by Thomas Pluck
I first encountered Thomas Pluck in 2011 when I read a remarkable tale in A Twist of Noir called "The Uncleared." You can read it here. When I reviewed it at Little Big Crimes I wrote that "I can easily see this story as the outline for one of those looong broody tales that EQMM loves so much. Instead he fit it on a postcard, and did it with no sense of cramming or shorthand. Quite remarkable." It is that.
Thomas's most recent book is BAD BOY BOOGIE, a Jay Desmarteaux crime thriller. Ken Bruen called it a "must re-read novel." And like me, he is a New Jersey boy. What else do you need to know?
He made a guest appearance here in March, which should have warned him off, but apparently he is a slow learner and agreed to take a permanent seat at our table. This is his first shot as a regular. I'm sure you will enjoy it. Please make him welcome, and remind him to cut the cards. - Robert Lopresti
Hello, everybody. I'm honored to join the crew here at SleuthSayers, and I hope you'll enjoy my triweekly musings here. And thank you for the kind words, Robert. I keep going back to "The Uncleared" and there's a novel waiting to come out, once I visit Alaska... which brings me to the subject of today's post. But first, let me say how I came to be here.
I've been a fan of the crime and mystery genre since grade school, when I cut my teeth on Agatha Christie and Encyclopedia Brown. Later came the Fletch series, Ian Fleming, and Hammett brought me into hardboiled. For a good while my trinity was Lawrence Block, James Lee Burke, and the pet shop cozies of Barbara Block (no relation) and now I read everyone from Hilary Davidson and Tana French to Joe Lansdale and Laura Lippman and Walter Mosley, and I have a soft spot for Liza Cody's Bucket Nut wrestler tales with Eva Wylie, and Christa Faust's Angel Dare series. I read outside the genre a lot as well. Stewart O'Nan, Victor LaValle, Laird Barron, Joyce Carol Oates (though she does write suspense as well), Roxane Gay. To get an idea of the range, I recommend Protectors 2: Heroes, the anthology I edited to benefit The National Association to Protect Children, which has a solid core of mystery with fantasy, horror, lit, SF, and poetry mixed in.
But enough about me, we're here to talk writing. I recently returned from a two week tour of central Europe by car, where my wife Sarah, and my best friend Johnny and I toured seven countries in 3800 kilometers, having adventures and seeing both expected and uncommon sights. And of course, it inspired several story ideas. I've always felt envious of writers who can master a sense of place without having physically visited it. Lawrence Block for one, has written several stories about countries and cities he's never been to--despite being an accomplished world traveler--and the level of verisimilitude he manages never makes you question whether he's been there.
I don't always visit areas I want to write about, or write about places I've been, but some can't help but inspire a good story. In Munich, we stayed in an area where there was a high refugee population, which gave me a good view of the stark differences; the heart of an old city blocks away from a modern one. In the space of twenty minutes we walked from a tight neighborhood of buildings hundreds of years old celebrating Charlemagne, through a tony open mall where opera was performed, to a grimier urban red light district reminiscent of old Times Square.
In Amsterdam, the streets were clogged with bicycles. And our canal boat guide joked that the canals were filled with them, too. It didn't take much to make me wonder how easy it would be to chain someone to their bike with a few cinder blocks and chuck them into the water. (I might have even thought it a fitting end for a couple of cyclists who blew through pedestrian walkways while looking at their phones.) That's not so different from New Amsterdam, New York, these days with cars parking in the bike lanes and bicyclists veering onto the sidewalks and phone-addled pedestrians walking wherever they please, but there was no electricity in the air in the older city; everyone was relaxed, perhaps due to the easy access to the demon weed. (The one place they weren't relaxed was in the supermarket, the munchies, I suppose).
The story that relied on my travels the most was Blade of Dishonor, which I based on my trip to Japan to see my oldest friend compete in his first martial arts competition, train at his teacher's school, and galavant throughout Tokyo and Niigata with a bunch of rowdy fighters. That was such a culture shock that I knew I'd write about it someday, and was glad David Cranmer gave me the excuse, when he approached me to write a story about a fighter who comes into possession of a stolen sword.
