that it’s crucial to avoid any taint of preachiness while getting their point across. Storytelling trumps theme or issue—always.

Authors sneak their point of view into their mysteries in a variety of ways. The most popular way to avoid preachiness is revision. Put all the pet peeves, hobby horses, and heavy-handed passages that come to mind into the uninhibited first draft, by all means—and then delete them.

As I’ve become a more experienced writer, I’ve become more willing to slash, slash, slash. Ever since a powerful workshop a number of years ago, I’ve found the offending passages leap out at me when I reread the first draft. And when I review each revision, even more cuttable preaching pops up. Most recently, I’ve realized there is more to why these passages must go than simply to avoid irritating the reader. Preachiness is the enemy of pace. My biggest temptation is to overexplain the recovery process and try to demystify the twelve-step programs. When my protagonist Bruce muses about AA, it stops the action. I have to find ways to make the AA principles serve the action, build character, and advance the story.

My point of view is that alcoholism is a disease and recovery is transformative. But Bruce would be unbearable if he constantly plugged that point of view. Instead, I’ve given him a sardonic ambivalence that is much more palatable to the reader. Bruce’s mixed feelings about recovery create internal conflict, one of the key elements in building a fictional character, while they also get the point across. A T-shirt expressing Bruce’s attitude toward recovery might say: “Gimme a break!” He is constantly rolling his eyes over some AA platitude—and then experiencing its inner truth.

My sidekick character Barbara carries another theme that is important to me, that of codependency. Barbara is addicted to rescue and control and to minding everybody’s business out of an excessive desire to help. Barbara is a helping professional as well as an Al-Anon member. She understands that becoming overinvolved with or even giving advice to others is a way of distracting herself from her responsibility to manage her own life. She knows that fretting over what other people think undermines her self-esteem, that she can’t “fix” anybody but herself, and that she can’t blame others for her feelings or choices. If Barbara had all the virtues she’s striving toward, she’d be insufferable. So I’ve made her a chronic backslider. She is constantly being derailed by nosiness, embarrassment, and a desire to run the lives of others. Her T-shirt would say: “Oops!”

One way for the author to gain some distance from the character who represents an issue is to put that character in third person rather than first. That’s what happened with Barbara. In the early drafts of my first book, she was a co-protagonist who alternated first person chapters with Bruce. Bruce’s voice is sardonic and clever, with a lot of feeling underneath. He’s a New York smartass with a heart of gold. The original Barbara was self-conscious and digressive and, yes, preachy, no matter how much I revised the manuscript. The result was alienating to readers. Demoting her to third-person sidekick made her much more palatable and more successful as a character. Reader reactions to Barbara vary: some find her endearing, some hilarious, some inspiring, and some annoying. But they don’t forget her, and I think they come away knowing more about codependency and why codependents need recovery.

I’ve learned a few additional techniques for avoiding preachiness from authors with whom I’ve discussed this challenge. “Show, don’t tell” serves not only the roundedness of characters but also the integration of serious themes. It also helps not to make the the Cause and the Opposition too absolute. Readers may come to the story with a variety of experiences and points of view, and we don’t want to alienate everybody but the True Believer who doesn’t need convincing. The same goes for heroes and villains. It’s good technique to present flawed good guys and let the reader empathize a bit with bad guys. Maybe what saves the character-driven mystery from turning into a sermon is simply: Nobody’s perfect!

02 November 2012

Mysterious Signs


by Dixon Hill

Well, it's the first Friday in November. And, if you're reading this, you've  managed to survive another Halloween (and the accompanying storm, if you're on the East Coast).

We've got just one more night of terror to come, this year:  Election Eve.

That's right, come next Tuesday night -- no matter who wins -- polls indicate about half the nation will be upset about it, certain that we're entering a new era of a "long national nightmare."  But, there's also something fun going on .  And, that fun stuff involves not only elections, but also a real-life mystery of sorts.

Signs of the Times





Mysteries come in many shapes and sizes.  So do political campaign signs.








Those signs seem to multiply like rabbits!  Don't they?  They sprout up just about everywhere -- at least around my town.







