14 September 2019

Jan Grape's Found Dead in Texas:
Whatever Has To Be Done, part 1


Jan Grape
Once again SleuthSayers brings you a rare treat, an anthologized story from Jan Grape's CJ and Jenny series. The first half runs today, the rest tomorrow.

Originally published in Deadly Allies II (Doubleday 1994), this story also appears in Jan’s collection, Found Dead in Texas II. Pull up a chair, pour a glass of wine, and lean back. A fine Grape ages well.

— Velma

Whatever Has To Be Done
Part 1

by Jan Grape


A fierce lightening and thunder storm jarred me awake at 5:12 a.m. Autumn storms in Houston, Texas, often give the impression the end of the world is near. The dream I’d been immersed in had been pleasant, but try as I might, I couldn’t remember it. The brilliant streaks flashed a sesquicentennial fireworks display and seeped through the top edge of the mini-blinds as Mother Nature declared a moratorium for sleepers.

It’s not in my emotional make-up to wake up early; neither alert nor cheerful. Maybe it has to do with one of my past lives or blood pressure slow down or something. Anyway, I tossed around trying to will myself back to sleep, knowing all the time it wouldn’t work. But I waited until seven to crawl out to the shower. “Damn Sam,” I said aloud, while dressing and wishing I could have my caffeine intravenously. “Lousy way to start a Friday.”

The pyrotechnics were over, but the rain continued steadily, steaming the interior of my car and making the rush hour drive to the LaGrange building hazardous and hair-raising. Determined to shake off frustration at the lack of sleep and the Gulf Coast monsoon, I paused in front of the fourth floor door and felt a sense of pride as I read the discrete sign - G. & G. Investigations. My partner, Cinnamon Jemima Gunn, and I could be proud, we’d turned a profit the last three months. No one expected it to last. Sometimes, even we had doubts.

There was a message from C.J., as she was known to all except a few close friends, on the answering machine. “Gone to Dallas for the week-end, Jenny. Work today and play tomorrow. Keep outta trouble, Girlfriend.” She had a legitimate reason to go, a dying client wanted to find a missing niece and a good lead led to “Big D”, but once the work was done, she had a friend playing football for the Cowboys who would show her a fun week-end.

Lucky sister, I thought, ready to feel sorry for myself, “but wait - there’s only a half day’s work here,” I said aloud and it’s rainy - and besides it’s Friday.” It only took two seconds to decide to finish the paperwork and to blow this joint. I put myself in high gear and was ready to leave by noon.

I had straightened up the lounge/storeroom, grabbed my purse and reset the phone machine, when the outer door opened.

“Oh. No. Don’t tell me you’re leaving?” the woman said. “Are you Jenny Gordon?”

She was slender with reddish blonde hair, not really pretty, her eyes were too close together and her mouth too thin, but there was something about her. Vulnerability? She had one of those voices that rise into a whine and grated like fingernails on glass. I hate voices like that. She dropped her dripping umbrella, one of those bubble see-through ones, onto the floor. Her raincoat, after she peeled it off to reveal a blue velour jogging suit, hit the sofa, and slid to the floor. I hate slobs, too. As if your things are not good enough. Maybe people like that just don’t care. Or maybe she was used to someone picking up after her.

“I am Jenny Gordon and I was leaving, but what may. . .?”

“Well, great. That’s the way my whole life has been the past twenty-four hours. All screwed up.” She walked over and sat on one of the customer chairs, rummaged in her purse for a cigarette and pulled out a lighter encased in a silver and turquoise case. “It’s really the shits, you know. Me needing a P.I.,” she burst out laughing in a high-pitched nervous tone.

I tried to figure out what was going on without much luck.

She stopped laughing long enough to say, “And who does he send me to? A woman, for Christ’s sake.” She laughed some more and finished with a cough, then flicked the lighter and lit the cigarette without asking if I minded. I smoke, and didn’t mind, yet it’s nice to be asked.

I’m not the happy homemaker type, but I couldn’t stand the spreading, staining puddles. The woman really was a slob, I thought, picking up her raincoat. I hung it on the coat rack, folded her umbrella and stood it in the wastebasket near the door. There was no sign she noticed what I did and no thanks either. Some people should just stay in their own pig pens and not run around spreading their muck.

I headed across the room, intending to get some paper towels from our lounge/storage room to soak up the mess. “As I started to ask a moment ago, is there something I can do, Miss. . . ?”

“Ms. Loudermilk. Voda Beth Loudermilk.”

“Ms. Loudermilk, why do you need an investigator?” I paused momentarily, in the doorway. Her answer stopped me cold.

“I killed my husband last night. Emptied his own gun into him.” The whine was gone, and the words came out in monotone as if she were describing a grocery list. “He died on me.” She smashed the cigarette into an ashtray. “Isn’t that the silliest thing you ever heard?” She laughed, but sounded close to tears.

If I was surprised because she didn’t throw the butt onto the floor, I was totally wiped out by what she said. I was so intent, I didn’t noticed someone else had opened the outer door and entered. I blurted out, “perhaps you need a lawyer, Mrs. Loudermilk, not a detective.”

“It was time he hurt some instead of me.”

A quiet voice interrupted, “Voda Beth. Shut your mouth and keep it shut.” He spoke in a quiet even tone.

The speaker was a short wiry man I recognized immediately from his many newspaper photos and television appearances. A shock of steel gray hair, brushed back to emphasize the widow’s peak, the piercing blue eyes and everyone of his seventy-eight years etched on his face. I’d never met him, of course, but I knew who he was. Hell, everyone knew who “Bulldog” King Porter was - the best criminal lawyer money could buy.

“Oh shit, Bulldog,” Voda Beth said. “You know a P.I.’s like a priest. They can’t reveal the confidences their clients tell them.”

He was dressed like a lawyer would have dressed forty or fifty years ago. Dark charcoal, pinstripe, three piece suit, white shirt with French cuffs peeking out the prerequisite amount, big gold cufflinks. The tie, a shade lighter than the suit, was not a clip-on and tied with a perfect Windsor knot. A heavy gold link watch chain had a gold Phi Beta Kappa key dangling from one end. “That only applies to p.i.’s in dime store novels.” Bulldog walked over to me and held out his hand. “Ms. Gordon, I’ve heard a lot about you. I’m Bulldog Porter.”

His hand was soft, but the grip firm. “I’m honored to meet you sir, I’ve heard a lot about you, too.” Porter had begun his practice in Galveston, during the thirties, when the island city considered itself a free state, allowing drinking, gambling and prostitution. He had even defended members of the “beach gang” who smuggled Canadian booze into the Gulf port and shipped it to places like Chicago and Detroit.

“I’ll just bet you have, Ms. Gordon.” He chuckled, “and let me tell you up front, most of it is true.”

Mrs. Loudermilk stood up. Her curly hair framing the sharp angled face which twisted in anger. “Bulldog. . .”

“Voda Beth, just sit right back down there and keep quiet for a minute.”

She glared, but did as he said.

“Now, Ms. Gordon. . .”

“Please call me Jenny, Mr. Porter.”

“Only if you call me, Bulldog.”

“Deal. Now, I’m assuming you have a special reason to be here.”

“Good. I like that. Cut the crap and right down to brass tacks.” He nodded to our storage/lounge area. “Let’s go in here and have a little chat. Voda Beth, you stay put.” The woman sent him a lethal look, but didn’t get up.

