16 September 2019

The Play's the Thing


by Steve Liskow

Not long ago, I saw an audition call for a production of a play I performed in years ago, a mystery called Wait Until Dark. It's a rarity, a good mystery play that began as a play instead of being adapted from either a book or a film. There are several good mysteries on film, but most of them began as films or novels. My wife Barbara, who still acts in five or six plays a year and impersonates an 1890s British maid at the Mark Twain House, and I spent the rest of the evening trying to think of other good mystery plays that aren't adaptations.

It's a short list, and I don't like several of them for crochety reasons of my own. Obviously, many of Shakespeare's plays involve crime or mysteries: Hamlet, Othello, Macbeth, Lear, Caesar. I won't include them. Aeschylus gave us The Oresteia 2500 years ago, only a few years before Sophocles graced us with Oedipus The King, maybe the earliest detective story. I won't include those, either.

All those plays involve stage conventions we now consider "unrealistic" or "old-fashioned." The mystery form has conventions itself, and some of them are artificial, too. Red herrings, delaying a discovery, the impossible crime, and multiple suspects are pretty much standard procedure. Maybe that's why a script that leans heavily on staginess is effective for many of the plays I include below.

Investigating a mystery often involves moving from place to place, so a challenge in a mystery play is limiting scene/set changes that slow down the action. There are two ways to do this, one a staple of Shakespeare and the Greeks. That's the lack of a stage set at all. The audience has to imagine a different place for the action, often given the cue through dialogue ("What woods are these?"). The other is to construct a play that happens in one location. That's tough.

Barb and I have been involved in productions of most of these plays, which colors my judgment.

Book of Days by Lanford Wilson. Wilson passed away in 2011 after producing a body of work that equals Miller or Williams. He wrote roles for William Hurt, Christopher Reeve, Richard Thomas, Joan Allen, John Malkovich, and Judd Hirsch, among others. I directed this play about ten years ago, and Barb acted in it. In fact, I lost an actor less than a week before opening and had to step into his role myself. 


 If Raymond Chandler had written Our Town, the result might have been Book of Days. On a bare stage, 12 characters interact with each other and the audience to discuss how Walt, one of the small town's leading citizens, dies in a freak hunting accident. Apparently, a tree fell on him during a tornado and his shotgun went off. But there are inconsistencies, and by the play's end, the audience understands who killed Walt, how and why it was done, and that the killer will get away with it.
Book of Days, my wife at lower right, me 4th from right
The play uses a bare stage but has over 90 scenes in 17 locations. We used light changes and a few basic props to keep the story going, just like the Greeks and Shakespeare.

Agnes of God by John Pielmeier uses the same black box strategy and for the same reasons. The artificiality is effective because we don't KNOW exactly what happened even though we understand the broad outlines. On a set consisting of two chairs and a standing ashtray, a female psychiatrist tells of being called in to evaluate the competence of a young nun. Agnes is accused of killing a newborn baby she claims she bore after an immaculate conception. If she is ruled rational, she faces a trial for murder. Otherwise, she will go to an insane asylum. The only other character is the Mother Superior who accuses the psychiatrist of bias against the Catholic Church. Barbara was learning the lines for Agnes as we went on our honeymoon.

I've seen two other productions, and all three had problems. It's hard to strike a balance between the characters and the story, but some scenes--a hypnotized Agnes reliving the agony of giving birth, for example--will keep you awake at night. She's clearly crazy, but does that automatically mean she's lying?

The less said about the film starring Jane Fonda, the better. Why anyone thought that stripping the play of its theatricality and trying to present literal reality on film is a bigger mystery than the play itself.

Equus by Peter Schaeffer also uses several locations with only the barest of furniture, and for the same reasons. Schaeffer passed away in 2016 at age 90 after writing many other acclaimed works, including Amadeus, which is also sort of a mystery.

The play gives us another psychiatrist treating a young patient, this time a teen-aged boy accused of blinding several horses in the stable where he worked. My wife played the boy's mother and a mutual friend played the psychiatrist (Shrinks are big in mystery drama: at least one of the plays I left off this list also has one). Actors wearing elaborate wire-frame heads play the horses. The nightmare moment of the play comes on a completely dark stage when all the horses' eyes light up, little red pilot lights across the back of the stage...and advance to surround the boy. Unlike Agnes, this play answers all our questions. Lucky us.
Equus cast & crew. Horse's head at bottom

Wait Until Dark by Frederick Knott appeared on Broadway in 1966, and Lee Remick earned a Tony nomination as the blind woman who knows killers will break into her apartment that night. She smashes all the light bulbs in the apartment so she can fight them on equal terms. Robert Duvall played the ringleader in that production, and I wish I had seen the moment when he shows Susie the one light she forgot to smash: the bulb in the refrigerator (In theater parlance, we refer to this as the "Oh &$%# Moment").

The film version, a year or two later, drags badly. It allows us to see outside, too, which removes the claustrophobic feel of being trapped in the apartment. Alan Arkin, Richard Crenna and Jack Weston are excellent as the bad guys, but Audrey Hepburn's weepy and whiny blind girl is annoying. She's all wrong for the role. I played the Crenna role years ago, and now Jeffrey Hatcher has reworked the play and set it in the 1940s. The play has to be done in an older time period because a photographic dark room is vital, but I don't understand why someone felt it needed to be rewritten.

Death Trap by Ira Levin. Levin, who wrote many other works, including the novel that became the film Rosemary's Baby, saw this 1978 drama become the longest-running comedy-drama on Broadway. It was nominated for several Tony Awards, including Best Play. Another very stagy work, it involves two playwrights, a newcomer and a seasoned pro, who work together on a project that won't make it to the stage. The play-within-a-play structure works, and the script abounds with dark humor and theater in-jokes, including using a crossbow as a weapon. Done well, it's wonderful. Don badly, it's...well, deadly. I saw a local production with the same friend who played the psychiatrist in Equus as one lead and a former student as the other. The excellent film starred Michael Caine, Christopher Reeve, and Dyan Cannon. Hard to go wrong there.

That's it. If the plays don't work, the fault, dear Brutus is not in our star actors, but in ourselves.


15 September 2019

Jan Grape's Found Dead in Texas:
Whatever Has To Be Done, part 2


Jan Grape
Yesterday, we brought you a treat, an anthologized story set in Texas. That was Part 1; today we give you Part 2.

Crime family Jan Grape and her husband Elmer have enjoyed a long, varied, and storied career in the mystery business. Besides writing, besides winning awards, besides running a bookstore, besides getting away with murder, Jan knows everybody in the business… everybody.

This tale from Jan’s collection, Found Dead in Texas II, originally appeared in Deadly Allies II (Doubleday 1994). Pour a cup of coffee and enjoy this, the second part.

— Velma

Whatever Has To Be Done
Part 2

by Jan Grape

continued…

Just before 5:00 p.m., Elwanda Watson called and changed our meeting to her home. I stacked the paperwork on my desk, told C.J. I’d see her tomorrow, not that she heard me - she was still wrestling with the computer. Just before the door closed, however, she called out “Sunday brunch at my house, okay?”

Saturday afternoon traffic around the LaGrange Building was thicker than bees around molasses, maddening, but normal. The building is located two and a half blocks from the Galleria. Even in the early fifties, this whole area was still part of a dairy farm. Now, a six-block square area of high dollar shopping malls, department and specialty stores, hotels and high rise office buildings, including developer Gerald Hines’ sixty-five story, Transco Tower, filled the land where Crimson Clover used to grow and cows got fat. From the air, the whole area was filled with concrete, steel and bronzed glass and, looked like a city skyline, but it’s six miles from downtown Houston in suburbia-land. The lack of zoning laws here makes for some unusual building developments.

Elwanda Watson lived in a story and a half house made of white brick and wood and cedar shakes, four miles West of my office. An older neighborhood built in the late fifties before contractors and architects took a notion to make suburban houses all look alike. These were in a wide range of individual styles and colors. A huge Magnolia tree stood sentinel in front and a pink bicycle lay on it’s side in the St. Augustine grass. Four baskets of white and burgundy Impatiens hung from the eaves.

The woman who answered the door was short, overweight, with ponderous breasts and hips almost scraping the doorway. She had short, dark hair streaked heavily with gray and a startled expression which seemed to be a permanent look. She wore a dingy, white sweat suit, no make-up and said she was Elwanda Watson. It would be difficult to believe Liz Loudermilk came from this woman’s womb, if it had not been for the eyes. That unique shade of blue, tingeing to violet. Either Elwanda had lost her beauty long ago, or Liz got her looks from her father.