Here's a mystery for you:  Which of these campaign signs isn't really campaigning for the candidate on the sign?






























If you picked the sign below, you're right!




















But, you may ask, if it's not campaigning for Mitt Romney, who or what is this sign campaigning for? And, Dixon Hill, how do you know it's not campaigning for Romney?

To answer the last question first, let me show you another sign put out by the same group.  This sign clearly does not support Romney.















Now … to answer that first question, let's do a little investigating.  Shall we?

Since a fairly recent Supreme Court decision, Political Action Committees (PACs) have been granted much freer range for advertisement associated with political campaigns.  The PAC behind this sign is shown below.

Citizens for Sushi?

Who the heck are they?  Are they really a Political Action Committee?  Or are they something a little different?

The Answer is BOTH

They're a real PAC, but the members are people in the restaurant industry.  Very particular members, in fact.  To see what I mean, let's take a closer look at part of that Obama sign.  You see, the Stingray Sushi restaurant uses this logo -- complete with the anime girl -- on much of its advertisement.


Below is a shot of the Stingray Sushi restaurant, here in Scottsdale.  See any signage similarities?


Stingray Sushi is a sushi bar for young, hip kids with lots of cash to drop.  The owners have worked like crazy to promote their restaurant, using an anime girl -- the same one you see on the political signs -- on signs around town, for several years.

Scottsdale and most towns in The Valley, however, have very strict sign codes.  There are almost no billboards in The Valley of The Sun.  So, Stingray Sushi opted to plaster their signs on city buses and other locations that they could buy access to.

The problem is, that little anime gal sometimes gets a bit risque.  Note the look on her face (and the use of her hand) to lend a slightly different meaning to the words "Mitt bit my sushi!" in the Romney ad.

She wound up being too risque for city buses in at least one instance -- resulting in the restaurant having to pull their ads.

What's a restaurant owner to do???

Well, in this case, they take advantage of a fairly recent Supreme Court Decision and create their own PAC.  Then they go out and make signs supporting both candidates, and post them all over town.

This is a type of guerrilla marketing -- meaning that it's low-key, and relatively unregulated.  It flies beneath the radar of most cities, because state law doesn't permit cities to mess with campaign signs.  In fact, federal law is pretty strict about what you can do to limit campaign signage and advertisement, I believe (some of you feds might lend a correcting voice here, if needed).  And, this permits companies like Stingray Sushi to make a little advertisement "hay" while the political "sun shines".

Maybe you don't think that's a sort of fun idea, but I do.  I think it lends a bit of whimsy to a political season filled with scare tactics and negative advertisement, dumping virtual gallons of garbage into my living room every day.

And Stingray Sushi isn't the only business engaged in this practice.  A few more local samples are pasted below.

















 These guys are giving away free gelato -- all you have to do is cast your text-vote!!



And, you might want to note: KJZZ is our local NPR station.  
If you've been thinking this practice is "low brow" maybe this shot lends a different feeling to the idea.


So, have any of you seen examples of guerrilla marketing masquerading as campaign signs in your neighborhood?  Let us all know -- in the comments section.





























See you in two weeks,
--Dixon

01 November 2012

Falling into a Story



by Deborah Elliott-Upton

The weather is cooling, the leaves are falling and hopefully, the East coast is drying out from Sandy. We come to the time of year when we stop and catch our breath and remember our blessings and the reasons we give thanks near the end of every November in the United States. It's a perfect time to fall face-first into a novel or collection of short stories.

My subscriptions are up-to-date and I find happy surprises in my mailbox to help me fill a more slow-paced couple of weeks before the holidays pluck us into tizzies of wild living with parties, get-togethers and all those answers of "What do I give to people on my list?" questions. But before we delve into all that hustle and bustle, let's find something to take us away from it all ala Calgon for a bit of time we can call our own.

I am an avowed lover of short stories. In fact, my bookshelves are literally overflowing with collections of short works of fiction. When I first started writing, I was advised that short stories didn't sell as easily as novels and no one wanted anthologies of short works unless they were authored by someone with the background of a Stephen King or Joyce Carol Oates.