“My client in there,” he said as we sat at the kitchen-style table, “was mouthing off when I came in. Let’s chalk that up to her current emotional state. To her grief, if you will. You see, her husband was shot and killed around 8:00 p.m. last night. She was questioned for hours, eventually charged by the police and locked up in women’s detention over at 61 Reisner, just before dawn. She’s been without food or sleep for over twenty-four hours.”

“Her lack of sleep,” I said, “plus the grief and trauma she’s experienced has rendered her incapable of acting correctly or speaking coherently.”

“Exactly. I heard you were sharp.” He took out a pipe and, within seconds, had asked if I minded and got it lit. Bulldog Porter wasn’t known as the plodding, methodical type. “We have great need of an investigator and you were highly recommended by Lieutenant Hays of HPD homicide department.”

The fact Larry Hays sent Porter to me was a surprise. Larry was a good friend, but he still thought it was laughable, my being a private detective. My background is medical; an x-ray technologist. I worked ten years detecting the mystery of the human body and knew nothing about real mysteries. Luckily, C.J. had police experience and I’d been a willing pupil.

If what Bulldog said about the woman was true, she needed help. Maybe I was wrong to condemn her casual attitude about her wet things. If I’d just spent the night in jail, I sure as hell wouldn’t be worrying about neatness. Besides, the chance to do a job for Porter was worth considering. G. & G. Investigations wasn’t doing so well that we could turn down someone with his clout. “Did she kill her husband?”

He didn’t answer immediately. “Voda Beth says she has been physically, sexually and emotionally abused her whole married life. She says he was hitting on her and couldn’t take it any longer. That she pulled his own gun out from under the mattress and emptied it into him. Her father and I were old school chums and I agreed to take her case because of him. Actually, it shouldn’t be hard to prove diminished-capacity.” He leaned back, and his eyes zeroed on mine like an electron beam. “What I need from you, Jenny,” he smiled, “is to discover if her story of abuse is true.”

“Is there any physical evidence of her being beaten; like bruises or anything?”

“Not to my knowledge.”

“Has she ever reported to a doctor or to anyone that she was abused?”

“I don’t think so. But I’d like you to find out.”

“What do you know about Mr. Loudermilk?”

“Another thing for you to look into. J.W. Loudermilk owned a development and construction company which was doing quite well until Houston’s oil bust. But you’d need to do a through background check on him. I do know he was married before and he has a daughter from that first marriage. The daughter lived with him, until recently, and she’d be the first place to start.”

“And next, the ex-wife?”

“Precisely. Her name is Elwanda Watson. Had a second marriage which also didn’t last. Four children by Watson. I have addresses and phone numbers for you.” He placed the pipe in the ashtray I’d placed near him, reached into his inner coat pocket and held out an index card. “I believe you’ve already decided to work for me?”

I smiled as I took the card, “I have indeed.” I went to get a copy of our standard contract for his signature. Voda Beth didn’t look up when I passed through. When I returned, Porter had written out a check and handed it to me. He’d not inquired about fees. I nearly gasped, it was made out for $5,000.”

“I need to have as much information as possible by next Tuesday morning for the preliminary hearing.” Bulldog said. “That means working through the week-end if necessary. If you can find out the truth about the Loudermilk’s relationship, I might be able to get the charges dropped and we won’t have to go to trial.”

“If the truth is as she says it is.”

“Oh. Naturally. But I believe it is.” Mr. Porter spent a few seconds with our client and left.

It was time to interview the widow. I walked in and sat behind the desk, searching her face. A neon sign flashing “not guilty” did not appear on her forehead.

“Why don’t you tell me what happened Voda Beth?”

Her eyelids were red-rimmed and the pale blue eyes were devoid of life or light. She was holding her body rigid and her mouth tight as if to keep herself from flying apart.

“Look,” I said, “I know you’re exhausted, you need food and rest, how about telling me a few brief details and if I need something else, we can talk later.”

“J.W. and I had been arguing all evening. If I said black, he said white. I can’t remember what started this particular one. Finally, I told him I couldn’t take anymore tonight, that I wanted to go to bed. I went to our bedroom, took a shower and he sat in the den and drank.”

“Did he drink a lot?”

“Sometimes, and even more lately.”

“Why lately?”

“Things were bad financially, really bad the past few months.” Voda Beth pressed her hands to her temples, then rubbed them slowly. “I remember now. That’s what started the argument. Money. I’d bought two new bras yesterday, the underwire on my last one broke that morning.”

My partner, C.J. had been a policewoman in Pittsburgh for eight years and one thing she’d taught me about interviewing someone, is it’s usually best to not say anything once the person is talking. If you interrupt you can lose them, they’ll clam-up.

“I had just finished brushing my hair and was ready to get into bed when J.W. came in, yelling about how stupid I was for spending money we didn’t have. He was furious. He’d sat in there and drank and got madder and madder.

He got right in my face, screaming and when I tried to ignore him, he got even madder. He slapped me. Twice, at least and the third time he knocked me onto the bed. He kept hitting with his open hand. One blow made me bite my lip, see?”

She showed me a large blood hematoma inside her cheek. I made appropriate noises of sympathy. “What happened next?”

“He straddled me and started punching me in the stomach and breast with his fists. A blackness came over me, slowly, at first. It got darker and redder. Somehow . . .I really don’t know how. I got my hand under the mattress and got hold of his gun. The next thing I knew, he was laying across bed and. . .and I remembered hearing the gun and there was blood everywhere and. . .”

She began crying, great shuddering sobs. I walked around the desk, handed her a box of Kleenex and patted her shoulder, not really knowing what to say or do. She kept trying to say she didn’t mean it, but it was a long time before she got it all out.

When she’d calmed down, and blew her nose, I sat down behind the desk. “This wasn’t the first time your husband beat you?”

“No. He didn’t do it often and he’d always apologize, say he was sorry and he’d never do it again. That he loved me and didn’t want to hurt me. Months would go by and I’d believe everything was fine, then wham.” She was back to her monotone voice.

“Did you ever tell anyone? Your doctor maybe?”

“No. I was too ashamed. Besides, whatever I’d done to set him off was all my fault. I was the one who. . .”

“Voda Beth. Whatever you did was no reason to be battered or beaten. But my telling you won’t help or make any difference to you. You need to get professional help.”

“I will. Bulldog is setting it up.”

I walked around to her again and patted her shoulder once more. “It’s time you went home. You didn’t drive over here did you?”

“Bulldog brought me. He said he’d send someone to pick me up.”

“Come on then, I’ll go downstairs with you.”

A white stretch-limo was waiting in the front circular drive when we reached the lobby and a driver lounging against the front passenger fender saw us and walked over. “Mrs. Loudermilk?” He helped her in and she waved one finger as he closed the door.

I walked to the parking garage. Lowly private investigators have to drive themselves home.



“If that tight-assed bitch thinks she can kill my father and get away with it, she’s crazy.”

J.W. Loudermilk’s daughter was two months over eighteen, but looked twenty-five. Her name was Elizabeth, but she preferred to be called Liz, she said, after inviting me into her condo in far southwest Houston. She mentioned that she was scheduled for a tennis lesson at the nearby YWCA, but said she could spare a few minutes.