She led me to a large kitchen/den area, both paneled in knotty pine, and there were children’s play noises coming from the back yard. She indicated I should sit in the chair across from the sofa and brought tall glasses of iced tea before settling on the Early American style sofa.

I glanced around, the room had the look of having been hastily picked up. A large entertainment cabinet stood against one wall. Wires and plugs stuck out and dangled from the front and one side, indicating sound and electronics had once been installed and then removed. A small TV set was alone on a shelf. Newspapers, magazines, books, and games; Monopoly, Scrabble, Uncle Wiggly, Yahtzee, Pa-chiz-si, dominoes and cards, were piled on and in the cabinet. The drape hung loose from the rod on one side and drug on the floor. It was an “I don’t care look,” much like the woman herself. Two failed marriages had taken their toll. “Ms. Gordon, what . . .” she said.

Smiling at her, I said, “Call me Jenny, please.”

“And I’m Elwanda. Well, Jenny, what is it you wish to know? This whole horrible thing is too, too weird. Poor old J.W. dead. And Voda Beth accused of killing him. Unbelievable, I tell you. It just boggles my mind.”

“It’s hard to believe Voda Beth killed J.W.?”

“I’d just never figure her to do something so awful. She seems like such a nice person. Gracious and polite to me and she’s been really kind and generous to my Liz.”

“Really? Liz doesn’t share your feelings.”

“Oh that Liz. She can act like as spoiled brat. The things I could tell you would take half the night. But you don’t have time for that. She mouths off about Voda Beth something terrible sometimes, but deep down, I know she likes her step-mom.”

“That wasn’t the impression I got this morning.”

“Oh, I know,” said Elwanda. “Liz told me how tacky she was this morning and asked me to apologize for the things she said.”

“She doesn’t owe me an apology.”

“Well, she did mislead you. Made it seem like Voda Beth was a wicked person when she’s not.” She rubbed both eyes like a person just waking up. “My daughter is beautiful and brilliant, but she can also act like a two year old when she doesn’t get her way. Sooner or later you have to give in. Of course, she’s always sorry afterward and will make up for it a hundred ways.”

Despite Elwanda’s trying to make Liz sound like nothing more than a rebellious and rambunctious child, I had seen the rage Liz had for Voda Beth. It wasn’t just a temper tantrum. I’d hate to see that rage turned on anyone. Elwanda was maternally blind to her child’s faults. She didn’t want to think otherwise, and I thought it best to get off that subject.

“Voda Beth claimed J.W. was beating her when she killed him. Was he ever abusive to you?”

“Oh, my. No. I was married to the man for ten years and he never raised a hand to me.” She looked directly at me and her wide-eyed look of astonishment was more pronounced. “And I don’t see him abusing Voda Beth, either. He worshiped her. He was always a kind and wonderful husband. And father. Always.”

If that was true, I wondered, then why did she divorce this boy scout? I had to ask. “Why did you. . .”

“Divorce him? He left me. For another woman. Not Voda Beth, it was over long before he met her. There were lots of other women. Some men are born womanizers and J.W. was one. That is, until Voda Beth caught him. I don’t think he ever strayed from her.” Tears welled up in those big violet eyes and, this overweight, throw-away wife’s voice held a wistful note.

“What about his low boiling point?”

It took her a moment to speak, “He could get angry, real easy-like when he was young, but he’d mellowed out. Even so, his anger never, ever, led to violence.”

“Did Voda Beth ever go out on him?”

“I don’t think so. He probably would’ve told me if she had.”

I raised an eyebrow.

“It’s sounds funny I guess, but after he married her, he and I got real friendly-like. I mean, like close friends. He apologized for hurting me in the past. He was so good when my marriage with Don Watson broke up. Offered me money because he knew I was having a hard time with four little kids.”

At their mention, the children’s voices outside reached a crescendo and she walked to the patio door to check. Evidently, it was nothing which needed her presence. Mother-like, however, she stuck her head out and told them to stop whatever they were doing and find something else to do. She came back to the sofa and sat. “I think, it was because he was finally happy. He said once, Voda Beth had taught him the right way to treat a woman and he’d learned his lesson.”

Obviously, Elwanda still had deep feelings for J.W. Loudermilk and she wasn’t going to say anything against him. Unfortunately, what she said was detrimental to my client. If J.W. didn’t have a history of abusing women, it looked like Voda Beth had lied. I stood, “I appreciate your talking to me.”

“Sorry, I wasn’t more help.” We headed to the front door and she said, “Oh, I just thought of something. It’s possible they had some fights over Liz. That was one thing he could get angry enough to come to blows over. Although, I still don’t see it.”

“Why not?”

“Liz would have told me about it.”

After the way the girl had talked about her mother, I was not sure she’d confide in Elwanda, but what do I know about daughters? Especially teen-age ones.

“Liz was very angry with her father the past few years - for breaking up our marriage, for marrying Voda Beth. For what she saw as him neglecting her. She would gripe and complain how he didn’t pay any attention to her, how he was always fawning over Voda Beth. Now that I think on it, she must have been jealous of her father.”

That could explain the rage I saw in the girl. “I guess that’s normal in young girls who want their father all to themselves.”

“She could get all worked about it. Throw fits and scream at him. That’s one reason, he made her move out of the house.”

“He made his own daughter leave?”

“About three months ago. She was working and making good money, but she would stay out all hours and do things to aggravate him - like smoking pot in the house. Anyway, he got fed up and although, Voda Beth tried to stop him, he made Liz get a place of her own. She was really bent all out of shape over that for awhile.”

“I guess it’s hard to be a parent, these days.” I thanked her again and left.

I headed back to my apartment, grateful the traffic had slacked off, it gave me time to wonder about my client. Whatever had happened that night in the Loudermilk’s home was still muddled, but it looked as if my client had lied through her teeth.

I ate a light dinner, grilled chicken and a big salad and spent the rest of the evening reading a P.I. novel.

I went to bed and just before drifting off to sleep, I decided tomorrow I’d call Lieutenant Larry Hays of Houston’s homicide department. Maybe the police and autopsy reports would give me some fresh insights.



I called Larry Hays on his car phone and caught him as he was driving away from headquarters to go have breakfast. “No rest for the wicked, huh?”

“Not on Sunday,” he said. “Meet me at Kay’s in twenty minutes.”

Kay’s was a favorite hang-out of law enforcement personnel. The restaurant’s owner, Bert DeLeon, had a thing about listening to the cop’s war stories. He really got into that stuff. He’d been especially fond of my late husband, and when Tommy introduced me to him, I figured if Bert had not approved, Tommy would not have proposed. Kay’s served family style food and gave better service than the high priced restaurants.

Lieutenant Hays sat at the back booth on the west side and a mug of coffee was waiting for me. “Are you eating?” he asked.

“Just an English muffin and half a grapefruit.”

“Watching your weight again?”

“Always. I weighed 125 this morning.”

“That’s about your normal isn’t it?”

“Yes, but you know how I love chicken-fried steak and Mexican food and the only way I can indulge, is to keep this five feet six inch woman on that 125.”

“Poor baby.”

Larry is six, three and weighs about 185 and never has to watch his weight because he has a great metabolism. It was frustrating and I tried not to think about it. “Just shut up and eat your cholesterol filled eggs and pancakes and bacon.”

“I intend to.”

Larry had been my husband’s partner and friend from the day they were rookies, until politics had caused Tommy to resign and become a private detective. Larry took on a self-appointed task of watching out for me after my husband was killed and sometimes, it was stifling. We’d had several arguments about it, but recently, he had weakened. Mostly because I’d learned from C.J. how to handle myself. He was a damn good cop and I respected his opinions. It was easier when he respected mine.

After we’d eaten, he answered my questions about the Loudermilk case. “The medical examiner has some doubts about your client’s story.”

“What?”

“The angle of the shot for one thing. Mrs. Loudermilk says she was crouched on the bed when she shot him, that doesn’t wash. The M.E. says the shooter was standing. If she were as close to him as she says there would have been powder burns on his body. The M.E. says the shooter had to be standing, at least, twelve to fourteen feet away.”

“Wow. Bulldog’s not going to like that.”

Larry ran a big hand through his sandy hair, “Probably a good thing, I don’t think he can prove she was abused.”

“Why not?”

