In my previous SleuthSayers post, I discussed my year as an editor; in the following I discuss my year as a writer, and I discuss some of the other things with which I was involved.
Productivity was up from last year, but still nowhere near my best year (75 stories in 2009) with 18 original stories completed, including a novella I co-authored with a fellow SleuthSayer. This is my most productive year since 2020, when I completed 26 stories.
The shortest story was 700 words and the longest (excluding the novella) was 6,700 words, for a total of 52,950. The average length (excluding the novella) was 3,100 words, and the novella was 19,000 words. One story was horror; the rest were crime fiction of one sub-genre or another.
Although I wrote only 18 new stories, I received—exclusive of the collections mentioned in the next paragraph—23 acceptances, all for original stories.
Also accepted were a collection of 22 of my stories and a collection of 6 stories I coauthored with Sandra Murphy that also includes one individually written story from each of us. I’ll provide more details closer to publication dates.
In 2025, 21 original stories, including a collaboration with Sandra Murphy, were published in Alfred Hitchcock’s Mystery Magazine, Black Cat Weekly, Chop Shop, Dark Yonder, Ellery Queen’s Mystery Magazine, Gag Me With a Spoon, Guilty Crime Stories Magazine, In Too Deep, Kelp Journal, KissMet Quarterly, Lunatic Fringe, Micromance, The Vigilante Crime Pulp Fiction Anthology, Tough, and Von Stray’s Crimestalker Casebook.
Also in 2025, two quasi-reprints were published: one appeared in an anthology that was rereleased by a new publisher, and a collaboration with James A. Hearn first published in AHMM was released as a podcast.
I also wrote three articles for the Mystery Writers of America’s The Third Degree.
Five publications/publishers are represented multiple times: Black Cat Weekly with four stories, Alfred Hitchcock’s Mystery Magazine with two stories, KissMet Quarterly with two stories, Micromance with two stories, and White City Press with stories in two anthologies.
I received nine rejections, which is fewer rejections than acceptances, and any year in which acceptances outnumber rejections is a good year.
While two anthologies I co-edited won or were short-listed for awards, and while several stories I edited won or were short-listed for awards or included in best-of-year anthologies, my own writing flew under the radar in 2025.
Including those accepted in 2025 and in previous years, I have stories forthcoming in Alfred Hitchcock’s Mystery Magazine, Black Cat Mystery Magazine, Black Cat Weekly, Chop Shop, Cold Caller, Cryin’ Shame, Ellery Queen’s Mystery Magazine, Get Your Kicks, Kings River Life, KissMet Quarterly, Mickey Finn, Micromance, Sex & Synthesizers, Skinning the Poke, The Perp Wore Pumpkin, Time After Time, and Wish Upon a Crime.
So many publishers (book, periodical, and web-based) closed in 2025, are struggling with publication schedules, or have announced their impending end that it is impossible to predict what the market for short mystery fiction will look like this year. Rather than fret about it, I choose to keep writing and keep my eyes open for whatever new opportunities present themselves. That might mean—as it was this year with the discovery of new romance publications—working in other genres.
After the successful launch of ShortCon, the Premier Conference for Writers of Short Crime Fiction, in 2024, we presented the second ShortCon in 2025. The third ShortCon will be presented Saturday, June 6, 2026, in Alexandria, Virginia, and we plan to continue this as an annual event. (Learn more at https://www.eastcoastcrime.com/#/.)
As I did in 2024, I helped Paula Benson organize the 2025 Mystery in the Midlands, an online conference that emphasized writing and publishing short crime fiction. Paula has invited me to join her again in organizing the 2026 Mystery in the Midlands, again focusing on short crime fiction.
I participated—as a panelist, moderator, or presenter—in several live and online conferences, conventions, and presentations in 2025 and am already scheduled to attend or present at several events (live or online) in 2026.
I’m halfway through my second two-year term as an at-large board member of the Mystery Writers of America. I will rotate off the board in January 2027.
The most exciting event on the horizon is the inaugural Newberry Crime Writing Workshop, an “intensive four-week writers’ workshop for developing crime and mystery authors, taught by major figures in the field,” which takes place July 6–31, 2026, on the campus of Newberry College in Newberry, South Carolina.
Teaching one week each are Joe R. Lansdale, Cheryl Head, Warren S. Moore, and me. Writers-in-residence will live nearby and share meals with the students, providing students with an immersive experience.
Mornings are devoted to critiquing manuscripts in a workshop setting. Afternoons, evenings, and weekends are devoted to individual writing, conferences with the current writer-in-residence, social activities, and the completion of class assignments.
The registration fee includes housing and all meals throughout the four-week workshop. There is at least one small scholarship available, and we’re working on adding more, so don’t let the $4,000 tuition stop you from applying.
Add your name to the mailing list here to be notified when applications are open.
This past year was quite a wild ride, and 2026 looks to be more of the same. I can’t predict the future, so the best I can do is buckle up and prepare for whatever comes.
I hope y’all were productive last year and that this year brings you even greater success.
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To kickstart the new year, my story “Glass Beach” appears in the January/February 2026 issue of Alfred Hitchcock’s Mystery Magazine.



The hardest working guy in writing.
ReplyDeleteMichael, do I correctly remember your wife framed covers to decorate your walls? Have you had to buy a larger house?
Leigh, Temple here. We have very little wall space in our home because we’re lucky to have plenty of windows. Only two covers are hanging. Maybe we need to rotate them like a museum exhibit.
DeleteWow.
ReplyDeleteWhew! Congratulations!
ReplyDeleteMichael, you are our superstar! Melodie
ReplyDelete