I’d been unable to reach her the evening before and had secretly been glad. Voda Beth’s story had unnerved me. With a good night’s sleep, I’d hoped to be able to think more rationally. Silly me. My dreams had been filled with a faceless someone who punched and slapped me half the night. It was three o’clock before I finally slid into a dreamless sleep.

I showered and dressed in my week-end office attire - Wrangler jeans and a t-shirt - but since it was a cool forty-nine degrees this morning, I pulled on a sweater. My hair had been short and curly permed for summer and as I combed through the tangled dark mop, I decided to let it grow for the cooler weather. I checked out a new wrinkle at one corner of my right eye. “Damn Sam. At 33, you shouldn’t be having wrinkles,” I said. “Someday, you’ll have to pay more attention to such things, but not today.”

A tiny smudge of cocoa frost eye shadow added depth to my dark eyes, and a quick swipe of powder was easy and fast and completed my bow to cosmetics. Spending time with creams and moisturizers was not my idea of fun and I intended to fight it, as long as possible.

I’d arrived for my appointment with J.W.’s daughter at 10:30 a.m. on the dot.

She had offered a cold drink. I accepted a Diet Coke and sat down as she bustled around in the kitchen. Her living room was a high-beamed ceiling affair, all mirrors, posters and wicker furniture from Pier One Imports. There wasn’t a sofa, just two chairs, and a lamp table between them, set before a fireplace. As a young woman out on her own, she probably couldn’t afford much.

I studied her as she brought in the drinks. She was lovely, self-assured and poised. She had a heart-shaped face, blue-black hair, cut shoulder length and curly permed. Her eyes were such a deep indigo they looked violet and there was no doubt her resemblance to a young Liz Taylor was often mentioned. She was dressed in a white tennis skirt and top, showing off her golden tan to great advantage. Oh. To be eighteen again, I thought, but only for a brief second.

“Mrs. Gordon?” She seated herself opposite me.

“Jenny, please.”

“Okay, Jenny. Let’s get one thing cleared up right now. I never did like Voda Beth. She’s a coke-snorting, greedy slut who married my father for his money.”

“You know all this for a fact?” The violet eyes narrowed briefly, before looking at me head-on. Maybe she was sincere, but her cliched words sounded like the old evil step-mother routine.

“My father owned his own construction and development company. He built office buildings and shopping malls. When his business suffered reverses, she couldn’t stand it.” Liz sat her glass down on the end table next to her chair, picked up a nail file and began filing her nails. “They argued all the time. Mostly about money. She was always wanting this new dress or that new piece of furniture. Now, with Dad dead, I guess she’ll be in high cotton.”

“Were their arguments ever violent? Did you see or hear your father hitting her?”

Liz finished the nail she was working on, put that finger to her mouth and began chewing on the cuticle. She shook her head, “Dad did have a temper, but I don’t think he ever so much as slapped the bitch.”

I sipped on the Diet Coke, “What gave you the idea she’ll be in high cotton now? Insurance?”

“She talked him into taking out a policy for two million, a few months ago. She killed him to get that money, there’s no doubt in my mind.”

I made a mental note to check out the insurance. “How did you find out about this policy?”

She flaunted it in my face. It’s one of those big companies, something Mutual. I’m sure you can find a record of it someplace.”

“You mentioned she used coke?”

“I’ve known ever since I was sixteen and she offered it to me.” Liz’s face contorted with fury. “That bitch came along, turned my father against me, but it only worked a short time.”

“What else did they argue about besides the money?”

“The drugs and the men she slept with.”

“She slept around?”

“He said she did. I have no knowledge of that personally.”

The picture the girl painted was certainly not something to help Mr. Porter. In fact, it was more likely to hang Voda Beth Loudermilk. But it did strike me strange, the girl didn’t have one kind word to say about her stepmother. “How old were you when they married?”

“Thirteen.” She drained her glass. “My mother couldn’t hold on to Dad. She’s a silly bitch, too. Sometimes she doesn’t have the sense God gave a goose.” She stood. “Sorry, Jenny. I do have to get to the Y for my tennis lesson. My fondest hope is that Voda Beth rots in jail.”

Thirteen is a difficult age. I knew from losing my own mother when I was twelve that I would have resented it tremendously if my father had remarried. Her remarks about her own mother seemed strangely out of place. Didn’t this girl like anyone? I wondered. Placing the unfinished Coke on the table, I got up. “Appreciate your talking to me, Liz.” I handed her one of my cards. “If you think of anything else I should know, please call.”

Liz preceded me to the door and opened it. “If it’s something that’ll help convict her, you’ll hear from me.”



It would be easier to make notes of my interview at my office. When I arrived I was surprised to find C.J. at the front desk, hacking away at the computer. “It’s good to see you, but weren’t you supposed to stay in Dallas all week-end?”

“Yes, but don’t ask any questions, okay?” she said and her tone indicated she wasn’t kidding. C.J.’s face, which always reminded me of a darker-skinned Nichelle Nichols, the Star Trek actress, was marred by a deep frown of concentration. The new computer we’d recently bought, was giving her fits. She continued hitting the buttons and keys like she was working out on a punching bag.

The fun with the football player, obviously didn’t work out. “Ooo. . .kay,” I said and told her about our new client, Voda Beth Loudermilk, brought in by Mr. Bulldog Porter himself. She nodded without comment and I began telling of my interview of Liz Loudermilk. “Liz tried to look and sound sincere, but I’m having a hard time believing her. The hate this girl had was so thick in the room it nearly smothered me.”

She paused, and turned to listen. “Sounds like she’s definitely jealous of the second wife.”

“I’ve tried to imagine how I would feel, in that situation. I’m sure I would have resented any woman my father brought in to take my mother’s place.”

“Five years is a long time to nurse a grudge. Didn’t Voda Beth ever do anything nice for Liz?” C.J. looked down at herself and tried to brush off a minute piece of something white from her bright green sweater, gave up and plucked it with her fingernails and tossed it away. The sweater, trimmed in brown and gold leather, was worn over a slim dark brown skirt and she’d added a bright green leather belt. She was also wearing green tinted pantyhose and dark brown boots. At her six foot height, she looks great in whatever she wears, but a couple of years as a model in Manhattan had set her style forever into the high fashion look.

My taste usually runs to levis or sweats. Of course, no matter what I wore, I still looked just like me, Jenny Gordon, of Houston, Texas. “Liz Loudermilk will cheerfully push the plunger on the syringe if her step-mother is sentenced to die by injection. She ain’t too crazy about her own mother, either.”

“Maybe she’s got a fixation on her father and anyone else is just a big zero in her mind.”

“You’re probably right, I was madly in love with my father when I was fourteen.” I said, thinking back, “About six months later, I hated him.”

“That was a normal growing-up process. I did about the same thing.” She smiled and leaned the chair back, folding her hands across her stomach. “Girlfriend, you know what strikes me about your conversation with that girl?”

“That insurance policy?”

“Yes. But besides that. She called Voda Beth a tight-assed bitch. That describes someone uptight or morally rigid. It’s not something I normally would associate with a woman who used drugs and slept around.”

“You’re right. It’s total contradiction, isn’t it?” I lit a cigarette, forgetting for a moment how much C.J. disliked my smoking.