“I talked to our police psychologist and, although, he didn’t talk to her, he says she doesn’t display the attitude of a battered woman. Immediately after a battering, most woman usually act meek and acquiescent. She came in there full of self-confidence. Almost daring us to believe her.” Larry signaled the waitress to bring him more coffee. “She’s got all the buzz words and phrases down pat. Like how he got boozed up and how he used his open hand on her face and his fists on her breasts and abdomen.”

“Yeah, she gave me those classic statements, too, the ones I’ve read about; like how he’d say he was sorry and how she deserved it.”

His hazel eyes narrowed, “At one point Thursday night, the sex crimes unit took her over to get a medical exam. No evidence of sexual intercourse. They noticed a couple of bruises on her torso, but thought they could have been self-inflicted. She gave us a pretty good story, but she hasn’t given us the truth, yet.”

“Could she be covering for someone. Like maybe the daughter?”

“Possibly, but the captain and the D.A. want to go ahead with the indictment, anyway. The physical evidence and her confession wraps everything up in a nice neat package with a big bow. I just never have liked neat packages.”

“The daughter is seething with rage against the step-mother.”

“Rage isn’t evidence. Lots of daughters hate their step-parents. You don’t have to worry. Bulldog will plead Voda Beth on diminished capacity and get her off or he’ll plea bargain.” He absently stirred the coffee and then realized he hadn’t added the sugar yet. “I do have a funny feeling there’s something else.”

“I guess I’d better talk to Bulldog. He’s not going to be too happy with this.”

“Likely not.” He grabbed the check and stood, “I hate to eat and run,” he said, “but I’ve got to go interrogate witnesses in a drive-by shooting last night.”

“Have fun.”

“Oh, yeah.” He said harshly, his mind already to the task that lay ahead.

I headed for the office and, for once, the traffic wasn’t a problem. Sunday morning is one of the rare good times to drive in this congested Bayou city.

I had talked with C.J. before leaving home and canceled our brunch date, she said she’d go to the office and see what she could turn up on the computer. She wanted to run credit records on all three women, Voda Beth and Liz Loudermilk and Elwanda Watson; and throw in J.W. Loudermilk, too.

She’d made coffee. I poured a cup and sat down next to her desk. She had not found anything unusual on the women’s credit records, and the daughter hadn’t established any credit yet. We discussed my interview with Elwanda and told her what Larry had said. “I’d better call Bulldog. I don’t have one solitary thing to help him. He’ll probably want to fire us.”

“Okay,” she said, “but I’ve got a couple more checks to make while you’re getting us fired.”

I walked back to my desk and called Bulldog Porter’s office. His answering service said he’d call me back within the hour or if he didn’t, for me to call again.

Twenty minutes later, C.J. came in my office and a gleam was in her dark eyes. “I got it.”

“What?” I asked, not remembering what she’d been trying to do. I was still waiting on Bulldog to return my call and was trying to get my reports ready for him and figure out how much I could deduct from the $5,000 he had given me.

“Remember Liz Loudermilk told you about a big insurance policy?” I nodded. “She was right. You’re going to love this.”

“Uh-oh. Don’t tell me you’ve found another motive for Voda Beth.”

“Our client isn’t the only one with a motive. Little Miss Liz could inherit it all. All by herself.”

“Oh, yeah? How?

“If Voda Beth dies first or is disqualified; it all goes to the loving daughter.”

“All…ll rii…ii…ght. And I guess if ole Voda Beth goes to prison for killing her husband, she’ll be disqualified?”

“You got that right, Ms. Gordon, and to help put Liz to the top of the suspect list; you won’t believe this, she put money down yesterday on a brand new, fiery red Miata.

“You have got to be kidding.”

“If I’m lying, I’m dying. But just don’t forget one important thing - step-mommy’s told you and the police a big lie.”

“That’s okay. Old Bulldog will say she made that statement under duress,” I said. “This is just what he needed. It gives him some ammunition for his reasonable doubt.”

“Wonder what the lovely Liz was doing that night?”

I called Lieutenant Hays, knowing he’d need to know what we’d found. Luckily, he was near his car phone and I filled him in on Liz. He wasn’t too happy. The case was closed as far as he was concerned, but after he grumbled, said he’d talk with the daughter tomorrow, to see if she had an alibi for the night in question.

“C.J., I think Liz did it and our client confessed, all under some misguided idea to protect Liz. Bulldog can take this and run with it.”

“When do I get to meet this mouthpiece anyway?”

“Anytime you say. You’ll like him, he’s positively charming.”

“Unh-unh. No way I’m gonna like a shyster who useta work fo’ de mob. Those guys ain’t nobody for this li’l black girl to mess wid’.” As usual, her slipping into southern black, street talk cracked me up. Coming from such a smart and beautiful woman it was funny.

As I laughed, she said, “By the way, while running those credit card histories I did find a few interesting tidbits on old J.W. himself.”

“How can someone who sounds like you be so smart? You can check credit card records?”

“If you know the right buttons to push and Intertect does.” She handed me the print out of J.W. Loudermilk’s Visa and American Express statements for the past year.

I flipped through them. “Holy shit, this is scary. You don’t expect any old Jane Blow to be able to run a credit card account check.”

“Oh hell,” her voice full of pride, “not just any old Jane Blow can do it. It takes a few brains and persistence. I took what I learned from my investigator pals and played around for awhile and was able to come up with a pass word for a security code.”

“My partner - the smartass computer hack.” I was scanning the account statements and something caught my attention. Loudermilk had visited three different doctors in the past month and had charged his visits to his AmEX. “Wonder what this medical stuff is all about?”

“Give that girl a gold star. That’s what I thought was so interesting.”

“I happen to know this Doctor Gaudet is a neurosurgeon. I’m not sure about the other two.”

“Think I should check them out?” she grinned.

“Holy shit. Why didn’t I think of that.”

“Because you hired me to think for you.”

“Someone has to do the important stuff,” I said. “I don’t want to talk to Voda Beth again. It makes me mad when a client lies to me, but I could go talk to Elwanda Watson again. Maybe J.W. confided some medical problem to her. It’s probably not important though.”

“Fine. But do it tomorrow. I make a motion we get out of here. Sunday’s almost over and we need a little R & R.”

“Honey,” I said, using one of her favorite expressions, “you ain’t never lied.”



Monday morning dawned with Houston shrouded in fog. Not unusual this time of year, with cooler air sweeping down across Texas and meeting the warm Gulf air, it was inevitable. It looked like the sun would burn it off around ten, and sure enough, I was right. When I left for Elwanda’s around 10:30, there were only a few pockets of misty stuff, although, the sky was still hazy.

I had not called first for an appointment, sometimes it’s better to catch people when they’re not on guard. Turns out Elwanda was not the only one to be surprised. I found my client, Voda Beth Loudermilk visiting Elwanda. Neither seemed pleased to see me, but I didn’t let that stop me. They were both dressed in gowns and robes, but it looked as if neither had slept. What was going on between these two? I wondered.

They sat on the sofa next to each other and I sat in a platform rocker which angled off to their right. After exchanging a few politenesses, I mentioned homicide was interviewing Liz this morning, setting off quite a reaction.

Voda Beth practically yelled at me. “Liz didn’t have anything to do with anything. I’m the one who shot J.W. The police already have my statement.” She burst out crying and Elwanda moved closer to put her arms around Voda Beth, making soothing sounds as if comforting a baby.

“I resent someone accusing my daughter,” Elwanda said. “Was that your idea, Ms. Gordon?”

“Not exactly. But some new information about Liz did come to my attention. Naturally, I had to tell the lieutenant in charge.”

“What information?” she asked.

“I’m not at liberty to say.”

Voda Beth was crying so hard, she began coughing and Elwanda got up to get a glass of water. As she moved to the kitchen, the telephone rang. The receiver was a few feet from her, but when she shot a quick look at Voda Beth, she turned and said, “Jenny, would you mind getting that?”

I walked into the kitchen as Elwanda hurried back to the sofa. “Watson’s residence,” I said.

“Jenny, is that you? Good. I thought you should know what I found out from Doctor James Gaudet. Seems that Loudermilk had a deep-seated, inoperable brain tumor.”

I turned by back to the two women and kept my voice low. “Neuroblastoma?”

“Some big long name,” she said, “I’m not sure if that was it, but the doctor said it was bad. Real bad. That he’d never seen a malignancy grow so fast. The man was only weeks away from blindness, paralysis and death.”

“Sound like Loudermilk’s luck… wait a minute.”

“Now. Now, you’re thinking. This may have been planned.”

“A mercy killing… maybe.”