Let's be polite and just say they were partly wrong. I own several anthologies of short fiction (and my stories are included in a few, too) or writers who have yet to bust through to a mention in Forbes magazine. That doesn't mean the stories aren't just as good. Returning movie videos, I ran into a friend who was raving about a movie she'd just watched that neither of us had heard of before. It must have been straight-to-video, which used to mean second-rate. Now it seems to mean less than stellar backing. Marketing isn't everything for movies and books, but it does make a difference. Movies have a shot at gathering additional backing and promotion when they are presented at film festivals like Sundance and Cannes.

Books are judged somewhat by their covers, meaning not just the illustration, but also the name of the publisher promoting them. Short story collections are not always in high demand by publishers, unless -- yes, it's true -- they are authored by a brand name. That doesn't mean the stories aren't worth your time, and yes, money.

One of the best written short story collections I've read recently belong to our own John M. Floyd, published in CLOCKWORK. This isn't exactly a plea to buy his book. It's a head's up to alert those who don't already own a copy, you are missing out on some excellent reading.


But John's is not the only short story collection worth reading!
    

Try just one and let me know if you agree short stories are fabulous.

31 October 2012

Zombie Jamboree


Don't forget you can still enter our contest for a free copy of David Dean's book.  Details are in his column, right below mine...

 Before we get to the main topic of today's lecture, a brief musical interlude.

Michael P. Smith, one of my favorite songwriters, released a new CD last  week, and what do you know?  The very first track, "Accokeek,"  is perfect for a mystery website on Halloween, involving both a murder and a ghost story.  I found this concert recording of that song  on Youtube.  Alas, the soundtrack is a bit fuzzy, but it is worth the effort.


Now then.  A happy, safe, and spooky Halloween to each and all.  And speaking of spooks....

At the university where I work a lot of the students have been engaged in an activity called Humans versus Zombies which is, as near as I can tell, a, elaborate and  humongous game of Tag. The players wear orange headbands or armbands depending on which team (species?) they are on, and race between points of safety.

Okay.  Makes more sense then streaking, which was popular on campus when I was a wee laddie.  So when I say I don't get it, I don't mean the game, I mean the current fascination with zombies.

The weird thing is that the world is dealing with, so to speak, two unrelated types of zombies.  The first are the revived dead persons we think of as a piece of Haitian folklore/religion, but which apparently originated in Africa.

Novelist Zora Neale Hurston, doing anthropological research in Haiti in the 1930s, was apparently the first to suggest there might be a pharmacological explanation for zombies; i.e. drugs that simulate death and/or controlled their will.

But zombies had already staggered into popular culture.  White Zombie, starring Bela Lugosi had appeared in 1931.

And it is in movies that the second wave of zombies arrived.  George A Romero is credited (blamed?) for starting it with his 1968 hit The Night of the Living Dead.  And the odd thing about this, of course, is that the movie never calls the stumbling brain-seekers zombies.  But those are the ones that people have in mind when they use the term today.

People who think hard (maybe too hard) about society have suggested that we can learn something about the current world view by noticing which monsters are popular in a given time.  For example, see the movies in the fifties in which the monsters are the productions of mutations caused by nuclear weapons.  What were people worrying about then?  You bet.

Or consider the rash of vampire movies in then 1980s when AIDS made contact with blood a terrifying issue.

So what does it say about our society today that a prominent monster is the mindless, undead, seeker of brains?  Insert political joke here, I suppose.

And speaking of politics, our favorite federal government joined the zombie industry this year, with predictable results.

The illustration on the right is from a comic book created by the U.S. Centers for Disease Control, using a character's dream of a zombie attack as an opportunity to explain how to prepare for an emergency.

I'm sure it seemed very cute and clever, but when, a few months later, some people were accused of doing nasty cannibalistic things the CDC was forced to issue a statement:  "CDC does not know of a virus or condition that would reanimate the dead (or one that would present zombie-like symptoms).”

As I have said before, if a government author thinks he is being clever and hip, he is probably making a tragic error.

Let's go out with some more music.  Do it Rockapella!...