She fanned the smoke with an exaggerated flip of her black hand, “Get out of here with that thing.” She turned back to the computer. “Besides, until I figure out how to trace that insurance policy, I don’t need you in my hair.” She picked up the telephone receiver, “I guess I’d better call the ‘old pro’ over at Intertect first and find out where to start.”

C.J. had a good working relationship with the private investigators over at Intertect, an office which specialized in computers and data bases. Good thing. Computers blow my mind completely. I’d probably never figure this one out.

I went into the lounge and turned on the air purifier and thought about my client. Bulldog Porter had wanted me to find “something” to prove wife abuse. Unfortunately, the talk with Liz Loudermilk had only tightened the noose.

I’d felt sorry for Voda Beth when she told of being beaten. She might even be a greedy slut, but I doubted she was as bad as the girl had tried to make her sound. It’s easy to use pop psychology to categorize people, yet the girl did sound like the classic example of a jealous daughter.

I walked back through to the back office to my desk, taking care not to disturb C.J. as she punched keys on the computer and numbers on the telephone. I called to make a late afternoon appointment with the ex-wife, Elwanda Watson. She worked as a waitress at a seafood restaurant out in the Heights area and said we could meet there. I typed up notes of the “Liz” interview on my old IBM Selectric and placed them in the Loudermilk file. I’d never let that machine go, even if I did learn things like Word Perfect programs and networking with modems.




See you tomorrow for Part 2!

13 September 2019

Can the Beatles Vs. Stones Debate Make Us Better Writers?


Beatles Vs. Stones
Photoshop by Grace Maddox
Two recent concert experiences got me reconsidering the ultimate rock 'n' roll litmus test: The Beatles or the Stones? Sure you can like them both, even simultaneously, but which one is better?


A manual on how to skirt
death, three chords at a time.
That was a no-brainer for me when I was in my late teens and early twenties. I was a Stones fanatic. My favorite albums were Beggars Banquet and Some Girls, and I played them on an endless loop. I read everything about them, including Tony Sanchez's down and dirty Up and Down with the Rolling Stones: My Rollercoaster Ride with Keith Richards. I totally lost interest in the Beatles, who just didn't seem to rock.  The Stones were fuel to all my youthful ne'er-do-well activities in a way the Beatles could never be.

Things change.

A few weeks ago I was driving home from work and I was hit by a tidal wave of traffic. Then I remembered: The Stones are playing the Rose Bowl tonight!  I live so close to the Rose Bowl that concerts sound great from my backyard, and even better from certain points in my neighborhood. I hurried home, poured a couple Makers on the rocks, and my wife and I took a stroll and listened. I have a writing assignment I have to finish, but I put it on the back burner (again).
"It just had to be done.
So we did it."

The Stones sounded great, and even though I got the requisite nostalgic ping, my long-standing take on the Stones was affirmed. I've had a growing dissatisfaction with the Stones for years, and I can narrow it down to one main reason: It's their lyrics. In my humble opinion, they don't hold up. I've looked into this, and here's what I've come up with.

The Rolling Stones recently wound up their No Filter tour, an amazing feat for four blokes pushing 80. Even more impressive is Mick Jagger going back on tour after having a catheter inserted into his aorta last April. My dad had similar surgery at a similar age, and as tough as he was I can't imagine him going on a North American concert tour afterwards.  "It just had to be done. So we did it," Keith Richards told the Toronto Sun.

Unlike the Who, the Stones at least make the pretense of touring to promote a new record.  They are masters at wringing product out of their tours. Album. Tour. Live album. Throw in well-timed greatest hits packages (they've got 26 compilation albums total, starting with 1966's High Tide and Green Grass through 2019's Honk), and you start to see the Stones for what they are: a disciplined, calculating, business-oriented music-making machine.

Keith Richards' Life.
It could seem, though I'm loathe to knock the insane success of the Glimmer Twins, that the Stones may take a mercenary approach to their songwriting as well. In Keith Richards' 2010 memoir Life, he writes that Mick would often hurriedly write the lyrics in the studio before the band had to record the song. Keith quotes Muscle Shoals engineer Jim Dickinson, who witnessed Mick writing "Brown Sugar" and "Wild Horses." "I watched Mick write the lyrics [to "Brown Sugar"]," Jim Dickinson is quoted as saying. "It took him maybe forty-five minutes; it was disgusting! He wrote it down as fast as he could move his hand." Dickinson said Mick did the same for "Wild Horses," taking about an hour.

In a 1968 interview with Rolling Stone, Mick Jagger said that he also wrote a lot of songs while on the road with the band. "You get back from a show,  have something to eat, a few beers and just go to your room  and write. I used to write about twelve songs in two weeks on tour. It gives you lots of ideas. At home, it's really difficult because you don't want to do anything really but read, and things like that."

The Glimmer Twins 
Journalist Johnathan Cott asked Jagger why he mumbled some of his lyrics. "That's when bad lines come up. I mean I don't think the lyrics are that important," Jagger answered. When pressed about the "really good" lyrics to "Get Off my Cloud," Jagger's answer was refreshingly honest and unpretentious: "Oh they're not. They're crap."

There is no doubt that the Stones have written well-crafted and thoughtful lyrics.  In a '95 interview with Rolling Stone Jagger talks about writing "Sympathy for the Devil" all on his own in his house in Chester Square.  From their own words, its seems fair to say that writing lyrics has often taken a back seat to recording. Lyrics are often written on the job, with the clock ticking. Rewrites don't always happen. Playing the song, finding the song's sound, is paramount.

Months before I eavesdropped on the Stones at the Rose Bowl, I took my family to see Ringo Starr at the Greek. My two kids are pre-teen, and I've taken this window of opportunity (while they still listen to me) to force stuff I like into their unsuspecting worlds. I've made them watch all the original episodes of Jonny Quest with me. We tune into Svengoolie on Saturday nights to watch cheesy horror films. It's jazz and classical stations when we drive. I play them Beatles music and show them Beatles movies. They love the Beatles. For now, anyway.

Ringo Starr, Honorary
Santa Tracker
Ringo has a band made up of famous people from other bands. The youngest member is Colin Hay from Men At Work,  just to give you an idea of how far back these cats go.  It's a nostalgia show all the way, something the Stones, admirably, haven't done much of (a notable exception being 2016's Desert Trip, dubbed "old-chella" by the Burning Man crowd). We sang along to all the old Beatles songs with Ringo. I'd never sang along at a concert in my life, and I've seen Frank Sinatra. I'll never forget sharing that with my kids.

A must-read for Beatlemaniacs
The Beatles wrote everywhere and anywhere, and their songs were often personal in nature.  Lennon wrote "Help" at home after a night at the recording studio. "I was fat and depressed and I was crying out for help," Lennon told Playboy. "In My Life" started out as a poem Lennon wrote about his childhood. McCartney wrote the music for "Yesterday" at his girlfriend Jane Asher's home. He sat on the song for weeks, calling it "Scambled Eggs" until he could compose the lyrics. "Eleanor Rigby" was another song McCartney tinkered with for awhile. It was later finished at Lennon's home, with all the Beatles contributing.  Ringo suggested "darning his socks," George "all the lonely people."  After their trip to India, the Beatles came back with a ton of songs that became The White Album and beyond. When you listen to the Beatles, you get the impression that those lyrics are vetted. There's no mumbling through half-baked writing.

So what do these masters of pop have to do with that lingering writing assignment I mentioned somewhere at the top, or your lingering writing assignment?