“Bingo. Something else you should know. Larry called. Liz has a strong alibi. She and a girlfriend was baby-sitting for her younger brothers and sisters at her mom’s house.”

“Where did Elwanda go?”

“Liz says she doesn’t know, but maybe. . .”

“The Loudermilk’s,” C.J. and I said in unison. I thought for a moment, then said, “Why don’t you call Bulldog Porter. Ask him to come over here immediately. This may get interesting.” I hung up the receiver, walked to the coffee pot, and poured a cup, but it was bitter.

I could see Elwanda and Voda Beth still huddled. It looked as if both had been crying, but there were signs of recovery. I rinsed out the coffee pot. The coffee canister was empty and it took me a few minutes to locate a new can, open it and get the pot dripping. I’d just poured three cups when the front doorbell rang.

Elwanda answered it and led Bulldog back into the den. Both women were definitely not expecting him, and wanted to know what was going on, would someone please tell them?

I handed the coffee around and then stood near the glass patio door and began. “I’m presenting a hypothetical case here, Bulldog. If you ladies will, please listen.” They turned tear-streaked faces to me. Elwanda’s permanent look of astonishment was more pronounced. Voda Beth looked tired. Bone tired.

“I think there was this nice man, who had a nice wife and a nice ex-wife and a not so very nice brain tumor. He knows he doesn’t have much time before he will be totally incapacitated and a short time after that, he will die. He doesn’t want to die like that. The man also had some business losses. There’s the wife and an eighteen year old daughter to think about.” You could have heard an eye blink, they were so quiet.

“I think this very nice man decided to complete suicide. Everything is planned, but that night for some reason, maybe fear, he was unable to do this alone. He asked his wife for help. She refused. He was on somewhat friendly terms with his ex-wife and he calls her. The ex comes over. He convinces the women time is running out. That the job must be done. The discussion continues, he is adamant, he begs and cajoles and one of them is convinced to help. Maybe it was the ex. But the wife says to the ex-wife “no,” if anything goes wrong what will happen to your children? You can’t go to prison. I won’t allow it. But I can’t kill the man I love, either. Finally, one woman does it and the wife calls the police.”

I looked at each woman, was unable to read the truth. “How does that sound to you ladies? Bulldog?”

No one said anything and I saw big tears running, first down Voda Beth’s face and then, Elwanda’s. Silent tears which quietly dripped into their laps, leaving traces on the robes. Their hands were clasped tightly together.

Elwanda said, “That’s pretty much what happened. I’m the one who shot him first. Voda Beth took the gun then, and emptied it into him so if the police tested her hands there would be gun powder traces and her fingerprints would be on the gun.”

“No.” The anguish was clear and strong in Voda Beth voice. “I’m the one who fired the gun. She had nothing to do with it. I killed him and I’ll take the punishment.”

“Bulldog,” I said. “Looks like you’ve got your hands full.”

“Oh no,” he said, “this one is already won. I doubt there will even be a trial. And if there is, plea bargaining is still an option. Thank you for your help, Jenny. You can expect business from me, now and then, when I have the need of an investigator. Send me an invoice for your expenses.”

I walked out of Elwanda Watson’s house and drove to the LaGrange, parked and walked inside. When I reached our office, C.J. asked, “Which one did it? Who fired the gun?”

“I don’t think it really matters. They just did what they thought had to be done.”



Many thanks to Jan and those who made this possible. Let Jan know you enjoyed it. Perhaps she'll bring us another double feature.

14 September 2019

Jan Grape's Found Dead in Texas:
Whatever Has To Be Done, part 1


Jan Grape
Once again SleuthSayers brings you a rare treat, an anthologized story from Jan Grape's CJ and Jenny series. The first half runs today, the rest tomorrow.

Originally published in Deadly Allies II (Doubleday 1994), this story also appears in Jan’s collection, Found Dead in Texas II. Pull up a chair, pour a glass of wine, and lean back. A fine Grape ages well.

— Velma

Whatever Has To Be Done
Part 1

by Jan Grape


A fierce lightening and thunder storm jarred me awake at 5:12 a.m. Autumn storms in Houston, Texas, often give the impression the end of the world is near. The dream I’d been immersed in had been pleasant, but try as I might, I couldn’t remember it. The brilliant streaks flashed a sesquicentennial fireworks display and seeped through the top edge of the mini-blinds as Mother Nature declared a moratorium for sleepers.

It’s not in my emotional make-up to wake up early; neither alert nor cheerful. Maybe it has to do with one of my past lives or blood pressure slow down or something. Anyway, I tossed around trying to will myself back to sleep, knowing all the time it wouldn’t work. But I waited until seven to crawl out to the shower. “Damn Sam,” I said aloud, while dressing and wishing I could have my caffeine intravenously. “Lousy way to start a Friday.”

The pyrotechnics were over, but the rain continued steadily, steaming the interior of my car and making the rush hour drive to the LaGrange building hazardous and hair-raising. Determined to shake off frustration at the lack of sleep and the Gulf Coast monsoon, I paused in front of the fourth floor door and felt a sense of pride as I read the discrete sign - G. & G. Investigations. My partner, Cinnamon Jemima Gunn, and I could be proud, we’d turned a profit the last three months. No one expected it to last. Sometimes, even we had doubts.

There was a message from C.J., as she was known to all except a few close friends, on the answering machine. “Gone to Dallas for the week-end, Jenny. Work today and play tomorrow. Keep outta trouble, Girlfriend.” She had a legitimate reason to go, a dying client wanted to find a missing niece and a good lead led to “Big D”, but once the work was done, she had a friend playing football for the Cowboys who would show her a fun week-end.

Lucky sister, I thought, ready to feel sorry for myself, “but wait - there’s only a half day’s work here,” I said aloud and it’s rainy - and besides it’s Friday.” It only took two seconds to decide to finish the paperwork and to blow this joint. I put myself in high gear and was ready to leave by noon.

I had straightened up the lounge/storeroom, grabbed my purse and reset the phone machine, when the outer door opened.

“Oh. No. Don’t tell me you’re leaving?” the woman said. “Are you Jenny Gordon?”

She was slender with reddish blonde hair, not really pretty, her eyes were too close together and her mouth too thin, but there was something about her. Vulnerability? She had one of those voices that rise into a whine and grated like fingernails on glass. I hate voices like that. She dropped her dripping umbrella, one of those bubble see-through ones, onto the floor. Her raincoat, after she peeled it off to reveal a blue velour jogging suit, hit the sofa, and slid to the floor. I hate slobs, too. As if your things are not good enough. Maybe people like that just don’t care. Or maybe she was used to someone picking up after her.

“I am Jenny Gordon and I was leaving, but what may. . .?”

“Well, great. That’s the way my whole life has been the past twenty-four hours. All screwed up.” She walked over and sat on one of the customer chairs, rummaged in her purse for a cigarette and pulled out a lighter encased in a silver and turquoise case. “It’s really the shits, you know. Me needing a P.I.,” she burst out laughing in a high-pitched nervous tone.

I tried to figure out what was going on without much luck.

She stopped laughing long enough to say, “And who does he send me to? A woman, for Christ’s sake.” She laughed some more and finished with a cough, then flicked the lighter and lit the cigarette without asking if I minded. I smoke, and didn’t mind, yet it’s nice to be asked.

I’m not the happy homemaker type, but I couldn’t stand the spreading, staining puddles. The woman really was a slob, I thought, picking up her raincoat. I hung it on the coat rack, folded her umbrella and stood it in the wastebasket near the door. There was no sign she noticed what I did and no thanks either. Some people should just stay in their own pig pens and not run around spreading their muck.

I headed across the room, intending to get some paper towels from our lounge/storage room to soak up the mess. “As I started to ask a moment ago, is there something I can do, Miss. . . ?”

“Ms. Loudermilk. Voda Beth Loudermilk.”

“Ms. Loudermilk, why do you need an investigator?” I paused momentarily, in the doorway. Her answer stopped me cold.

“I killed my husband last night. Emptied his own gun into him.” The whine was gone, and the words came out in monotone as if she were describing a grocery list. “He died on me.” She smashed the cigarette into an ashtray. “Isn’t that the silliest thing you ever heard?” She laughed, but sounded close to tears.

If I was surprised because she didn’t throw the butt onto the floor, I was totally wiped out by what she said. I was so intent, I didn’t noticed someone else had opened the outer door and entered. I blurted out, “perhaps you need a lawyer, Mrs. Loudermilk, not a detective.”

