My post today is piggybacking on last week's column by Joseph S. Walker about several of his favorite authors, all of them writers that he hoped others might find and read.
I figured I'd try to add to that by listing some of my favorite genre short-story writers. I focused on genre for this list because SleuthSayers is a mystery blog usually targeting readers and writers of genre fiction--so I have NOT included some further-reaching favorite "literary" short-story authors like Hemingway, Faulkner, Chekhov, O'Connor, Munro, Carver, Maugham, Welty, Fitzgerald, etc., etc.
The method I used to come up with these was simple: I looked around me here in my home office and counted the number of short-story collections I own from different genre writers. Most of them, it turns out, are by the twelve following authors. And these of course are also (as they should be), the authors whose stories I like to re-read:
Fredric Brown -- A name you might not be familiar with. His genre was mostly SF/fantasy, but he also wrote wonderful mystery/crime stories. Many of his shorts, among them "The Dangerous People" and "The Night the World Ended," were used in the anthology TV series Alfred Hitchcock Presents. He was especially well-known for what used to be called short-short stories (flash fiction), some of those only a page or two in length. My favorite of Brown's stories is still "Voodoo," which is only about 450 words. Others include "Arena," "Nightmare in Yellow," "The Geezenstacks," and "Earthmen Bearing Gifts."
Jack Ritchie -- Another great shorts writer, Ritchie's stories can be found in a huge number of issues of old Ellery Queen's and Alfred Hitchcock's mystery magazines--and also the anthology volumes later created from those two magazines. He wrote only one novel, Tiger Island, which might be one of the reasons so few current readers of fiction know his name. I have a lot of Ritchie favorites, including the stories "Shatterproof," "The Absence of Emily," "#8," and "The Green Heart," later adapted into the feature film The New Leaf with Walter Matthau and Elaine May.
Roald Dahl -- Probably better known for his children's books like Charlie and the Chocolate Factory and James and the Giant Peach, Roald Dahl also wrote terrific short stories, several of which were, once again, adapted into episodes of Alfred Hitchcock Presents. His story "Man from the South" is still one of my all-time favorites because of its plot--and the same can be said of the delightful twist-ending story "Lamb to the Slaughter." Other favorites of mine: "Poison," "The Landlady," and "Champion of the World."
Ray Bradbury -- This writer, whose name IS quickly recognizable, was an author of mostly science fiction stories, and I would argue that one of his collections, a brick-thick volume appropriately called The Stories of Ray Bradbury, is one of the best short-story collections I've ever read. Aside from novels like Fahrenheit 451 and The Martian Chronicles, Bradbury wrote around 600 short stories. I think my favorites are "A Sound of Thunder," "The Veldt," "The Window," "The Fruit at the Bottom of the Bowl," and "There Will Come Soft Rains."
Elmore Leonard -- Like many others in this list, Leonard is known mostly for his novels, many of which were also movies: Get Shorty, Hombre, Out of Sight, Jackie Brown, etc. That's certainly the way I first heard about him and got to know his work. But I love his short stories just as much. Examples: "Three-Ten to Yuma," "The Tall T," "Karen Makes Out," "The Tonto Woman," and (actually a novella rather than a short story) Fire in the Hole, which served as the basis for the neo-Western TV series Justified. I actually met him once at a booksigning, for about five seconds.
Louis L'Amour -- An American writer who specialized in Westerns, both novels and shorts. His novels are more famous, especially Last of the Breed, The Walking Drum, Haunted Mesa, Shalako, and the seventeen novels in the Sackett series. Many of his novels were made into films, and some of his short stories. One of those stories--my favorite of his--was "The Gift of Cochise," which became the 1953 John Wayne movie Hondo and then became a novel of the same name. Other well-known L'Amour short stories are "Skull and the Arrow," "To Hang Me High," and "Squatters on the Lonetree."
Lawrence Block -- Another household name, Block is the creator of series characters Matt Scudder, Bernie Rhodenbarr, Evan Tanner, the hitman Keller, and others, and has written many, many crime novels and short stories over the years. (Also, he's one of the two writers in this list who are still with us and who still, hopefully, are producing stories.) I own several of his collections, the best of which is probably Enough Rope (almost 900 pages of shorts). The stories I remember most are "A Blow for Freedom," "Sometimes They Bite," "By the Dawn's Early Light," and "Strangers on a Handball Court."