Akashic's Dublin Noir,
signed by Jim Fusilli and Gary Phillips.
Courtesy of the Maddox Archives
Jim Fusilli is a Wall Street Journal music critic who also writes crime fiction.  I was introduced to him by his terrific story in Akashic's Dublin Noir, "The Ghost of Rory Gallagher." It's about the price a fan pays for his obsession with a dead rock star.  As a side note, if I hadn't been so wowed by Jim's Akashic story, I may have never written "Old Cold Hand," published in Akashic's 2010 Orange County Noir. Anyway, when I heard that Jim was giving a writer's workshop, I jumped at the chance to attend. It was a good intro to creative writing, and Jim sprinkled it with rock 'n' roll anecdotes.

Jim talked about the importance of carrying a journal and being ready to write all the time. It's been roughly twelve years since Jim's workshop, and I'm not sure if he connected the Beatles to the habit of always being ready to write or if I did it on my own, but it stuck either way. John and Paul were always on. They never stopped writing. They jotted down their ideas and sweated over lyrics until they got them right. George too. He stockpiled and reworked songs that he couldn't get on Beatles albums because, well, Lennon and McCartney. When the Beatles broke up, he put these songs on All Things Must Pass, perhaps the greatest of the fab four solo albums.

My copy of Aaron's 1956
Assignment: Treason.
The second in the series.
Don't think the Stones don't have their lessons, too. In my post from April 19 ("Edward S Aarons and the Great Spy Series That Never Came in from the Cold") I write about the insanely prolific Edward S. Aarons, the creator of the Assignment series of novels, arguably the first US Cold War spy series. From 1955 until his death in 1975, Aarons wrote 42 Assignments. His output and longevity was very Stones-esque. Aarons was one of many paperback writers of the period (I wonder which one Paul had in mind on "Paperback Writer") who wrote book after book, often labeled men's action adventure. Many of these writers weren't feted at the time, though they're being rediscovered. They churned out titles, and sometimes they couldn't stop to be too precious with the words. It's like Keith said about going on tour after Mick had his surgery: "It just had to be done. So we did it."

I could use some of that Stones "get it done" mentality right now. I'm still struggling to finish that writing project I should have been done with months ago. I could blame my lagging on things like a crashed-beyond-all-repair hard drive, but that's just whining. I need Keith over my shoulder, getting cigarette ash on my computer keyboard, saying "Time is money, mate. It's NOT on my side or yours. Get with it."

I think we reach for the Beatles, for that work that will echo beyond us through generations; but we need the lessons of the Stones.  We need to push and meet our deadlines; to keep turning out product;  to not let the drug busts, Anita Pallenberg, heart surgery, or a busted hard drive defeat us. You can't alway get what you want, but if you try sometimes...

Learn more about Jim Fusilli at JimFusilli.com. Jim's latest, The Mayor of Polk Street, is available as an Audible Original.

Music is like a true friend who understands us and sticks by us no matter what unworthy slobs we secretly are. When someone knocks our favorite musicians, it can tick us off. And by "someone" I mean me, and by "us" I mean you good folks. If you need to vent, please comment here; or on twitter at Lawrence Maddox@Madxbooks; or drop me a line at Lawrencemddx@yahoo.com. Remember, it's only rock 'n' roll.

To the left is Fast Bang Booze. The sequel is the writing assignment I mentioned. To the right is Orange County Noir, 2010. I had Jim Fusilli in mind when my story got accepted.


 

12 September 2019

Pentecost - Burning Up Every Wrong


A month ago, I read Miriam Towes' Women Talking, a novel about the unbelievable but horrifically true story of a group of Mennonite men in the Manitoba Colony of Bolivia who "went around spraying an animal anesthetic into neighboring houses at night, rendering everyone unconscious, and raping all the women (infant, elderly and relatives included)".  At first the men in the colony denied that it happened.  Then they accused the women of everything from adultery to demonic possession.  But then some were caught.  Not that things got better for the women:  after arrests and confessions were made, psychological support was offered to the rape survivors by Mennonite missionaries, but the Bishop of Manitoba rejected it. He said, "Why would they need counselling if they weren't even awake when it happened?"  And the victims were and are being pressured to forgive the rapists, under threat of losing their eternal salvation if they don't.  (Manitoba case
Once again, proof that 99% of sex crimes are NOT about sexual desire, sexual desirability, or even lust.  They're about power.

In an authoritarian world, the real definition of power - unprettied, unsoftened - is the ability to do whatever you want and get away with it.  And one of the absolute proofs of power, to sociopaths, psychopaths, and pack mobs, is the ability to do anything you want to someone subordinate/inferior to you and get away with it.  Especially sexual dominance.  And if someone actually decides to rebel against the pecking order and resist and report?

DENIAL:
It never happened!  It wasn't like that!  It was consensual!  Demons must have done this!  S/he's lying!  What did s/he do to lure him on?
DEFLECTION:
Roy Cohn.jpg
Roy Cohn
Roger Stone on Roy Cohn:  "Roy was not gay. He was a man who liked having sex with men."  (Source)
DEFENSE!  DEFENSE!
Alan Dershowitz:  A john “who occasionally seeks to taste the forbidden fruit of sex for hire...  Prostitutes know what they’re doing—they should be prosecuted. But you shouldn’t ruin the john’s life over that."  (New Yorker
And as for rape, well - A young boy's life shouldn't be ruined over "20 minutes of action." (Brock Turner)
DISTRACTION:
Look!  Squirrel!  Someone else is worse!  They did that!  What was she wearing?  What was she drinking?  Why did she go there?  Why didn't they report it sooner?  What are they trying to get out of it by reporting it now?
DISTRACTION AND DENIAL:
Of course it never happened, s/he's not my type!  Who'd want to **** her [him]?
And we're back to the age-old "excuse" that sexual assault is based on the desirability of the victim, rather than an exercise of power.  But the truth is, rapists rape and abusers abuse the same way pigeons poop and bank robbers rob - that's what they do.  There's almost nothing you can do except lock yourself up in your house and wear body armor, and even then - well, read something about the Boston Strangler.  No, I'll take that back:  what you can do is avoid sociopaths, psychopaths, cult leaders, war zones, riots, authoritarians, and pack mobs.

The trouble is, that's hard to do.  Always has been.

My story in Liz Zelvin's Me Too Short Stories:  An Anthology is "Pentecost".  It's 1990, and Darla Koenig is the first female pastor in Laskin, South Dakota.  Not everyone is welcoming.  Nothing personal, just general principles, you know?  Not sure that women should be preaching from the pulpit.  Things might have to change.  Everything's fine the way it is.  Darla should be grateful that she's even allowed in.  And no one wants to deal with an old predator, even if he is still predatory.  So Darla has to, even though she knows that doing it herself could be one of the most dangerous things that she will ever do, for herself, her career, and the young girls of Laskin.

A lot went into "Pentecost."  The Hutterite colonies throughout the Midwest.  They are hardworking religious communes that are also deeply, profoundly, completely patriarchal and capitalist.   They're also hard-drinking.  Sometimes things happen.  Sometimes someone talks about them.