“It was time he hurt some instead of me.”

A quiet voice interrupted, “Voda Beth. Shut your mouth and keep it shut.” He spoke in a quiet even tone.

The speaker was a short wiry man I recognized immediately from his many newspaper photos and television appearances. A shock of steel gray hair, brushed back to emphasize the widow’s peak, the piercing blue eyes and everyone of his seventy-eight years etched on his face. I’d never met him, of course, but I knew who he was. Hell, everyone knew who “Bulldog” King Porter was - the best criminal lawyer money could buy.

“Oh shit, Bulldog,” Voda Beth said. “You know a P.I.’s like a priest. They can’t reveal the confidences their clients tell them.”

He was dressed like a lawyer would have dressed forty or fifty years ago. Dark charcoal, pinstripe, three piece suit, white shirt with French cuffs peeking out the prerequisite amount, big gold cufflinks. The tie, a shade lighter than the suit, was not a clip-on and tied with a perfect Windsor knot. A heavy gold link watch chain had a gold Phi Beta Kappa key dangling from one end. “That only applies to p.i.’s in dime store novels.” Bulldog walked over to me and held out his hand. “Ms. Gordon, I’ve heard a lot about you. I’m Bulldog Porter.”

His hand was soft, but the grip firm. “I’m honored to meet you sir, I’ve heard a lot about you, too.” Porter had begun his practice in Galveston, during the thirties, when the island city considered itself a free state, allowing drinking, gambling and prostitution. He had even defended members of the “beach gang” who smuggled Canadian booze into the Gulf port and shipped it to places like Chicago and Detroit.

“I’ll just bet you have, Ms. Gordon.” He chuckled, “and let me tell you up front, most of it is true.”

Mrs. Loudermilk stood up. Her curly hair framing the sharp angled face which twisted in anger. “Bulldog. . .”

“Voda Beth, just sit right back down there and keep quiet for a minute.”

She glared, but did as he said.

“Now, Ms. Gordon. . .”

“Please call me Jenny, Mr. Porter.”

“Only if you call me, Bulldog.”

“Deal. Now, I’m assuming you have a special reason to be here.”

“Good. I like that. Cut the crap and right down to brass tacks.” He nodded to our storage/lounge area. “Let’s go in here and have a little chat. Voda Beth, you stay put.” The woman sent him a lethal look, but didn’t get up.

“My client in there,” he said as we sat at the kitchen-style table, “was mouthing off when I came in. Let’s chalk that up to her current emotional state. To her grief, if you will. You see, her husband was shot and killed around 8:00 p.m. last night. She was questioned for hours, eventually charged by the police and locked up in women’s detention over at 61 Reisner, just before dawn. She’s been without food or sleep for over twenty-four hours.”

“Her lack of sleep,” I said, “plus the grief and trauma she’s experienced has rendered her incapable of acting correctly or speaking coherently.”

“Exactly. I heard you were sharp.” He took out a pipe and, within seconds, had asked if I minded and got it lit. Bulldog Porter wasn’t known as the plodding, methodical type. “We have great need of an investigator and you were highly recommended by Lieutenant Hays of HPD homicide department.”

The fact Larry Hays sent Porter to me was a surprise. Larry was a good friend, but he still thought it was laughable, my being a private detective. My background is medical; an x-ray technologist. I worked ten years detecting the mystery of the human body and knew nothing about real mysteries. Luckily, C.J. had police experience and I’d been a willing pupil.

If what Bulldog said about the woman was true, she needed help. Maybe I was wrong to condemn her casual attitude about her wet things. If I’d just spent the night in jail, I sure as hell wouldn’t be worrying about neatness. Besides, the chance to do a job for Porter was worth considering. G. & G. Investigations wasn’t doing so well that we could turn down someone with his clout. “Did she kill her husband?”

He didn’t answer immediately. “Voda Beth says she has been physically, sexually and emotionally abused her whole married life. She says he was hitting on her and couldn’t take it any longer. That she pulled his own gun out from under the mattress and emptied it into him. Her father and I were old school chums and I agreed to take her case because of him. Actually, it shouldn’t be hard to prove diminished-capacity.” He leaned back, and his eyes zeroed on mine like an electron beam. “What I need from you, Jenny,” he smiled, “is to discover if her story of abuse is true.”

“Is there any physical evidence of her being beaten; like bruises or anything?”

“Not to my knowledge.”

“Has she ever reported to a doctor or to anyone that she was abused?”

“I don’t think so. But I’d like you to find out.”

“What do you know about Mr. Loudermilk?”

“Another thing for you to look into. J.W. Loudermilk owned a development and construction company which was doing quite well until Houston’s oil bust. But you’d need to do a through background check on him. I do know he was married before and he has a daughter from that first marriage. The daughter lived with him, until recently, and she’d be the first place to start.”

“And next, the ex-wife?”

“Precisely. Her name is Elwanda Watson. Had a second marriage which also didn’t last. Four children by Watson. I have addresses and phone numbers for you.” He placed the pipe in the ashtray I’d placed near him, reached into his inner coat pocket and held out an index card. “I believe you’ve already decided to work for me?”

I smiled as I took the card, “I have indeed.” I went to get a copy of our standard contract for his signature. Voda Beth didn’t look up when I passed through. When I returned, Porter had written out a check and handed it to me. He’d not inquired about fees. I nearly gasped, it was made out for $5,000.”

“I need to have as much information as possible by next Tuesday morning for the preliminary hearing.” Bulldog said. “That means working through the week-end if necessary. If you can find out the truth about the Loudermilk’s relationship, I might be able to get the charges dropped and we won’t have to go to trial.”

“If the truth is as she says it is.”

“Oh. Naturally. But I believe it is.” Mr. Porter spent a few seconds with our client and left.

It was time to interview the widow. I walked in and sat behind the desk, searching her face. A neon sign flashing “not guilty” did not appear on her forehead.

“Why don’t you tell me what happened Voda Beth?”

Her eyelids were red-rimmed and the pale blue eyes were devoid of life or light. She was holding her body rigid and her mouth tight as if to keep herself from flying apart.

“Look,” I said, “I know you’re exhausted, you need food and rest, how about telling me a few brief details and if I need something else, we can talk later.”

“J.W. and I had been arguing all evening. If I said black, he said white. I can’t remember what started this particular one. Finally, I told him I couldn’t take anymore tonight, that I wanted to go to bed. I went to our bedroom, took a shower and he sat in the den and drank.”

“Did he drink a lot?”

“Sometimes, and even more lately.”

“Why lately?”

“Things were bad financially, really bad the past few months.” Voda Beth pressed her hands to her temples, then rubbed them slowly. “I remember now. That’s what started the argument. Money. I’d bought two new bras yesterday, the underwire on my last one broke that morning.”

My partner, C.J. had been a policewoman in Pittsburgh for eight years and one thing she’d taught me about interviewing someone, is it’s usually best to not say anything once the person is talking. If you interrupt you can lose them, they’ll clam-up.

“I had just finished brushing my hair and was ready to get into bed when J.W. came in, yelling about how stupid I was for spending money we didn’t have. He was furious. He’d sat in there and drank and got madder and madder.

He got right in my face, screaming and when I tried to ignore him, he got even madder. He slapped me. Twice, at least and the third time he knocked me onto the bed. He kept hitting with his open hand. One blow made me bite my lip, see?”

She showed me a large blood hematoma inside her cheek. I made appropriate noises of sympathy. “What happened next?”

“He straddled me and started punching me in the stomach and breast with his fists. A blackness came over me, slowly, at first. It got darker and redder. Somehow . . .I really don’t know how. I got my hand under the mattress and got hold of his gun. The next thing I knew, he was laying across bed and. . .and I remembered hearing the gun and there was blood everywhere and. . .”

She began crying, great shuddering sobs. I walked around the desk, handed her a box of Kleenex and patted her shoulder, not really knowing what to say or do. She kept trying to say she didn’t mean it, but it was a long time before she got it all out.

When she’d calmed down, and blew her nose, I sat down behind the desk. “This wasn’t the first time your husband beat you?”

“No. He didn’t do it often and he’d always apologize, say he was sorry and he’d never do it again. That he loved me and didn’t want to hurt me. Months would go by and I’d believe everything was fine, then wham.” She was back to her monotone voice.

“Did you ever tell anyone? Your doctor maybe?”

“No. I was too ashamed. Besides, whatever I’d done to set him off was all my fault. I was the one who. . .”

