Showing posts with label children. Show all posts
Showing posts with label children. Show all posts

11 December 2013

The Revolt of The Oyster


Don Marquis, who died seventy years ago, is probably best known for ARCHY AND MEHITABEL, but he published some thirty-five books, and his daily newspaper columns were widely read. THE REVOLT OF THE OYSTER came out in 1922, a collection of what are best described as Shaggy Dog stories (some of them in fact told from the dog's POV).

This post, though, isn't really about Don Marquis, that's just a loose hook. I first ran across THE REVOLT OF THE OYSTER in my grandmother Ada's summer house on Salters Point, near New Bedford, on Buzzards Bay. Anybody who's ever rented a vacation cottage remembers that they're often furnished with old Agatha Christie paperbacks, say, or Louis L'Amours, or the Hardy Boys, and I remember going down every year to Ada's house, until I was maybe fourteen or fifteen, and every year I'd go straight to the bookshelf and take out the Don Marquis again. I never took it home with me. I always left it there for the next summer, a talisman, or a touchstone, if you will. I associated the book with that particular place, the smell of the ocean, the light on the water, the house itself, with its porches overlooking the seawall, my grandmother's sister, my Aunt Al, sitting in her room by the windows, playing her endless games of solitaire.

Hancock Pt. library
My other grandmother, my mother's mom, had a cottage up in Maine, at a place called Hancock Point, across from Mt. Desert Island. The way it seems to me now, although I may be misremembering those long-ago summers, is that we'd spend July at Salters, and August in Hancock. Hancock had a little seasonal library, most of the books out-of-date, on loan or donated, and there was a children's wing on one side, a great place to spend a rainy day. The book I checked out every year was THE BEARS' FAMOUS INVASION OF SICILY, and again, I connected it particularly to Hancock Point. I never thought to read it, or even try to find it, anywhere else. It was that physically specific.

Memory is of course inexact, and it shifts under our
feet. Also, we invest old favorites with our own imagination. Was the BEARS book really any good? I really only remember the drawings, which were wonderfully evocative. You could probably say the same thing about the Babar stories---if you look at them from a grown-up perspective, are they an apology for French colonialism? I'd rather no project this kind of moral re-reading into them. It stifles delight. And we were innocent of politics, then. We were kids, after all, and maybe less demanding. We satisfied ourselves by entering an unfamiliar world, one that we inhabited, and populated, that became more familiar over time. If, in fact, not the books, per se, that sense of wonder we recall, that first encounter. It brings back to me the smell of the piney woods, or the salty rocks, or a fire in the fireplace, on a stormy night. My childhood, in a word, a time and a place that no longer exists.

This isn't loss, or regret. It's more a kind of conjuring trick, an act of reimagination. We're never going to be nine years old again, but we can visit, and when I read THE REVOLT OF THE OYSTER, it becomes, for me, a trip to Ada's house by the shore and the world of summers gone, a game of solitaire, shuffling the cards.

09 May 2013

Why Didn't They Just Leave?


I had a nice little blog post all set up and ready to go for today, but you're going to get it next week because I am pissed off and need to get this off my chest:
Some days you get up, watch the news, and just get pissed.  I did after hearing about the 3 women, held captive for 10 years in Cleveland, who were finally set free, thanks to one of them screaming loudly and a neighbor who (God bless him and keep him) came to her rescue.  That was wonderful.  What wasn't, what pissed me off so badly I am on a rant, was all the pundits, raising as always the ugly, stupid, evil question of why didn't they escape before?  Why didn't they run?  Why didn't they disarm their captors?  Why didn't they -

And which point, gentle readers, I went into a profanity enhanced symphony in F Major, screaming at the TV set, and at everyone who has ever thought, "Why didn't they get out sooner?"

Disclaimer:  I have never been kidnapped and held captive against my will.  But I did grow up in your classic alcoholic prison home, the kind full of secrets and violence, where no one from outside was allowed in (they might find out!) and no one was allowed out without specific permission and very specific threats if any mention was made of the crap that was going on.  As a child, I wasn't allowed to participate in extracurricular activities, from band to sports - I wasn't to be trusted.  At the time, I thought it was that they didn't trust what I would do, that they thought I was going to go hog-wild with sex, drugs and rock and roll (which I did, later, after I left, and had a hell of a time, which I rarely regret).  Now I know it was that they didn't trust what I would say.  No one could know what was going on in our three bedroom ranch with the nice lawn and the two car garage...   And it wasn't nearly as bad as some of the other situations in our lovely little suburb, like the family across the street, where the father raped his three daughters regularly. 