WaPo
The sexual abuse scandals in the Roman Catholic Church, the Southern Baptist Church, and other Evangelical churches. Again, patriarchal societies in which women are not allowed any leadership or pastoral roles, and are expected to "graciously submit to the leadership of her husband".  In which the perpetrators were protected, hidden, and - if everything came tumbling out - were quickly, publicly forgiven, while victims were silenced, ignored, told they had to forgive and forget to maintain their salvation, sometimes even made to confess their "guilt" in rape and abuse.  (Evangelical Church Sexual Abuse; SBC Church Sexual Abuse)

The new church group in the South Dakota small town that - in 2015!!!! - wanted to use the community room in the apartment building Allan & I lived in, and assured the owner of said building that "In our church, women know their place."  (They didn't get the room.)

An incident from my childhood.  Another, on-going incident from those days, when every child in my Southern California neighborhood knew that the guy on the corner was molesting his foster children.  But it was the 1960s, and we didn't dare say anything, because we knew that, as children, to even know what sexual molestation was meant that somehow we'd lost our innocence - and that meant something was wrong with us.  How could we know that without being corrupted?  And we would end up punished.

Darla runs headlong into this issue.  When she makes a couple of suggestions to at least rein in the predator she's told, "The town might be embarrassed."  When she suggests that the victims band together to pull him down, the janitor, Portia Davison, tells her:
"I don't know many women in this town who'd be willing to admit that something like that happened to them.  And we don't have any proof.  He's a lawyer.  His dad was mayor.  He hangs out with Judge Dunn and everyone on the City Commission.  To them, Davisons like me are trailer trash, and you're not from around here, not any more.  Nobody's going to listen.  And people might get hurt.  Especially the girls."
Portia was right.  To speak up would mean that every ballet student for the last 20 years, but especially the ones right now, would be pointed out, whispered about, objects of pity but also of suspicion, sullied...  To speak up and be doubted would ruin Darla's image, if not her reputation.  Darla would be called a troublemaker and a feminazi and every other misygynistic slur, and it would be another ten years at least before there would be another woman pastor in Laskin.
And it wouldn't even matter whether they were believed or not.  Even if they were, Darla would be hated for opening the can of worms, and the girls would still be held somehow at fault.
It wasn't fair, it wasn't fair, it wasn't fair.
Don't worry.  Darla finds a way through the dilemma.  A very effective way.

Check out how she pulls it off - and many other wonderfully satisfying stories - in Me Too Short Stories:  An Anthology, available on Amazon.com HERE,, at Barnes & Noble HERE.

And for those of you in NYC, there will be a launch party at the Mysterious Bookshop in the Big Apple on Tuesday September 24!

Me Too Short Stories: An Anthology by [Zelvin, Elizabeth]

11 September 2019

The Disappeared


I wrote a story a couple of years back called "A Multitude of Sins," that got left out in the rain for a while, and eventually appeared in the January/February issue of Alfred Hitchcock. But how the story worked its way from the back row to the front seats illustrates something about our writing habits, and squirreling away the odd detail.



"A Multitude of Sins" is about the serial unsolved murders of women in Ciudad Juarez, the so-called feminicidio, which has been going on for the past fifteen years or so, or perhaps more to the point, since the establishment of the maquiladoras along the border. 

If you don't know what I'm talking about, the maquiladoras are an enterprise culture, factories established on the Mexican side, by American corporate, what they produce exempt from duties and tariffs. The idea, not in itself a bad one, is to provide jobs and raise income levels. If you consider that girls form the countryside might previously have spent a few years in the whorehouses of Villa Acuna or Piedras Negras, this seems like a better deal, or at least disease-free. It might remind us of the New England mills, early in the 19th century, when they recruited young female labor from the local farms, and put them up in dorms, and sent them home afterwards with a nest egg. Assuming they didn't lose a finger or an eye to the heavy machinery.




The problem here, and you can see the punchline coming, is that the girls crowding in to work at the maquiladoras develop the characteristics of a herd of wildebeest, and the predators wait in the tall grass to pick off the weak, the newborns, the stragglers. Four thousand deaths, by some accounts. Hard to write it off as a statistical blip.



So, not focusing on this, just having it in the background, my peripheral vision, I run across a story about bones being dug up at a building site west of Albuquerque. Dead girls, it turned out, maybe a dozen of them. Best guess, a window of four years, they were buried out there. Dental records identify some of them as reported missing by their families. They were in the life - they were users, they were hookers. You can see where I'm going with this. They were picked off when they fell behind. 



But the murders stopped. This graveyard had a start time, and a cut-off. What happened? Maybe the guy was doing time. Maybe he died. Maybe, my reptile brain suggested, he left town. He went to more fertile ground, where dead girls weren't even being noticed. What put this in mind was a series of portraits, an exhibit by the artist Erin Currier. She did a show of imaginary pictures, this is who these women were, these dead women in Juarez. They had names, they had moms and dads, they had ambitions, they had audacity. They had their own interrupted memories.



I'm thinking, wait one. There's a way to use this. Not to trivialize it, but a way to tell a story. And so I did.

Erin Currier at Blue Rain Gallery, in Santa Fe. Opening on Friday, 09-13
Erin Currier's website
http://erincurrierfineart.com/


All images copyright Erin Currier 


10 September 2019

Music to Write By


Some people need silence to write. I could go either way. Silence works. But sometimes, so does music. Certain songs just put me in a creative mood. Here are a few songs/albums that I sometimes work to:
Songs from Ally McBeal. Yes, the show aired about twenty years ago, but the music is still peppy and/or soulful. Either way, it gets my fingers flying. Thank you, Vonda Shepherd and all the other artists on the album.

My favorite songs on the album are "Searchin' My Soul," "Walk Away Renee," and "Maryland." But I can't listen to any of these songs individually if I want to use them for creative purposes. My brain knows the order they appear on the album, and if I don't hear them in that order, I get pulled out of what I'm doing.

Cracked Rear View by Hootie & the Blowfish. I played this album over and over in the mid-90s as I filled out my law school applications. It kept me in the zone. And it does the same today. I listen to it while writing and while editing.

Funny thing is I can't name a single song on this album off the top of my head. It works that well as background music--it blurs into my subconscious, keeping me from getting distracted.

The soundtrack from the movie Somewhere in Time is one of my go-to albums in the winter. You may think that's odd because the movie wasn't set in the winter, but there's something about this music that feeds my creativity on cold gray winter days.

One nice thing about this album is it's all instrumental, and the songs are somewhat similar to each other, so they blend from one to the next easily, and I don't even notice them really, yet they help keep me focused.


I also have individual songs that I play on repeat. "Under Pressure" by Queen is one of them. It won't work when I'm editing, but for writing, oh, baby, this song does it for me. I set it on repeat and type, type, type away.

So those are some of my go-to music choices. The key to all these songs is that they make me feel energetic but they're not distracting. What I notice is when the music ends.

How about you? Do you need silence to write? Can music help you? What works for you?

09 September 2019

Crime Scene Comix Case 2019-09-004, Baby Napping


Our criminally favorite cartoonist, Future Thought channel of YouTube, is developing a following among SleuthSayers. They produce more than one animated comic, but our favorite is Shifty.

Remember him, the none-too-bright crook who looks like a Minion in prison stripes? Baby napping… It’s not what you might think when Shifty comes skulking. Ah, the self-defeating little guy.

 
   
  © www.FutureThought.tv

 

That’s crime cinema. Hope you enjoyed the show. Be sure to visit Future Thought YouTube channel.