“Voda Beth. Whatever you did was no reason to be battered or beaten. But my telling you won’t help or make any difference to you. You need to get professional help.”

“I will. Bulldog is setting it up.”

I walked around to her again and patted her shoulder once more. “It’s time you went home. You didn’t drive over here did you?”

“Bulldog brought me. He said he’d send someone to pick me up.”

“Come on then, I’ll go downstairs with you.”

A white stretch-limo was waiting in the front circular drive when we reached the lobby and a driver lounging against the front passenger fender saw us and walked over. “Mrs. Loudermilk?” He helped her in and she waved one finger as he closed the door.

I walked to the parking garage. Lowly private investigators have to drive themselves home.



“If that tight-assed bitch thinks she can kill my father and get away with it, she’s crazy.”

J.W. Loudermilk’s daughter was two months over eighteen, but looked twenty-five. Her name was Elizabeth, but she preferred to be called Liz, she said, after inviting me into her condo in far southwest Houston. She mentioned that she was scheduled for a tennis lesson at the nearby YWCA, but said she could spare a few minutes.

I’d been unable to reach her the evening before and had secretly been glad. Voda Beth’s story had unnerved me. With a good night’s sleep, I’d hoped to be able to think more rationally. Silly me. My dreams had been filled with a faceless someone who punched and slapped me half the night. It was three o’clock before I finally slid into a dreamless sleep.

I showered and dressed in my week-end office attire - Wrangler jeans and a t-shirt - but since it was a cool forty-nine degrees this morning, I pulled on a sweater. My hair had been short and curly permed for summer and as I combed through the tangled dark mop, I decided to let it grow for the cooler weather. I checked out a new wrinkle at one corner of my right eye. “Damn Sam. At 33, you shouldn’t be having wrinkles,” I said. “Someday, you’ll have to pay more attention to such things, but not today.”

A tiny smudge of cocoa frost eye shadow added depth to my dark eyes, and a quick swipe of powder was easy and fast and completed my bow to cosmetics. Spending time with creams and moisturizers was not my idea of fun and I intended to fight it, as long as possible.

I’d arrived for my appointment with J.W.’s daughter at 10:30 a.m. on the dot.

She had offered a cold drink. I accepted a Diet Coke and sat down as she bustled around in the kitchen. Her living room was a high-beamed ceiling affair, all mirrors, posters and wicker furniture from Pier One Imports. There wasn’t a sofa, just two chairs, and a lamp table between them, set before a fireplace. As a young woman out on her own, she probably couldn’t afford much.

I studied her as she brought in the drinks. She was lovely, self-assured and poised. She had a heart-shaped face, blue-black hair, cut shoulder length and curly permed. Her eyes were such a deep indigo they looked violet and there was no doubt her resemblance to a young Liz Taylor was often mentioned. She was dressed in a white tennis skirt and top, showing off her golden tan to great advantage. Oh. To be eighteen again, I thought, but only for a brief second.

“Mrs. Gordon?” She seated herself opposite me.

“Jenny, please.”

“Okay, Jenny. Let’s get one thing cleared up right now. I never did like Voda Beth. She’s a coke-snorting, greedy slut who married my father for his money.”

“You know all this for a fact?” The violet eyes narrowed briefly, before looking at me head-on. Maybe she was sincere, but her cliched words sounded like the old evil step-mother routine.

“My father owned his own construction and development company. He built office buildings and shopping malls. When his business suffered reverses, she couldn’t stand it.” Liz sat her glass down on the end table next to her chair, picked up a nail file and began filing her nails. “They argued all the time. Mostly about money. She was always wanting this new dress or that new piece of furniture. Now, with Dad dead, I guess she’ll be in high cotton.”

“Were their arguments ever violent? Did you see or hear your father hitting her?”

Liz finished the nail she was working on, put that finger to her mouth and began chewing on the cuticle. She shook her head, “Dad did have a temper, but I don’t think he ever so much as slapped the bitch.”

I sipped on the Diet Coke, “What gave you the idea she’ll be in high cotton now? Insurance?”

“She talked him into taking out a policy for two million, a few months ago. She killed him to get that money, there’s no doubt in my mind.”

I made a mental note to check out the insurance. “How did you find out about this policy?”

She flaunted it in my face. It’s one of those big companies, something Mutual. I’m sure you can find a record of it someplace.”

“You mentioned she used coke?”

“I’ve known ever since I was sixteen and she offered it to me.” Liz’s face contorted with fury. “That bitch came along, turned my father against me, but it only worked a short time.”

“What else did they argue about besides the money?”

“The drugs and the men she slept with.”

“She slept around?”

“He said she did. I have no knowledge of that personally.”

The picture the girl painted was certainly not something to help Mr. Porter. In fact, it was more likely to hang Voda Beth Loudermilk. But it did strike me strange, the girl didn’t have one kind word to say about her stepmother. “How old were you when they married?”

“Thirteen.” She drained her glass. “My mother couldn’t hold on to Dad. She’s a silly bitch, too. Sometimes she doesn’t have the sense God gave a goose.” She stood. “Sorry, Jenny. I do have to get to the Y for my tennis lesson. My fondest hope is that Voda Beth rots in jail.”

Thirteen is a difficult age. I knew from losing my own mother when I was twelve that I would have resented it tremendously if my father had remarried. Her remarks about her own mother seemed strangely out of place. Didn’t this girl like anyone? I wondered. Placing the unfinished Coke on the table, I got up. “Appreciate your talking to me, Liz.” I handed her one of my cards. “If you think of anything else I should know, please call.”

Liz preceded me to the door and opened it. “If it’s something that’ll help convict her, you’ll hear from me.”



It would be easier to make notes of my interview at my office. When I arrived I was surprised to find C.J. at the front desk, hacking away at the computer. “It’s good to see you, but weren’t you supposed to stay in Dallas all week-end?”

“Yes, but don’t ask any questions, okay?” she said and her tone indicated she wasn’t kidding. C.J.’s face, which always reminded me of a darker-skinned Nichelle Nichols, the Star Trek actress, was marred by a deep frown of concentration. The new computer we’d recently bought, was giving her fits. She continued hitting the buttons and keys like she was working out on a punching bag.

The fun with the football player, obviously didn’t work out. “Ooo. . .kay,” I said and told her about our new client, Voda Beth Loudermilk, brought in by Mr. Bulldog Porter himself. She nodded without comment and I began telling of my interview of Liz Loudermilk. “Liz tried to look and sound sincere, but I’m having a hard time believing her. The hate this girl had was so thick in the room it nearly smothered me.”

She paused, and turned to listen. “Sounds like she’s definitely jealous of the second wife.”

“I’ve tried to imagine how I would feel, in that situation. I’m sure I would have resented any woman my father brought in to take my mother’s place.”

“Five years is a long time to nurse a grudge. Didn’t Voda Beth ever do anything nice for Liz?” C.J. looked down at herself and tried to brush off a minute piece of something white from her bright green sweater, gave up and plucked it with her fingernails and tossed it away. The sweater, trimmed in brown and gold leather, was worn over a slim dark brown skirt and she’d added a bright green leather belt. She was also wearing green tinted pantyhose and dark brown boots. At her six foot height, she looks great in whatever she wears, but a couple of years as a model in Manhattan had set her style forever into the high fashion look.

My taste usually runs to levis or sweats. Of course, no matter what I wore, I still looked just like me, Jenny Gordon, of Houston, Texas. “Liz Loudermilk will cheerfully push the plunger on the syringe if her step-mother is sentenced to die by injection. She ain’t too crazy about her own mother, either.”

“Maybe she’s got a fixation on her father and anyone else is just a big zero in her mind.”

“You’re probably right, I was madly in love with my father when I was fourteen.” I said, thinking back, “About six months later, I hated him.”

“That was a normal growing-up process. I did about the same thing.” She smiled and leaned the chair back, folding her hands across her stomach. “Girlfriend, you know what strikes me about your conversation with that girl?”

“That insurance policy?”

“Yes. But besides that. She called Voda Beth a tight-assed bitch. That describes someone uptight or morally rigid. It’s not something I normally would associate with a woman who used drugs and slept around.”

“You’re right. It’s total contradiction, isn’t it?” I lit a cigarette, forgetting for a moment how much C.J. disliked my smoking.

She fanned the smoke with an exaggerated flip of her black hand, “Get out of here with that thing.” She turned back to the computer. “Besides, until I figure out how to trace that insurance policy, I don’t need you in my hair.” She picked up the telephone receiver, “I guess I’d better call the ‘old pro’ over at Intertect first and find out where to start.”

