Humans are a Puzzlement...

"Never say you know the last word about any human heart"

— Henry James

And as for the human mind… Of course, this is what makes communicating with each other so difficult, whether in person or in writing. And not only do we not know what's going on inside of someone else, we don't even know ourselves, and I'm not talking about repressions or neuroses. I'm talking about how the way we're built literally shuts us off from things about ourselves that are perfectly obvious to everyone else.

We don't know what we really look like. For one thing, all we ever see of ourselves is in a mirror.

(NOTE: This is a plot point in Agatha Christie's Funerals Are Fatal.) And when we do see ourselves in a photograph or a video, we're often shocked, shocked, shocked at what we see! Not to mention how we often carry around an image of ourselves from some time in our past. For example: I hit my current magnificent height of 5'5" when I was in grade school, and one of my best friends did too. We towered over everyone around us. And ever since, I've seen myself as tall. So it came as a shock, back in the late 1990s, to hear someone describe me to someone else as "kinda short". Kinda short? KINDA SHORT??? And then I realized that I had to look up at almost everyone around me. Damn. Still getting over that one.

We don't know what we really sound like. We hear everything we say from our own little skull's castle of flesh and bone and various fluids. Now I have always known that I have a very deep voice for a female (an alto or a baritone, not sure which, but I have been told that it's "sultry") because in grade school I often got cast as a boy in the school plays. I also have an odd combination of a Southern California and Kentucky drawl. (BTW, I can do a dead-on impression of Mitch McConnell.) I never heard a recording of myself until I was in almost 20, and I realized that I sound sarcastic even when I'm saying "So, how's it going?" Sultry and sarcastic: sounds like the subtitle on my future detective's card.

We don't know what we're feeling, and we don't know what to do with whatever we're feeling. Seriously. Ask any toddler, teenager, parent, or boss who is having a complete and utter meltdown. If they can breathe long enough to talk.

Kat Dennings doing a GREAT teenage girl freakout in The 40-Year-Old Virgin

I know I did a lot of Alternatives to Violence Project workshops up at the pen where the inmates couldn't handle most negative emotions, and rather than face boredom, sadness, frustration, anxiety, or fear, they would explode into anger. And of course, you can't just say, "oh, gee, I'm angry" and calm down. As many inmates - and others - told me, "You know how it is. You get disrespected, you gotta react. You can't let anything go, because then somebody's gonna f*** with you, and it's only gonna get worse." BTW, sadness often led to isolating, cutting and/or attempts (or success) at suicide.

Now that might sound like adolescent behavior, but studies have shown that a large number of people are first arrested as juveniles, with over two-thirds of those in state prisons having a first arrest before age 19, and 38% before age 16. So where and how are they supposed to grow up?

But then, I don't think humans do a very good job of teaching emotions. (Lately I don't think much of our skills at teaching reading, writing, history, science, civics, and arithmetic, either, but that's for another blogpost.) You want to see some real unbridled, spit-flecked meltdown rages? – go online, where the ubiquitous Usernames, Gamertags, etc. go after others the way Jack the Ripper went after his victims on the foggy streets of Whitechapel.

We don't know how to share any of this with others, because... We think they see, feel, hear, know what we see, feel, hear, and know, and oh how wrong that is.

Here's an example. I used to teach a community ed writing class back in the Reagan years. And the first thing I started with was talking about words, and what people see when they hear or read a word. So I told them, write down the first image or emotion or memory that comes in your head when I write a word on the board. And the first word was always "Apple".

Answers: red, yellow, green, Apple Music, Apple computers, 1980 Apple IPO, apple tree, apple scent, apple pie, sliced apple, whole apple… all of those were among the answers given.

So, every time we write what we think is a very obvious, simple description... it's not. We know what we see in our mind when read / hear it, but we have no idea what's firing off in other people's minds when they read / hear it. It's a wonder anyone understands anything. But then I'm the person who found the first five chapters of Moby Dick hilarious.

We don't know why we do at least some of the things we do. Because we assume that how we were raised, the food we ate, the way it was cooked, the way the clothes hung in the closet, the way the laundry was done, the way the garden (if any) was planted, the way we dressed to go out (if we went out), that was what was normal. And then you meet people who don't live the way you did... Obviously, they're doing it wrong. Or maybe you finally meet the people who are doing it right, but don't know how to imitate them.

We don't know why we're attracted to certain things, from the colors we prefer in our house (I've always been a big fan of cobalt blue) to people with a certain hair/eye color. Or why certain things repel us. I don't and can't wear jewelry, and never have, because back when my mother first put a little necklace on me (I mean, after all, I was a girl, and girls are supposed to love and wear jewelry), I smelled the most terrible smell... And it happened every time she tried to bejewel me. I have no idea why, and I don't WANT to know why. There's a nightmare there, and I don't want to have it.

We don't know why we annoy other people; nor why we are annoyed by someone else. And that we don't usually analyze. Obviously, they're jerks. See Robert Browning's

Soliloquy of the Spanish Cloister

I	II
Gr-r- r – there go, my heart’s abhorrence! Water your damned flower-pots, do! If hate killed men, Brother Lawrence, God’s blood, would not mine kill you! What? your myrtle-bush wants trimming? Oh, that rose has prior claims – Needs its leaden vase filled brimming? Hell dry you up with its flames!	At the meal we sit together; Salve tibi! I must hear Wise talk of the kind of weather, Sort of season, time of year: Not a plenteous cork crop: scarcely Dare we hope oak-galls, I doubt; What’s the Latin name for “parsley”? What’s the Greek name for “swine’s snout”?

To hear the whole poem, listen here:

Don't you wonder why our narrator is so infuriated with / about Brother Lawrence?

We are so strange, and we know so little, about ourselves and others - and that right there is the biggest set up for any mystery, any at all. That's being human.