Showing posts with label Kem Nunn. Show all posts
Showing posts with label Kem Nunn. Show all posts

11 June 2019

A California Crime Weekend

by Paul D. Marks

A double header today. First up are some thoughts on the California Crime Writers Conference that happened this past weekend. Next up will be my Father’s Day reading recommendations. And from the truth in advertising department, I posted this (the book list part) previously on another site, so I hope you don’t mind the rerun.

The CCWC is held every other year in the L.A. area, Culver City. It’s a joint effort by the LA chapters of Sisters in Crime and MWA. It’s not as big as some other conventions but it makes up in quality what it lacks in quantity. And since time and money for conferences is always finite and this one is local for me it’s one I always try to go to.

There were two guests of honor: Tess Gerritsen and Catriona McPherson. Tess was the keynote speaker for lunch on Saturday. Her speech was short but pithy and to the point. She spoke about something that writer’s rarely talk about: what not to do. Later in the afternoon, Catriona McPherson gave a workshop called “Deep in a Bowl of Porridge” about how to plant clues.


Panels ranged from “Demystifying the Hallmark Mystery” and “Marketing without a Budget” to “Indie Publishing: New Frontiers” and “Adapting Your Novel to the Screen.” There was some emphasis on Hollywood because of the close proximity.


I was on the “Bringing the Past to Life” panel with Anne Louise Bannon, Jennifer Berg, Rosemary Lord, and Bonnie MacBird, and moderated by Amanya (“A.E.”) Wasserman. We discussed writing mysteries set in the past and how we do our research for them. Our panel covered the 1870’s to the 1990’s.



Plus there were workshops on Forensics, Interrogation Techniques, Suicide Bomber Indicators, Compassion Fatigue and Weaponry (although not all at once….).

Audio of the panels are available from www.vwtapes.com and you can see a list of them at https://ccwconference.org/panels/.

But the main reason I go to these things is to “commune” with fellow writers and see people I might not have seen in some time.

It’s such a good conference that Walter Mosely showed up as a regular attendee, not even as a featured guest. And this isn’t the first time.

Unfortunately, I could only be at the conference a limited time this year due to personal reasons. But I enjoyed the time I had there and look forward to the next one. Only two years off. So, if you can swing it when it comes around again in a couple of years you might want to check out this two day conference in LA LA Land.

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And some Father’s Day Reading Suggestions:

There’s so damn many good mystery-crime books out there. This list just covers crime novels, some of which I may have mentioned before. And maybe some time I’ll do a list of my five non-crime novels. Anyway, here goes:

The Poet: Michael Connelly is probably best known for the Bosch books. And I’m among Bosch’s fans. But I’d have to say my favorite Connelly book is the stand-alone The Poet (1996), though Jack McEvoy, the main character does appear in other books. The story follows reporter McEvoy as he investigates a string of cop suicides, including his own brother’s and ends up going down a hellish spiral into a world of pedophiles. It also introduces FBI agent Rachel Walling, who shows up in other Connelly novels. The Poet is dark and unsettling, but I think the reason I like it so much is that it is so well plotted, with a lot of twists and turns, and that it really keeps you on edge the whole time. I think this story is for anyone who likes a good crime yarn, but it’s not for the squeamish.

Tapping the Source: These days Kem Nunn is arguably better known as the co-creator of the TV series John from Cincinnati, as well as a writer on Sons of Anarchy and Deadwood. But he’s also the author of, I believe, six novels. Tapping the Source (1984) is his first and is something special. If it’s not the novel that invented the “surf noir” genre it’s certainly an early and foundational entry. This is not the Beach Boys’ version of sun, sand, surf and surfer girls, but a much darker vision of life on SoCal’s storied beaches. Ike Tucker, an aimless young man, treks to Huntington Beach (a.k.a. ‘Surf City’) to find his missing and possibly dead sister. There he gets hooked up with bikers, sex and drugs. No Gidgets or Moondoggie’s here. And Ike will be lucky if he gets out alive. I like this one so much that I looked into acquiring the film rights. Unfortunately they were already taken. Now, if whoever has them these days would just make the damn movie already. Tapping is good for anyone who loves surf, sun and murder.