C.J. had a good working relationship with the private investigators over at Intertect, an office which specialized in computers and data bases. Good thing. Computers blow my mind completely. I’d probably never figure this one out.

I went into the lounge and turned on the air purifier and thought about my client. Bulldog Porter had wanted me to find “something” to prove wife abuse. Unfortunately, the talk with Liz Loudermilk had only tightened the noose.

I’d felt sorry for Voda Beth when she told of being beaten. She might even be a greedy slut, but I doubted she was as bad as the girl had tried to make her sound. It’s easy to use pop psychology to categorize people, yet the girl did sound like the classic example of a jealous daughter.

I walked back through to the back office to my desk, taking care not to disturb C.J. as she punched keys on the computer and numbers on the telephone. I called to make a late afternoon appointment with the ex-wife, Elwanda Watson. She worked as a waitress at a seafood restaurant out in the Heights area and said we could meet there. I typed up notes of the “Liz” interview on my old IBM Selectric and placed them in the Loudermilk file. I’d never let that machine go, even if I did learn things like Word Perfect programs and networking with modems.




See you tomorrow for Part 2!

13 September 2019

Can the Beatles Vs. Stones Debate Make Us Better Writers?


Beatles Vs. Stones
Photoshop by Grace Maddox
Two recent concert experiences got me reconsidering the ultimate rock 'n' roll litmus test: The Beatles or the Stones? Sure you can like them both, even simultaneously, but which one is better?


A manual on how to skirt
death, three chords at a time.
That was a no-brainer for me when I was in my late teens and early twenties. I was a Stones fanatic. My favorite albums were Beggars Banquet and Some Girls, and I played them on an endless loop. I read everything about them, including Tony Sanchez's down and dirty Up and Down with the Rolling Stones: My Rollercoaster Ride with Keith Richards. I totally lost interest in the Beatles, who just didn't seem to rock.  The Stones were fuel to all my youthful ne'er-do-well activities in a way the Beatles could never be.

Things change.

A few weeks ago I was driving home from work and I was hit by a tidal wave of traffic. Then I remembered: The Stones are playing the Rose Bowl tonight!  I live so close to the Rose Bowl that concerts sound great from my backyard, and even better from certain points in my neighborhood. I hurried home, poured a couple Makers on the rocks, and my wife and I took a stroll and listened. I have a writing assignment I have to finish, but I put it on the back burner (again).
"It just had to be done.
So we did it."

The Stones sounded great, and even though I got the requisite nostalgic ping, my long-standing take on the Stones was affirmed. I've had a growing dissatisfaction with the Stones for years, and I can narrow it down to one main reason: It's their lyrics. In my humble opinion, they don't hold up. I've looked into this, and here's what I've come up with.

The Rolling Stones recently wound up their No Filter tour, an amazing feat for four blokes pushing 80. Even more impressive is Mick Jagger going back on tour after having a catheter inserted into his aorta last April. My dad had similar surgery at a similar age, and as tough as he was I can't imagine him going on a North American concert tour afterwards.  "It just had to be done. So we did it," Keith Richards told the Toronto Sun.

Unlike the Who, the Stones at least make the pretense of touring to promote a new record.  They are masters at wringing product out of their tours. Album. Tour. Live album. Throw in well-timed greatest hits packages (they've got 26 compilation albums total, starting with 1966's High Tide and Green Grass through 2019's Honk), and you start to see the Stones for what they are: a disciplined, calculating, business-oriented music-making machine.

Keith Richards' Life.
It could seem, though I'm loathe to knock the insane success of the Glimmer Twins, that the Stones may take a mercenary approach to their songwriting as well. In Keith Richards' 2010 memoir Life, he writes that Mick would often hurriedly write the lyrics in the studio before the band had to record the song. Keith quotes Muscle Shoals engineer Jim Dickinson, who witnessed Mick writing "Brown Sugar" and "Wild Horses." "I watched Mick write the lyrics [to "Brown Sugar"]," Jim Dickinson is quoted as saying. "It took him maybe forty-five minutes; it was disgusting! He wrote it down as fast as he could move his hand." Dickinson said Mick did the same for "Wild Horses," taking about an hour.

In a 1968 interview with Rolling Stone, Mick Jagger said that he also wrote a lot of songs while on the road with the band. "You get back from a show,  have something to eat, a few beers and just go to your room  and write. I used to write about twelve songs in two weeks on tour. It gives you lots of ideas. At home, it's really difficult because you don't want to do anything really but read, and things like that."

The Glimmer Twins 
Journalist Johnathan Cott asked Jagger why he mumbled some of his lyrics. "That's when bad lines come up. I mean I don't think the lyrics are that important," Jagger answered. When pressed about the "really good" lyrics to "Get Off my Cloud," Jagger's answer was refreshingly honest and unpretentious: "Oh they're not. They're crap."

There is no doubt that the Stones have written well-crafted and thoughtful lyrics.  In a '95 interview with Rolling Stone Jagger talks about writing "Sympathy for the Devil" all on his own in his house in Chester Square.  From their own words, its seems fair to say that writing lyrics has often taken a back seat to recording. Lyrics are often written on the job, with the clock ticking. Rewrites don't always happen. Playing the song, finding the song's sound, is paramount.

Months before I eavesdropped on the Stones at the Rose Bowl, I took my family to see Ringo Starr at the Greek. My two kids are pre-teen, and I've taken this window of opportunity (while they still listen to me) to force stuff I like into their unsuspecting worlds. I've made them watch all the original episodes of Jonny Quest with me. We tune into Svengoolie on Saturday nights to watch cheesy horror films. It's jazz and classical stations when we drive. I play them Beatles music and show them Beatles movies. They love the Beatles. For now, anyway.

Ringo Starr, Honorary
Santa Tracker
Ringo has a band made up of famous people from other bands. The youngest member is Colin Hay from Men At Work,  just to give you an idea of how far back these cats go.  It's a nostalgia show all the way, something the Stones, admirably, haven't done much of (a notable exception being 2016's Desert Trip, dubbed "old-chella" by the Burning Man crowd). We sang along to all the old Beatles songs with Ringo. I'd never sang along at a concert in my life, and I've seen Frank Sinatra. I'll never forget sharing that with my kids.

A must-read for Beatlemaniacs
The Beatles wrote everywhere and anywhere, and their songs were often personal in nature.  Lennon wrote "Help" at home after a night at the recording studio. "I was fat and depressed and I was crying out for help," Lennon told Playboy. "In My Life" started out as a poem Lennon wrote about his childhood. McCartney wrote the music for "Yesterday" at his girlfriend Jane Asher's home. He sat on the song for weeks, calling it "Scambled Eggs" until he could compose the lyrics. "Eleanor Rigby" was another song McCartney tinkered with for awhile. It was later finished at Lennon's home, with all the Beatles contributing.  Ringo suggested "darning his socks," George "all the lonely people."  After their trip to India, the Beatles came back with a ton of songs that became The White Album and beyond. When you listen to the Beatles, you get the impression that those lyrics are vetted. There's no mumbling through half-baked writing.

So what do these masters of pop have to do with that lingering writing assignment I mentioned somewhere at the top, or your lingering writing assignment?

Akashic's Dublin Noir,
signed by Jim Fusilli and Gary Phillips.
Courtesy of the Maddox Archives
Jim Fusilli is a Wall Street Journal music critic who also writes crime fiction.  I was introduced to him by his terrific story in Akashic's Dublin Noir, "The Ghost of Rory Gallagher." It's about the price a fan pays for his obsession with a dead rock star.  As a side note, if I hadn't been so wowed by Jim's Akashic story, I may have never written "Old Cold Hand," published in Akashic's 2010 Orange County Noir. Anyway, when I heard that Jim was giving a writer's workshop, I jumped at the chance to attend. It was a good intro to creative writing, and Jim sprinkled it with rock 'n' roll anecdotes.

Jim talked about the importance of carrying a journal and being ready to write all the time. It's been roughly twelve years since Jim's workshop, and I'm not sure if he connected the Beatles to the habit of always being ready to write or if I did it on my own, but it stuck either way. John and Paul were always on. They never stopped writing. They jotted down their ideas and sweated over lyrics until they got them right. George too. He stockpiled and reworked songs that he couldn't get on Beatles albums because, well, Lennon and McCartney. When the Beatles broke up, he put these songs on All Things Must Pass, perhaps the greatest of the fab four solo albums.