Some writers draw inspiration from familiarity. The same routine, the comfortable writing room, or spot--I have a nook in the parlor with a view of Manhattan in winter, and trees the rest of the year--but others need a jolt, and some of us benefit from both. I couldn't visit the Talheim Death Pit in Germany before I wrote "Truth Coming Out of Her Well to Shame Mankind" for Lawrence Block's upcoming art-themed anthology Alive in Shape and Color. But I visited the area last week, and saw similar remains in the Neues Museum in Berlin, just in time for final edits. But the odd thing was, I changed nothing. What I'd come up with in my imagination felt true enough. There's one scene in a quaint Medieval village that drew on a real visit, but nothing I couldn't have gotten from a trip through Google Maps and Street View, and perusing the Medieval Justice and Torture Museum website.
So maybe you can write stories without ever leaving your chair. That's where the work gets done. And I'm glad I got back to it last night, savoring a dram of peaty scotch and writing a safecracking scene in the basement of a colonial-era tavern that never existed, based on several that are now lost to history. That's a place I like to visit in my head, and I hope it will be as enjoyable for readers to join me there on the page.
What works for you? Are your best vacations in your head, or do you draw from the real ones for inspiration?
21 July 2017
06 July 2015
by Jan Grape
by Jan Grape
Gayle Lynds has done it to me again. Her new thriller, The Assassins, a July release from St. Martin's Press, opened, grabbed me by the throat and kept me up late two nights in a row. As much as I love sleep, this is a superb read and one missing a few hours of sleep over.
The story opens in 2003 with the assassins, who each had done jobs for Saddam Hussein and none had received their final payment before Saddam was ousted. That's just not the way to do business with these guys.The usual operating procedure for an assassins contract is to be given half of the agreed monies with acceptance of the contract and the remainder when the job is finished. Seems Hussein liked to stiff on a contract or he had too many problems to take care of business. Eventually, they are contacted by one of their number who has located a General, who had been in the Special Republican Guard under Saddam. The General says he can get them into the National Museum of Iraq in Baghdad, before the Americans arrive and where they can steal a priceless antiquity which then may be sold for billions of dollars.They can divide the money and go happily on their way.
The assassins don't know each other personally, but they are acquainted with each other's work. None would trust the others with the theft so the plan dictated all would be in on the heist. Every thing was working fine until...okay, I won't spoil here.
From Washington, DC to Paris, to Baghdad to Marrakesh the assassins are pitted against each other because everyone wants a piece of the missing billion dollar fortune. With Eva and Judd trying to unravel the plots and counter-plots while caught in the crossfire of men who think nothing of killing for money, you are swept along and reading pages as quickly as you can.
Gayle Lynds is one female thriller writer who had the background and knowledge to write a spy thriller as good as anyone. Don't ever tell me women can't write thrillers. I would love to write one myself, but I honestly have no education, training or knowledge for espionage.
Gayle Lynds worked for a think tank in Washington and is a member of the Association of Former Intelligence Officers. She was married to the late Dennis Lynds who wrote wonderful spy and mystery stories and books. She worked with Robert Ludlum. Gail and David Morrell co-founded International Thriller Writers. So it's no wonder she doesn't write LIKE a girl. Which is a dumb way to speak of any writer, I've read many thriller books by women. Look it up if you don't believe me.
Two years ago, Gayle met and married John Shelton and moved from CA to Maine. John is a former prosecutor, defense attorney and judge, and writes articles for Law Journals. She says John is her first reader and helps with certain legal fact and brain storming.. Oh yeah, she and John have collaborated on three short stories. She has traveled overseas to research the great locations in her books. I learned much about cities and countries I've never been able to see. She captures all the sights, sounds and feelings of those cities.
If you've never read Gayle Lynds before, try The Assassins, The Book of Spies, The Last Spymaster, The Coil, Mesmerized, Mosaic, or Masquerade. With Robert Ludlum: The Hades Factor, The Paris Option, The Altman Code. If you like spy thrillers like I do, you'll definitely enjoy everything by this talented writer.
A little personal note: Tomorrow returning from a Grape Family Reunion. Yes, I know, a bunch of Grapes, descended on Memphis, TN I'll have to tell you about it next time and maybe I'll have pictures, too.