Edward D. Hoch -- One of the few writers who actually made a living from writing short stories. He wrote several novels as well, but is known almost entirely for his short fiction, and specialized in not only mystery/crime stories but traditional, puzzle-based mystery stories. Hoch used many pseudonyms and created many series characters, but one of the most amazing things about him, to me, is that he famously appeared in every single issue of EQMM between 1973 and his death in 2007. My favorite Ed Hoch stories are probably "Murder Offstage," "Captain Leopold's Birthday," and "The Oblong Room."
Shirley Jackson -- Her genres were mostly horror and mystery, and I suspect she's most often remembered for her novels The House on Haunted Hill and We have Always Lived in the Castle. My favorite of her many short stories, and one of the most memorable ever, is "The Lottery," which I taught in my writing classes as a perfect example of not only a surprise ending but the third-person "detached" POV. Other stories of hers that I like are "The Summer People," "The Possibility of Evil," and "The Witch."
Stanley Ellin -- Another relatively lesser-known name, Stanley Ellin was a fine mystery writer who produced more than a dozen novels but seemed more interested in short stories. He won, I believe, two Edgars for his short fiction, and many of his stories, like those of some of the writers listed above, were adapted and used in Alfred Hitchcock Presents. His most famous short story, which appeared first in EQMM, was probably "Specialty of the House," and though I enjoyed it, I think my favorites of his might be "The Blessington Method," "Kindly Dig Your Grave," and "You Can't Be a Little Girl All Your Life."
Richard Matheson -- Matheson's genres were mostly SF/fantasy and horror, and he'll always be close to my heart because of all the stories he wrote for the Twilight Zone TV series--sixteen stores in all, I believe. Though he might be best known for his novella I am Legend, I most remember the movie Somewhere in Time, which was an adaptation of his novel Bid Time Return, and the short story "Nightmare at 20,000 Feet." Other excellent Matheson shorts were "Duel," "Button, Button," "Prey" and "Born of Man and Woman."
Stephen King -- I honestly believe this man is one of the world'd best storytellers. I have every one of his novels on my shelves, and all his short-story and novella collections. King's not much older than I am, and I think one reason I love his fiction is that many of his child protagonists (he uses a lot of those) experienced some of the same things I myself did: I watched the same TV shows, owned the same toys, read the same books. As for my favorites of his short stories, they're probably "Mrs. Todd's Shortcut," "Mute," and "The Raft," and my very favorite--one of the best stories I've ever read--is "The Last Rung on the Ladder."
A confession, here: I chose not to include some other favorite genre short-story authors because they're my friends and contemporaries--and if I did list and describe those, this post would become longer than anyone would read. But I must mention here that, seriously, you should search out and read the stories of writers like David Dean, Josh Pachter, Doug Allyn, Barb Goffman, Dave Zeltserman, Michael Bracken, Art Taylor, Stacy Woodson, Adam Meyer, Melodie Campbell, O'Neil De Noux, Joseph S. Walker, Rob Lopresti, Steve Liskow, Elizabeth Zelvin, Ashley-Ruth Bernier, and many others, who are probably writing more stories at this very moment.
Now . . . Who are some of your favorite authors of short fiction--and especially genre shorts? Can you single out any stories of theirs, or anyone's, that are your all-time favorites?
As for me, I'll see you again in two weeks. I have plenty of reading--and re-reading--to do.
Have a great August.
Oh, I love short-stories! Glad we both love "Mrs. Todd's Shortcut!" One of my favorite Bradbury stories is "West Of October." That and maybe "Another Fine Mess." As for some of my favorite short-story writers, besides everyone listed in this column (including in the byline!) I'll list Henry Kuttner and C.L. Moore, Robert Arthur, Murray Leinster and L. Sprague DeCamp. Thanks again for the column, John!
ReplyDeleteThe Kuttners (Moore and Kuttner were husband and wife) wrote the ultimate sci-fi crime story: "Private Eye." Which asks how you can get away with murder when you know someone is watching all the time and can replay the memory for everyone?