08 September 2019

Mental Illness Is Not a Political Football


I have previously written about the myth that those with mental illness are dangerous. Spoiler: they are not.

What is happening now politically is very concerning. Politicians are blaming mass shootings on mental illness and – as I cited before – Dr. Michael Stone, a forensic psychiatrist at Columbia University who maintains a database of 350 mass killers going back more than a century, has found that only one in five are psychotic or delusional. This means that 4 out of 5 mass murderers are people who are clinically sane.



Why do politicians blame mass murders on the mentally ill? Many agree with Fareed Zakaria that “turning immediately to the "sickness" of the shooter and piously calling for better mental-health care is, more often than not, an attempt to divert attention from the main issue: guns.”

This may well be true but it is damaging to label those with mental illness as dangerous to society. The prevalence of mental illness is difficult to nail down but “Around 1-in-7 people globally (11-18 percent) have one or more mental or substance use disorders. Globally, this means around one billion people in 2017 experienced one.”

This means that when we think of those with mental illness we should think of our family members, our partners, our children our friends and neighbours because that’s where you will find them. Or not find them because many hide their symptoms and suffering for fear of - you know - being labeled dangerous. That’ll certainly send someone into hiding.

Worse - mental illness is being used as an insult to those with political views we disagree with.


This is my tweet from this week:






tweet

The politician my tweet was directed at is not as important as the patients this politician’s tweet was directed at: those with mental illness have become the scapegoats of politicians.

Paraphrasing MLK gave me pause. However, his writings are filled with empathy for those suffering from discrimination and I thought that it might be appropriate to use this for this very maligned minority.

What I want to address is my dream: blaming and insulting (along with the unrealistic depictions in books and on screen) presents a very unrealistic portrait of those suffering from mental illness. After a long career of treating mental illness, I can describe them with some degree of confidence. They are just like you and your family, friends and children. They have the same wonderful qualities and the same vulnerabilities, the same bad jokes and the same hilarious ones. I could go on, but you get the picture.


I feel I must say this very loud for the people at the back: mental illness is a medical diagnosis no different than that for diabetes. It requires diagnosis and treatment and both should be given with care and compassion. Just like someone with diabetes or cancer - everyone with mental illness will have their own unique personalty but not the ones that politicians try to give them.

I was pondering - ok, I was fuming - about this issue the other day and thought about the origins of medicine. Originally all disease was thought to be in some way connected with the evil doings of those who are ill. So, diabetes, cancer and depression fell into the same category: “In prehistory, people believed that pain and disease originated from evil spirits. Disease resulted when these evil spirits entered the body. Witch doctors and shamans were employed to exorcise wicked beings…”

The belief that illness is caused by evil spirits taking residence in a patient changed when modern medicine discovered the actual etiology of physical illnesses. However, some still think that there is something evil in people who have mental illness.

Today many use the term ‘mental health’ “… to reduce the stigma surrounding mental illness, and said ‘illness’ reinforced prejudices against asylum patients because it implied segregation between the sick and the well. Focusing on health countered a persistent misconception that only some people are prone to psychiatric problems.”

This terminology is a double edged sword. Focusing on what is healthy in these patients is a good thing. However, there is value in identifying an illness. To tell a patient they have a physical illness is often a relief because they finally have an explanation for the symptoms from which they are suffering. They can explain this to those close to them, and get comfort and help when the symptoms flare up. The same applies to those with mental illness. I have found patients are immensely relieved to finally have a diagnosis and treatment plan. I have seen their relief when they can speak to those they love and get support in the same way those with physical illness get to lean on those in their life. 



 I’m comfortable with the term ‘mental illness’ and also happy to use the term ‘mental health’ if people prefer. What I want is to end the stigma, to treat each patient as just that: a person with an illness that can be be diagnosed and treated. The illness doesn’t define the person. Their character defines them.

07 September 2019

LOST in Africa



by John M. Floyd


I love reading novels and watching movies--sometimes I wonder which I enjoy most. And what's really fun is reading a novel and then seeing the movie adaptation. Usually the book is better than the movie (The Hobbitt, Dune, Bonfire of the Vanities, The Stand), sometimes the movie's better than the book (The Godfather, Dances With Wolves, The Graduate, Forrest Gump), and occasionally--not often--they both turn out great (To Kill a Mockingbird, Lonesome Dove, Deliverance, The Green Mile, Mystic River, Eye of the Needle, Goldfinger, The Silence of the Lambs).

I recently re-read a novel I'd discovered in high school, and then re-watched its movie adaptation, which I'd seen in college. The book is The Sands of Kalahari, and the movie (with a relocated "the") is Sands of the Kalahari. It's another of those rarities that, despite the title change, came across well on both the page and the screen.

I've always thought some of the best movies are adapted from novellas--The Shawshank Redemption (from Rita Hayworth and Shawshank Redemption), Apocalypse Now (from Heart of Darkness), Stand by Me (from The Body), and so on--because a novella's length tends to correspond more to a 90- to 120-minute film. Short stories have to be embellished, novels have to be condensed, but novellas are aa a good fit. That theory seems to hold true for Kalahari. Most sources refer to it as a novel, but it's a short one--my ratty old hardcover copy is only 192 pages. Probably because of that, the film version was able to stick pretty close to the book's storyline.

Quick facts: The novel The Sands of Kalahari was written by William Mulvihill and published in 1960; the movie Sands of the Kalahari, released in 1965, was directed by Cy Endfield and starred Stuart Whitman, Stanley Baker, and Susannah York. Trivia: Richard Burton and Elizabeth Taylor were originally scheduled for two of those leading roles.

Here's the basic plot. When a private aircraft crashes in the vast Kalahari Desert of southern Africa, the six survivors--five men and a woman--are left in a place where few humans have ever set foot. They finally stumble onto a barren valley of cliffs and caves and manage to locate enough food and water to keep them going. Their only companions in the valley are bands of curious and sometimes-savage baboons, and the six soon realize that no one's coming to rescue them. As the pilot of their ill-faeted plane sets off alone across the wasteland to try to find help and the other five hole up in a cave and try to keep from starving, one of them decides to improve his odds of survival by eliminating the rest of the men in the group. To say more would give away some great twists and revelations, so I'll stop there.


I can't help seeing some similarities to the TV series Lost, here. A diverse group of travelers find themselves stranded and on their own in an unfamiliar and dangerous place, and have to deal with (1) their harsh environment, (2) each other, (3) their own faults and fears and insecurities, and (4) the deadly beasts that live in and around their new home. Along with love and friendship and heroism there's plenty of danger, despair, lust, jealousy, betrayals, illness, violence, racism, etc., and--as we writers well know-- the more levels of conflict there are, the better the story.

This is a good one. I've now read the novel three times and seen the movie at least five or six times, and it never seems to get old.

The next time you have an urge for a wilderness survival tale, give one or both versions of this story a try. And if you do read it or see it, let me know what you think. Meanwhile, may all your flights be safe and your adventures baboon-free.

Keep up the good writing.






06 September 2019

Preservation


by O'Neil De Noux

When I was a teenager, the politicians in New Orleans wanted to put an expressway through the French Quarter to modernize the city's transportation system.

