Recently I did a morning drive time interview with our local a.m. station, WILI, following up stories in the Hartford Courant and the Willimantic Chronicle. This counts as a veritable PR blitz here in the Quiet Corner of Connecticut. It’s not exactly BSP ( Blatant Self Promotion) but maybe about right for a novel with local settings by a local author.
I know many of my Sleuthsayers colleagues are far ahead of me in the publicity sweepstakes, but I got thinking that a few tips for interviews might be useful for less experienced or less entrepreneurial writers.
|Early a.m. at WILI|
So, make it easy for your interviewer. Have a PR sheet that describes your book and gives some interesting personal information.
For the actual interview, you will need to have a pithy statement of what the book is about. That was, in fact, the first question I was asked. While most of us hate the idea of boiling down our brilliant prose and profound insights to a few sentences, that’s what’s required. The TV listings are too short, but a Times review is definitely too long.
Figure three or four sentences mentioning your protagonist and his or her situation, emphasis on conflict. You need to do this without giving away the whole plot. Tricky? You bet, so if you are not an old classroom teacher used to thinking on your feet about plots and reader interest, plan ahead; even a few notes won’t hurt.
The next big question is, or should be, chief characters. Once again I was lucky. Mr. Norman had read enough to know who was important and to ask about them specifically. If your interviewer hasn’t cracked the book, find a way to introduce your characters. You don’t need to give their entire biographies, but an enticing villain, a charming child, romantic interest of one sort or another is good – if you can give short and interesting descriptions. Be prepared for this.
|Morning WILI host Wayne Normal in parade mode|
The clincher for me was the fact that Homeward Dove ended with Willimantic’s famous Boom Box Parade. For those still ignorant of this event, it is a promotion of the local station and was designed to compensate for the demise of local marching bands. When it is time for the parade, the station cues up patriotic marches which are played by a couple of sound trucks but also, and here was the genius idea, by marchers and spectators carrying boom boxes. A description of this event and the creative costumes and floats produced by the locals was clearly a way to my interviewer’s heart.
Along the way, we talked about a number of things mentioned in the book, including the many references to the trades – a chance to talk about my father who was a skilled carpenter, and about whether a particular passage about fears of learning to swim reflected my own attitudes. Since I’ve always adored the water, we ventured into imagination and where ideas come from. These are good topics and perennials when readers and fans meet writers.
Thinking about that, led me to consider the difference between what readers and critics and interviewers, too, are interested in as opposed to writers. The readers are interested in art, in ideas, in the meaning of it all. Writers, and from my experience, painters, too, tend to talk about money, markets, or, less often, technique. Who’s buying, who keeps your manuscript for ages, who writes snarky rejection letters, who pays promptly, who’s looking for submissions: these are the big questions for writers.
|Speakers on for the start of the Boom Box Parade|