Second disclaimer - this was the late 50's, early 60's, where everyone knew that things like rape and incest didn't happen, any woman or child who showed up in public with a black eye or other obvious bruises deserved it, and any child who reported such behavior was obviously a pervert themselves.  The result was that all of us kids knew what was going on in that house - but we never dared tell anyone.  Whenever someone talks about the good old days, I bring up the house across the street, and how no one did - or seemingly could do - a damn thing about it.  At least now you can call Social Services.

Why don't people leave horrible situations?  Because.  It is frighteningly easy to convince almost anyone that they are worthless, that they deserve what they are getting, how they are being treated, abused, beaten, etc., that no one cares about them, that no one will ever care about them, that they have no future, no hope, no nothing outside of the current situation, the current power-holder.  It is frighteningly easy to isolate someone from everyone else on the planet - and that's in "normal" relationships, without locks and handcuffs and cells in the backyard or basement.  It is frighteningly easy to threaten someone not with death - death would be easy to face - but with the forever of it, with it always, always, always getting worse.  And worse can be, and usually is, manufactured at any time. 

And that's with adults who chose each other.

Now, think about kidnap victims, who are usually kept tied up, imprisoned (closets, basements, etc.), threatened, beaten, raped, drugged...  When exactly are they supposed to get free?  How?  And when the kidnap victim is a child...

Jaycee Dugard was eleven years old; Elizabeth Smart was fourteen; Steven Gregory Stayner was seven; these three women were teenagers.  What were they supposed to do?  Act like Rambo?  How?  Steven Stayner actually did escape, but that was after his captor, 8 years later, had kidnapped a five year old (!) and young Stayner was so upset by the poor boy's distress that, while their captor was at work, Stayner took the five year old and went into town (I'm sure he was scared out of his wits the whole time), where they were found by the cops.

It's amazing that any of these eight came out alive.  Ever.  What's frightening, what is unbearable to think about, is to think of the ones who don't.  Right now there are people who are being held in someone's basement, back yard, closet, house.  Who have been held for days, weeks, months, years.  Who will never be found, never come out, never be set free, unless someone spots something wrong. 

So, let's all agree that the next time someone says "Why didn't they get out sooner?" we will bust their chops.  And pray for everyone held captive.  And if you know of someone who's doing terrible things - in the house across the way perhaps - what the hell.  Call the cops.  Call Social Services.  Make someone listen.  Maybe someone else will finally be released.

End of rant. 

20 January 2013

Charged as an Adult


by Leigh Lundin

I write today's column as a matter of conscience. Friends who like labels find me hard to politically peg, but most issues boil down to common sense– What's right and what's wrong. A wrong that horrifies me is the practice of criminally charging children as adults.

Common wisdom says America's too soft on criminals. Common wisdom is wrong– the yoke of our punitive Puritans weighs heavily upon us. Although you may have read the US imprisons more of its population than the vast majority of nations, in the same category as Iran and North Korea, that's old news. The Guardian reports the US is now N° 1 when it comes to jailing its citizens. In more detail, according to The Economist, the USA has 5% of the world's population but incarcerates one fourth of all prisoners on the planet.

Contributing to this is a phenomenon called 'over-sentencing', like a three-strikes life term for stealing a bicycle. Parole boards, fearful of being dubbed weak or soft on crime, are loath to release offenders. Likewise Congress enacts ever harsher, more punitive legislation, capped with laws making it difficult to prove post-conviction actual innocence. And prisons are profitable– not for taxpayers, but for the newly emerging prison corporations.

Eating Their Young

kids in prison
© Reuters; 20Minutes.fr
America is nearly unique charging children as adults. Until the Supreme Court finally ruled against capital punishment of children, states used to execute kids, both boys and girls.

Prosecutors offer rationalizations: "[She] deserves to be tried as an adult for making an adult decision." "The more adult the crime, the more deserving the killer is of adult justice." Certainly heinous acts arouse the fury of the public, especially killing of another child. It's not easy to like or feel sympathy for a creature that kills a parent or the very young, merging into a society that's willing to discard what it considers mistakes… even when the mistakes are our own fault.