DeleteMorning, Jeff! Thank you for the suggestions, of the other writers and also of more stories. I knew when I put this list together that I would forget many of my favorites, and yes, I remember and enjoyed "West of October." (I'm now tempted to go back and re-re-read Bradbury's giant collection.)
DeleteI have not read the Kuttners' "Private Eye," so I've made a note!
I agree with all of your choices and would add three more. The late, great Ed Gorman had a special way of looking into the hearts of his characters. "Angie", "Out There in the Darkness", and "The Reason Why" are just a few of his stories I recommend; if Gorman had written only one story and if that story was "Faces", he would still remain on of the greatest short story writers of our time -- I feel sorry for anyone who has not read that one. Joe R. Lansdale is another breed of cat. He can be funny, scary, offensive, and touching all at the same time, and he does not limit himself to any one genre. "Bubba Ho-Tep", "The God of the Razor", "Trains Not Taken", and "Tight Little Stiches on a Dead Man's Back" all all evidence of his varied talents; "The Night They Missed the Horror Show" is hands-down one of the best stories published in the late 20th century. Although a best-selling author in her time, the late Charlotte Armstrong is all but forgotten today. "Splintered Monday", "The Hedge Between", and "And Already Lost..." are recommended; "The Enemy" remains one of the most powerful and unforgettable stories I have ever read.
ReplyDeleteJerry, Ed Gorman of course belongs on any list like this, and I also somehow neglected to mention Joe Lansdale, who really is one of my favorite authors. Like KIng's works, almost all of Lansdale's are right here on my shelves. I just counted them, and I have 45 of his books, counting both novels and collections. (I think my favorite Lansdale short story might be "The Mule Rustlers.") Thanks for mentioning these two fine authors.
DeleteMy list also left out obvious masters like Doyle, Poe, O. Henry, etc. So many greats, so little space.
Jerry, Ed was great, no question. But if you were only going to read one of his stories, I'd pick "Beauty", which I had the pleasure of publishing. No story has ever surprised me more than that one.
DeleteThanks for the shout-out, John--and it goes without saying that you're one of the masters of the form yourself!
ReplyDeleteRex Stout was mentioned in my column, but he's worth mentioning here for his novellas. He's probably the all-time champ of stories in that length range, and it's fitting that there's still an annual novella contest, the Black Orchid, in his honor.
The other writer I'd add to this list is Harlan Ellison, who wrote almost exclusively short stories. Like Bradbury he's known primarily as a science fiction writer, but he certainly wrote a lot of crime stories, and actually won the Edgar twice.
Thank you, Joe. Yes, you've mentioned two more greats--I'm a little surprised that I don't own a collection of Ellison's short stores, and I have only one by Rex Stout: The Last Drive and Other Stories. But I of course have enjoyed stories by both.
DeleteIt's interesting to me that almost all the authors we've discussed, of mystery/crime shorts, have also written a goodly number of SF stories (!).
Thanks as always for the thoughts!
Gosh I'd like to see more women on that list! I wonder if there simply weren't many women writers in the 1900s (which seems strange) or if men really do find stories written by men more interesting? What do others think?
ReplyDeleteGood point, Melodie. I suspect there were indeed not, in olden days, as many female writers of shorts. The ones that come first to my mind are those I mentioned: Shirley Jackson, Alice Munro, Eudora Welty, Flannery O'Connor--but I don't really think of any of those (except Jackson) as genre writers. But that might not be correct. Thank goodness there are more now, and I love the stories that they (including you) write. One of the things I used to determine the names on my (unscientific and largely spur-of-the-moment) list in this post were the collections of stories that I myself own, and unfortunately I don't have many collections of genre stories by women writers. I need to look for more of them, and to change that!
DeleteSolidly good reading.
ReplyDeleteI also now fully realize that I must legally change my name to Bracken PachterCarr King to get any respect.
Hey Kevin! I probably need to consider a name-change myself. As for lack of respect, I must point out that I (1) have had two stories that were published using someone else's byline, (2) once had an editor reject my submission after a three-year wait, and (3) have received rejection letters for stories that weren't even mine. We should form a club!