30 October 2012

All Hallow's Eve


by David Dean
Before we begin I have a very important announcement: We here at SleuthSayers love our readers, so we are going to offer a special treat. We authors are going to give away copies of our books (or similar goodies), one a month, starting now, and continuing until we run out of gifts or readers. This month's prize will be a paperback edition of my book, "The Thirteenth Child", signed by yours truly. All you have to do is email us at Velma(at)secretary(dot)net by midnight, November 3. The winner will be selected at random. Please put the word "Contest" in the subject line. Best of luck...and now back to our regularly scheduled blog.


Halloween has always been one of my favorite days on the calendar. It falls during one of the most beautiful times of the year, involves costumes, the chance of being frightened (and hopefully nothing more), running around at night, and at the end, actual rewards--candy! What's not to like? Of course, some of those enticements are more meaningful when you're a kid, but I guess the spooky charm of it all has never lost its appeal to me--or my wife, for that matter.

When I was a boy growing up in Georgia, I thought it was the next best thing to Christmas. During that long-ago time and in that far-away place, we kids were allowed to pretty much roam at will for blocks in every direction during the daylight hours. It was generally understood that grown-ups would keep an eye on you wherever you went, and certainly report to your parents any code-of-conduct violations they observed. At least this was what we believed and trusted in at the time. But even with this almost unfettered freedom, we seldom ventured beyond our own neighborhood. I think we had a "Beyond this be dragons," philosophy as children. Halloween night, however, all this changed, if only for a few brief hours.


Donning masks, that today would be laughably simple and unfrightening, we gathered into packs with our friends, snatched paper grocery sacks, or old pillow cases, from our moms' hands, and tore off into the darkness--even if it fell on a school night! Besides being a genuinely scary sensation, this roaming through the night, it was also a race with consequences. Every other kid in the known world was trying to get the last of the candy at the next house along your way! An intolerable possibility! When we would begin our scavenging, porch lights winked like a vast constellation across the city, but within a scant few hours, those same lights began to vanish, one by one, returning the world to its previous drab and unmagical state--they had run out of candy. Intolerable, indeed.

This inevitable consequence would force us to race from house-to-house, and eventually to leave our neighborhood for parts unknown. There was no need to discuss our direction of travel, as only one direction made true sense--east. To go west was to cross Hamilton Road and venture into a vast shanty town of mill-workers and their very tough kids. As these same kids were running roughshod over our own neighborhood, their sheer numbers and determination an unstoppable force, Gothic in both number and consequence--we flew east ahead of them. A neighborhood called "Winchester" was our bountiful target. I think they viewed us kids from "Lester's Meadows" in the same fearful light we did the trolls from "Bealwood"--Beal as in Beelzebub. But no matter, we were swift and artful, and returned to our homes laden with booty!

Dumping all the goodies onto the floor we would sort through the takings, setting aside treats that did not suit our particular palate. Then, using these as barter, we would engage in furious trading sessions--you would have thought we were young Wall Street brokers--hard-nosed and keenly avaricious. It was a great night!

This was all vastly different from the true origins of All Hallows, or its earlier incarnation of Samhain. Samhain was an observance by the ancient Celts of Gaul and Britain commemorating the loss of the sun with the coming winter and celebrating its eventual return in the spring. Perhaps because of that descending darkness, this was also the night that the dead returned to walk among the living. Encounters with the dead were not generally considered a good thing, as it could signify that your own time amongst the living was at an end. As if this was not a frightening enough situation, the Celtic priests (Druids as they were called), made this a night of human sacrifice, piling prisoners-of war, criminals, and other undesirables, into a wicker framework designed to resemble a giant man, and setting them ablaze. By the light of this titanic, and gruesome, torch, everyone feasted and danced the night away. I often suspected the kids from Bealwood had similar plans for me and my friends. Even Julius Caesar, not known as a squeamish man, was affronted by this practice, which apparently he witnessed during his invasion of Britain in 54 BC. In a righteous fury he had thousands put to the sword--much better; more civilized certainly. When one pines for "the good old days" one should be specific...and careful.