From 1964 through 1969, the elevated expressway was designated Interstate 310. The plan was to run it off Interstate 10, down Elysian Fields Avenue to run along the Mississippi Riverfront and connect with the Mississippi River Bridge. It would continue all the way to Earhart Boulevard to become the Earhart Expressway into Jefferson Parish. This elevated 6-lane expressway (40 feet high and 108 feet wide) would separate the Quarter from the river with the federal government paying 90% of the cost.



90%. The politicians salivated at all that money. These are the same guys who let the federal government cut down miles of beautiful, ancient live oak trees along Claiborne Avenue to build the elevated I-10 through the city.

Opposition gathered quickly by the Louisiana Landmarks Society and Vieux Carré Propery Owners Association. Unfortunately, local government was all behind this, from the governor to mayor of New Orleans to the city council. It was a 'go'. It would have killed the ambiance of the old French Quarter, overpowering it with noisy traffic and exhaust fumes. The preservationist worked hard to kill the project, even against pro-expressway local media (newspaper and TV). Preservationists worked the streets and the voice of opposition grew.

One man stopped everything… cold. US Secretary of the Transportation John Volpe shocked everyone by killing the project. He just said no. He invoked Section 106 of the National Historic Preservation Act, declaring the expressway would do irreversible damage to the historic French Quarter – which is what the preservationists argued.

In retrospect, some of the local politicians declared they had been wrong. Former mayor Moon Landrieu (father of recent mayor Mitch Landrieu and former US Senator Mary Landrieu), who was on the city council at the time, looked back and wondered what the hell he was thinking.

The stupidity was stopped by New Orleans preservationists and John Volpe.



Information from:
https://prcno.org/turning-back-the-highwaymen-saving-the-vieux-carre-from-the-riverfront-expressway/
https://www.nola.com/news/article_50a45a30-b25b-11e9-a32c-8fddd41786f6.html
https://en.wikipedia.org/wiki/Vieux_Carré_Riverfront_Expressway


That's all for now.

http://www.oneildenoux.com

05 September 2019

Holy Bastard: Pope Stephen VII & the Cadaver Synod


by Brian Thornton
Read, — how there was a ghastly Trial once Of a dead man by a live man, and both, Popes
— Robert Burns, The Ring and the Book

This week's foray into historical bastardry concerns the Papacy and a pope “convicted” of terrible crimes nearly a year after his death!

The late 9th and early 10th centuries marked a period of widespread political chaos in Italy dubbed the “Iron Age” of the Papacy. For example, no less than twenty-five men served as pope between the years 872 and 972. During this time the Papacy came to be viewed as the ultimate “plum job” by Rome’s wealthy families, many of whom vied with each other to see one of their number don the shoes of the fisherman and in turn dispense ridiculous amounts of patronage amongst his kinsmen.


Feuds developed, blood was spilled. A pope was poisoned, and the reigns of his successors became successively shorter (many of them also meeting violent ends). In the midst of all of this chaos, where a pope would change canon law by this or that decree, only to have his reforms overturned by an antagonistic successor, one pope took matters even further.

He ordered a predecessor’s corpse dug up and put on trial.
Funny, he doesn't look crazy…

Enter Pope Stephen VII, who reigned as pontiff from May of 896 to August of 897.

These days people (Catholic or not) tend to view the Pope, the head of the Roman Catholic Church as a benevolent, invariably elderly man dressed in clean white robes, apolitical, a living symbol of the Church’s stances on things such as social justice and mercy.

This was not always the case.

The Papacy has been around for millennia; it is one of the oldest institutions in the Christian Church. It stands to reason that a position like this one, which has been occupied by any number of different men over the course of its existence, has been occupied by the occasional loose screw. In the case of the Papacy, one could make the case that the law of averages has been stood on its head, and the office has seen enough loose screws, screaming rivets and outright nuts to fill a toolbox.

One such loose screw was Stephen VII, a churchman so off his rocker that he was given to toasting the health of the Devil and blaspheming against God. Add in the fact that Stephen was politically beholden to the family that ruled the nearby Duchy of Spoleto, and things start to get interesting.

During the Middle Ages the idea went that if a Pope was Christ’s vicar on Earth, he ought to have actual territory to rule like any secular feudal lord. This usually included the city of Rome and varying amounts of adjacent territory.

Since the Papacy at the time was scrambling for money and troops of its own, a succession of popes (including Stephen VII and many others) made outside alliances with powerful Italian families bent on adding the prestige of the Papacy to their own names. The Popes of this period usually accomplished this end by offering to legitimize the rule of the ally in question with a formal papal coronation (literally having the Pope himself place the ruler’s crown on his blessed head) in exchange for military aid and protection.

One pope who had done this was a predecessor of Stephen’s named Formosus, whose reign lasted five years (891-896). During that time Formosus (whose name in Latin means, “good looking”) had crowned the young Duke of Spoleto Holy Roman Emperor, then turned around and offered the same crown to Arnulf, King of Germany.

Am I saying Jude Law would play him in the movie?
No. But I'm not NOT saying it..

Arnulf had answered Formosus’ invitation by invading Italy and taking Rome, where Formosus promptly crowned him Holy Roman Emperor as well. Needless to say, this caused an uproar in Spoleto, especially with Angiltrude, Queen of Italy, Duchess of Spoleto, and erstwhile Holy Roman Empress, mother of the underaged Duke of Spoleto (who, lest we forget, had already been crowned Holy Roman Emperor himself).

Struck by a sudden mysterious paralysis, Arnulf withdrew from Italy, leaving Formosus to pick up the pieces. Formosus responded by dying shortly afterward, to be initially succeeded by a couple of popes with ridiculously short reigns (one of them only lasted two weeks as pontiff!), and eventually by Stephen VII, the certifiably crazy political pawn of Spoleto’s ruling family.

About six months into his reign, Stephen had Formosus dug up and propped up in a chair in the Vatican, where he was then placed on trial (called, appropriately enough, the Synodus Horrenda in Medieval Church Latin, and known in English today as the far tamer "Cadaver Synod") with Pope Stephen himself sitting as judge. Formosus (or rather his corpse) was accused of (among other things) being ambitious enough to actually want to be pope (the nerve!).

No one is sure of Stephen’s reasons for putting on this, the ultimate show trial, but historians speculate that he was feeling pressure from Angiltrude and her supporters to delegitimize Formosus’ reign (thereby also wiping out Arnulf’s coronation as Holy Roman Emperor) and suffering from some well-documented psychosis.

The trial lasted for weeks, during which time Stephen would frequently interrupt his own papal prosecutor in order to rant at Formosus’ moldering corpse, calling it all manner of names, accusing it of murder, blasphemy and several other crimes with which it was not actually charged. How the corpse responded is not recorded.

The Lateran Palace today. The "trial?" took place here.

The trial’s outcome was a foregone conclusion. The corpse was stripped of its expensive papal vestments, the first three fingers of its right hand (the three with which a pope blesses his subjects) were cut off, and the body was briefly reburied, this time in an unmarked grave in a graveyard reserved for foreigners. Within a couple of days it had been dug up yet again and tossed in to the Tiber River, only to be pulled out by a monk loyal to the dead pope’s memory.

This “Cadaver Synod” resulted in riots throughout Rome which eventually cost Stephen first his papal throne and eventually his life. He was strangled in prison less than six months after “condemning” the dead Formosus (once again, Formosus’ reaction, if any, to this news is not recorded).

A fitting end for one crazy bastard.