The problem is that youngsters are not adults. Children are not even close to mature given the arbitrary age of majority of 18, 21, or– as insurance companies insist 25. If anything, child criminals may be less mature than others their age, but that doesn't stop persecutors from trying children as adults, often opting for life without parole.

Treating Their Young


The recent case of Jordyn Howe has turned a tragedy into a triple heartbreak. The 15-year-old Florida boy showed off one of his family's .40 calibre automatics on his school bus. The weapon discharged, killing 13-year-old Lourdes Guzman-DeJesus. Weeks later, her distraught father Armando committed suicide.

Miami-Dade Detective Roy Rutland concluded the shooting was an accident. Those who know the slender, clean-cut youth contend he is a decent boy. but that isn't stopping prosecutors from charging the child as an adult, despite early assurances that wouldn't happen.

Can prosecutors ever justify trying children as adults? If so, for what offenses, what circumstances? Can 'bad seed' be saved or is society right to throw away the key with the child? What do you think?

16 December 2011

Truth in Fiction vs. the Changing Nature of Child-created Violent Crime


Apocryphal Grapes


When I was in grade school, we read John Steinbeck’s The Grapes of Wrath. And, someone (I’m pretty sure it was a teacher) told us that Steinbeck had originally been hired to compile a non-fiction account of Dust Bowl farmers during the Great Depression, but eventually turned the project down, telling his editor that the story couldn’t be fully dealt with in a non-fiction format. “This one’s going to have to be fiction,” he supposedly said.

I suspect that grade school informant was a little confused. After all, Steinbeck actually wrote a series of articles about the subject, called “The Harvest Gypsies,” for the San Francisco News in 1936. The articles ran from October 5th through 12th of that year.

Still, the idea of using fiction to address current social problems is neither nothing new, nor just relegated to Steinbeck. I’m reminded of a blurb on the back of my dog-eared The Big Sleep copy, which reads: “Chandler writes like a slumming angel.” It goes on to explain how he lays bare the underbelly of L.A.

I didn’t see how a writer could penetrate much deeper under that belly, until I read Walter Mosley’s Devil in a Blue Dress. About half-way through, I thought: “Wow! This author didn’t just crawl under the belly; he slit that belly open, and all its guts poured out on my head. This is awesome!”


Mosley’s writing had the same effect on me that Elmina Castle had, when my A-Team toured it during our time in Ghana, West Africa (or perhaps it was Cape Coast Castle; we toured both and I can’t keep them straight these days). After both adventures (castle tour, and book reading) I found myself reassessing my mental construct of the world and the culture I’m immersed in.


My politics are probably quite different from Mosley’s, Steinbeck’s, or even Chandler’s. But, there’s no denying that these guys have (or: had) a firm grasp on fiction’s ability to influence a reader’s thoughts, ideas, and quite probably future actions.

Child Violence in Mystery Stories
Sometime ago, in the Readers’ Forum on TheMysteryPlace.com, Janet Hutchings, editor of Ellery Queen’s Mystery Magazine (EQMM), raised the subject of children as characters in mystery fiction.

According to The Mystery Place website, their forum is currently unavailable, due to technical issues, so I couldn’t refresh my memory about the post.

As I recall, however, in part of it Ms. Hutchings suggested that EQMM prefers writers to downplay violence toward or from children, locating the violent scene off-stage if it is essential to the story line.

This didn’t really surprise me. After all, EQMM is a family magazine; writers have to approach stories knowing that underage people will undoubtedly read them. At the same time, this approach should probably be balanced by a desire to present honestly written stories, which sometimes creates a very fine line upon which to spin a tale. However, I think the folks at EQ and AH do a good job of walking that fine line, and of helping writers to walk it alongside them.

At the time of her post, I had recently read about the arrest of 14-year-old Edgar Jimenez Lugo by Mexican authorities. This boy, a U.S. citizen born in California, who moved to Mexico with returning family members, began killing and decapitating rival drug operators for the South Pacific Cartel in Mexico at age 11.

(Time magazine story on Edgar Jimenez Lugo)


Details of the case are confused, but it seems the cartel controlled young Edgar by getting him hooked on drugs and then issuing threats. They may also have paid him $3,000 per killing. His teenaged sisters (below, right) were also evidently hooked by the cartel, and used to lure Edgar’s targets to the kill zone. The cartel’s threats may have been directed at Edgar, but – at one point, at least – the boy said it was his sisters whom the cartel was threatening to kill if he didn’t act as their designated hit man.