DeleteCatherine Moore wrote stand alones as C. L. Moore and co-wrote with Henry Kuttner as Lewis Padgett. She was one of H. P. Lovecraft's favorite writers. In fact, he initiated a correspondence with her after reading her work in "Weird" magazine that lasted until his death. My favorite of hers is "Vintage Season". Of theirs together (as Lawrence O'Donnell) is "Mimsy Were the Borogoves".
ReplyDeleteAlso, let's never forget the late great John Collier... "The Chaser", "The Touch of Nutmeg Makes It", "Back for Christmas", etc... A lot of his were adapted for Alfred Hitchcock Presents.
Thanks for this, Eve. I have not read Moore's work, and I've made a note of "Vintage Season" and "Mimsy Were the Borogoves." I love that kind of recommendation.
DeleteAs for Collier, I have only one of his collections, and one of Charles Beaumont's also. Both of them certainly deserve a mention. Yes, I recall several of Collier's showing up on Alfred Hitchcock Presents, and several of Beaumont's on Twilight Zone. So many names!
John, I agree wholeheartedly with Fredric Brown, Jack Ritchie, Shirley Jackson, the great Richard Matheson, and of course, the master, Ray Bradbury. A few greats you left off include Flannery O'Connor ('A Good Man is Hard to Find' is a masterpiece), Ed Gorman (so good at so many genres--look for his story Beauty), Frederick Nebel (his Macbride and Kennedy stories are my favorite of his, but his Jack Cardigan PI stories are a lot of fun), and Jim Thompson (Forever After is maybe the greatest short noir written and his two Mitch Allison conman stories are must reads). And if we go outside crime fiction, there's Harlan Ellison (who did write some crime fiction) and Bruce Jay Friedman. But you somehow you left off the GREATEST crime short story writer: Dashiell Hammett. His 28 Continental Op stories should be studied by anyone wanting to write crime stories, especially PI stories, and read by anyone with the slightest interest in crime fiction. Not all of them are masterpieces, but most of them are. Btw. I haven't read the numerous Asimov stories he wrote for EQMM, but one of these days I'll track them down.
ReplyDeleteLet me also mention that current mystery readers need to search out and read your stories. I've yet to be disappointed. Even the ones I think I know where you're going, you'll put a twist in there and surprise me.
How kind of you, Dave--thank you. I love writing these stories, and I know you do too.
DeleteI honestly believe Jack Ritchie is one of the best short-story writers I've ever read, and Fredric Brown isn't far behind. Why don't more folks know their names?? And I LOVE Flannery O'Connor's stories. In my defense, I left her out of my favorites list and stuck here into what I call the more "literary" short-story writers' list--even the wonderful "A Good Man Is Hard to Find" seems as much literary as genre to me. But yes, I should've mentioned Gorman and Nebel and Chandler and so many others, and especially Hammett. I confess that I looked at my shelves and included the genre writers whose collections I own and alas, I have no collection of Hammett's stories!! I should fix that.
Sweet Jiminy, I could talk about this stuff all day. Thanks as always!
I concur with you on King, Matheson, and Bradbury. I want to add Dashiell Hammett and Raymond Chandler. In particular, Hammett's 1924 story The Tenth Clew introduced the concept of detectives shadowing witnesses and criminals. Nightmare Town, released the same year, had criminals living and working in a small town with the investigator uncovering the truth. It gave us the small town with a dark secret" over three decades before Peyton Place by Grace Metalious made it popular.
ReplyDeleteYou've read my mind! (See Dave Z's comment, above.) I especially love "Nightmare Town," and so many of Hammett's. I'm sorry I neglected to mention him in my sadly incomplete list.
DeleteThanks, Justin!
Charles Willeford on cock-fighting. jimguigliauthor.com
ReplyDeleteCharles Willeford--good suggestion! Hoke Moseley, right? For some reason, I most remember "The Listener."
DeleteAnother excellent shorts writer that I suspect some people haven't heard about, Jim.
Thanks so much!
Excellent list. Dahl's "Lamb to the Slaughter" is what convinced me to major in English Lit.
ReplyDeleteHey Mike. I'm not surprised!--Great story. One should always consider using a murder weapon that can then be disposed of in that way. I suppose you've seen the Hitchcock adaptation, right? I think the only episode that was as good as that was "Man from the South," with a young Steve McQueen.
Delete