Down There (a.k.a. Shoot the Piano Player): David Goodis has been called the “poet of the losers” and his stories of people on the skids certainly bear that out. I came to Goodis through the movies, which is how I’ve come to several writers and/or novels. I’m a fan of the Bogie-Bacall movie Dark Passage, so after having seen it a couple of times I decided to check out the David Goodis novel it was based on. I liked it enough that I began to read pretty much anything of Goodis I could get my hands on, but this was before he came into vogue again so mostly I had to pick up very scarred paperbacks (many, though not all of his books were only published in paperback), and I devoured his whole oeuvre. And, though I liked pretty much everything to one degree or another, Down There (1956) really stood out for me. It’s the story of a World War II vet, a former member the elite Merrill’s Marauders who, for a variety of reasons, is down on his luck – way down. Francois Truffaut made the book into a movie called Shoot the Piano Player which, to be honest, I don’t like very much, but that’s why the title of the book was changed from Down There and is probably better known today as Shoot the Piano Player. I think it would be good for fans of classic noir, old movie buffs, and others.

Mallory’s Oracle: NYPD detective Kathy Mallory is a hard-as-nails cop and not just because of her bright red nail polish. Even her creator, Carol O’Connell, describes Mallory as a “sociopath”. Mallory’s Oracle (1994) is the first in the Mallory series and probably the best place to start. I’ve talked with people about Mallory and recommended the Mallory books to several people over the years. And it seems people either love or hate Mallory. I’m in the former category. I love her no-nonsense, doesn’t suffer BS approach to her job. Nothing, including the law, will stand in her way. Not that I’d necessarily like to be friends with her if she suddenly came alive and jumped off the page. I think the Mallory books would be good for someone who likes solid crime stories, strong female characters and doesn’t mind one that’s a sociopath…

Devil in a Blue Dress: Pretty much anyone who knows me knows I have a thing for L.A., past and present. LA history. LA culture. And novels and movies set in the City of the Angels. Walter Mosley’s Devil in a Blue Dress (1990), the first Easy Rawlins novel, hits all those bullet points. And, much as I Iike Easy, I really dig his psychopath friend, Mouse. Not someone you want to get on the wrong side of but certainly someone you’d want to have your back when the you-know-what hits the fan. (I wonder how Mouse and Mallory would hit it off?) Devil in a Blue Dress, and the other Easy novels, would be good for LA history buffs, noir fans, general mystery fans.



The Big Nowhere: James Ellroy’s The Big Nowhere (1988) is the second of his LA Quartet books [ the others are The Black Dahlia (1987), L.A. Confidential (1990) and White Jazz (1992) ]. All are good, but if I had to pick one as a fave it would be The Big Nowhere. To try to describe Ellroy’s fever dream style is an exercise in futility. The story is set in LA in the 50s right after WWII. In part, it follows Sheriff’s deputy Danny Upshaw through the investigation of a series of mutilation crimes and exposes corruption and hypocrisy amid the “red scare”. I used to go to many Ellroy book events and signings and he truly is the Demon Dog of American Crime Fiction. At one event he even had a band with him. He’s a trip. His writing is a trip. His books are a trip. They would be good for anyone who’s into new noir with a retro setting, LA history buffs and the usual suspects.

The Grifters: Jim Thompson’s The Grifters (1963) is a good book and an even better movie. If you like people living on the down low, if you like con artists, and if you like the grift, this is the book for you. It would be good for fans of Jim Thompson (how’s that for stating the obvious?), noir fans, hardboiled mystery readers.

Bonus Round #1: White Heat / Broken Windows / Vortex / L.A. Late @ Night (uh, all by me): Well, since I’m not above a little BSP I couldn’t very well leave out this trio. White Heat is a noir detective thriller set during the Rodney King riots. Broken Windows is the sequel to White Heat and follows P.I. Duke Rogers’ investigation of the death of an illegal immigrant in the turbulent 1990s L.A. Vortex is about a soldier returning from Afghanistan and finding more trouble in L.A. than in the war. LA Late @ Night is a collection of five of my previously published stories. And all four would be good for everyone! Well, anyone who likes hardboiled, noir and detective fiction.



Bonus Round #2: I didn’t mention Raymond Chandler and Ross Macdonald in my list above because to me they’re on a plane by themselves. And, as many of you know, I have a thing for both. I don’t think you could go wrong with any of Chandler’s or books – because he’s just such a damn good writer. And Macdonald blows me away with his explorations into the psychological aspects of crime and stories that boomerang back on the characters – the past always comes back to haunt them. I like pretty much everything by both of them, but if I had to pick I think I’d choose The Long Goodbye (1953) for Chandler and The Chill (1964 – a good year for the Beatles too!) or The Galton Case (1959) for Macdonald. These books would be good for pretty much anyone interested in mysteries and the crime fiction genre, but especially as an intro to a young or new reader of mysteries. And as an introduction to classic mystery and detective fiction.



What about you? What books would you recommend as gifts for the people in your life?