With the coming of Christianity, and the adoption of the cross by various Irish, Scottish, and British (not to be confused with English) kings, things began to change--but not quickly. Old habits die hard as they say, and the Celtic belief that Halloween was a night when the spirits of the dead walked amongst the living, just would not die a natural death. Not wishing to alienate these new Christians, the Holy Roman Church did something smart--they just co-opted the occasion. Making the day after Samhain a church feast (Holy Day) to celebrate the unknown saints--All Saints (as opposed to a specific saint), the evening prior became All Hallows Eve, or in the vernacular of the day, Hallow e'en.

"It Is Dawn; We Go"
It only took a millennium or so, for the terror of Samhain to be tamed into the costumed trick-or-treating we know today. Treats were often left to propitiate wandering spirits, as well as ancient gods and monsters, and certainly my friends and I were often labeled little monsters even when out of costume. Failure to play by the appropriate rules would lead to tricks being practiced on the un-believers. A just arrangement, in my opinion. Costumes of demons and ghosts incorporated some of the darker elements of the earlier pagan practice; being also useful in avoiding identification as regards the aforementioned tricks, and therefore practical, as well.

So, from dark and bloody beginnings, children now cavort through the evening in the service of their sweet-tooth, their costumes giving them a sense of anonymity, and therefore, freedom, even as their parents trail mere paces behind ( a concession to a different, and once again, darker time). The night is filled with laughter, and not screams, or at least not ones as fearful as Caesar must have heard issuing from within the wicker man. The dark side is held at bay, even on the eve of its commemoration, and I, for one, am not sorry. Happy Halloween!

29 October 2012

Guest Blogger



EXCERPT FROM Mother Hubbard Has A CORPSE IN THE CUPBOARD

 CHAPTER THIRTEEN

Anyone who’s read a Callie Parrish Mystery knows I’ve never written a thirteenth chapter.  I’m not superstitious, but I, Calamine Lotion Parrish, have not and will not write a Chapter Thirteen.  It started with my first book when I thought about buildings with no thirteenth floor and why that might be. 

                     When I was a child and went to Charleston or Columbia with Daddy, we rode in elevators, and he let me press the buttons. I didn’t realize there was no floor called the thirteenth.  I thought they just left out the number between twelve and fourteen because there was something evil associated with thirteen.  I believed the thirteenth floor existed, but it must have been a place of secrets.  That fascination with hidden doings behind closed doors and the slight fear triggered by those thoughts probably account for my enjoying horror stories along with the mysteries I’ve loved since my first Encyclopedia Brown and Nancy Drew books.

                     This time, I have a really good reason for being scared of thirteen and refusing to write a Chapter Thirteen.  I just finished reading The Thirteenth Child by David Dean.  I’m telling you:  When I got to the last fifty pages of that book and what happened on Halloween, I wet my panties.  I’m not kidding.  Problem was where I was reading.  In bed.  I was snuggled all cozy under the blankets reading when my bladder protested being full of Diet Coke, and I was  too scared to get up and go to the bathroom by myself.   
Big Boy

                     All one hundred and forty pounds of my full-grown dog Big Boy slept like a puppy on the rug beside the bed, but by the time I woke him up to go with me, it was too late.  Of course, then I had to go to the bathroom for a shower, to the kitchen to put the wet things in the clothes washer, and to the linen closet for dry sheets.  After we did all that, Big Boy wanted to potty, so I took him outside.  He thought we’d go for a walk, too, but I only let him hide behind the oak tree and do his girl-dog squat to tee tee like he always does.  Made him come right back into the house. Feeling a little guilty about refusing to walk him, I gave Big Boy a banana Moon Pie. His vet doesn't like for me to feed him my favorite--chocolate--so I have to keep two boxes in the cabinet at all times.

                     I’m not telling anyone why David Dean chose The Thirteenth Child as the title of his book.  Let ‘em read it, and find out for themselves.  I will say it was a good decision, and I’m going to visit  that book again.  I might read it in the bathtub next time so that I won’t have so far to go if it scares the—oops!  I’d better not go there.

