Showing posts sorted by relevance for query Writing mysteries in the age of covid. Sort by date Show all posts
Showing posts sorted by relevance for query Writing mysteries in the age of covid. Sort by date Show all posts

09 January 2022

Writing Mysteries in the Age of COVID-19


As always, I’m curious on how to plot a murder mystery and have been peeking at how death investigations have changed.

Since COVID-19, mystery writers attempting to hide a murder have a different landscape to deal with. If a person is COVID-19 positive, even if they wouldn’t die from the disease - this is far more possible with the Omicron variant - a murder via poison at home would be easier to conceal.

Recently, our jurisdiction changed the rules stating, “Autopsies will no longer be performed on someone who is suspected to have died from COVID-19 unless there is another factor of great significance, such as a homicide.”

So, without evidence of blunt force trauma or anything obviously untoward, a murder via poison in a COVID-19 positive person can be more easily hidden.

Is this true in other jurisdictions?

“During the pandemic, many sick people have stayed at home and died there rather than seeking help at hospitals overwhelmed with coronavirus patients.

“In April in New York City, for example, a reported 200 residents died at home each day, compared with 20 such deaths before the pandemic…If family or friends say the person had symptoms consistent with COVID-19, the coroner's office will typically do a nasal swab to test for the virus, he says. If the test is positive and the office can determine the cause of death without an autopsy, one will generally not be performed.”

A review of the literature shows, “The literature is dominated by appeals for more autopsies to be performed…The main reason for the great reluctance worldwide to perform autopsies seems to be concerns about infectivity emanating from deceased persons.”

In the United States, there’s the added problem of cost, availability of specialists and the vast number COVID-19 deaths.

“Hospitals are not required to provide autopsy services, and in those that do perform them, the procedure’s costs are not directly covered by most private insurance or by Medicare…Added into the mix: The number of experts who can actually perform autopsies is critically low. Estimates suggest the U.S. has only a few hundred forensic pathologists but could use several thousand — and less than one in 100 graduating medical school students enters the profession each year.”

Add to this the fact that there are almost 860k COVID-19 deaths to date, the volume of detailed death investigations, let alone autopsies, of those who die out of hospital would overwhelm the system. So they are not done.

In hospital deaths are also not autopsied but with COVID-19 restrictions on visitors it would be hard to write a plausible mystery involving a murder in hospital.

So if autopsies aren’t done for most COVID-19 deaths, is toxicology conducted?

“How are forensic toxicology tests done? At the time of the autopsy, collection of blood, urine, and tissue samples is done in preparation for the toxicology tests, says Barbarajean Magnani, PhD, MD, chairwoman of the Toxicology Resource committee for the College of American Pathologists.”

So, given the concerns about infection from COVID-19 would collection of samples occur? I have not found evidence to suggest it is done.

While this certainly makes for intriguing options for writing mysteries, it’s a huge loss to science. Fulsome and numerous autopsies are the one crucial way to obtain information about a disease. For scientific purposes, more rather than fewer autopsies should be conducted. However, the limitations of time, personnel, well-ventilated facilities and PPE have limited autopsies and we have lost a great deal of data. Because of this, there’s been a pushback from many to perform more autopsies.

“The results from the analyzed studies show that autopsies are essential in the COVID-19 pandemic. They enable a more differentiated assessment of mortality. More important than the determination of the cause of death, however, is the fact that only the autopsy (including histological and virological examinations) opens up the possibility of investigating the spread of the virus in the body, the involvement of various organ systems, but also the late effects of the disease…

There are few valid reasons not to perform autopsies in COVID-19 deceased if the technical equipment meets certain minimum standards. It is easy to protect oneself against infection during the autopsy. Both clinical and forensic pathologists – preferably in cooperation – play an important role in gaining knowledge about the new disease as a basis for therapeutic measures and global pandemic control.”

I do wonder how mysteries written in the age of COVID-19 will be different because of the new landscape of death investigations.

27 May 2023

"Why don't you write about Gina Gallo's Grandmother?" or Where do you get your Ideas?


 Ah, the timeless question.  Where do you get your ideas?

I think it was Stephen King who talked about a little mail-order store in small town America...

I've never been able to find that store myself.  Stephen keeps it a close secret (I hope you're smiling.)

But I had reason to experience that dilemma about two years ago, a year into the pandemic, and a year after my husband David died.

Damn that covid, and what it's done to publishing.  When Orca Books told me that they were capping the line that carried my Goddaughter series (translation: still selling the books in the line, but closing it to future books, at least for now)  I was in a tight spot.

What to write next?  I'd had 10 contracts in a row from Orca!  That series garnered three major awards!  How could I leave it behind?

Put another way:  what the poop was I going to write next?

The Goddaughter series featured a present day mob goddaughter who didn't want to be one.  Gina Gallo had a beloved fiance who thought she had gone straight.  But of course, in each book she would get blackmailed into helping the family pull off heists or capers that would inevitably go wrong.  It allowed for a lot of madcap comedy.

Some would say I was a natural to write a series about a mob goddaughter (we'll just leave it at that.)  And I liked the serious theme behind the comedy:  You're supposed to love and support your family.  But what if your family is this one? 

Issues of grey have always interested me.  We want things to be black and white in life, but quite often, they are more complex than that.  I like exploring justice outside of the law in my novels.  But I digress...

The Goddaughter books brought me to the attention of Don Graves, a well-known newspaper book reviewer up here.  He commiserated with the end of the Goddaughter series, and immediately suggested the following:

"Why don't you write about her grandmother?  Prohibition days, when the mob was becoming big in Hamilton."

The idea burned in me.  Except it wouldn't be her grandmother.  (Don is older than me.)  It would be her great-grandmother!  Coming to age in the time of Rocco Perri and Bessie Starkman...

I settled on 1928, because that was the year women finally got the vote in England.  The status of women features very much in this novel.  The time frame also allowed me to use the aftermath of WW1, including men like my own grandfather, wounded by gas, and shell-shocked.  I would make the protagonist a young widow, because I knew grief - oh man, did I know grief.  My own husband had died way before his time, the year before.  I could write convincingly about that.

But I would also use bathos to lighten the tale. (I seem incapable of writing anything straight.)  The comedy of the Goddaughter books finds its way into The Merry Widow Murders, and so far, has generated smiles for prepub reviewers.

The book took me over a year to write, working full time on it.  It helped me to channel my grief.  It forced me to step out of my comfort zone and write something with considerable depth.  

And it taught me that - even widowed - I wasn't entirely alone.  That ideas are beautiful things that can come from friendship, and the good hearts of readers and reviewers you are fortunate to meet along your publishing journey.

Thank you, Don!

So tell me:  where do you get your ideas?

 "Delightful...Not to be missed"  Maureen Jennings, 

author of  the Murdoch Mysteries on TV

and the Paradise Cafe series

The Merry Widow Murders  

Now available!  

Barnes&Noble, Chapters

Amazon, independents

and all the usual suspects

from Cormorant Books

 

 1928, At Sea  

When an inconvenient body shows up in her stateroom, Lady Revelstoke and her pickpocket-turned-maid Elf know how to make it disappear--and find the killer.

"Miss Fisher meets Hitchcock's The Trouble with Harry. The perfect escapist read!"  Anne R. Allen