~.~.~
And now for the usual BSP:


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28 July 2015

The Book Report: Tapping the Source and The Last Good Kiss

by Paul D. Marks

Today I want to talk about a couple of books that you may or may not know. A lot of people do seem to know them. On the other hand, they’re still obscure to many.

Nunn-Crumley Collage D1The books are “Tapping the Source” by Kem Nunn and “The Last Good Kiss” by James Crumley. Several decades ago a friend of mine in the WGAw turned me onto these books, telling me how terrific they were. Thank you, Elliot.

He told me about both at the same time. Both sounded good, so I rushed out to get them (this was in the olden days when you had to actually go somewhere to buy a book). And I read them right away.
I was blown away by “Tapping the Source”. And I liked “The Last Good Kiss,” a lot, but maybe because I so fell in love with Tapping, Kiss paled by comparison. I know this is sacrilege to some. But hey, that’s what makes horse races.

“Tapping the Source” is Nunn’s first novel and with it he pretty much invented his own genre: surf noir. I guess I’m not the only one who likes it since it was a finalist for the National Book Award.

nunnIt’s the story of a pretty na├»ve and innocent kid from Bakersfield, California—Buck Owens country—who travels to Huntington Beach, CA, the surf capital of the world, in search of his sister. There, he gets involved with a bunch of mysterious and maybe evil bikers and sees the dark side of “surf city”. This definitely ain’t the Beach Boys world of surf, sun and California Girls.

I liked this book so much that I wanted to option the film rights for it. I had them checked out, but they had already been optioned/bought. That had to be at least 25 years ago, probably more, a lot more. But to this day there is still no movie version of this story. It is, however, said that “Point Break,” with Patrick Swayze and Keanu Reeves was, uh, inspired by “Tapping the Source”. The story is different and imho not nearly as good.

Nunn went on to write several other books, including a couple that fall into the surf noir category. He also did the Hollywood thing, writing/producing for “Deadwood” and “Sons of Anarchy,” and creating the series “John from Cincinnati,” set in Imperial Beach down near the Mexican border.

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Crumley’s hardboiled “The Last Good Kiss” starts out heading in one direction and quickly makes a U-turn, slamming around a dark, noir corner. PI C.W. Sughrue is hired to find Abraham Trahearne before he drinks himself to death.

And he finds him, on the first page of the book:

“When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon.”
―James Crumley, “The Last Good Kiss”

So there wouldn’t be much of a story if there weren’t complications, would there? So: Trahearne gets shot in the ass in the bar. And while waiting for him to recuperate, Sughrue is hired to look into the ten year old disappearance of the bar owner’s daughter.

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The novel weaves through the darkest corners of some of the darkest streets in America. A hard drinking, tough Viet Nam vet, a man with a moral code, Sughrue is a PI for the 1970s. And maybe, just maybe for the 21st century as well.

“Stories are like snapshots, pictures snatched out of time, with clean hard edges. But this was life, and life always begins and ends in a bloody muddle, womb to tomb, just one big mess, a can of worms left to rot in the sun.”
―James Crumley, “The Last Good Kiss”

Men’s Journal named “The Last Good Kiss” #12 on its list of Top 15 Thrillers of All Time and George Pelacanos put it at #3 on his list of Five Most Important Crime novels.

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If Nunn is known for surf noir, Crumley is the granddaddy of post Viet-Nam hardboiled PI’s. He influenced many current writers, but, like Nunn, never had the big breakthrough that brought him a wide mainstream audience. They’re both like that little band that you love, but only you and a small cult of other loyal followers or groupies love or know about. And in some ways if that band or those authors, in this case Nunn and Crumley, were to get discovered by the masses you would feel a loss. Crumley died in 2008, but he’s left behind an impressive collection of novels and short stories worth checking out.

So, if you haven’t read these books or aren’t familiar with these authors maybe you’d want to check them out. If you are familiar with them, maybe it’s time to revisit them. I’d love to hear your opinions.

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A couple items of BSP:

Pageflex Persona [document: PRS0000037_00019]Vortex: My new Mystery-Thriller coming September 1st.
...a nonstop staccato action noir... Vortex lives up to its name, quickly creating a maelstrom of action and purpose to draw readers into a whirlpool of intrigue and mystery... but be forewarned: once picked up, it's nearly impossible to put down before the end. 
      —D. Donovan, Senior Reviewer, Midwest Book Review
Akashic Fade Out Annoucement D1a-ab -- w full date


Fade Out: flash fiction story coming on Akashic’s Mondays Are Murder, Monday (big surprise, huh?), August 17th. Here’s the link, but my story won’t be live till 8/17:  http://www.akashicbooks.com/tag/mondays-are-murder/

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*Crumley B/W photo is free to share and use per Bing.com useage rights.
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