NOTE FROM FRAN RIZER:  Thanks to Callie for blogging for me this week.  I thought with Halloween upon us, it would be nice to hear what she thought of David Dean's new book, but please excuse her references to bodily functions. I try to control Callie, but she says and does as she pleases.  There's a great Halloween scene in The Thirteenth Child.  Check it out, but you might want to read near the bathroom.  .

28 October 2012

A Non-iconic Writer


She came into my office like a gal out in the woods in one of those sexy movies, smiled at me, flowed across the room with fluidity of hot molasses, sank into the big leather chair opposite my desk, and crossed her legs slowly, gracefully, gently, as though taking care not to bruise any smooth, tender flesh.
… is how Hollywood PI Shell Scott, the sole owner of Shelton Scott Investigations, describes the lady who enters his office in “The Guilty Pleasure,” the first story in Richard S. Prather’s The Shell Scott Sampler. The lady turns out not to be a bimbo or floozy or dame or babe or gal, but a very rich, respectful lady asking for help.  

Richard S. Prather (1921-2007) introduced readers to his hardboiled detective, Shell Scott, in the 1950s. I don’t remember when I began reading his stories, but it was about the time I also discovered Hammett and Chandler. I liked his novels and stories best  because “he also saw the banana peel on the sidewalk. And then he dispatched his Hollywood private eye...to take a little walk” (thrillingdetective.com). It is the banana peel on the sidewalk that separates Shell Scott from the other hardboiled PIs. He doesn’t take life too seriously. Like all hardboiled detectives, He uses his fist, gun, and intuition to solve crimes and catch criminals. Though he’s always thinking about sleeping with which ever woman comes his way, he is no sexist.

“Eye Witness: Richard S. Prather: 1921-2007” an article by Kevin Burton Smith in Mystery Scene Magazine (No. 99, 2007) reminded me of how much I enjoyed the Prather stories. After reading the article, I exhumed from one of the boxes of books where they were buried the four books of Prather’s that hadn’t been lost in my move from California back home to Tennessee and put them in my to-be-reread box. I didn’t think of him again until I started reading Stephen King. They have nothing in common, except both are writers, and I can’t explain why reading King reminded me of Prather.

To revive my interest in this non-iconic writer, I reread the five stories in The Shell Scott Sampler. The best story is “The Guilty Pleasure” in which Lydia wants Shell to find out what the little thing she found under her bed is. No spoiler here, so I’m not saying what it was. Okay, I know some of you will guess.

The worst story is “The Cautious Killers” in which Shell has to find out who shot at him and why as he and his date and another couple exited a restaurant. Too much descriptive baggage surrounds an acceptable plot. More telling than showing, especially the descriptions of the women, which slows the action. I thought maybe Prather was writing to increase the payment for the story, you know, a penny or two per word. Nevertheless, I still enjoyed the story.

Shell seems more familiar to me than Hammett's Continental Op or Chandler’s Marlowe, so much so that I feel comfortable referring to him by his first name. Of all the hardboiled PIs, Shell is the one I would rather have drink with in a bar in Hollywood as I listened to his stories about his cases, provided I could keep his attention from straying every time a beautiful woman walked into the bar.

Dean Davis' excellent Prather web site appears off-line at the moment, but for more on Prather, try Eddie Stevenson's Gold Medal pages on Prather.

Warning to all writers of murder mysteries: do not plan any murders on Halloween. I have it on good authority that the victim will come back to haunt you. This authority also warned me not to use my computer on Halloween because the gremlins that cause so much frustration– frozen hard drives, lost files, missing fonts, etc.– become zombies and vampires and werewolves and attack the user– namely me.

You have been warned!

Have a 


27 October 2012

The Gifted Child




by John M. Floyd


Like most of my writer friends, I enjoy reading different genres.  In fact I read books and stories in almost all genres, except maybe romance novels--and now and then I even like a good love story.  As for authors, my favorites run from Bradbury to King to McMurtry to Cormac McCarthy, with a lot of offbeat writers in between.  One of my absolute favorites will probably always be Nelson DeMille--I love his novels and his style--and only a couple of years ago I discovered another great author, someone most crime/suspense readers have known about for a long time: Lee Child.