According to a July New Yorker article , in Mexico: “At least thirty thousand minors have been recruited by cartels, which promise quick and easy money to kids who have been orphaned by … drug violence, or who lack schooling and regular employment. It’s not known how many of those children are becoming hired killers.”

Thus, when I read Ms. Hutchings’ post, I posted my own reply, in which I wondered how long it would be before drug cartels began using U.S. teens to do their dirty work north of the border.

Would $50 cover your risk, for running drugs up from Mexico?

If you were a Texas teen living near the border, it might. This past October, the Texas Department of Public Safety (TxDPS) issued a news release, stating that Texas high school students are being recruited by Mexican cartels to “support their drug, human, currency and weapon smuggling operations on both sides of the Texas/Mexico border.”

The release went on to say: "Parents should talk to their children and explain how the cartels seek to exploit Texas teenagers …”

According to CNN, TxDPS Director Steven McCraw said his department first noticed this practice in 2009, when they began encountering U.S. teens trying to smuggle drugs across bridge border crossings. “Texas teenagers provide unique compatibility to the cartels,” he said. “They’re U.S. citizens, they speak Spanish, they’re able to operate on both sides of the border, and they’re expendable labor.”

In the Fall of 2011, a 12-year-old boy was apprehended, driving a stolen pickup loaded with over 800 pounds of marijuana. According to McGraw, teenaged contraband drivers, such as this, are sometimes paid as little as $50 for the job.

Piecing together what I’ve found on the web, it appears that the teens and pre-teens involved are introduced to the job through an oblique recruitment method. High school gang members recruit their classmates to carry drugs over the border, by introducing those teens to a ‘friend of a friend.’ And that friend’s able to pay hard cash. This cash is funded by Mexican cartels, funneled through the local gangs and finally handed over when one school kid gives it to another.

The Feds say Mexican cartels are buddying up with U.S. street and motorcycle gangs to make this happen. According to the National Gang Intelligence Center’s 2011 National Gang Threat Assessment (NGTA): "Federal, state and local law enforcement officials are observing a growing nexus between the Mexican drug cartels, illegal alien smuggling rings and U.S.-based gangs.”

While, in the past, U.S. gangs usually obtained their drugs through a middle man—who stood between the gang and the Mexican cartels—evidence indicates that U.S. gangs are now working hand-in-glove with the cartels, in order to cut out the middle man and increase profits. But the connection doesn’t end there. A Drug Enforcement Administration report, mentioned in the NGTA, states that local Los Angeles gang members assist not only in drug operations, but also in kidnappings.

What does this mean for writers?
Ms. Hutchings had yet to write her post, when I submitted my short story “Dancing in Mozambique” (EQMM July 2010) to her magazine. Yet, like any good writer, I’d studied their guidelines and read many copies of the magazine. I worried my story wouldn’t be accepted because I had a scene where a guy cuts a kid’s hand off with a meat cleaver. You don’t actually see or hear the chop. But, you do see the guy standing there, blood all over and the little kid’s hand held in his, afterward. Pretty strong stuff for a family publication.

I worried so much, that I worked and thought for days about how I might change the subject matter of the scene and still make the story work. But, try as I might, I just couldn’t. Finally, I surrendered and sent it in. I was grateful that EQMM took the story, and believe Ms. Hutchings probably accepted it because the scene was absolutely critical to the story’s theme. Nonetheless, I don’t plan to inundate any publication with stories featuring child violence.

Which leaves me with a conundrum. Kids being obliquely recruited by cartels is an important social issue, which mystery fiction is in a special position to comment on. As Mexican cartels strengthen ties with U.S. gangs, the pressure to write such stories will increase. However, the time when our writing might make its greatest impact is likely to be now, rather than later.

Balanced against this sense of urgency, though, is the natural reticence of a publisher to accept stories in which child-violence figures prominently. This leaves me wanting ask SluethSayers readers:

(1) Do you believe such stories need to be written? Or, do you feel mystery stories should concentrate on simply telling a story—leaving social commentary to other venues?

(2) If you believe subjects such as these should be tackled in contemporary mysteries: How do you believe we can best approach these stories, as writers, in order to make optimal social comment and impact, while still meeting editorial needs?

I’m interested in all your thoughts and comments. And hope you’ll click the “email me with updates” button on the comments page, in order to join a dialogue about this subject. As for me, I’ll be doing my best to stay with it all day long.

Either way, I’ll see you again in two weeks!
--Dix