My copy of Aaron's 1956
Assignment: Treason.
The second in the series.
Don't think the Stones don't have their lessons, too. In my post from April 19 ("Edward S Aarons and the Great Spy Series That Never Came in from the Cold") I write about the insanely prolific Edward S. Aarons, the creator of the Assignment series of novels, arguably the first US Cold War spy series. From 1955 until his death in 1975, Aarons wrote 42 Assignments. His output and longevity was very Stones-esque. Aarons was one of many paperback writers of the period (I wonder which one Paul had in mind on "Paperback Writer") who wrote book after book, often labeled men's action adventure. Many of these writers weren't feted at the time, though they're being rediscovered. They churned out titles, and sometimes they couldn't stop to be too precious with the words. It's like Keith said about going on tour after Mick had his surgery: "It just had to be done. So we did it."

I could use some of that Stones "get it done" mentality right now. I'm still struggling to finish that writing project I should have been done with months ago. I could blame my lagging on things like a crashed-beyond-all-repair hard drive, but that's just whining. I need Keith over my shoulder, getting cigarette ash on my computer keyboard, saying "Time is money, mate. It's NOT on my side or yours. Get with it."

I think we reach for the Beatles, for that work that will echo beyond us through generations; but we need the lessons of the Stones.  We need to push and meet our deadlines; to keep turning out product;  to not let the drug busts, Anita Pallenberg, heart surgery, or a busted hard drive defeat us. You can't alway get what you want, but if you try sometimes...

Learn more about Jim Fusilli at JimFusilli.com. Jim's latest, The Mayor of Polk Street, is available as an Audible Original.

Music is like a true friend who understands us and sticks by us no matter what unworthy slobs we secretly are. When someone knocks our favorite musicians, it can tick us off. And by "someone" I mean me, and by "us" I mean you good folks. If you need to vent, please comment here; or on twitter at Lawrence Maddox@Madxbooks; or drop me a line at Lawrencemddx@yahoo.com. Remember, it's only rock 'n' roll.

To the left is Fast Bang Booze. The sequel is the writing assignment I mentioned. To the right is Orange County Noir, 2010. I had Jim Fusilli in mind when my story got accepted.


 

12 September 2019

Pentecost - Burning Up Every Wrong


A month ago, I read Miriam Towes' Women Talking, a novel about the unbelievable but horrifically true story of a group of Mennonite men in the Manitoba Colony of Bolivia who "went around spraying an animal anesthetic into neighboring houses at night, rendering everyone unconscious, and raping all the women (infant, elderly and relatives included)".  At first the men in the colony denied that it happened.  Then they accused the women of everything from adultery to demonic possession.  But then some were caught.  Not that things got better for the women:  after arrests and confessions were made, psychological support was offered to the rape survivors by Mennonite missionaries, but the Bishop of Manitoba rejected it. He said, "Why would they need counselling if they weren't even awake when it happened?"  And the victims were and are being pressured to forgive the rapists, under threat of losing their eternal salvation if they don't.  (Manitoba case
Once again, proof that 99% of sex crimes are NOT about sexual desire, sexual desirability, or even lust.  They're about power.

In an authoritarian world, the real definition of power - unprettied, unsoftened - is the ability to do whatever you want and get away with it.  And one of the absolute proofs of power, to sociopaths, psychopaths, and pack mobs, is the ability to do anything you want to someone subordinate/inferior to you and get away with it.  Especially sexual dominance.  And if someone actually decides to rebel against the pecking order and resist and report?

DENIAL:
It never happened!  It wasn't like that!  It was consensual!  Demons must have done this!  S/he's lying!  What did s/he do to lure him on?
DEFLECTION:
Roy Cohn.jpg
Roy Cohn
Roger Stone on Roy Cohn:  "Roy was not gay. He was a man who liked having sex with men."  (Source)
DEFENSE!  DEFENSE!
Alan Dershowitz:  A john “who occasionally seeks to taste the forbidden fruit of sex for hire...  Prostitutes know what they’re doing—they should be prosecuted. But you shouldn’t ruin the john’s life over that."  (New Yorker
And as for rape, well - A young boy's life shouldn't be ruined over "20 minutes of action." (Brock Turner)
DISTRACTION:
Look!  Squirrel!  Someone else is worse!  They did that!  What was she wearing?  What was she drinking?  Why did she go there?  Why didn't they report it sooner?  What are they trying to get out of it by reporting it now?
DISTRACTION AND DENIAL:
Of course it never happened, s/he's not my type!  Who'd want to **** her [him]?
And we're back to the age-old "excuse" that sexual assault is based on the desirability of the victim, rather than an exercise of power.  But the truth is, rapists rape and abusers abuse the same way pigeons poop and bank robbers rob - that's what they do.  There's almost nothing you can do except lock yourself up in your house and wear body armor, and even then - well, read something about the Boston Strangler.  No, I'll take that back:  what you can do is avoid sociopaths, psychopaths, cult leaders, war zones, riots, authoritarians, and pack mobs.

The trouble is, that's hard to do.  Always has been.

My story in Liz Zelvin's Me Too Short Stories:  An Anthology is "Pentecost".  It's 1990, and Darla Koenig is the first female pastor in Laskin, South Dakota.  Not everyone is welcoming.  Nothing personal, just general principles, you know?  Not sure that women should be preaching from the pulpit.  Things might have to change.  Everything's fine the way it is.  Darla should be grateful that she's even allowed in.  And no one wants to deal with an old predator, even if he is still predatory.  So Darla has to, even though she knows that doing it herself could be one of the most dangerous things that she will ever do, for herself, her career, and the young girls of Laskin.

A lot went into "Pentecost."  The Hutterite colonies throughout the Midwest.  They are hardworking religious communes that are also deeply, profoundly, completely patriarchal and capitalist.   They're also hard-drinking.  Sometimes things happen.  Sometimes someone talks about them.

WaPo
The sexual abuse scandals in the Roman Catholic Church, the Southern Baptist Church, and other Evangelical churches. Again, patriarchal societies in which women are not allowed any leadership or pastoral roles, and are expected to "graciously submit to the leadership of her husband".  In which the perpetrators were protected, hidden, and - if everything came tumbling out - were quickly, publicly forgiven, while victims were silenced, ignored, told they had to forgive and forget to maintain their salvation, sometimes even made to confess their "guilt" in rape and abuse.  (Evangelical Church Sexual Abuse; SBC Church Sexual Abuse)

The new church group in the South Dakota small town that - in 2015!!!! - wanted to use the community room in the apartment building Allan & I lived in, and assured the owner of said building that "In our church, women know their place."  (They didn't get the room.)

An incident from my childhood.  Another, on-going incident from those days, when every child in my Southern California neighborhood knew that the guy on the corner was molesting his foster children.  But it was the 1960s, and we didn't dare say anything, because we knew that, as children, to even know what sexual molestation was meant that somehow we'd lost our innocence - and that meant something was wrong with us.  How could we know that without being corrupted?  And we would end up punished.

Darla runs headlong into this issue.  When she makes a couple of suggestions to at least rein in the predator she's told, "The town might be embarrassed."  When she suggests that the victims band together to pull him down, the janitor, Portia Davison, tells her:
"I don't know many women in this town who'd be willing to admit that something like that happened to them.  And we don't have any proof.  He's a lawyer.  His dad was mayor.  He hangs out with Judge Dunn and everyone on the City Commission.  To them, Davisons like me are trailer trash, and you're not from around here, not any more.  Nobody's going to listen.  And people might get hurt.  Especially the girls."
Portia was right.  To speak up would mean that every ballet student for the last 20 years, but especially the ones right now, would be pointed out, whispered about, objects of pity but also of suspicion, sullied...  To speak up and be doubted would ruin Darla's image, if not her reputation.  Darla would be called a troublemaker and a feminazi and every other misygynistic slur, and it would be another ten years at least before there would be another woman pastor in Laskin.
And it wouldn't even matter whether they were believed or not.  Even if they were, Darla would be hated for opening the can of worms, and the girls would still be held somehow at fault.
It wasn't fair, it wasn't fair, it wasn't fair.
Don't worry.  Darla finds a way through the dilemma.  A very effective way.

Check out how she pulls it off - and many other wonderfully satisfying stories - in Me Too Short Stories:  An Anthology, available on Amazon.com HERE,, at Barnes & Noble HERE.

And for those of you in NYC, there will be a launch party at the Mysterious Bookshop in the Big Apple on Tuesday September 24!

Me Too Short Stories: An Anthology by [Zelvin, Elizabeth]