For some reason I didn't start reading his Jack Reacher series at the beginning.  I started with the twelfth installment, a novel called Nothing to Lose.  But after that one I was hooked.  I went on to seek out and devour every Reacher novel I could find (no Child left behind?), and I only recently finished the latest, A Wanted Man.  Unlike any other series I can recall, this one had not a single misfire; I enjoyed every one of these books.  Yes, some were better than others--I consider The Killing Floor, The Enemy, Die Trying, and The Hard Way to be among his best--but all of them are darn good.  Apparently a lot of readers agree.

If you don't know Jack . . .

Reacher is one of those rare characters that both men and women seem to like.  He's a former West Point grad and Army major who has since lost most of his respect for authority and conformity, and has a strict personal code of honor that sometimes reminds me of Robert B. Parker protagonists like Spenser and Jesse Stone.  Reacher is tough, smart, and resourceful; he owns nothing but a foldable toothbrush, an ATM card, and whatever clothes he happens to be wearing at the moment; he has no attachments, no home, no car, not even a driver's license; and he travels mainly via bus or hitchhiking.  Maybe that's why he's so appealing--he's nothing like the rest of us.  He also doesn't talk much.  One of the few criticisms I've heard of Child's writing style is that the sentence "Reacher said nothing" happens too often.  But, hey, Reacher often does say nothing.

The only drawback I've found to the series is that the titles usually aren't related at all to the content, which means I sometimes can't remember what title goes with what adventure.  And in the grand scheme of things, that ain't much to complain about.

Child psychology

The author, I'm told, is a native of England and a former television director--and I would guess that his background in TV probably influenced the entertainment value of his novels.  His books are always smooth, fast reads; there's a lot of action and excitement, and very few slow spots.  That's exactly what most TV productions strive for (although they don't always deliver), and is a perfect illustration of one of Elmore Leonard's famous Ten Rules of Writing: leave out the parts that people skip.

I think the best thing about Child's writing is that the stories themselves are fascinating, with plot reversals throughout.  I once heard that the creators of Cheers chose a Boston bar as its setting because in a neighborhood tavern different people would be coming in and going out all the time, thus there would always be stories available.  I would suggest that Lee Child made Reacher a drifter so that he could have limitless opportunities to run into interesting situations.

Short (?) subjects

As a movie lover, I must say a few words about the upcoming and long-awaited film adaptation of Child's novel One Shot, called (believe it or not) Jack Reacher.  I was a bit surprised by the casting of Tom Cruise in the lead role, mainly because Reacher's size--six-five and 200+ pounds--is, in the novels, a big factor in what he can accomplish and the impression he makes on the other characters.  I don't doubt for a minute Cruise's star power or his acting ability, but from a physical standpoint he does seem an odd choice.  (Russell Crowe isn't a giant either, but it seems to me he would've made a perfect Reacher.)  Having said that, I do understand that Child himself approved of the casting decision, and that helps dispel some of my doubts.  I suspect that I'll wind up enjoying the movie.

Something else that's close to my heart is short stories.  There are now two shorts starring Jack Reacher: "Second Son" and "Deep Down."  Both are available on Kindle, and I heard that the paperback version of The Affair contains a copy of "Second Son."  Apparently there is also one more Child short story featuring Reacher, although not as the main character: "James Penney's New Identity."  I look forward to reading all three.

Reaching Reacher readers

Have any of you read Lee Child?  If so, do you like his work?  Which book in the series is your favorite?  Your least favorite?  Are you familiar only with his novels, like me, or have you read his short stories as well?  What do you think of the Reacher character?  If you were producing the new movie, who would you choose for the part?

For those of you who haven't read the novels, here they are, in order of publication:

Killing Floor
Die Trying
Tripwire
Running Blind
Echo Burning
Without Fail
Persuader
The Enemy
One Shot
The Hard Way
Bad Luck and Trouble
Nothing to Lose
Gone Tomorrow
61 Hours
Worth Dying For
The Affair
A Wanted Man

Next up: Never Go Back

I can't wait.